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#ephemerality squad
lurkingshan · 7 months
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Only Friends: Fight Night
Another excellent episode, this time with everyone at each other’s throats. So much happened, so let’s break down the big fights and shifting allegiances.
Round 1: Sand vs Top
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Phew, Sand really hates Top. I am dying for the backstory on the ex Top stole from him. I loved how this scene showcased Top’s two faces: the boyfriend mask he wears with Mew, and this nastiness that comes out with others. I think both faces are real to an extent, but it cannot be denied that he is lying and hiding parts of himself from Mew. I don’t think Mew would be happy to hear the way Top talks about him, flaunting him as a conquest he won. Sand’s disdain for Top and the way he operates could not be more clear, and his smug attitude in this scene gave Sand the push he needed to do something with the ammunition he has.
Winner: Sand, but Top doesn’t know it yet.
Round 2: Ray vs Boston
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Ray walked into this scene with the upperhand, and we saw a moment of real fear on Boston’s face when he realized Ray knew about him fucking Top. But he recovered quickly and turned it around on Ray easily, hitting on his insecurities about Mew and accusing him of only wanting Mew to know so he could break up his relationship and try to get with him again. He called him disgusting (Boston’s favorite insult), and clearly, that was a direct hit, because Ray teared up and disassembled immediately. 
Winner: Boston. Don’t fuck with a fucker, Ray.
Round 3: Cheum vs Boston and Ray
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Cheum got her passive aggressive on in this scene and made a bunch of passive aggressive digs at her “friends.” I’ve said it before and I’ll say it again: everyone in this friend group is an asshole (run for your life, April!) and none of them seem to actually like each other much. After encouraging Boston to bring Nick and promising to be on her best behavior, she called him a “heartless slut” in front of the guy she claims she wants him to date, and then started picking on Ray for being single and condescended to him about finding someone, teeing up Boston to add insult to injury. Classic mean girl behavior.
Winner: Cheum, but not for long.
Round 4: Ray vs Everyone
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As soon as Ray started chugging his liquor after his friends were mean to him, I knew we were in for some chaos, and he did not disappoint. Shots fired at every one of them, except for his most beloved Mew. Unfortunately, his drunk and high ass couldn’t get it together to coherently explain what he was ranting about in front of the crowd, but in the end it didn’t matter because he had already delivered the important information to Mew in the bathroom. Boston deserved it and I didn’t even feel bad for Cheum, she brought that shit on herself. Insulting Sand and offering him money for sex in front of everyone, though? Fucking ouch.
Winner: Ray, but in his typical fashion, he also lost.
Round 5: Sand vs Ray
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Sand is the cause of this whole mess, but he seems distressed to see Ray in this state. I don’t know what he thought would happen when he gave Ray this ammunition, knowing how he feels about Mew and how little self-control he has, so I was rolling my eyes a little at his insistence that Ray stop thinking about Mew. You sewed this chaos, sir! Don’t light the match and then make a shocked Pikachu face when you start a fire! After having already hurt him in front of everyone in the bar, Ray rejected Sand and his help brutally, calling him a whore and throwing him to the ground, and then got in his car to wreak havoc on the road. Ray is focused on Mew and simply does not care about Sand’s feelings, and Sand can’t seem to stop trying to protect Ray from his own self-destruction no matter how many times he’s rejected.
Winner: No one, this is all around fucked.
Round 6: Mew vs Top
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Mew, my boy, I didn’t know you had it in you! Throughout that scene I was shaking my head, wondering how he could have possibly missed the implication of what Ray was saying and whether he just won’t believe anything Ray says, and then as the sex scene started and he was more bold and confident than usual, I was like what is going o—oh shit! Mew, that was brilliant. I loved seeing him catch Top off guard like that, and given that he already knew before he went home with him, he was clearly giving Top one last chance to come clean and stop lying. Top failed the test, Mew is righteously pissed and genuinely hurt, and for once, Top is out of his depth with no idea how to fix his mistake. 
Winner: Mew. 
And Mew isn’t done, because next week we finally get to see him set some things on fire and kick Boston into the pool. Friends, I can hardly wait.
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neuroticbookworm · 7 months
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So Mew is officially in his Reputation era. And the aesthetics that he chose for the transformation was fascinating to me and @lurkingshan. Mew was, in his own words, setting out to be "as nasty as the nasty ones". And then went ahead and completely modelled his appearance after Ray.
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So does he think Ray is one of the "nasty" ones? Well, turns out, not quite. We see him trying to look confident with his fake hookup with Guy, but he fails. He's nervous, and it shows. He also tells Boston later in the episode that he "doesn't have to be as filthy as him".
So while he's not trying to be "nasty" or "filthy", he IS trying to be a transgressor. A rule-breaker. And he’s trying to emulate some of that chaotic energy Ray is always exuding without sinking all the way to Boston’s level. He wants to step out of line, but he still wants to stand within the moral boundary enough to claim superiority, as we see him do at Boston's house.
Which explains why Mew thinks Ray is not "right" for him, even if he’s willing to give him a chance to soothe his ego after Top’s cheating.
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And when the time comes, it'll be oh-so-easy for Top to convince Mew that Ray is not "good" for him.
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chickenstrangers · 7 months
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I love how the characters' shirts are telling the story.
Boston doesn't care about consequences or hurting people (or at least he didn't before the consequences came to bite him) because he doesn't plan to stay around much longer. He's going to New York after he graduates. Just like he doesn't want to form romantic attachments, he's probably the most realistic of the group that their friendship is based on circumstances. Once they're not in university, he'll move on. His NYC shirt signals his plans.
But his actions do have consequences. Mew is wearing a Las Vegas shirt. What happens in Vegas stays in Vegas. The ability to avoid repercussions, tied in with ideas of ephemerality. But this is, of course, a saying, not a fact. Mew is here to remind Boston that his harms won't be forgotten, using an also very underhanded way of demonstrating this.
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twig-tea · 7 months
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Only Friends Ep 6 Scene By Scene
This is the episode we've all been waiting for. It's the first episode where everyone is objectively a bit of an asshole; it's the first episode where truths are finally talked about, it's the episode that starts to answer two of my most burning questions (what is Boston's home life like, and where is April?), and interestingly it's the first episode we get without any obvious narrative framing or character perspective.
It was so interesting, as the clear pivot point of the story, that there was no obvious framework this ep, but this entire episode was parallels and callbacks and hypocrisy/relying on viewer knowledge to understand all of the subcurrents. I have so many thoughts that I'm talking about each scene so this post is LONG.
First scene: Top and Mew by the pool. Not enough people are giving Force and Book credit for keeping the awkward tension between these two even though they are having textbook cute moments, because these characters still don't trust one another and this scene establishes that before the rest of the episode blows them up: Mew says he's not sure they'll be together in 3 months, explicitly calling out the fragility of their relationship; and Top gets defensive at Mew insinuating he doesn't need a relationship and doesn't trust that they'll stay together, and straight-up lies that he's stopped doing drugs and having casual sex [though I do wonder how much he believes it's a lie because he's clearly cut back from his usual, and when someone does something all the time changing to doing it rarely does feel like not a big deal in comparison] and asks what else about himself he needs to change for Mew [all, by the way, while Mew is preparing to undergo permanent surgery to his eyes for Top]. We also get this called back later in the ep when Mew tells Ray to quit drugs and Ray says sure, and I have to wonder how many times that exchange has happened and if it's partly why Mew is suspicious of Top's "easy" change. Also interesting that Mew seems to be one of the only people in this friend group who has two parents (his moms) that care about him and who also have a good relationship with each other. Mew's point that he doesn't need fulfillment from a relationship because he gets it from his friends and family is interesting; especially given his friends. [Sidenote: This is basically how I feel about my own life so I am curious how other people read this assertion.] The ephemeral change of sleeping around and doing drugs vs the physical and permanent change of Lasik is really standing out to me this scene as significant.
Second scene: the meeting with the professor. It's interesting that even though they're presenting, they're the ones sitting down. Cheum says they can keep personal and professional lives separate and Ray turns to stare directly at Boston. I love that this is even before anyone else knew that the Boston/Top hookup was at the soft launch party for the hostel. Also noting Cheum's catty comment about even Boston helping; this girl is so much messier than people give her credit for [just saw @lurkingshan 's breakdown of this episode as I continue to update this post and yessssss call her out!!]
Third scene: noodles. This is I think the same place they planned the soft launch party. I'm seeing parallels with everyone pressuring Boston to date Nick to everyone pressuring Mew to sleep with Top in the first ep. Also, interesting that Cheum promises to behave this time [and then definitely doesn't]. We've all (or at least I have) been wondering where April is and now we get some explanation. I do wish they'd established this as more of a pattern for Cheum to complain like this, but I'll take it as setup now. The way Ray and his seething is invisible in this scene has been covered beautifully here [by @poetry-protest-pornography and @respectthepetty ].
Fourth scene: Ton and Nick wakeboarding. The parallels here to Top/Mew are twofold: we get the similar sitting by the water parallel from earlier this episode, in which there is a clear undercurrent of hypocrisy between what the characters are saying and what the audience knows about them (that conversation with/about Gap was so good, with the tension in Nick knowing he still has that audio clip and still hasn't deleted it as Boston berates Gap for the same thing), and then there is the contrasting parallel to when Mew took Top wakeboarding for the first time with the rest of his friend group. In contrast, Ton took Nick here alone, clearly still trying to play this game of not dating Nick but doing things with him that they would do if they were dating, that send extremely mixed signals. This scene again underscores the fragility of the relationship Boston and Nick have and how easily it can be broken.
Fifth scene: The hospital. Sand and his mom, in which we see how used he is to taking care of someone who is a bit of a mess [affectionate], and how he can still only be somewhat honest with his mom about his relationship with Ray (more than we'd expect between a 20something and their mom, but less than we the audience know is the truth--they're just having fun but it's not what he wants). And then the confrontation between Top and Sand. Top characterizes his relationship with Mew as "I get what I want" and I have to wonder how much of that is posturing to annoy Sand and how much of it is honesty. I did also think that maybe he meant it when he said "I hope you get what you want soon" because he wants Ray's attention away from Mew.
Sixth scene [start of part 2]: Sand intentionally drops and stomps on his phone to have an excuse to borrow Nick's so he can steal the sex audio. This is the first time that Sand consciously does something shitty to one of his friends, and I am living for it--let good characters make bad decisions! The parallel here is of course to Boston getting his phone fixed by Nick and having Nick steal his photo and adding one of his own from the beginning of the series; also a small one of Sand using his mom as an excuse to lie to his friend, the way Top used his dad as an excuse to lie to Mew the night he slept with Boston [not a comparison Sand would like, which is why I enjoy it]. I love that we see Nick get worried at the end of this scene because he's a phone tech and of course would know to check what Sand did with his phone.
