Can I interest you all in my extremely self serving Mario and Luigi game concept featuring Gooigi and Metal Mario as alternate reality Mario Bros?
I’ve been calling it Mario and Luigi: Elementals and it sounds dumb and that’s because it is dumb
The basic premise is E. Gadd didn’t actually make Gooigi, rather Gooigi is from a Universe where everyone is made of one pure element, and Gooigi ended up in our reality on accident.
Kind of
He splatted through a portal and was pretty much all but dead or “broken” as his universe would put it, but E. Gadd of our world manged to “fix” him, bringing him back. The problem is he lost all his memories, and also can’t speak.
That was a year ago today.
The Mario Brothers are visiting Professor Elvin Gadd in his research laboratory to see his latest invention, and also learn that Stuffwell has become Gooigi’s right hand man, and can even understand his blurbly speech.
E. Gadd’s been fascinated with the portal Gooigi origonally came through for some time now, and has finally made a device that will (hopefully) open it once again. Mayhaps he can get more goo, make more Gooigis! How exciting!
If only the blasted thing worked
His device doesn’t turn on, or work at all, so he sends Mario and Luigi around the lab to fix multiple things; jumping, using the Spin/High jump moves, Mario drinks and spits water, the usual stuff all gets tutorialed at once this way until he’s finally ready to try again.
This time a massive portal opens, sucking in everything in the lab, mostly Luigi who was right next to it. Mario grabs Luigi, E. Gadd grabs Mario, Gooigi grabs E. Gadd, and Stuffwell complains about his unfinished Arm Modificationings
Mario’s grip slips, and Luigi goes flying into the portal, which then closes.
Luigi wakes up in a forest where everything is made of Rock. The Trees, the Ground, the over sized Mushroom kingdom looking mushrooms, all pure rock. Like sculptures. He looks around, calls for Mario a few times, cowars a bit, and then starts to wander, eventually coming across another research lab like E. Gadd’s
Inside is Professor Ectoplasm Gadd, a gooy translucent, almost ghostly like version of Professor E. Gadd, along with Rock Toads; Toads made purely or unpolished, rough rocks.
Ecto Gadd looks up from his machine that is very much like E. Gadd’s portal machine, and immediately starts making a ruckus about Luigi’s Return. He sends the Rock Toads off to “Go get his brother!” and starts marveling at Luigi’s new unique make-up, asking what he’s made of now, and apologizing for the accident.
Luigi Italianese babbles that he has no idea what Ecto Gadd is talking about and starts explaining the portal, when the door breaks down.
“Goodness! I know you haven’t seen eachother for a year now but you didn’t have to break my door!”
Metal Mario puts the door down to the side gently and approaches Luigi, looks him all over, takes a few steps back, and then punches a random machine, destroying it.
It takes a few moments for the shock to were off and for Luigi to notice Metal Mario is really broken up over his missing brother. Luigi does his best to comfort him, a little There There back pat turned into a spine crushing hug from Metal Mario.
Ecto Gadd realizes this is the Wrong Luigi and explains the portal machine, and how he’d been working on it ever sense Goo Luigi went missing. Luigi recognizes “Goo Luigi” as probably being Gooigi, which Metal Mario responds to by grabbing Luigi by his overall straps, picking him off the ground, and shaking him in a “You know where me brother is???? Where??? Take me to him!!!” kind of way.
Ecto Gadd says he can get the portal open again, but he needs more power for his machine to work and stabilize the portal, so he sends Luigi and Metal Mario off to the Plasma Kingdom together.
This is where gameplay starts and also my story concept kind of ends, so this is just all my thoughts mashed together now
You play as two sets of Bros through most the game (this first mission has them mixed up, but eventually swaps them back correctly); Mario and Luigi, and Gooigi and Metal Mario.
Mario plays the same as usual Mario games, High Attack and Speed, Low Defense and Health, if you don’t watch him he’ll become a Glass Canon
Luigi also plays the same, High Defense and Health, Low Attack and Speed, a random extra bit of Stache, might fall behind Mario if you’re not careful
Metal Mario plays sort of like an Extreme Luigi, with wild high defense and stupid slow, but he also hits like a truck with a crazy attack stat. He’ll go after everything else, but he will also likely kill it all in one hit. Also his and Gooigi’s Stache stat is called Sheen and might cause enemies to miss, rather than they randomly get lucky hits. They’re shiny.
