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#equity union
lumaxmayclair · 10 months
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TIL that UK Labour law is so anti Union that according to this Variety article, in general you will have to continue to work on projects under Equity* contract even if you're a SAG-AFTRA member otherwise you can face consequences such as dismissal or even being sued for breach of contract.
I'm sharing this in case there are questions about why this or that actor seems to continue to work during the strike. We don't know their contract and if it's Equity instead of SAG, they're not scabbing. It's not their fault, it's the fault of the studios in the US and the government in the UK.
*Equity is the UK version of SAG-AFTRA
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Housing is a labor issue
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There's a reason Reagan declared war on unions before he declared war on everything else – environmental protection, health care, consumer rights, financial regulation. Unions are how working people fight for a better world for all of us. They're how everyday people come together to resist oligarchy, extraction and exploitation.
Take the 2019 LA teachers' strike. As Jane McAlevey writes in A Collective Bargain, the LA teachers didn't just win higher pay for their members! They also demanded (and got) an end to immigration sweeps of parents waiting for their kids at the school gate; a guarantee of green space near every public school in the city; and on-site immigration counselors in LA schools:
https://pluralistic.net/2023/04/23/a-collective-bargain/
Unionization is enjoying an historic renaissance. The Hot Labor Summer transitioned to an Eternal Labor September, and it's still going strong, with UAW president Shawn Fain celebrating his members victory over the Big Three automakers by calling for a 2028 general strike:
https://www.teenvogue.com/story/uaw-general-strike-no-class
The rising labor movement has powerful allies in the Biden Administration. NLRB general counsel Jennifer Abruzzo is systematically gutting the "union avoidance" playbook. She's banned the use of temp-work app blacklists that force workers to cross picket lines:
https://pluralistic.net/2023/07/30/computer-says-scab/#instawork
She's changed the penalty for bosses who violate labor law during union drives. It used to be the boss would pay a fine, which was an easy price to pay in exchange for killing your workers' union. Now, the penalty is automatic recognition of the union:
https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks/#if-blood-be-the-price-of-your-cursed-wealth
And while the law doesn't allow Abruzzo to impose a contract on companies that refuse to bargain their unions, she's set to force those companies to honor other employers' union contracts until they agree to a contract with their own workers:
https://onlabor.org/gc-abruzzo-just-asked-the-nlrb-to-overturn-ex-cell-o-heres-why-that-matters/
She's also nuking TRAPs, the deals that force workers to repay their employers for their "training expenses" if they have the audacity to quit and get a better job somewhere else:
https://pluralistic.net/2023/09/14/prop-22-never-again/#norms-code-laws-markets
(As with every aspect of the Biden White House, its labor policy is contradictory and self-defeating, with other Biden appointees working to smash worker power, including when Biden broke the railworkers' strike:)
https://pluralistic.net/2023/09/18/co-determination/#now-make-me-do-it
A surging labor movement opens up all kinds of possibilities for a better world. Writing for the Law and Political Economy Project, UNITE Here attorney Zoe Tucker makes the case for unions as a way out of America's brutal housing crisis:
https://lpeproject.org/blog/why-unions-should-join-the-housing-fight/
She describes how low-waged LA hotel workers have been pushed out of neighborhoods close to their jobs, with UNITE Here members commuting three hours in each direction, starting their work-days at 3AM in order to clock in on time:
https://twitter.com/MorePerfectUS/status/1669088899769987079
UNITE Here members are striking against 50 hotels in LA and Orange County, and their demands include significant cost-of-living raises. But more money won't give them back the time they give up to those bruising daily commutes. For that, unions need to make housing itself a demand.
As Tucker writes, most workers are tenants and vice-versa. What's more, bad landlords are apt to be bad bosses, too. Stepan Kazaryan, the same guy who owns the strip club whose conditions were so bad that it prompted the creation of Equity Strippers NoHo, the first strippers' union in a generation, is also a shitty landlord whose tenants went on a rent-strike:
https://pluralistic.net/2023/05/20/the-missing-links/#plunderphonics
So it was only natural that Kazaryan's tenants walked the picket line with the Equity Stripper Noho workers:
https://twitter.com/glendaletenants/status/1733290276599570736?s=46
While scumbag bosses/evil landlords like Kazaryan deal out misery retail, one apartment building at a time, the wholesale destruction of workers' lives comes from private equity giants who are the most prolific source of TRAPs, robo-scabbing apps, illegal union busting, and indefinite contract delays – and these are the very same PE firms that are buying up millions of single-family homes and turning them into slums:
https://pluralistic.net/2022/02/08/wall-street-landlords/#the-new-slumlords
Tucker's point is that when a worker clocks out of their bad job, commutes home for three hours, and gets back to their black-mold-saturated, overpriced apartment to find a notice of a new junk fee (like a surcharge for paying your rent in cash, by check, or by direct payment), they're fighting the very same corporations.