Seventh scene: Top taking care of Mew after Lasik; this is maybe the least tense scene between Mew and Top, and the fact that Mew can barely see and is drugged for it is on point. I do also like that Top isn't great at caretaking but he is trying. This scene reminds me of Mew taking care of Ray and vice versa, especially the latter when Ray kisses Mew while he's sleeping and how that's contrasted with Top (Mew's boyfriend) only kissing Mew's forehead when he realizes he's asleep. The sketches that Top does are also really interesting, and how they hit Mew later is even more fascinating. The conversation they have in which Mew establishes that this is all happening right after they've had penetrative sex for the first time (so not long after ep 5) and makes clear he's still nervous about his performance and then credits Boston for their relationship, setting everything up for later, is just so good, it underscores the importance Mew has been putting on his virginity and sets the betrayal up to hit harder. I love how Top pushes back on giving Ton credit for their relationship here because it makes him so uncomfortable.
Eighth scene: Sand calls Ray out to play the stolen clip for him. This feels like a parallel to Boston calling Top out to play the video of Mew and Ray kissing. Other folks [ @xceanlynx and @respectthepetty linked here] have pointed out that in this scene Sand is choosing his hatred of Top over his potential relationship with Ray here, which I don't disagree with, but also what occurred to me here because of this parallel is the similarity in that both Sand and Boston seem to be motivated by their jealousy of Mew in these scenes too. I also just can't stop thinking about how wild it is that everyone recognizes Top and Ton by their sex noises alone.
Ninth scene: Boston and Nick with Boston's dad. We finally get some background for Boston and he clarifies he's always been planning to bail on Thailand to go to New York. It's interesting that it's made explicit that if Boston fails he's more likely to go to New York sooner, especially after the warning their teacher gave about the hostel project and how we know it's Boston's drama that is threatening to blow that project up. Boston's conversation with his dad is a contrast with Sand and his mom earlier; while Sand sleeping around was not judged by his mom, she did warn him about his feelings, while Boston's dad seemed to celebrate his callousness. The way Boston continues to ask Nick to not be dramatic while stirring up constant drama in his own friend group, and his insistence that his relationship with Nick is special but not a relationship is really something. Also that this convo takes place in Boston's dark room, which gets called out later as one of his regular hookup locations, and where Nick first got suspicious about Boston and Top, is interesting, especially in the context of permanent physical photos vs digital recordings that you can't necessarily erase vs how gossamer thin their relationship security is, and how tied up in voyeurism all of these things are.
Tenth scene [start of part 3]: Ray confronts Boston at the hostel (blatantly running contrast to "we can keep personal and professional lives separate"). We see Boston nervous here when first being confronted before he decides what approach to take with Ray to keep his mouth shut (not for the first time; we saw him nervous in the showers when he first tried to get Top to have sex). Also, I just have to say, respect to Ray for going to Boston first to confirm it's true before deciding what to do with the clip.
Eleventh scene: the birthday party at Yo's bar. It's poetic that the start and end of the Mew/Top relationship is because of conversations at Yolo. Once again, the spectre of failing school [because of the project] comes up in Mew's birthday wish. Cheum immediately breaks her promise to be "good" and teases Boston about Nick. She also says "everyone is dating someone now", apparently forgetting entirely about Ray. This entire conversation was so passive aggressive and @lurkingshan 's post (linked above) breaks it down really well. I am fascinated by Mew's reaction to Top's gift; I hope we get more insight into that because he seemed legitimately shaken, and it didn't seem to be positive. Also highlighting that once again Boston is credited for their relationship (this time by Cheum), and both Boston and Top seem deeply uncomfortable with it but Top doesn't argue it this time.
Twelfth scene: Ray and Mew in the bathroom. I already mentioned Ray's promise to quit and how it parallels Top "quitting for Mew" at the start of the ep; Mew is expressing care for Ray here but in a way that is distant and frankly a bit callous (to say "you'll be dead by thirty" to a guy who was/is suicidal is not the smartest approach even if it isn't intentionally referencing that). He insists that Ray not drive home but doesn't take his keys or stay with him to make sure he does actually get a ride, which is admittedly a big ask on your own birthday but just indicates the intentional boundaries Mew tries to set with Ray about not caring too much, I think. I don't think this makes him a terrible person, but it makes him not a great friend. This is in contrast to Sand, who stayed with Ray and made sure he would not drive before he even knew him, and followed him at the end of this ep to make sure he would not hurt himself or someone else even after Ray pushed him away.
Cursed thirteenth scene: Ray blows everything up [ shoutout to @liyazaki for this perfect post]. First, the same song is playing as the silent disco, calling back how Top's fate was sealed before Mew and Top had even gotten very far. And then once again, Sand's band is interrupted so that someone can take the mic, just as Top did when he asked out Mew for the first time. Mew calls out Cheum and April for their less than perfect relationship despite what it seems on the surface and more specifically calls out Cheum for being a bit of an asshole actually, mentions that Boston is a gossip about his hookups (which is not actually something we've seen evidence of, and I'm interested in how true it is), tells Nick he's not special, tries to explain to Mew that he (Ray) is not who Boston thinks he is and didn't share the clip with Mew to get him for himself [only knowable on rewatch of course]. Cheum finally admits that she fully knew Ray was in love with Mew this whole time and has just been ignoring it/pretending not to [vindication!!] and accuses Mew of exactly what he was trying to deny. Top finally acts his nastiest self in front of Mew, putting his arm around Mew's shoulder and claiming ownership for the second time this party in Ray's face (first time was when Yo joked that she wanted to go out with Mew now that the glasses were gone). Sand can't get Ray to stop, and Ray tries to shame Sand needing money by implying he should have sex with Ray for money. Ray goes after Boston, and Mew can't get Ray to shut up either so he hits him (even knowing why Ray is acting like this; and that's my favourite part of this entire episode, that Mew has decided he wants his moment to confront Top his way, once again using sex to control his feelings--this time to make him humiliated rather than fall in love--and he's willing to punch his friend to get his moment, and I am obsessed).
Fourteen: Only Sand goes after Ray, once again the only one actively trying to stop him from killing himself or someone else on the road. Sand snaps and yells at Ray to pay attention to him, Ray's "what are we to each other?" comes off as desperate rather than accusing, which I love--the question of what they are to one another has come up so many times and neither is willing to admit they want to be more first. Ray again calls Sand a whore this time explicitly, and drives off. Sand follows Ray. This is a beautiful parallel to the first time Sand took Ray home. Like every other couple scene this episode, the tenuousness of their connection is highlighted and even threatened in this scene, but Sand doubles down.
Fifteen: April and Cheum finally have a scene. They reconcile, but (like all of the couples) it feels tenuous. April asks that Cheum not lie to her just to avoid conflict, and Cheum promises to do that--but I am fully expecting this to not last. Since we know Cheum knew Ray was in love with Mew this whole time, it's confirmed that her lying or just glossing over reality to keep things easy is her personality not just something she does with her girlfriend's films.
Sixteen: the scene that we've all been waiting for. This was such a good fake-out, and it's the start of Mew's unhinged era he promised us all at the start of Top's pursuit of Mew. The way he set the stage, prepared a script, and as best I can figure out, TIMED A REMIX OF THE SEX AUDIO TO HIS SEDUCTION is absolutely sending me. Being more sexually confident, initiating sex and holding Top down, and making sure he could see Top's face when he realized what was happening, whew boy what a set-up. I am thinking about how much of that was him wanting Top to feel tricked and violated the way he felt tricked and violated. I also love Mew jumping to the conclusion that Boston and Top planned this and were laughing at him because that's a) indicative of something Mew would do, clearly; b) totally something people think when they're embarrassed, they assume everyone else knows and is laughing at them; c) not totally wrong because Boston did make fun of Mew's lack of experience to Top (shoutout to the YouTube comments for the reminder).
And that last sentence of the episode deserves its own paragraph because it just so perfectly encapsulates exactly where Mew went wrong in his thinking from the start: "I wasn't good enough for you to love only me"... As though other people's behaviour is controlled by your goodness and earned through your own behaviour. As though love and sex are value judgments. As though the world is fair. As though goodness is an objective judgment that allows you to control the people around you. This thinking is so harmful and so pervasive. It's really a sign of Mew's desperate need to be in control (in this version of events, even Top having sex with Boston is actually Mew's doing, which means in theory Mew could prevent it from happening again if he betters himself). And it confirms what we all suspected Mew's been trying to do this whole time: Manipulate Top into changing into a "better person" [read: monogamous and drug-free] through his own behaviour.
I also noticed that almost every camera shot in this entire episode was close faces and there was a lot of hand-held camera work. Intimacy, instability, lack of clarity, all of these things were coming through the way it was shot.
Ahdhsh tumblr keeps eating parts of this so I'm going to stop. But whew this episode just gave and gave!!
@ranchthoughts @slayerkitty @wen-kexing-apologist @neuroticbookworm @waitmyturtles @lurkingshan @distant-screaming @chickenstrangers @clara-maybe-ontheroad
Tagging the ephemerality squad because if any of you pick up on any of these threads and parallels and tie them into your meta I want to know about it! Tumblr is showing me only like half of what people are posting these days and unfollowing people without my consent so pls tag me
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ranchthoughts · 8 months
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Ephemerality Squad Thoughts on OF - a Round-Up
this will be updated periodically! Just needed to get it all in one place for easier referencing
Post Episode 1
Post Ep. 1 thoughts on ephemerality (@waitmyturtles)
Post Episode 2
Thoughts on ephemerality, permanence, YOLO, and photography post Ep. 2 (original by @ranchthoughts, additions on photography by @chickenstrangers and @lurkingshan)
Thoughts on control (@elizabethsebestianhedgehog)
Post Episode 3
Post Ep. 3 thoughts on plum wine, hypocrisy, and the demise of ships (@waitmyturtles)
Where we are headed post Ep. 3 (original by @ranchthoughts, additions on surveillance and voyeurism by @lurkingshan, @waitmyturtles, and @slayerkitty)
Photography and audio/visual in the series as of Ep. 3 (added in a reblog by @ranchthoughts)
Moments of ephemerality/YOLO/permanence in Ep. 3 (original by @ranchthoughts, additions on Yo, voyeurism, and permanence by @lurkingshan , @waitmyturtles, @twig-tea, and @imminentinertia)
Post Ep. 3 thoughts on control, consequences, and shipping (original by @waitmyturtles, addition on the ephemerality of control by @ranchthoughts)
Let's talk about trust and control (original by @slayerkitty, with additions by @lurkingshan and @distant-screaming)
Boston as photographer and voyeur (@lurkingshan)
Visual effects in the MV and BTS footage (original by @slayerkitty, additions on costuming by @distant-screaming)
Post Episode 4
Moments of ephemerality/YOLO/permance/photography/voyeurism/control/hypocrisy/etc. etc. in Ep. 4 (@ranchthoughts)
Thoughts on Sand's "Are you mine? Or just mine tonight?" Arctic Monkeys poster (original by @colourme-feral, addition on the album by @respectthepetty)
Photography and voyeurism as a theme in past Jojo shows (3 Will Be Free, The Warp Effect, NLMG) (@colourme-feral)
Post Ep. 4 thoughts on living in the past, intergenerational trauma, moving towards reckoning withe the past and present, the stigma of labels (original by @waitmyturtles, addition on the lingering stigma of labelling by @ranchthoughts)
Narrative frameworks in Only Friends (ongoing series by @slayerkitty)
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waitmyturtles · 7 months
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Damn. I spent Sunday kind of simmering at GMMTV for possibly forcing Jojo and team for making Sand into a weepily sympathetic character by having him admit his feelings to Ray at the end of Only Friends, episode 6.