Gooigi in turn is like an Extreme Mario, Wicked speed and abysmal defense, but with no attack to back it up. Instead, almost all of Gooigi’s basic attacks inflict status; Poison, Sleep, and Stuck (a Gooigi exclusive status in which the enemy is stuck in goo and can’t move), making him more of a set up for Metal Mario than his own attacker.
You switch between the two groups on set story beats as they traverse eachother’s worlds; Our usual Bros in the new Element lands, and the Element Bros in the usual Mushroom Kingdom worlds. Think like Bowser’s Inside Story meets the Peach sections of the Paper Mario games.
Mario and Luigi can do their usual jumps, the spin and high jumps, they cannot be separated, and eventually get the elemental Fire and Thunder attacks from Super Star Saga, and the Bros Ball from Partner’s in Time. These are also their Bros Attacks. No more shell or fire flower or weird surprise tube I hate those things.
Metal Mario and Gooigi get the hammer abilities, Metal Mario can smash Gooigi over the head to make him small and fit into small spaces and Metal Mario can drill into the ground to get beans. The two can be separated, usually when Metal Mario explores the ocean floor, as Gooigi dissolves in water and Metal Mario sinks.
I can’t decide what Metal Mario and Gooigi’s bros attacks will be. The main thing with them is they’ve been separated for a full year, and Gooigi’s memories are still missing, so they’re not as in-sync as the normal Bros are. Maybe they can have Bros Items from Partner’s in Time?
They’re a lot like the babies from Partner’s in Time I think, more immature and juvenile in my head. Metal Mario constantly forgets his own strength and breaks things on accident, and Gooigi is eager to help anyone who’ll give him a task. They’re both childishly curious about the world around them.
The twist would be someone sent Gooigi through that portal on purpose to get rid of him. I’m thinking a version of King Boo from this Elemental Dimension, but I haven’t thought on it too hard just yet. Maybe Ecto Gadd did it. That’d be fun.
Rose Gold Peach is there and she’s called Rose Gold Peach not Pink Gold Peach I hate that name she is Rose Gold and she’s a lot like Metal Mario in that she forgets her own strength a lot and ends up hurting regular Mario in funny slapstick ways just by interacting with him a lot.
The previously mentioned Plasma Kingdom is the Element Lands version of the Koopa Kingdom. I’ve been trying to decide if I want Bowser to be just pure Fire or not. Magma Bowser maybe? Where some of his upper layer has cooled so he looks like Bowser’s Fury Bowser in color scheme? The Goombas are wooden because I think that’s funny.
I also think the Elemental Bowser and Mario have a much more extreme rivalry compared to our usual duo. Where Mario and Bowser can square off every here and there and then also play tennis, the Elemental Mario and Bowser will fight to the death if squared off together. This Bowser also doesn’t have the Romantic Feelings for Peach to soften him, he wants her just as dead as he wants Mario.
His only soft spot then would be Bowser Jr., who I don’t know if he should be included because it feels like too many main story characters, but he’d be made of paint, and be gooy and fragile like Gooigi, this why Bowser, a Magma/Rock being, is so protective of his soft son.
Finally, I want Wario and Waluigi to be a sort of Rival Encounter to Metal Mario and Gooigi, Like Mid bosses that show up every other big event a little stronger than previously, sense they’re extreme versions Mario and Luigi, much like this version of Gooigi and Metal Mario are.
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I keep seeing posts that are like "interpretations of bi!Dean and gay!Dean are equally valid!" and I used to be like, sure, straight!Dean is definitely wrong but beyond that, see him how you want, who cares.
But now (esp after the Last Call script) I just don't understand the gay!Dean truthers? I follow quite a few on sm, and when I initially followed them I was like "they accept Dean is queer, that's good enough for me." But now they're really starting to get to me and it's not really worth arguing about to them, but I wanted to rant to you about it, cuz you get it.
The script literally included "gorgeous women" in the bar. Dean has canonically been sexually AND romantically attracted to women. He's based off THEE bisexual Neal Cassady.
Like I'm not really trying to defend m/w relationships (lol) but why do even queer ppl insist on erasing his identity when it's so clear? Why do they have to take that away?