Unions who defend their workers' right to shelter do every tenant a service. A coalition of LA unions succeeded in passing Measure ULA, which uses a surcharge on real estate transactions over $5m to fund "the largest municipal housing program in the country":
https://unitedtohousela.com/app/uploads/2022/05/LA_City_Affordable_Housing_Petition_H.pdf
LA unions are fighting for rules to limit Airbnbs and other platforms that transform the city's rental stock into illegal, unlicensed hotels:
https://upgo.lab.mcgill.ca/publication/strs-in-los-angeles-2022/Wachsmuth_LA_2022.pdf
And the hotel workers organized under UNITE Here are fighting their own employers: the hoteliers who are aggressively buying up residences, evicting their long-term tenants, tearing down the building and putting up a luxury hotel. They got LA council to pass a law requiring hotels to build new housing to replace any residences they displace:
https://www.latimes.com/california/story/2023-11-28/airbnb-operators-would-need-police-permit-in-l-a-under-proposed-law
UNITE Here is bargaining for a per-room hotel surcharge to fund housing specifically for hotel workers, so the people who change the sheets and clean the toilets don't have to waste six hours a day commuting to do so.
Labor unions and tenant unions have a long history of collaboration in the USA. NYC's first housing coop was midwifed by the Amalgamated Clothing Workers of America in 1927. The Penn South coop was created by the International Ladies Garment Workers’ Union. The 1949 Federal Housing Act passed after American unions pushed hard for it:
http://www.peterdreier.com/wp-content/uploads/2014/07/Labors-Love-Lost.pdf
It goes both ways. Strong unions can create sound housing – and precarious housing makes unions weaker. Remember during the Hollywood writers' strike, when an anonymous studio ghoul told the press the plans was to "allow things to drag on until union members start losing their apartments and losing their houses?"
Vienna has the most successful housing in any major city in the world. It's the city where people of every income and background live in comfort without being rent-burdened and without worry about eviction, mold, or leaks. That's the legacy of Red Vienna, the Austrian period of Social Democratic Workers' Party rule and built vast tracts of high-quality public housing. The system was so robust that it rebounded after World War II and continues to this day:
https://www.politico.eu/article/vienna-social-housing-architecture-austria-stigma/
Today, the rest of the world is mired in a terrible housing crisis. It's not merely that the rent's too damned high (though it is) – housing precarity is driving dangerous political instability:
https://pluralistic.net/2021/06/06/the-rents-too-damned-high/
Turning the human necessity of shelter into a market commodity is a failure. The economic orthodoxy that insists that public housing, rent control, and high-density zoning will lead to less housing has failed. rent control works:
https://pluralistic.net/2023/05/16/mortgages-are-rent-control/#housing-is-a-human-right-not-an-asset
Leaving housing to the market only produces losers. If you have the bad luck to invest everything you have into a home in a city that contracts, you're wiped out. If you have the bad luck into invest everything into a home in a "superstar city" where prices go up, you also lose, because your city becomes uninhabitable and your children can't afford to live there:
https://pluralistic.net/2021/09/27/lethal-dysfunction/#yimby
A strong labor movement is the best chance we have for breaking the housing deadlock. And housing is just for starters. Labor is the key to opening every frozen-in-place dysfunction. Take care work: the aging, increasingly chronically ill American population is being tortured and murdered by private equity hospices, long-term care facilities and health services that have been rolled up by the same private equity firms that destroyed work and housing:
https://pluralistic.net/2023/04/26/death-panels/#what-the-heck-is-going-on-with-CMS
In her interview with Capital & Main's Jessica Goodheart, National Domestic Workers Alliance president Ai-jen Poo describes how making things better for care workers will make things better for everyone:
https://prospect.org/labor/2023-12-13-labor-leader-ai-jen-poo-interview/
Care work is a "triple dignity investment": first, it makes life better for the worker (most often a woman of color), then, it allows family members of people who need care to move into higher paid work; and of course, it makes life better for people who need care: "It delivers human potential and agency. It delivers a future workforce. It delivers quality of life."
