i saw an account post that, unfortunately, if you are a jason todd fan account then you’ve most definitely gotten an ask along the lines of “if you like fanon jason then you’ll definitely like canon helena/steph/mia” and was wondering if you’ve ever gotten an ask like that
I've gotten a few about Helena specifically, never Steph or Mia so I'm going to talk about Helena rather than generalize what I'm about to say to both of them too (because I was actually thinking about this a few weeks ago!)
Those people are right...in a way. If you want christian guilt (that Jason does not in UTRH and should not ever struggle with) and genuine efforts to be accepted by the Bats? You want Helena. A character whose relationship with killing can be benefited by people bringing her into their light without rendering her previous choices pointlessly antagonistic? that's Helena.
Then there's also the factor of Helena often, in canon, being treated as unstable and untrustworthy, no matter what she does to prove otherwise. and that's seen as a continued failing on her part, even if it's others that refuse to believe in her. Jason constantly being pushed into those situations in fanon and canon is very Helena coded. He's got her good and bad.
But if you like the Jason from UTRH era, arguably the best written Jason post-resurrection (which isn't saying much because...we all know how he's written most of the time), then Helena would never work for you because they're so different. Even with fanon, there's only a certain extent it can apply to. Helena's not Bruce daughter, he didn't raise her, she was never family for him outside the costume (or in it. but that hurts me to say), and she certainly wasn't Dick's sister. So those dynamics should be different inherently, even in fanon where they're altered to resemble something like what Helena has. There's still a history that Jason has here that she naturally doesn't.
I think it's too vague and unhelpful of a thing to say if you're trying to make people interested in Helena or change their portrayal of Jason. But I do see the basis of it.
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The more time that passes since the reveal of the ‘moon cassandra’ design the less I like the look of the “suit”. In big action poses where the limbs are all out and visible it’s fine. Or when she’s standing still and her arms are at her sides.
But anytime any of her body parts overlap they mush together into a big black blob. Especially on dark backgrounds, which was where Moonsandra spent most of her time.
her body completely fades into the background which is ironic. because this was supposed to be her ‘standing out on her own’. Looking at the below stills it took me a moment to find her left arm in the shot. Or her legs in the second one. She spends a lot of time in stills looking like a floating head.
Everyone else has some level of contrast that helps them stand out but it seems like the only part about Cass’s design that was meant to stand out was her hair. Edmund even, who is also wearing all black armor, has purple lighting accents on it and wears a cloak in a different color to add variation. When he’s on a black background you can still see his shape. It seems like the problems with this arc go all so deep that even on a technical animation/design level they didn’t know what to do with her. The main villain of the show shouldn’t be blending into the backgrounds there should be something to make her POP
This isn’t me bashing the animators obviously. they animate what they’re given they don’t decide what the backgrounds look like or how the characters are designed. This is another one of those ‘this comes from the people at the top’ issues because this was one of many designs they could have gone with and this was what got approved.
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i really wanted to try and write like, a thing explaining how i think steven universe future is one of the best portrayals (and my personal favorite) of mental illness in media, and how i think people misinterpreted it (me included at first, cause my experience over time has given me new perspectives) but i. AAA i literally dont even know if its necessary cause i dont know if people still think it was bad or a bad way to write steven (it wasnt!!) or like any of that, mostly cause. holy shit its just so obvious to me?
like i watch that show and i relate to him so much that i just understand it all and its so obvious to me and i dont know if other people find it. not obvious. like everything is right there in the text laid out i think
the main thing that i saw get misinterpreted when it aired was the second to last episode where steven turns into a fucking kaiju and everyone, again me included, thought that it felt rushed, but everytime i rewatch it i think... no it wasnt, actually. because we see it expecting a big fight or thinking it needs a whole lot to fix, but it doesnt. its not a fight, its someone having a mental breakdown and thinking theyre purely unlovable and evil, but being made to see that they are still lovable and arent evil even after all the bad theyve done, theyre loved unconditionally, and that other stuff mostly really doesnt matter (and hey, it can be fixed/dealt with later, its fine!)