Gay!Dean in AUs is one thing, but in the actual, textual canon of the show, Dean is bi. And no, gay!Dean and bi!Dean are NOT equally valid interpretations. And I don't think I'm an asshole for saying that 🤷🏼♀️
Sorry it took a few days to get to this. Work and life have kept me busy and tired!
Unironically and non-sarcastically, Anon, I'm glad you've seen the light and seem to understand this topic more now. You are, of course, entirely correct. And you're not an asshole for saying it either.
I'm going to take this opportunity to answer your (potentially rhetorical) questions, and also bounce off of you and lay some stuff out about this topic in general at length for the first time–despite the fact that it may turn me into public enemy #1 again. I am already hated for non-combatively voicing these facts on Twitter (this thread tends to be considered one of the "ground zeroes" of the nonexistent "debate" lol), but I have avoided being dog-piled on Tumblr so far, so... fingers crossed I can miraculously keep it that way!
My hope is that anyone who is predisposed to taking this topic very personally just moves on instead of attacking me (or subposting me?) for any of what I'm about to say. I'm also not forcing anyone to read this, before anyone's like "that's way too many words" or "it's not that serious lol."
I do think this topic is important. I've made the decision to publicly spell out why. And if anyone doesn't want to read it, that's their prerogative.
To your questions, Anon:
I think a lot of this comes down to a fandom-wide problem (all fandoms recently, not just SPN) of not understanding the difference between headcanon and canon, the dimensions as to why that distinction does have its uses and its necessity, and the value in both. I'll get into this later.
But in this fandom specifically, based on observation and lengthy conversations I've had with a dozen long-time fans who are my friends... I personally think it's maybe a new dimension of viewpoint that's branched out from a holdover of "all interpretations are valid" being the party line people have clung to a very long time. (That’s also true in other fandoms, but I think it’s especially true here.) It's a form of solace people don't want to deviate from. No one wants to be seen as or feel like the ~jerk~ who's ~invalidating another person's view of canon~ in response to someone else's knee-jerk reaction of hurt. This is a fandom with early-2000s cultural baggage and context, where people dealt with feeling like the "crazy fangirls" who shipped Destiel and dared to call out queer subtext. Misha's "You're not crazy" tweet exists for a reason. I do feel like a lot of well-meaning people–aside from misunderstanding or being ignorant to the analytical roots of this topic and why they absolutely matter–just know what it feels like to have their thoughts on queer content in a show feel "invalidated," and they don't want to be perceived as doing that to other people. And/or: they’ve felt invalidated before (in this fandom or others!), and so they’re hypersensitive to anything they perceive as doing that to them again, especially if they tied personal identity into the projections they’re making onto the media they enjoy.
I understand that people don’t want to seem ~mean~ or make waves. I also don't want to seem mean or be mean, which is why I try to be as clear as possible whenever I talk about this and I never go after people directly (or interact/reference any of the many subtweets from people who openly talk shit about me. haha). But the facts shouldn't be seen as "mean"; they are simply facts. And yes, they absolutely matter.
Because the thing is... none of the above has any bearing on the nuances of the topic at hand, the indisputable fact that Dean is bisexual in canon and that claiming otherwise is erasure, and the truth that none of this should be seen as a threat to people's headcanons.
These are all things that people should understand, and I will not apologize for knowing that and saying it. Misunderstanding this–making the false claim that “all interpretations of Dean’s sexually are equally valid as long as you see him as queer”–is an act of bisexual erasure in this context, and it often (unintentionally!) plays into biphobic talking points. And yeah, in my opinion, that’s something people should care about because it’s worthy of both personal and fandom examination. It is, in fact, why “representation” matters at all.
Let’s not kid ourselves: the bulk of this fandom-wide discourse is about Bi Dean vs Gay Dean. So, y’know, that’s the bulk of how I’m going to address it to just get it all out there.
Right out the gate, let me clarify this: I am not saying–now or ever–that those who are self-proclaimed “Gay Dean truthers” or argue that “Dean being gay in canon is a valid interpretation” are deliberately coming from a place of malice and the intent to contribute to bisexual erasure. By all means, I’m sure most aren’t! Nonetheless, intent does not equal impact. I’ve even seen people say “I’m a Gay Dean truther and I’m bisexual, so how could I possibly be contributing to bi erasure by arguing for Gay Dean?” But in this situation–as in any other–no one is immune from unwittingly perpetuating harm, even including bi people. And it’s important to understand why that is.