BUT: this EXCELLENT exchange between a fabulous anonymous poster and @thatgirl4815 has me thinking (what an exchange, btw! I got crazy in my tags.). Is the sympathy play -- either on the part of Sand, and/or unto Sand by the OF writers -- on purpose?
If so, then: SHIT. Because! Sand was a jackass in this episode, too. He sussed out Ray on Mew! He stole the sex recording of Top and Boston and shared it! Dick moves.
Couple that with his ongoing illegal-in-Thailand activity of making and selling plum wine, and: who knows. Maybe Sand is setting HIMSELF up to be woobified (cc @lurkingshan @neuroticbookworm: mom, internet, etc.) so that he can get away with this shit without being Big Called Out.
And, man: he totally fucked over his insane privacy-breaking he's-in-the-shit-too-criminal-activity-much roommate in Nick. Nick has his suspicions. I hope Nick can smell out that he's gonna get targeted as the source of the recording.
Oh my gosh, I love this -- it's so toxic and real. The game of telephone: from Nick, to Sand, to Ray, to Mew, to Top. Boston doesn't know: he's the only one (besides Cheum) who doesn't know.
Nick certainly made the recording -- he's ground zero -- but Sand was the, say, influencer to make everyone else aware.
And that's so Sand. He's gotta market himself somehow, right? He's gotta market his plum wine product while protecting himself. So, spreading some information, secretly-ish, is something he knows how to do real well.
Goddamn. If this is a bigger commentary on the meowification of the ships and the GMMTV boys -- if Jojo is saying, hey girlies, everyone's a fucking asshole -- then this just slayed me with the genius. I am SO obsessed. Sand is still a baka, but so much more insidiously than I had previously realized.
(Is any of this ephemeral? Maybe the nature of gossip? I'll tag the Squad just in case -- and thanks to @thatgirl4815 again for that excellent exchange! @lurkingshan @neuroticbookworm @twig-tea @distant-screaming @slayerkitty @ranchthoughts @clara-maybe-ontheroad)
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blorbingqls · 7 months
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"We accept the love we think we deserve" - seeing this quote in terms of love and control as subjects in Only Friends
With @tomatoland 's brilliant post on TopMew on the above quote here , i think that with 7 eps in, we have understood that love and control are very well linked with ephemerality as a subject.
As i have previously linked epheremality with control here, i would like to talk about how love also makes us lose control with the impermanence of life. This is a long overdue post for 4 eps now.
linking the ephemerality squad here so that you can also share your opinions on this @waitmyturtles @lurkingshan @slayerkitty @respectthepetty @ranchthoughts (anyone else i am missing, pls tag, i really appreciate it)
TopMew
As Tomato (@tomatoland i hope you're okay with that nickname; i really tried to find a name on your blog for you) has referred in their post, Mew left his bubble of insecurities and got his heart broken. Completely legible and correct on his point. Top really loves Mew but now Mew has no reason to believe him anymore. With the play in their power dynamics, both of them loved each other and lost control of the way they wanted the relationship. Yes, if Top and Mew has stuck to their original plans - just reaching to the point of ideality and sex, then, this relationship should have ended after they got their goals. I dont think that sex was a goal for Mew as much as it was for Top, but, we can say it was in the secondary.
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But as they fell in love, they, especially Top understood how the love he received from Mew is so much more than he thought he deserves (taking into account his trauma and past experiences). So , even though Mew is projecting his hurt by doing things that literally are asshole-ish as fuck on his accord, Top is willing to let go all of that since even he knows he is in the wrong this time and he is willing to lose all control he has on his life - of fame, money and insecurities in order to have Mew back. Top is willing to be as obsessive as Mew said he would be in a relationship in order to get and accept the love he think he deserves from Mew, even if it won't be good.
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But, I also feel, the concept of love as explored in the series so far, not just runs along with TopMew because of the books, but also with all the remaining couples in the show. I won't discuss P'Yo and her partner, CheumApril in this segment, because I want more angles on this from the coming episodes in order to validate my point. But, I'll discuss this point with our other views on the couples: RayMew, TopBoston, SandRay, and BostonNick.
RayMew
Now, RayMew is a pairing that is being enforced on the viewers for the past 3 episodes now and the last episode shows a pretty good view of how as characters, Mew and Ray view each other.
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For Ray, his love is unconditional for Mew because it correlates with that fact that Mew was the only reason who made him stay in this world - who made him believe that he deserves the love from his friends, the love which he didn't get from his parents or any potential partners. But potential partners were never in the scene because Mew was Ray's emergency contact. Their relationship runs deep and however much you may think, even if Ray thinks Mew's love for him could be more as a friend, he also believes that because as he is so damn shitty and a fucking burden to society, he can't ask for more from Mew for the sake of their friendship and his esteem. He keeps entertaining the idea of them as partners several times, but, until ep 7, Mew has never entertained the idea that his love for Ray will be any worthy of more than a friend. Because, Mew wants to continue making the boundary and keep the control, according to me.
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Now, as Mew has entertained the idea, i am interested how it pans out in the next episode (not very promising tho). just linking this out here because its so fucking interesting.
TopBoston
We will mainly take here Boston's viewpoint since Top gave up on this since the very beginning and became firm with it post ep 3. He gives no flying fucks about the possiblity of it. Top considers Boston to be a one night stand and a one night stand only.
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Boston, as has mentioned so many times, considers Top to be top tier; the person who gives him something as close to love because as an Machiavellian prince (refer here) Boston considers Top to be the only worthy competitor in his reign. And he really doesn't care if he hurt others feeling. Mind you, Boston has been the most truthful to himself, maybe not to others. And as a prince, his love speaks volume through keeping them in their reign because ultimately Boston wants power and control in his arena. That's the fucking politics of it. And Top is the only worthy contender who can damage his reign. Hence, he wants the top tier power as much as possible, and only Top can give him that. Him fucking off to America, that can easily happen through Top, because he is a very well known hotel chain owner/manager. So, Boston wants his loves, because he very well thinks he deserves it and he accepts it as much as he can. But, he also knows that for him, he can't make this love into a weakness, because that will be out of his control.
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Boston however, as Mew so incredibly pointed out, is gullible. Ray couldn't see through him, but, MEW FUCKING DID. That is why even though Boston didn't consider Mew as his competitor, he was fucking jealous of him because Mew got Top and was chosen over eventually by Top. Mew has the power that Boston didn't think he had, till now. And tbh, Mew is now winning the game, despite his insecurities with his relationship with Top.
THE WAR HAS BEGUN, MY FRIENDS.
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SandRay
God, I have so many feeling for these babies. Where to start? Okay so, you know in second episode, Sand built that boundary with Ray regarding friends with benefits? Well, it has backfired on him. COMPLETELY.
As ep 8 preview says, I love how Sand realised the fact that they were never friends to begin with, for even to have made that boundary to make sense. Sand is a pathetic little man, as so many of you have pointed out, but, why is he the way he is?
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His incredible nature to be so caring of others around him has made him feel like its his responsibility to take care of everything. His mother, his business, his money and job, his style and even his fucking roommate. Now, Sand is so emotionally attached to this damsel in distress, pathetic burden to society (affectionate) Ray, that even before they became friends, he made Ray his responsibility. Sand has no right to ask for love from Ray, because they are not friends, lest friends with benefits to ask for any care towards himself. But he selfishly asks, for the first time.
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Because, as a person who keeps on taking care of others endlessly, it is harder for them to ask for the care and love they expect and deserve from whom they love while keeping their self esteem intact. And for Ray to completely shut him down at that time, and him still following Ray while he was drunk, makes him so much real because you feel responsible for that person. You are their emergency staff, even if they don't consider you to be.
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While Ray comes from another perspective itself. He initially wanted to know Sand more as a person, because he is a person who wanted to explore the life beyond what has been given to him. He is a spoilt brat, and when he realised that he can't buy Sand's love, he explored it with him.
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But because I think Ray believes that Sand will always be for him, even when he does asshole-ish behaviour (because thats where everyone leaves) he has taken Sand for granted. The backup option. Anything goes wrong with his ideal relationship, he can always go running back to Sand, because Sand has become his addiction.
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Apart from drugs and alcohol, Mew and Sand are the only people he can keep coming back to. For Mew, it is only at a cost. At some conditions, only for something personal. While maybe Ray wants explore that possibility with Sand, but he is afraid. He is afraid that Sand will go away. just as Mew did. A person who can only consider him a friend and nothing more. Even if he wants to explore that possibility with both of them, loving them at the same time, he can't make people his priority, because he doesn't know how to do that. Nor does he think he's worthy of it. So, he accepts whatever he thinks he deserves off Sand's love and care.
I am interested to see how it pans out for these idiots once his relationship with Mew falls out. I am concerned for Ray so much. Give him access to therapy and rehab soon pls. Sand and Ray's father I think are going in that direction, with this speculation by @prapaiwife.
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BostonNick
Now, our final pair has been the most interesting couple in this show so far. Why do I say that?
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Well, for Nick, Boston is one of the top-tier gays. As pointed out by Boston, he likes bad guys. And lets be honest, Boston, most dishonest, cunning bastard out there. So, Nick believes that he will be that gay who lands the top tier dick and fix this problem. Right?