The failure to fund care work is a massive driver of inequality. America's sole federal public provision for care is Medicaid, which only kicks in after a family it totally impoverished. Funding care with tax increases polls high with both Democrats and Republicans, making it good politics:
https://www.dataforprogress.org/blog/2021/4/7/voters-support-investing-in-the-care-economy
Congress stripped many of the care provisions from Build Back Better, missing a chance for an "unprecedented, transformational investment in care." But the administrative agencies picked up where Congress failed, following a detailed executive order that identifies existing, previously unused powers to improve care in America. The EO "expands access to care, supports family caregivers and improves wages and conditions for the workforce":
https://www.whitehouse.gov/briefing-room/presidential-actions/2023/04/18/executive-order-on-increasing-access-to-high-quality-care-and-supporting-caregivers/
States are also filling the void. Washington just created a long-term care benefit:
https://apnews.com/article/washington-long-term-care-tax-disability-cb54b04b025223dbdba7199db1d254e4
New Mexicans passed a ballot initiative that establishes permanent funding for child care:
https://www.cwla.org/new-mexico-votes-for-child-care/
New York care workers won a $3/hour across the board raise:
https://inequality.org/great-divide/new-york-budget-fair-pay-home-care/
The fight is being led by women of color, and they're kicking ass – and they're doing it through their unions. Worker power is the foundation that we build a better world upon, and it's surging.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/12/13/i-want-a-roof-over-my-head/#and-bread-on-the-table
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iww-gnv · 3 months
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Disneyland’s costumed characters and parade performers have announced their intent to unionize. Calling themselves “Magic United,” cast members in the Anaheim resort’s Characters and Parades departments said Tuesday that they plan to unionize with Actors’ Equity Assn., which represents 51,000 professional actors and stage members on Broadway and in live theater around the country. Labor organizers have begun circulating union authorization cards to 1,700 Disneyland workers and said they will seek voluntary recognition from the company when a majority have signed. If Disney declines to recognize the union, Actors’ Equity Assn. will file the cards with the National Labor Relations Board, which will schedule a union recognition election for the cast members.
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taylorvaughnsaidso · 6 months
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So interesting, as an American I just had this conversation not too long ago with a friend from the UK - we were talking about the latest season of You and their depiction of classism of the UK vs US. To put in plainly she explained this exactly, what James is saying.
Michael Gambon seems a little out of touch with that perception if you ask me.
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^^^^
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Solidarity with my comrades in the US fighting against this vile legislation. I've made sure to share this with all my UK based drag contacts but don't have any direct US contacts so please do share this and make sure everyone who can get involved knows that the union is there for them.
Link to the tweet: https://twitter.com/ActorsEquity/status/1631743221322620929?t=Dc9Rvnyxlr9ZNQUuh6U_uQ&s=19
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gramforgram · 10 months
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man. I'm just one guy on the internet, but seeing such blatant environmental warfare used against striking union members doesn't get me excited about "tree law," as this great opportunity to see justice for the proletariat
the act is done. those trees will be stressed, susceptible to disease, and forced to endure heatwaves. those trees may die and the only consequence will be more capital exchange
doesn't anyone else see? we share the same world, the same fate, the same struggle with those trees. in some ways, we are the same
and when men come to cut you down, their shears will give all the permission they need
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percocet · 7 months
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i cannot believe what i'm reading what do you mean this was an email sent out to everybody
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THESE are the posts "[celebrating] recent acts of terror and violence"??
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snootyfoxfashion · 2 years
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when ur partner works at a bar in a popular theatre in auckland and they’re filming season 2 of our flag means death locally
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he ordered a pilsner and then a gin and tonic btw
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shakespearenews · 10 months
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Formed in 1913, Equity currently represents over 51,000 professional actors and stage managers. The Drunk Shakespeare Chicago union would not just represent the performers and crew, however, but the entire staff, including servers and bartenders. Union leaders were able to get 100 percent of the Chicago cast and crew to sign their authorization cards, which might not have happened if everyone’s concerns had not been addressed upfront, Fent added. 
“It’s thrilling to be a labor leader at this moment in which arts workers across the country, like our colleagues in other industries, are claiming their power,” said Equity president Kate Shindle in a press release. “That’s exactly what the members of Drunk Shakespeare United are doing. These actors and stage managers, servers and bartenders have banded together to unionize in order to achieve a fairer, safer workplace, and Equity is eager to support their efforts. I hope that companies of other shows—who might not have realized that they too can have a unionized workplace—will be inspired by Drunk Shakespeare United’s decision to stand together and say, ‘We deserve better.’” 