its just my favorite show ever, specifically future! and i really wish other people would see what i see, but do i even need to try..? i didnt really write it very well anyway, but drafts exist for a reason. idk ive just been thinking about it a lot
TL;DR: i adore steven universe future and im wondering if anyone thinks its even necessary for it to be analyzed for people to maybe better understand it/do you think that there are enough people misunderstanding it that it needs a perspective to maybe help be more understood
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2023 reads
Wren Martin Ruins It All
YA contemporary romcom
student council president proposes to cut the school valentine’s dance because it's expensive and alienating for queer/single people, but instead the vice president (who he adamantly hates for being perfect) suggests they get sponsored by a popular friendship app
he decides to secretly give the app a go to “know his enemy” but ends up making a friend, and starts to catch feelings for him...and maybe realises the guy he hates isn't actually so bad either...
ace mlm MC, aro-questioning side character
I loved this so much! great MC with a funny internal monologue
despite the title most issues or misunderstanding are sorted out pretty quickly rather than drawn out for the drama and plot. which is refreshing
I was a little nervous about the concept of ‘ace hates the school dance and wants it shut down’ - there's a bit of a stereotype of aspecs being boring Fun Haters - but I think it did a really good job of showing the specifics of why, not dragging it out, and also that he’s just a snarky fun hater in general with not much weight behind it.
There’s also no discovering of sexuality or big coming out (just one-on-one) - he already knows he’s ace, and it comes up naturally a bunch, talking about how dances etc can feel isolating, the way the friendship app called buddy being called ace-friendly can feel infantilizing, avoiding dating because of the stress of having to check upfront if people about it, etc.
I would have liked to know more about his relationship with his mum? Though I understand that it’s clearly something he avoids thinking about - going too deep into his relationship with his parents might have changed the tone a lot. but still.
ARC from netgalley thanks netgalley
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I'm watching Monkey King 2009, and I know a bit of what happens to Six Ears later so I can't help but look at things through that lens, specifically the ways the FFM troop are a hot mess in a way that's actually kind of interesting and addressed in the show (to the extent a kid's show generally touches on those things). Like! The fact it's only the second episode and the troop is now two-for-two throwing Six Ears to the wolves at the first available opportunity! I decided to look back on what happened the last time they did this and go ahead and outline the thoughts I was having on it because, apparently(!), this was not a one-off! And I was not overreacting!
The very first fight scene in the series in Episode 1. Analysis, go!
Specifically, the part where a child is the one facing down the leader of the enemy warband, a combatant who already mowed through the advances of two experienced, trained adults with minimal effort, and the show...actually kind of goes a semi-realistic route with it?
Six Ears starts off strong and confident. He's basically an adult, his king put him up to this, of course he can handle it! He won't let him down!
And he does a pretty good job! It's very kid's show fun and punchy.
But then the Demon King of Havoc - an adult, a trained fighter, a blooded fighter - starts buckling down. And Six Ears slips up. And then he keeps slipping up.
It's not fun anymore. Six Ears is in way over his head and he knows it. So you get this (honestly kind of heartstring-tugging) shot of him glancing away while the Demon King approaches to look for his mentor and idol for help or guidance or something. He's a kid, he's scared now, and he wants his grandfather.
...and finds him asleep.
Now in most media I'd expect this to either be the mentor-figure feigning indifference or carelessness to encourage their pupil to handle the problem themselves (and implying in the process that they never doubted their pupil's ability to handle it - that they were never in actual danger), or this would just be building tension before the seemingly-oblivious mentor-figure suddenly intervenes at the critical moment.
But, of course, Six Ears isn't the actual protagonist, and that's not what happens. Six Ears looks to his king for help, finds none, and that's it. The Demon King of Havoc goes in for the kill and all Six Ears can do is run.
And he does, and he runs and runs and runs, farther and farther from his troop and anyone who can help because apparently no one was paying attention to the kid who was taking on the leader of the entire opposing force by himself, and he barely stays ahead of the sword, the trees the Demon King sends crashing down on him, and he's blatantly not able to do anything more than survive moment to moment.
And then he can't run anymore.