Wrong. Nick very well knows this won't happen. Still he keeps hoping for more as Boston doesn't know how to not be a hypocrite as a prince. He keeps giving some here and there false hope through his actions, not words which makes Nick believe he's special, but he's not. He takes whatever love he thinks Boston gives him, despite him not being his number one, despite Boston cheats on him over and over again. He just wants whatever of love as actions that Boston can give to him because that proves wrong all of his low self esteem. So he accepts whatever he thinks he deserves because he can't ask for more in a bed friend relationship. With Boston's guard so up and his will to leave the country, Nick knows he can't do anything but try to make him stay. Even if that's a 99% chance of not happening. He tries because he doesn't want Boston to hate him. He only wants him to love him. Because for him, thats enough.
The sadness keeps on piling up for these outsider, hard working roommates, doesn't it?
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While, for Boston, he is nothing but a rebound from the angst of not getting Top. He wants a serious relationship, and maybe, he does look for it in Nick, maybe not, but he doesn't love Nick. He doesn't love Top either. For Boston, Nick is a toy he wanted to play with.
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Because he cares about his reign, his reputation. And, Nick realised that. Hence, Mew contacted him and Nick gave that information to Mew. They will bring Boston down together because Nick somewhere believes he can get him back.
But Nick babygirl, he doesn't love you bub. He doesn't. And, it hurts so much. Because Boston keeps on taking from you, whatever he deserves. And that is your care for him, for granted. He is a leech bub. He is.
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Now, how does it all link to ephemerality and control?
Well, love itself is impermanent. It doesn't stay.
The world knows this and still we chase it. And at an age as our characters, we chase love and freedom like anything. In order to gain control. We take up jobs, more courses to learn, experiment with love and relationships, with people because the time is ticking and people say now is the age. We break hearts and get it broken.
As P'Jojo says "This show is Hurt People Hurt People", tell me who hasn't been hurt by love, by control and by living at its time? And also by missing out each of these experiences because you were lonely with your own life and burdens?
We accept the hate and love the life gives us, because this is what we think we deserve out of this. And tbh, these feelings, are never permanent. They keep changing with time, and that's the only thing thats permanent.
Change is the only thing that remains permanent.
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distant-screaming · 8 months
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Thinking about how Sand fits into the theme of ephemerality that's being discussed - how the entirety of episode 5 is centered around Sand's sentiment of 'everyone has the same 24 hours in a day - Ray is my 25th'. We're given a look into Sand's life - how he's constantly moving, constantly working, how Sand lives very differently compared to the others. The overarching theme with the other characters seems to be living without consequences, while Sand here is living with nothing but consequences. He's working to pay off his mother's debt, to fund his future, to keep himself financially stable - all things rooted in the idea of planning and eventual outcomes. All 24 hours of his day go into working and earning money.
However, the 'extra hour' he assigns to Ray has none of this. Instead, as we see in this episode's not-date, Ray Hour is all about spending money, about living without consequences (going to a performance, getting high and having sex on the balcony) - about living ephemerally. For Sand, Ray seems to function as a way to let go of control. The boundaries he sets are easily broken by Ray and his pout, and Sand gets swept up in whatever it is Ray is considering at the moment - which yet again links back to ephemerality and the permanence of these boundaries.
It's a very interesting role Sand has of being a contrast to the main friend group while also still embodying the big theme of ephemerality - and having that be because of Ray. Something is bound to give out, to crash and burn, because this isn't how Sand has been living.
Also, side note, out of the three main couple sandray is the only one that never brings up or incorporates photos (and there's been discussions of photography and permanence going around too).
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slayerkitty · 6 months
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Narrative Frameworks in Only Friends
So here we are, the finale of Only Friends and not a framework in sight. Would the last half of the show worked better in some respects if we had the frameworks come back? Would we understand more about why Boston's friends hate him? (Did they ever like him? Ray seemed to, but Mew and Cheum...)
I wish we had gotten more frameworks toward the end. I wish the voiceovers had come back for the last episode if nothing else, because I would have wanted one from each character. It would have maybe solved some of the narrative issues (re: Boston).
I also wanted to thank everyone who liked, reblogged, commented or otherwise interacted with me and these posts on a weekly basis. Your feedback, discussions and general love made watching Only Friends an amazing experience each week and reminded me why I love being in fandoms.
Shoutout to the amazing members of the Ephemerality Squad who made this ride fun and thought provoking: @lurkingshan, @waitmyturtles, @wen-kexing-apologist, @chickenstrangers, @ranchthoughts, @twig-tea, @clara-maybe-ontheroad, @distant-screaming, @thatgirl4815, @elizabethsebestianhedgehog
I've gone back and added things to earlier episodes that weren't there before, so make sure to read through the whole list! Please let me know if I missed anything - I will edit this post based on suggestions.
Frameworks:
1. Voiceovers: gives the audience specific insight into a characters thoughts and feelings; also a great way to provide exposition. It’s more of an audio than visual framework, as we don’t always see the character doing the voice-over because it plays over other scenes.
2. “Talking Heads”: The characters talk directly to the camera, interview/documentary style. We get to see exactly how they feel about a given moment because they are reacting to it at that time. Audio and visual. Homage to Love8009 (per P'Jojo).
3. Social Media (ft The Artist Formerly Known as Twitter, Instagram, and Facebook): Not as insightful as the other two frameworks but does give context and a way for interaction, commentary, and exposition on a given plot. Visual. Probable homage to Together With Me, one of the first spicy BLs starring our kings, MaxTul.
(Side Note: I was re-watching some scenes from Never Let me Go and realized P'Jojo uses yellow text on the screen in it too. So maybe he just likes the yellow text or maybe it means something, idk, idk.)
Episode 1
Framework: Voiceover
Title: What’s Your Role in a Bar?
Narrator: Mew
Visual Moment: Yellow title cards listing everyone’s “roles” as well as the month and days of the week
End Credit Shot: Mew sitting on the floor in front of his fish tank
Episode 2
Framework: Talking Heads
Title: M.F.M. My Favorite Man
Narrator: Everyone
Visual Moment: The talking heads scenes; SandRay smoke kiss; Boston's dark room; Photo Boston takes of Nick post sex; Photo of RayMew from wakeboarding
Audible Moment: The songs Ray plays during his scenes with Sand
End Credit Shot: Ray driving
Episode 3
Framework: Social Media (Twitter and Instagram)
Title: What Am I to You?
Narrator: Nick and Boston
Audible Moment: The thunder rumbling ominously over everyone's bad decisions, Nick listening to the TopBoston sex audio
Visual Moment: Top's Instagram (with all of Boston's comments); Photo strip of TopBoston from their hookup in the photo booth; Photo of the Fab Four in Boston's room; Nick watching TopBoston have sex; Photo of RayMew kissing
End Credit Shot: Nick listening to TopBoston sex audio
Episode 4
Framework: Voiceover
Title: Emergency Contact
Narrator: Ray
Visual Moment: The flashback of RayMew is in 4:3 ratio (meaning it looks like recorded footage versus a memory); yellow text onscreen indicates flashback
Audible Moment: TopMew at the silent disco (both moments of silence but also them singing); SandRay listening to music at the record store
End Credit Shot: Ray driving (repeat from episode 2)
Episode 5:
Framework: Voiceover
Title: The Extra Hour
Narrator: Sand
Visual Moment: Intro and Outro are animated; black and white (made me think of the Take on Me MV by A-ha but I’m open to suggestions on what this might be referring to), "Ray o'clock/Alone o'clock" appearing onscreen in white letters (not yellow!); TopMew going Instagram official; The blind dining scene
End Credit Shot: Sand driving his motorcycle
Episode 6:
Framework: None
Title: Happy Fucking Birthday
Narrator: None
Audible Moment: Ray listens to the TopBoston sex audio; Mew plays the TopBoston sex audio for Top
Visual Moment: Top draws Mew sleeping/gives Mew a book of drawings he did of Mew; BostonNick selfies
End Credit Shot: Top in his bathtub alone looking angsty
Episode 7:
Framework: None
Title: After Effect
Narrator: None
Visual Moment: Mew setting the drawing on fire; Boston’s sex tape; the “super zooms”
End Credit Shot: Mew sitting on the floor in front of his fish tank (repeat from episode 1)
Episode 8:
Framework: None
Title: Save Me
Narrator: None
Visual Moment: Facebook party invite/everyone’s reactions to the invite; Everyone’s costumes at the party
End Credit Shot: Boston looking angsty at the hostel
Episode 9:
Framework: None
Title: The Return
Narrator: None
Visual Moment: Boston’s photo of Atom; Top recording SandRay kissing;
End Credit Shot: Top in his bathtub alone looking angsty (repeat from episode 6)
Episode 10:
Framework: None
Title: Redemption
Narrator: None
Visual Moment: The “I will never leave you”/“I will never love you” neon sign; Boston’s photos of Atom; Nick’s photo as Boston’s lock screen; Boeing’s Instagram
End Credit Shot: Ray driving (repeat from episode 2 and episode 4)
Episode 11:
Framework: None
Title: Move On Move In
Narrator: None
Visual Moment: Boston taking pics of NickAtom
End Credit Shot: Sand driving his motorcycle (repeat from episode 5)
Episode 12:
Framework: None
Title: Begin Again
Narrator: None
Visual Moment: Yellow letters indicating the date (NYE); Framed photo of Nick; Framed photo of the Fab Four at the hostel; Mix's entrance; Begin Again montage of SandRay; Hostel sign "Only Friends Stay"
Audible Moment: Begin Again montage of SandRay
End Credit Shot: Outtakes/BTS
Tagging @sandrayy by request
Apologies to anyone I forgot!
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thatgirl4815 · 6 months
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I'm not totally convinced Dan is out of the narrative. I know there's only one episode left, but we know Boston plans to leave for NYC soon, so who's to say that Nick's relationship with Dan could not blossom after Boston is gone? I don't see Nick and Boston's romance becoming a "I'll wait for you" situation; Boston especially does not seem like that type of person, nor would he expect Nick to wait for him.
Assuming Boston really does leave Thailand, BostonNick's relationship seems to really focus on the idea of ephemerality that has permeated so much OF meta. It's a moment in time, a relationship that taught Boston and Nick things about themselves that they did not know before. Particularly for Boston, it's a sign that he can enjoy being in a committed relationship and that he can be cared for on a deeper emotional level. I'm excited at the prospect that this could incite real growth in Boston as a person. He doesn't need to make up with his friends (in fact, if he does that would be incredibly unrealistic), but I think he's realizing more about himself in this short time with Nick than he has in a long time.