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Krull explained that during the first weekend in April, the Drunk Shakespeare D.C. team suffered a company-wide COVID-19 outbreak, and half of the staff were out sick. Instead of canceling the shows, they said, upper management pushed the few remaining company members to do back-to-back sold-out shows that Friday. Both managers were out sick, so no management was there that night, and actors were tasked with operating both the light and sound boards despite having no training on either, since no stage manager was present.
“Actors would run onstage to say a line, run off to support stage-management tasks, and then run around to deliver or reset a prop before [returning onstage],” Krull described. “We were fortunate that there were no incidents with inebriated patrons on this particular night, but the staff on duty did not feel supported, and it was a catalyzing factor in our unionization.”
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commiepinkofag · 10 months
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Exactly 14 years ago today—on July 24, 2009—the minimum wage was set at $7.25 while top 1% were worth $5T. Today, billionaire wealth is $45T+, meanwhile the min wage is still $7.25. This is what generational wage theft looks like. Pay workers. Tax billionaires. #RaiseTheWage
[@QasimRashid]
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pynkhues · 11 months
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If an actor were to go to Europe during the ongoing writer strike and film in a foreign country, would you consider that to be crossing the picket line and unethical? just wondering...
Mmm, that's a complicated question that I think depends a lot on the context, anon.
In the US right now, I think it's very important that actors and crews show solidarity to their writers. After all, without the work of those writers, those productions wouldn't exist at all, and by refusing to read and film those scripts until the writers get what they're owed is a powerful statement in and of itself.
That said, European writers aren't on strike, and European cinema has its own unions, its own standards and is, quite frankly, it's own industry. In that sense, no, I wouldn't personally view that as crossing a picket line at this stage (although my answer would / will be different if SAG-AFTRA goes on strike too).
It's also I think worth noting too that a lot of the international unions are currently in contact with the American ones.
I'm a member of the Australian Writers' Guild and we've had reps who've had meetings with the WGA to keep lines of communication open and to work not necessarily with the WGA, but to follow recommendations to ensure we aren't working against them. This has been distributed to all AWG members and ensures we know what we're doing, don't scab, cross picket lines or harm the WGA strike. That doesn't mean production in Australia has shut down in the way that it has in the States though. Australia has its own industry, just like Europe does, and these industries are still currently operating.
I know a number of Australian productions have American actors in them who are definitely members of SAG-AFTRA, but the projects being made here are covered by MEAA (the Media Entertainment Arts Alliance which is the banner all Australian writing, film, tv, theatre and journalism unions fall under, including the actors union). Knowing that MEAA, through AWG, has been in touch with the WGA makes me believe they've very likely been in touch with SAG-AFTRA too when it comes to working out what's appropriate for American actors in Australian productions in light of the strike.
I'd like to think it's at least fairly similar in different countries across Europe with the unions reaching agreements between themselves and recommendations being made as to the ways American actors are able to work in foreign industries outside of Hollywood right now.
Again though, I do think that'll change if SAG-AFTRA does go on strike too.
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iww-gnv · 3 months
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Disneyland employees who perform as various Disney characters at the theme park are seeking to join the Actor’s Equity Association, which represents everything from actors on Broadway to strippers in Los Angeles. The union is seeking to represent the 1,700 Disneyland employees in the characters and parades departments at the park. It said after three days of collecting cards signed by employees, it already has more than the 30% support needed to file for a representation vote with the National Labor Relations Board, which oversees such elections. But it said it is waiting until it has the support of at least 60% before filing for such a vote or seeking voluntary recognition of the union by Disney. Performers doing the same work at Disney World in Orlando, Florida, are already in a union and have been for years. And until recently the Disney World performers were paid more than their Disneyland counterparts, according to the union. The union contract reached between a coalition of unions and management at Disney World last year pays the performers a minimum hourly wage that ranges from $21.30 to $23.00, according to the union. The Disneyland performers had been getting $20 an hour until the union organizing drive began late last year. The minimum pay went up to $24.15 an hour at the end of last year, according to the union. But the cost of living is significantly greater in Orange County, California, where Disneyland is located, than in Orlando. According to data from the Council for Community and Economic Research, the cost of living is 50% greater in Orange County, California. Housing costs, which are more than twice as expensive, are the primary reason, but prices are higher across multiple categories. There are more than 21,000 Disneyland employees, who are referred to as cast members by the company, who are represented by more than a dozen unions. Those unionized jobs include everything from retail and food service workers to security guards, hair and make-up artists and pyrotechnic workers. But not the performers who dress up as characters such as Mickey and Minnie Mouse, Donald Duck and Goofy and interact with visitors.