And the Old Monkey King doesn't show up. We find out he was never going to show up.
We get a shot of the Old Monkey King slowly waking up way back in the camp well after this scene, in response to Stone Monkey's hatching. (He also stands bolt right up, which is probably meant to be in shock at the giant stone rocketing into the sky wreathed in universe energy but I also like to think might also have been a "Where the FUCK is my KID" just so I can imagine someone was concerned about Six Ears during all this.)
Like, I cannot emphasize enough, Six Ears would be dead if Stone Monkey hadn't been hatching at this exact moment. An energy burst from the hatching blinds the Demon King long enough for Six Ears to bolt and start the chase again. That's what saves him. And then again when Six Ears manages to get the egg between him and a blow from the Demon King's sword.
Considering how eager the generals are to throw Six Ears to Stone Monkey when they're still convinced he's a legitimate danger in literally just the next episode, presumably just days after all this went down, and I...sort of think they were fully aware Six Ears was likely going to die to the Demon King. While I hesitate to say they didn't care at all, they showed in Episode 2 pretty clearly that they definitely cared way less about a child of their troop's likely death than they did about saving their own skins. Not enough to back him up, not enough to go after him when he's forced to flee, not enough to take on the fight in his place.
Which is tremendously messed up all on it's own, but it gets worse because these generals are all for treating him like a young kid when it's convenient for them. They see him as a child! But they're just as quick to throw him under the bus of adulthood as soon as that's convenient for them. Whatever requires the least effort from them, that's what they want him to be.
Seriously, who the hell is taking care of this kid? Because at this point it sure seems like the Old Monkey King - who is very old and very tired and whose body is blatantly failing him - is stuck not only trying to keep his troop in something vaguely resembling working order and secure them as much as possible for his imminent death no one but him seems concerned with, but is also somehow expected to be the primary (if not sole) caregiver of a young child. Something he can't be. Like, geez, guys. Let the man wither away in peace without piling on him more fraying threads of the things he can't possibly tie up properly before he goes, thanks!
Not to mention how this would blatantly conflict with the Old Monkey King's need to have a successor as soon as possible, since the most eligible adults in his troop are, apparently, all lazy cowards who are entirely unsuitable. He brings it up like two or three times in the first episode alone, so this is clearly something that's stressing him out, and his best option is still a boy. Meaning Old Monkey King is in a position of having to desperately (but trying not to show that he's desperate) push Six Ears to grow up just a little faster because he doesn't know how much longer he has left. There's just not a lot of room for him to just let Six Ears be a kid, in those circumstances. He needs a king. He needs Six Ears to make decisions and lead and take risks, even if the ones he's taking are far beyond the sort of things that should be on a kid's shoulders. He can't be his mentor and his grandfather and his king. No one person can be all three of those. Something is going to give. And so the Old Monkey King makes his mistakes. He piles too much on Six Ears too soon. He expects too much of him too soon. He nearly gets Six Ears killed in the first episode. (He accidentally leaves Six Ears vulnerable in the future to adults who want to use him.)
It's a fascinating little set-up. Obviously not really addressed in the show, since it's for kids and framed from a kid's perspective, which is also sort of genius? I'm thinking of the second episode where the generals are more than willing to dump Six Ears on the sacrificial alter, even physically carrying him out the door, an adult on each arm, like he might wise up and get scared and run (and if he did, like they wouldn't let him), and all Six Ears does is laugh. He's a kid. We've all been kids who think some of the most messed up things are perfectly normal simply because you don't have anything to compare it to. This is just the generals being the generals, obviously. They're so silly :)
But adults were writing this show, and I can't imagine an adult writing this not knowing exactly what they were doing. Especially knowing what happens to Six Ears.
Anyway, long story short: I want to fight the generals with my bare hands. I do not want to fight the Old Monkey King with my bare hands, but I do want to give him a long, disappointed glare over his cups that I feel like he would understand perfectly.
Also, someone needs to wrap Six Ears up in a burrito blanket and stuff him in a pillow fort with Stone Monkey where nothing can hurt them. That would be nice.
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