Tagging the ephemerality squad because I'm curious how others imagine BostonNick's storyline will wrap up and if it really is meant to capture this idea of a transient relationship with long-term effects: @ranchthoughts, @chickenstrangers, @twig-tea, @neuroticbookworm, @lurkingshan, @distant-screaming, @clara-maybe-ontheroad
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lurkingshan · 7 months
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It was only one scene, but Yo broke my heart today.
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In some previous discussions tracking the theme of ephemerality across this series, we had assumed that Yo and Plug were meant to be a stable counterpoint to the messier, more fleeting relationships between the boys. But today we learned they are also not on the same page, and Yo herself is uncomfortable with the notion of believing in permanency in her love life. This dialogue comes from a place of deep hurt; we can tell that Yo has put her heart on the line and been burned many times. Plug seems utterly sincere in his desire to be serious and committed with her, but she is too afraid trust it and too afraid to let herself believe she can have what he is offering.
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And Plug can’t accept this boundary she’s drawn. He wants a partner who will rely on him and trust him, not one who will always have a guard up and hold him at a distance. If she is unwilling to commit, he would rather just ends things and protect his own heart.
Plug wants permanency; Yo is only comfortable living in the ephemeral moment (perhaps not surprising given she named her bar YOLO). It’s an impasse.
Tagging ephemerality squad: @ranchthoughts @neuroticbookworm @waitmyturtles @slayerkitty @chickenstrangers @clara-maybe-ontheroad @twig-tea @thatgirl4815 @wen-kexing-apologist
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neuroticbookworm · 7 months
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Ephemerality of Self-Identity in Only Friends, episode 6
Love, LOVE, LOVE how Only Friends captures the chaos of being in your 20s so fucking brilliantly. Everyone seems self-assured and confident, until a pebble drops and unleashes a wave of hypocrisy and insecurities that reveals more about themselves than the person who threw the stone.
Sand confidently tells his mom him and Ray are just friends who sometimes have fun with each other. But then he goes to some unhinged lengths to execute a twofer: revenge on Top for stealing his ex and on Boston for ruining the perfect fairytale delulu narrative he was building in his head about how Ray and him were becoming a couple.
Top could not stop telling Mew time and again that he has changed for the better and will do anything for him. But the second Sand challenges his new persona and calls his bluff, he gets enraged enough to boast how "He can get anyone he wants" giving away the truth that Mew is a conquest to him, a fresh new experience that is exciting at the moment.
Boston has been the agent of chaos who lives life however the fuck he wants, projecting himself as the most self-assured in the group, but when Ray stormed in and questioned him how could he do this to his friends, to Mew and Top, the first sentence out of Boston's mouth was "I don't hate Mew at all" ...Okay? Boston may proclaim himself as the lone wolf who is above it all, but deep down he also harbours insecurities about his reputation in the sexual marketplace, and the questions of his morality that arises with it, especially compared to someone like Mew, who he knows is not as virginal as he claims to be.
And Mew. Mew who was so fine with being single and inexperienced, Mew who made a boyfriend project out of top-tier Top. The moment he learned about Top's infidelity, all his insecurities came pouring out. "Why did it have to be Boston? Did you guys plan this together? You just wanted to mess with a virgin idiot like me? Did you have fun? Did you laugh about me together in bed?" Oof, Mew. That is some good TopBoston fanfiction.
I know I'm missing many more instances of hypocrisy and insecurities (the Boston-Nick-Gap interaction demands a separate post). But the trend is clear: these character have no idea who they are, who their friends are, and are yet fighting one another about who's winning in life -- according to their own yardsticks (brilliant fight analysis post by my bestie @lurkingshan)
The self-identities of the youth is fleeting and ephemeral, so porous and unstable that a single, well-aimed word can bring it crashing down.
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yunarim · 11 months
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hello! If you can, can you write a head cannon(others are fine) with the femperfect who had an ability to neutralize magic with a simple physical contact? Like the magic will automatically disappear once it makes contact with her so she often wears gloves, and I would like to see the overblots reaction(if you can't do all you can just do malleus ^^) thank you!
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yuu can neutralize the use of any kind of magic with a touch.
… ✦ characters : overblot squad … ✦ tags : female reader, books 1-7 major spoilers, hurt/comfort, cursing in leona's and vil's parts, mention of blood in leona's part, jp translation terms (dorm leader, VDC), can be read platonically in all of parts except for vil, idia & esp malleus ones (i imply romantic way tho), me experimenting with the format or something … ✦ song : monochrome frame ⏤ kanon wakeshima … ✦ recommended : light mode [ … ✦ ao3 ]
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… ✦ Riddle Rosehearts ┆touching . . . neck ⏤ ✧ Her wearing gloves wasn’t exceptional. They all were, and since Yuu didn’t have her specifically designed dorm uniform, indeed, it was quite common for her to wear gloves. 
⏤ ✧ Riddle would often find her look around before washing hands and taking off her gloves.
⏤ ✧ One day he realized he waited for her to do that and observe if she hid something underneath this accessory item but ended up dispelling his own doubts - her hands were just beautiful. 
“Oh, do you eat this with your hands?” She asked at an unbirthday party, glancing at a pink cupcake on the plate before her. 
“Yes, as a rule. If you’re worrying about getting messy, do not fret. The cupcake doesn't crumble, and Trey made sure the cream isn’t too greasy and doesn’t stick to the fingers.”
Yuu smiled, taking off her gloves and wrapping her fingers around a small cupcake. 
“Woah, such a nice taste! Tell Trey he did well.”
Still, he wondered, what was the mystery shrouded in darkness of her gloves. 
⏤ ✧ Yuu was gentle in her actions, she never judged, smiling tenderly and telling him to take his time and not to rush things. 
⏤ ✧ Unlike a certain duo getting on his nerves.
⏤ ✧ Never in his life felt he so powerful, so authoritative, so… valid. 
⏤ ✧ Something underneath was telling him it wasn’t right to throw insults at her and just… yell like he was a little child, not knowing how to handle his own emotions.
⏤ ✧ Yet maybe he was, calling her insolent and foolish. 
⏤ ✧ She was just a magicless human! Why rush to him, tearing her gloves off her hands and screaming something with such an obstinate gaze fixed on him?
“My goodness, Riddle, come to your senses!”
⏤ ✧ Her touch felt so ephemeral and light on his deadly cold skin, and even though his almost devilishly malevolent grin didn’t scare her, Yuu still bit her lip after Riddle’s phrenetic laughter. 
⏤ ✧ A sudden flash of light made him switch his attention to what happened to him just in a mere second. 
The overflowing power that pounded in his vessels with a burning seething abruptly left him in an instant, devastating his mind and body.
He collapsed, exhausted, to the ground, barely finding the strength to raise a pair of bulging eyes to her and exhale brokenly.
“What did you?.. Huh…”
⏤ ✧ He was at loss for words, not even caring about Trey’s concerns at the moment. 
⏤ ✧ Light flickered on where she touched him, and he welcomed the sensation without realizing it.
“You… you do have magic after all?”
⏤ ✧ One little gentle touch, and all of his enormous powers are gone. So simple yet devastating.
“I would call magic not the fact I neutralized you, but rather…”
She embraced him, welcoming into her tender hug and encouraging him to let all his negative emotions free, and he laughed, hiding his teary eyes in her shoulder.
Maybe she was right, and this was her real magic.
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… ✦ Leona Kingscholar ┆touching . . . shoulders ⏤ ✧ He wasn’t surprised that Heartslabyul little tyrant or what do they call him even was defeated with the help of Ramshackle dorm girl.
⏤ ✧ Women are strong. And that’s a rule.
⏤ ✧ But one look at Prefect’s hands got him thinking that maybe she was strong another way. Such hands couldn’t bring harm to anyone, he was sure of it.
⏤ ✧ Her rather adamant gaze on him was such an entertaining sight to witness. 
Leona chuckled when she stepped on his tail. She did apologize for her behavior, of course, but he knew from the very beginning that she wasn’t entirely regretting her actions.  
“I’m really sorry,” her voice was firm, steady and solid enough for him to fix his gaze on her a little longer than he thought he would.
“You aren’t, Prefect.”
“Do I know you?” 
She didn’t. Yet he knew her after what happened, his eyes locked on her hands in an examining way. 
⏤ ✧ A little thought of asking Riddle what the hell is wrong with her hands since no trace of magic was found on her. ⏤ ✧ She was just a normal girl minding her business, and it was supposed to be this way.
⏤ ✧ He wasn’t against her planting flowers when he was around since she remained quiet, her head full of worry because of those little accidents he sabotaged with Ruggie’s help. 
He did know he should stay away from her hands. 
Especially in that state when his own looked so rough, long pointed claws clenching in fists and digging into the palms, scarlet blood mixed with viscous ink trickled down his hands.
⏤ ✧ Such a reckless human being, knowing nothing about his disappointment, rushed to him without any doubt. What a joke. 
⏤ ✧ Even hyenas turned against him, and would she even make any difference? Of course not…
⏤ ✧ He was trying to convince himself he stopped for a mere moment because she was a magicless woman. 
And yet somehow she almost grabbed his hand, claiming he was being unreasonable and unstable and some other pathetic bullshit.
He brushed off her hand, knowing it would do something to him. Something he realized he wasn’t so opposed to accepting when she yelled out his name, this time putting both her hands on his shoulders.
“Do this shit once more and you’ll fucking witness my real wrath, Leona, now calm down!!”
He fell into her embrace, her hands still on his shoulders but not gripping them firmly. She sighed in relief, gently stroking his hair, and smiled.
Shit, Leona thought, laughing to himself and almost craving her warm touch, grabbing her hand and squeezing it, while dust accumulated in a sedimenting cloud was dissolving around them, so no one could really see him being suddenly vulnerable.
She was dangerous. And maybe he liked it.
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… ✦ Azul Ashengrotto ┆touching . . . cheeks ⏤ ✧ How curious! A supposed-to-be-magicless human performing miracles with just a little touch! 
⏤ ✧ He thought of depriving her of Ramshackle dormitory first, but now, after she bewitched Riddle and even Leona? No, he couldn’t miss such an opportunity to take her powers. 
⏤ ✧ He could have everything one might dream of in at the snap of a finger, and a siren’s voice, a ballerina’s gracefulness, a mind of greatest’ scientists ⏤ one harmless contract, and a wish could be granted. 
⏤ ✧ And yet Yuu. Girl from another dimension with that always gloved hands of hers. She was such an interesting person to observe. 