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t-jfh · 8 months
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Anchuli Felicia King is a Thai-Australian playwright and multidisciplinary artist. (ABC Arts: Teresa Tan)
Playwright Anchuli Felicia King had to leave Australian theatre in order to conquer it.
By Dee Jefferson
ABC Arts - 31 October 2019
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David Koutsouridis is an award-winning Australian comedy writer based in Los Angeles. (Supplied)
Aussie writer on Hollywood picket lines says strike is pivotal for global entertainment industry.
By Mawunyo Gbogbo
ABC News - 7 June 2023
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Our local industry is being shaped and shaken up by the international streamers, including Netflix who produced the reboot of Heartbreak High. (Netflix)
As the US actors' and writers' strike continues, how does the Australian screen industry measure up?
By Hannah Reich for Stop Everything!
ABC Arts - 19 September 2023
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thegaythespian · 6 months
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damn. Unions.
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therogerclarkfanclub · 7 months
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(Above: Roger during the rehearsals for A Man For All Seasons)
It's been a long time since Roger has done any theater work. If memory serves me right, the last play he did was A Midsummer Night's Dream (you can watch that on Tubi for free), which was back in 2014.
And for the first time since then, Roger will once again lend his amazing talents for the theatrical production of A Man For All Seasons, where he will take the role of King Henry VIII.
A Man For All Seasons will consist of the talents of:
Roger Clark* as King Henry VIII Edward Furs* as Sigñor Chapuys Thomas Michael Hammond* as Sir Thomas More Kevin Isola* as The Common Man Ty Lane* as William Roper Sean Mahan* as Cranmer Anthony Marble* as Duke of Norfolk Brianna Martinez as Margaret More Aaron McDaniel* as Richard Rich James McMenamin* as Thomas Cromwell Henry David Silberstein as Attendant to Chapuys Mary Stillwaggon Stewart* as Alice More Raphael Nash Thompson* as Cardinal Woolsey *Members of Actors' Equity association, the Union of Professional Actors and Stage Managers.
A Man For All Seasons will run from October 18 - November 5, 2023 at The Shakespeare Theatre of New Jersey.
So if you are in, or plan to visit New Jersey or the surrounding area, don't forget to check our Roger's latest work!
Purchase your tickets in the link above.
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mariocki · 2 years
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On the 24th of July 1979 the cast of Bent, including stars Ian McKellen and Tom Bell, joined members of other West End productions in protesting increased VAT on theatre tickets. In August, McKellen wrote a piece for Plays and Players magazine:
"The march through London's West End on 24 July was a high-spirited and invigorating experience. At least 4,000 members of British Actors' Equity were on parade, representing every theatre in the country. I was under the Criterion Theatre's banner with the cast of Bent, who were reinforced by the box-office and stage staff and by our manager, Ian Albery. At a brief rally at the Opera House in Covent Garden, its director John Tooley welcomed us all; Trevor Nunn was there with the Royal Shakespeare Company and Peter Hall cabled his support from the National Theatre. Such unity of workers and employers, of commercial and subsidised theatres, was an example to other troubled industries. But then, we had an urgent case to present to the House of Commons, where the day ended as we lobbied our Members of Parliament."
#100plays#bent#martin sherman#moder drama#modern theatre#queer theatre#ian mckellen#tom bell#plays and players#transcript#quote#i should add that McKellen was actually something of a fencesitter#and whilst he deplored the taxing of theatre attendees under tory rule he was equally as sceptical of the WRP and Corin and Vanessa#Redgrave‚ who were calling for the nationalisation of theatres‚ describing both alternatives as 'barbarous'#the redgraves and the 'far left' they represented seem to have been a habitual irritant to McKellen‚ who wrote several pieces critical of#their influence on Equity (the actor's union for which McKellen remains a spirited champion). he was‚ though‚ in favour of the closed shop#approach Equity took until Thatcher made the process illegal in the early 80s#Bell‚ by comparison‚ was not a regular theatre star‚ having made his name in the British kitchen sink dramas and new wave films of the 60s#and mostly kept to tv and film ever since; Bent was a rare starring role on stage. Bell considered television better suited to his talents#and indeed the previous year had seen him BAFTA nominated in Trevor Preston's crime drama Out and winning glowing reviews as Adolf#Eichmann in controversial US miniseries Holocaust. nor was he as politically engaged as his costar‚ though he will forever have my#respect for drunkenly heckling Prince Philip at an awards ceremony early in his career (a move which almost certainly affected his#ability to win leading roles for some years)
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