He gathered information, oh sure he did, he already had two opponents down thanks to her, and he couldn’t afford being another one himself.
“How about your neutralizing powers?”
“Ha, you wish, mind dealing with overblots then?” 
Oh, Yuu was amusing, indeed, but Azul just knew he would deprive her of her ability one day. Sooner or later. 
⏤ ✧ Despite rejecting his offer and agreeing to do an extremely ridiculous task instead of having her ability deprived, he would still find her in Mostro Lounge, her fingers on the glass full of drink he personally made, her lips gently pressing to its corners. 
⏤ ✧ A tender smile spreading on her face was quite distracting, which Azul wouldn’t ever admit, his gaze fixed on her delicate hands. 
⏤ ✧ She was captivating and it was scaring him. 
Ah, really, foolish humans, knowing about his past and making fun of his own intelligence. 
He was working so hard, but one magicless girl suddenly got all the attention and appreciation he always wanted just because she could neutralize magic with a touch?
Azul thought he hated her at the moment ink was splashing everywhere, drops of tar scattered in splatterings, falling on her clothes as well as her hands, ungloved this time.
Mind dealing with overblots… right? 
Part of him wished she would just touch him and they would be over it, but still he hesitated when she approached carefully, no signs of fear in her eyes. She was truly magnificent. 
“Let me handle this responsibility, Azul,” she said, pressing her fingers to his cheek and caressing it. A flash of light turned him back to normal state, the only difference was him crying and leaning to her touch, as if starved for it. “And you please remain the way you are.”
And he will.
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… ✦ Jamil Viper ┆touching . . . hands
⏤ ✧ That Ramshackle dorm girl having an ability to neutralize others’ magic with just a one touch has become an axioma by now. 
⏤ ✧ Having any problem with the amount of magic used? Or maybe overused? Then no need to worry, NRC now had Yuu to handle all that.
⏤ ✧ He couldn’t care less about her, but still found himself thinking he felt sorry for her. He didn’t wonder how it felt to be the one everyone relies on when it’s hard, but other times forgot you exist. He knew it by heart.
… Huh. Or maybe not?
“You should give yourself more credit, you’re doing excellent. Always remember it,” she said to him one day, her fingers clasping around his wrist reassuringly.
An electrical impulse ran down his whole hand, a sudden warmth spreading in his vessels.
He chuckled, a small knife cut didn’t bother him at all. Why would she say it so unexpectedly thoughtfully to him when she stayed in Scarabia? 
Everything in his plan was perfect, and yet her words distracted him for a moment. He was too preoccupied with his own feelings and conflicted emotions to handle her… care?
⏤ ✧ No way. It was not her ability he secretly admired for being so helpful. It was her shrewdness and the way she saw people through. 
⏤ ✧ Did she feel he was about to do something malicious and not so praise worthy? Otherwise why would she say such things to him? 
⏤ ✧ There was no way she genuinely cared for his well-being.
He couldn’t remember when was the last time his emotions were so tangled and complicated so that he couldn’t sort them out. Snakes aimed right at her hands she was reaching to him weren’t scary, and even the way he smirked when her attempt to touch him failed didn’t cause her to stop. 
A small part of him wanted her words to be true but he knew all the things she said were a mere mendacity to fool him. 
“You’re not someone else’s shadow, Jamil.”
He pushed her hard enough for her to fall on her knees before him. His anger spread in the ink splashing everywhere, but she remained her gaze fixed on him nevertheless.
He thought that maybe… maybe it was worthy to believe her.
He chuckled when he outstretched his hand to be shaken himself, and Yuu smiled at him, taking his hand in her.
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… ✦ Vil Schoenheit ┆touching . . . eyelids
⏤ ✧ Good for Yuu she still managed to control her own psyche by dealing with so many splashes of demolished emotions in such a short amount of time.
⏤ ✧ Still, Ramshackle Prefect was complicated to him. Vil genuinely thought there was something wrong with his sudden desire to take care of her.
⏤ ✧ She was close to being perfect by now, despite having those horrible eye bags appeared because of sleepless nights she took helping Azul with arranging new drinks in the menu and all the times Vil caught her excusing herself during their VDC rehearsals in order to check on Leona or Riddle or whoever she kept an eye on after overblotting.
Yuu was wonderful, truly. But instead of appreciating herself she preferred to praise everyone else.
And Vil wasn’t an exception.
“You’re a lifesaver,” she giggled when he bent towards her face to apply a concealer. “A true hero, really.”
Hero?.. He? Ah, Prefect, what were you saying? 
He sighed, taking her hands in his and asking whether he could take off her gloves or not as she nodded, allowing him to apply a hand cream on her skin. What a pleasant feeling…
“Even if you’re a manager, you’re still our representative. No way you would show up on stage with these eye bags of yours. And what did I tell you about having some sleep before VDC? You really…”
She smiled, saying something about having a bad feeling before going to sleep. How truly discerning she was at that very moment. 
⏤ ✧ He couldn’t be a hero, at least her hero, when he chuckled so maliciously at her attempt to reach for him. Now no one could, he was fairest of them all, outshining especially her.  
⏤ ✧ He applied a curse on her which restrained her from touching him ever so slightly, and that would be it until he willingly allowed it. He believed in his strong volition, but still…
“Every hero has their moment when they have a whole world turned against them, Vil,” she said demandingly, almost choking on the dark fog coming off from Vil’s body. “And since when do you act as if you’re such a mediocre character! Where’s Vil who would step on everyone and slay as a fucking queen you really are!!”
He laughed genuinely at her wording, not noticing her getting up from her knees after being blown away with the magic wave he created, and pulled him closer by a translucent veil, pressing a gentle kiss on his eyelids.
“I would prefer cheek instead, thank you,” he chuckled, light sparklets surrounding him. “You ruined my makeup.”
“You also ruined a whole stage, but okay.”
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… ✦ Idia Shroud ┆touching . . . forehead
⏤ ✧ The one who Idia wanted to avoid the most was none other than Ramshackle Prefect.
⏤ ✧ All eyes were on her by now, and that meant he would rather die than talk to her.
⏤ ✧ If not only the whole STYX demanded him to get in touch with her in order to get the data regarding her ability, gather info on how her powers work, otherwise she would be taken by force and…
⏤ ✧ He DIDN’T want all of those at all!! She already swept every SSR character off their feet already, and now interacting with him? What the hell!
⏤ ✧ Ugh, not him actually spotting her trying to beat the boss in a PSP game. Where in the world did she find a working PSP even? 
⏤ ✧ Her fingers were clicking furiously on the buttons… those were the hands that dealt with five overblots? Unbelievable.
⏤ ✧ Unbelievably pretty⏤ WHAAH he didn’t want to even think about her that way what the!!
⏤ ✧ Idia was avoiding her like the plague. Even after all things happening at STYX he still preferred to listen to others’ complaints and oh whatsoever important rather than facing her, but his responsibilities came first above everything.
And when he thought it would be hard to convince her to do some tests in order to analyze the data received from them she willingly agreed, smiling at him like it was nothing.
“Okay, but help me with beating that boss later,” she sighed, rubbing her temples with her fingers. Idia wondered whether her ability was helping her herself. “I’m going crazy right here.”
“U-ugh, f-fine… It’s not even t-that hard tho…”
“It is!” She protested, turning to him and witnessing pinkish hue flaming on his hair. “It’s just you’re too good. I admire you for that.”
⏤ ✧ Nononono he wouldn’t fall into that trap, he already heard enough about her being so unnecessarily nice!!
⏤ ✧ Shit. He fell, and fell hard.
Why would deny her touch when he would make her try doing it at least? He had cool armor, he was floating midair. She couldn’t even hear him properly when Vil appeared before her, covering her with his back and demanding her stay behind. 
It was normal for him to behave that way. Covering himself in a darkness where nobody could reach for him, and yet Yuu could somehow. He jolted for a second when she yelled at him, telling Vil to step aside. 
She still couldn’t touch him. He wanted to believe that no one could, but somehow the image of her fingers clicking on a game console popped up in his mind, causing his heart to skip a beat shamelessly. He was so pathetic and⏤
“I thought you would help me beat the boss, Idia, not me helping you beat the shit out of yourself!!” 
She was insane for asking Epel to take the chariot and fly over to him, then leaning towards him and trying to touch him. She grabbed his armor, hissing under her breaths while he wasn’t getting her actions at all, trying to cover himself from her. From the rest of the world.
“Fine then! If you’re the final boss I should beat, then so be it!”
No, why was her face being so close to his, that’s bad!! 
His mind blew completely after Yuu pressed her lips to his bare forehead and threw him onto the chariot.
“Did I manage? Will you help me now then? Hehe.”
“Sh-shut up!!”
“Make me.”
Note: never ever piss Yuu off again. (Well maybe just a little because she was so hot ahem⏤)
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… ✦ Malleus Draconia ┆touching . . . lips
⏤ ✧ Yuu was a rather peculiar child of man. Wielding no magic powers, and yet Malleus felt something in her from the very beginning. 
⏤ ✧ First he observed her when she was busy renovating the Ramshackle garden, she seemed so peaceful and collected, humming something under her breath.
⏤ ✧ He would bring her flowers every night without her noticing only to find her bringing blankets and a container with a hot tea in it and spending a whole night waiting for something… or rather someone to come.
⏤ ✧ “A stranger who brings me bouquets every night, please let me know you’re here. It’s quite cold outside.” She said one night, her gaze fixed on green sparkletts floating around her. 
⏤ ✧ Next day he appeared before her, placing a flower crown he made on her head. Small gypsophila flowers intertwined with scarlet zinnias, decorating her delicate image.
⏤ ✧ “Ah really, why would you appear only now. With such a pleasant gesture even! Wait for a moment then.”
She gathered some flowers she had grown by herself, then took her gloves off and did another flower crown for him personally. Something fluttered in his chest the moment she touched his horns, smiling softly, and laughed with her clear sweet voice, recoiling after decorating his head with a flower crown.
His heart was pounding in his chest, his whole body shuddered at her touch, and in that moment he knew he was close to making a deal with the devil so that the lingering feeling of her fingers would never leave him.
“Would you mind teaching me how to make those? I guess I’m pretty bad…”
He chuckled, admitting he never felt something so pleasant and light before, as if her whole body was radiating something celestial, her hands feeling absolutely pristine and divine.
⏤ ✧ Every night they met she would tell him stories about what happened to her. So many students overblotting, and yet… The way she stuttered for a moment every time she mentioned overblots was confusing to him as if she wasn’t telling something really important. 
⏤ ✧ He wanted to trust her nevertheless. She was tender in the way she looked at him, glimpses of happiness blossoming in her eyes every time he appeared in the garden, welcoming her gently. 
⏤ ✧ He craved her touch, the image of her putting a flower crown on his head still lingered in his mind, never fading nor dissolving, remaining the most precious memory of her.
“You never fail to impress me, child of man,” he said once during VDC right after Vil overblotted and he arrived.
“How come, Tsunotarou?” he laughed at how astonished others were at you calling him by that silly nickname. 
“Witnessing you have no fear towards me is truly a blessing.”
She smiled at him then, her cheeks slightly dusted with a beautiful pinkish hue. 
“Having you as my dearest friend is a blessing too!”
⏤ ✧ Friend…?
⏤ ✧ Right, friend. And what friends are needed for? 
⏤ ✧ Apparently, Malleus thought Yuu would be delighted to see him putting everyone in a sleeping state. If he can’t be someone even dearer to her, then he would be her most devoted guardian.
⏤ ✧ She resembled a fairy, telling him about her tremendous adventures, so it would be natural for him to tell her a fairy tale in return.
“Do not resist the temptation, child of man.”
His voice, so alluring and somnolent, enveloped her, her eyelids feeling leaden. He was standing right in front of her, looking at how her body trembled under his enticing enchantment. He knew by now he shouldn’t touch her, even though her eyes told him otherwise, begging to lean to her.
“Although it would be interesting to fall under your spell and feel that divine feeling, please allow me to grant you with a happy ending you truly deserve.”
“You… never asked me… what kind of ending I truly want…” Her voice was fading, and she could barely stand at that moment, but Malleus knew.
If she takes one step closer, that would be the end for him. 
So she did, thorns enveloping her, but she managed to grab Malleus by his clothes somehow, her face being extremely close to his, his astonished gaze fixed on her, blurry and sorrowful.
“Perhaps a true love kiss would wake you up from this dream, Malleus.”
She pressed her lips to his, tenderly whispering those words and smiling through the kiss when a bright light surrounded them. 
Malleus picked up her exhausted body, oblivious to the dissipation of his own magic, and looked at her worriedly, ignoring the slowly awakening students.
“Ugh… don’t underestimate me. You still haven’t taught me how to make pretty flower crowns.”
And she was right. “Indeed. That’s the least I can do for showing me the ending I truly do adore.”
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⏤ ☆ notes : omg thx for requesting!! i got carried away in malleus part (a little bit.... kinda... forgive me for that) but still i hope you like it! ~
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⏤ ☆ tag list : @isacoremeow
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© yushiiae 𝐚𝐥𝐥 𝐫𝐢𝐠𝐡𝐭𝐬 𝐫𝐞𝐬𝐞𝐫𝐯𝐞𝐝. 𝐝𝐨 𝐧𝐨𝐭 𝐫𝐞𝐩𝐨𝐬𝐭, 𝐜𝐨𝐩𝐲, 𝐦𝐨𝐝𝐢𝐟𝐲, 𝐨𝐫 𝐜𝐥𝐚𝐢𝐦 𝐚𝐧𝐲 𝐨𝐟 𝐦𝐲 𝐰𝐨𝐫𝐤𝐬 𝐚𝐬 𝐲𝐨𝐮𝐫 𝐨𝐰𝐧.
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twig-tea · 6 months
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Only Friend Finale Reaction
I want to write this down now because I suspect my feelings on this will change over time. In this moment, immediately post-finale, I am satisfied. I feel happy. I am glad this show got made, and that I watched it.
Only Friends was billed as the messy gays show. I went in expecting something close to Friend Zone but with more gays, and that's what we got. Not a Warped Effect with explicit morals and lessons about sex, consent, sexualities, kinks, etc., not a GayOK Bangkok which is grounded in realism.
And because this was Jojo and Ninew and Den and Best, it's still more realistically queer than any GMMTV BL to date, and there were some absolutely stellar moments that stand alone as moving, and powerful, and beautiful, and genre-changing. And so near the beginning of the show airing, I raised my expectations; maybe this show was going to do more.
But was clear by the penultimate episode that it wasn't. I wrestled a lot on here with my need for this show to be the one that finally broke up the mixed pair expectations, and let sluts be sluts, and finally showed a threesome, and maybe even gave us consensual non-monogamy. It didn't go that far in any of those realms, but it took a step closer on many of them, and considering where BL has been to date that's still pretty huge for GMMTV, and I don't want to lose sight of that or judge it for what I wanted it to be instead of what it ultimately was.
The other thing I wrestled with a lot in this show was what other people were seeing in it, and my frustration that people were taking away moral lessons that the show wasn't giving. I think I was successful in that I watched this finale with satisfaction for what I was getting, even though I know a lot of people won't see what I saw (and btw I'm not even claiming that what I saw was what the creators intended! I am not claiming superiority here, just bias lol). So I watched this finale deciding to take what I wanted from it, rather than what I thought it was actually trying to say, and for that reason I enjoyed the hell out of it.
So. Here are my takeaways from the Only Friends finale:
We got a three-way kiss, even if it didn't lead to a threesome, after teasing us all series that was still satisfying and we got it as part of a branded pair in a GMMTV show. It was fun, and messy, and I loved it. I appreciate that it was also...maybe necessary is too far lol but it was actually in service to the plot--we all knew Sand still had feelings for Boeing, or else he would not have still been so mad at Top that he was willing to use Nick and Ray to get his revenge. Not every emotional loose end needs to be resolved with kissing, but it was kind of fun that they tried (and I also really appreciated that it didn't work lol).
I loved that Mew and Ray talking as friends got them to compare notes on and eventually team up to take down Boeing. Their friendship really is the backbone of this series, and I'm glad it survived everything. Mew is so relieved to have someone else taking care of Ray because he never wanted that role and wasn't good at it, but he does care about his friend's happiness and is more than happy to step in when there's drama. I appreciate that he made really clear to Sand that his feelings for Ray are platonic, in the bar, that's the first time I've really seen him be truly supportive of Ray, and it was nice to see.
The Mew and Top scenes were fascinating. I think this is where I'm going to differ from the bulk of the audience and I've made peace with that. I do not find stories like theirs romantic--where both partners need to be in control and play games to stay in control the whole time--so for me, the fact that these power struggles were still present in all of their scenes satisfied my desire to see them stay together, happy but on edge. So. That scene with Mew and Top in which Mew agrees to live with Top but then asks him to apologize to Sand right afterwards; I read that as pretty manipulative on Mew's part, and Top's uncomfortable face at the end means that he felt it too. Maybe I wasn't supposed to read it that way, but that's why it worked for me. The ring, too, "now or never", it's not a promise of forever, it's a promise of the present [such a strong ephemerality statement]. The conversation in the bath in which they outline their needs and identify that they have contrasting needs, and say "I'll work on it / we'll deal with it when it comes" is exactly what I was expecting of this relationship. They're not perfect for each other, and they're going to continue to push one another. Right now they're agreeing to try, without a guarantee that it will work. Talking about their needs is good, but we don't actually see them trying, so it didn't hit as romantic as it would otherwise for me either. And Mew daring Sand to kiss Top in order to get them to be chill was such a Mew power move I loved it. He asked Top to apologize to Sand, and then forced them to be in close proximity before getting confirmation that Top was ready. Top apologizing to Sand in that last second before they kissed was him clinging for power while Sand was hovering over him, and it was a perfect Top volley. Constant power struggle, that's how I read these two. Mew teasing Top with whether or not he's slept with anyone else was so interesting considering their history around that--I was probably supposed to see it as growth in their relationship that they can joke about it? Or maybe they were trying to undo some of the sexual morality nonsense that made its way into this show by pointing out that actually it doesn't matter if Mew had been with anyone before? But what I saw was Mew still struggling to have a power foothold over Top now that he's moved in. I will admit the fire scene, at first, I was so confused by. Were we supposed to be moved by Top getting past his trauma? What was that scene even about? I think, in the context of Mew's struggle with his place in Top's life, and his power in this relationship, it was about Mew understanding the invisible support he provides for Top, and why he's important to Top. Mew watched Top be competent and collected in the face of a triggering event, and was impressed at how Top had it all together, but Top credits Mew's presence for that. I think it helped Mew start to actually see a future with Top, because he understands his place in it a bit better. Even if he feels like he's not doing enough, Top sees his presence as strength, so maybe he doesn't need to worry quite so much about keeping score. But that's honestly me reaching, I struggled with that scene and think it was the weakest in the finale [and @lurkingshan I read your post and could believe that your read is true, that it was there to prove Top did have trauma].
Can I tell you how much I love how this show ended, with Mix's character smiling at Mew, and Top's nervous look? Because I think we've wrestled with Mew's confidence in this relationship for the whole show, but it's clear Top still feels unsettled/uncertain in this relationship and I love that we ended with him feeling threatened. This for me was the perfect ending for this couple, and what I've wanted as their ending all along--they're happy right now, they know there are potential bumps on the road in their future, and they're not certain they'll make it through, but they're willing to try--but the threats are real, and present, and not going to be easy because this relationship is not solid.
I also really appreciated what was happening with Boston and Nick, even though I wish it would have been more explicit or done better; what we got was still better than I expected from a GMMTV show. I loved Boston dissuading Nick from following him, and finding the romantic asks to be too many/too much, and having a different definition of "boyfriend" (but not different enough to not like to Nick's face about where you were, Boston, I see you). I love that Nick didn't get mad at Boston for "cheating", understood what Boston was offering for what it was; I also really loved Sand's advice to Nick that just because what's on offer is laid out honestly and fairly, that that means he has to accept it if it's not what he wants. I didn't love Boston trying to backtrack when Nick decided not to take him up on it; but I did love Nick's response, telling Boston to own who he is rather than trying to be someone he's not.
I think this is where my attempts the last couple of weeks to let go of what people will take from this show has helped, because yeah, you can see this as the narrative punishing Boston for being a slut, but this has never been a morality play, and so I'm taking from it how I see it. And I see it as Boston getting a clean slate with a bit more perspective going to New York. What I would say to Boston if he were my friend: This friend group was a mess and they always judged Boston for his sex life more than was deserved; they also violated his privacy by passing around his sex audio and never apologized for it. Boston also didn't take their feelings into consideration when he decided who to have sex with, and he messed with their relationships which was not being a good friend either. Does he actually want them back, or is he just feeling lonely? My hope for him is that he takes what he's learned about other people's feelings--that not everyone sees the world he does, and he has to understand that people will be hurt by different things whether or not they would hurt him, if he wants to retain relationships of any kind including friendships, and decide whether or not they're worth making concessions for before hurting them so that he doesn't lose people he doesn't want to--and finds folks who fit better with his worldview and morals, and then is better able to keep them in his life. But also these people are hypocrites, and he should not take their opinion as a statement of fact about his worth. He didn't do anything worse to them than they did to him or each other.
I know a lot of people are going to see this storyline as a punish the slut story. I was wrestling with this two episodes ago, maybe that's why I'm willing to be chill about this now. I was hoping we'd get Boston as a reason to discuss consensual non-monogamy in a GMMTV show, but I am actually ok with Nick saying listen, I need to be honest about what I want and it's not that, and Boston you shouldn't be trying to give me what I want because that's not going to make you happy either. Boston being alone isn't a sad ending; to me it's the ending he was expecting and aiming for this whole time. The only difference is he's surprised by how he feels about it now that he's in it, and he's panicking a bit. Boston was not just a slut, he was a slut who didn't care about who he hurt; it's that latter piece that he's wrestling with in this finale, and I love that Nick told him he didn't have to stop being a slut to stop being an asshole. Honestly, he'll get to New York and be fine, I really think so. And I took the Nick/Boston goodbye conversation as Nick saying "I love you as you are, a slut, and it's ok to be that. Go be a happy slut!" Do I wish he'd said that more explicitly so that people would understand that? Yes. But I've given up on that.
Cheum not going with the group to the fireworks was so interesting in the context of our conversations about Cheum over the past couple of days. I took this to be the show acknowledging explicitly that she's not actually a part of the core friend group; she schemes to keep the group together (unsuccessfully), and we don't ever get a sense of why she cares so much about that--maybe it's guilt for helping push out Boston for something he didn't do, maybe she needs the security of the group she's got, we never get that insight and I'm still a bit sad about that. But she's not there for the big fireworks finale, so we're at least clear that the show never intended her to be a Main Character. And I was so happy we got her saying her plan worked in the pool. Maybe that still won't be enough to convince the audience that she's an unreliable narrator, but it was satisfying for me! Also loved her unwrapping the photo from Boston and the group's uncomfortable reaction to it. Maybe Chuem's going to keep pushing that they reconcile; maybe she's just delusional about how well her plan worked. Either way, the tension was fun. I didn't get the full resolution of her character that I wanted, but the show nodding explicitly to the fact that she keeps herself apart from the main group so I shouldn't expect it was helpful to me getting over that. And we got a kiss! And another tiny insight into their relationship; again not enough to go on, but i did think it really interesting that the two things we know about April and Cheum are: April appreciates Cheum's positive energy, and April has asked Cheum to be more honest and not just positive for the sake of being positive (about her films). So I'm reading this as that these two are just as messy and as likely to continue to have problems as the rest of the group.
Ending in Sand and Ray because I think this is the least ambiguous; I appreciated that Sand started doing what Sand always does and saying "yeah I"ll sacrifice all of my sources of income for you no problem" (WHAT) and Ray waiting until they're alone again to say "actually that's ridiculous don't do that". I appreciated that Sand's new year plans were all about Ray because he hasn't had anything push him into actually being more selfish, and the resolution with Boeing was done for him so he didn't have to set boundaries after all (called that one), so he's had zero character growth, actually. I appreciate that Ray pushes him to try to be a little selfish, that's the best sign that Ray is finally actually caring about Sand's needs, and that their relationship might work, that I've seen the whole series. I'm taking it with a massive grain of salt, because the plan is for Ray to constantly expose himself to alcohol and partying. I think this is set up to be just as tenuous as the Mew/Top relationship, but it reads a bit more lovey-dovey because they're in a less problematic place at the moment (where they have just resolved one of their insecurities so they're more confident in one another--but it's not clear how long that will last, especially with the threat of Sand's self-sacrifice and Ray's fierce boundary-violating in the face of any threat looming in the background unresolved). Sand expressing his uncertainty around his role in the Hostel was also perfect, because he is an outsider in this project and doesn't have a role, and it's a perfect point for tension in the future between them.
Even the way Yo warns the group of friends in the very last scene that they're going to have to be better to one another and less dramatic in the future if they want this hostel to last felt ominous to me rather than preachy; have this group learned enough to make this business work? That definitely remains to be seen.
Nobody should be watching Only Friends with the idea that it's going to give them any kind of lesson about what to do; at best it's a list of what not to do's lol. None of these characters are perfect, they're all incredibly flawed, and young. So their choices, including whether or not to stay together, whether or not to stay friends, whether or not to stay in business, should not be read as a moral judgment by the showrunners. I definitely agree that this could have been more effective as a message if folks weren't happy at the end. But I've given up on it needing to be effective for everyone; they stayed in character to me, and it was effective for me.
I recognized so much of my friends and my youth in this series, and I am so grateful to have gotten to see that portrayed in a show that felt like a rollercoaster while I was watching it; I literally screamed aloud, I cheered, I laughed, I applauded. This show had characters casually snort coke, hook up, flirt with their exes, kiss their friends, make mistakes, forgive one another heinous shit, be mean, kiss outside their branded pairs, and in some cases let one another go.
There are a LOT of ways this show could have been better. It was close, so close in some cases, to being amazing, and it's fallen short in a lot of ways. It could have been a subversive and compelling narrative about slut shaming and the toxicity of fandom branded pairs. Instead, it was just a show about flawed people being flawed. But I had fun, and I'm not taking away from this show that any of these characters were in the right, or that sluts are bad, or need to change--whether it was the intended message, I've given up on that because I legitimately can't tell and if it is the message, I don't want to know. I don't think it overromanticized these flawed characters, but I can see how folks could see it that way. I'm choosing to remember that these characters have all been flawed and shown to be flawed throughout the show, and notice the ways in which they are still flawed, and the hints that things will stay messy. Maybe this is a bit like those experiments in which they found the way people in incarceration watch Die Hard very differently from how other people do or how it was intended LOL maybe I'm working too hard to justify what was just bad writing and gross moral judgments and toxic relationships being portrayed as romantic. But it didn't land that way for me, so I'm going to celebrate that and enjoy the feelings this show gave me.
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ranchthoughts · 7 months
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The Mundanity of Meanness
@waitmyturtles' posts over the last few episodes of Only Friends (1, 2) have got me thinking.
There's so much casual cruelty among the friend group of Boston, Cheum, Mew, and Ray - all the little pointed comments or assumptions that always jump to the worst faith/most uncharitable conclusion. Mew's birthday at the bar was ripe with them - Cheum happily saying everyone has a lover, even "a heartless slut like Boston," while Ray is sitting right there; Mew assuming Ray was in the bathroom to get high, then lecturing him and saying he won't live past 30, etc. - but we've seen it throughout the show. Remarking to the professor that Boston won't do anything, as expected... not worrying about how Ray got home or why he isn't answering his calls because he is probably drunk... and so on. In their interactions with each other they've come to tolerate, to expect, meanness and toxicity.
The newcomers to the friend group aren't exempt either - look at what Sand puts up with from Ray, or what Nick puts up with from Boston. I thought it was interesting that the most sincere and heartfelt apology in episode 7 was from Sand to Nick - Sand really seemed to grasp how his comments and actions hurt Nick, even if he doesn't agree with his life choices. It puts into perspective the behaviour of the core four's friend group, where the apologies last episode were mostly insincere or forced in some way. Sand and Nick seem to have lived a life with less of this mundane meanness around, compared to the friend group - they aren't used to treating each other poorly.
The moment that really caught my attention this episode was Boston at the pool fight scene saying "It was unintentional" when pushed to apologize to Mew for sleeping with Top. Mew is pissed ("Unintentional, my ass"), but I think in a lot of ways it was! Boston wanted to sleep with Top. He did. End of story. Obviously, Boston also has his superiority complex about Mew and they have their ideological war around sex going on, and sleeping with Mew's boyfriend does contribute to Boston "winning" in those areas, but Boston also just doesn't think of consequences, he doesn't think about other people. That's what this friend group is all about: YOLO and living in the moment, being self-absorbed.
However, even if the results of their actions were "unintentional," that doesn't absolve Boston or any of the other characters from the hurt they cause. Impact vs. intention. Boston might not have intended to get Mew SO upset at his sleeping with Top (Boston has a different mindset than Mew around sex and exclusivity), Mew might not have intended to drum up Top's fire trauma when he burned the sketch, Ray might not intend to wound Sand with every comment about his lifestyle, but they need to realize/learn that other people are coming at things with their own baggage and through their own lenses and that they need take accountability for their actions and words, even if they themselves don't see harm in them. What might not be a big deal to them might be a big deal to someone else.
The final point I've been musing on is at the simple, everyday, mundanity of all this. Often as fans we've been looking for connections, for forethought and calculation in the actions of the characters, and there is nothing wrong with that. However, I think its important to acknowledge that real harm can come too from unintentional or unthinking actions or comments. It doesn't always have to be a carefully thought out evil plan or a targeted attack. Sometimes people just do what's best for them and don't think about how others would conceive of or react to their actions... especially young people and especially self-absorbed wealthy young people.
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waitmyturtles · 7 months
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Thanks to @kayatoasted, the Ephemerality Squad has unlocked a small circle of meta: we do believe that boredom is indeed a major player in the Only Friends themes framework! (citations here and here for context).
@kayatoasted noted in the comments of the first link that the theme song for the Only Friends pilot trailer was “I’m Not Boring, You’re Just Bored,” by the Thai band Tilly Birds:
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I also noted in convo with @thatgirl4815 earlier this evening that I’m thinking of “toxicity” now as an umbrella term for….everything else the group is demonstrating: their desire to control others, their hypocrisy, Boston’s hunting (cc @ranchthoughts), all of it. It’s just all coming together in a Crock-Pot of shitty behavior that, by way of combination, is just ultra toxic. So much of their crap behaviors could just be attributed to boredom, and not giving a SHIT about the impacts of their actions on others. (And/or in Mew’s case, as I wrote this morning — boredom can also be a MOTIVATOR for risky behavioral changes.)
The wild thing is that this group (and a lot of the fandom, too) JUDGES each other for their toxic behaviors, all while acting toxically at the same time, making the behaviors EXTRA shittily soupy.
I love it when hints come full circle! Tagging the Squad: @kayatoasted @ranchthoughts @ranchtastic @slayerkitty @thatgirl4815 @lurkingshan @neuroticbookworm @twig-tea @distant-screaming @clara-maybe-ontheroad @wen-kexing-apologist
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