“Interpretations” are not opinions, not all are equal, and they do require some level of skill. This is not a personal attack, or a moral judgement on anyone, or somehow a threat to people’s enjoyment of a favorite character. It is just fact.
Gay Dean is not a valid possibility in canon. There is no lens that justifies an argument of it with canonical basis. I have to break down why, in order to sufficiently express why claiming otherwise is a harmful position to take, so bear with me.
(No, this is not an invitation for a Gay Dean truther to treat this like a “debate” with me or waste time writing out a counterargument. Please just exit the tab if you’re somehow here battling that urge.)
For someone to say that Dean is gay in canon, here is an incomplete list of what has to be erased, ignored, or explained away:
• His sexual attraction to, romantic love for, and relationship with Cassie.
• His sexual attraction to, romantic love for, and relationship with Lisa (whether or not one thinks she was ever the ~ultimate love of his life~, attraction and love were present.)
• His stash of and enjoyment of porn that includes women, which is referenced many times.
• The moments where he was seduced by a female-presenting monster.
• Each and every time he made a reference to or joke about his attraction to women.
• Any fling he ever had with a woman on screen, and the enjoyment he had in the process.
The man is canonically sexually and romantically attracted to women, and he has acted upon that and even enjoys that about himself in wildly diverse contexts. It is a blatant part of the text of the show. (The fact that we are at the point where this is somehow a main point of contention rather than his attraction to men does make me feel a tiny bit insane, to be honest.)
Now, in my experience (which I don’t claim is comprehensive!), the people who argue for Gay Dean tend to explain ALL of this away under some form of universal umbrella of Dean being “performative,” a variation on compulsive heterosexuality they ascribe to him. The claim or explanation tends to be that Dean was performing a mostly-faked attraction to women based on his father’s expectations and outward pressures he received in the culture of his life. Moments are often cherry-picked out of context to support this “reading.”
Who is Dean supposedly performing FOR, even in the moments where he acts on his attraction to women when he is alone? How does this explain his significant relationships with women like Cassie and/or the legitimate visible enjoyments he received from those interactions, as well as his flings with women throughout the show? How does this explain things like the Last Call script, where Dean is very clearly written as attracted to “gorgeous women,” a factoid that is not only very clear on screen but also (of course) written in literal black and white?
(There are no sufficient answers to these rhetorical questions. Once again: please do not waste time trying to give me any.)
And what evidence are Gay Dean people using for comphet or performative Dean? The “evidence” is often a misread of canon, pointing towards the consistent theme and false goal presented in the text of the show of characters’ efforts to strive for an “apple pie life,” aka a heteronormative ideal family. Gay Dean people misrepresent what this theme and through-line in the show is actually about, which is the totality of learning to accept your life rather than striving for something ill-fitting, that what you need and want need not be mutually exclusive (family life including fulfilling romance + hunting life can coexist), family is what you make of it and how you define it, and there are no true limitations on what all of this “should” be. While these themes are inherently queer, they are not about narrow performances of masculinity, femininity, or sexual identity, but about making space for ALL forms of all of the above–AND about identifying what it is that one wants and thinks they can’t have.
Namely, for Dean, that’s a version of settling down in a life that fulfills him in every direction, with an open and honest mutual relationship with the person he is in love with. This latter point would be true whether Cas was a man or a woman (though the fact that he is a man of course adds further dimension of interest to the story). Dean doesn’t think he can have a romantic relationship / family that lasts, and by later seasons that yearning is a key part of his character. The times it didn’t work out for him weren’t because those other people were women, but rather because the “lesson” he internalized from traumatic instances of loss is that hunters don’t get to do ~the love thing~ or get the settled down life. This is stated in the text of the show multiple times, and that’s also why Dean seeing examples of hunters who made any kind of balanced life work (especially masculine queer hunters like Jesse and Cesar) is pointed and purposeful. To say it’s about comphet instead (with no sufficient canon evidence that supports that) disregards a key point that’s central to Supernatural’s story, and in my opinion it disregards it to its detriment.
For Dean’s journey in particular, it is about freedom from limitations of structure, and knowing that he contains multitudes. The things he got from John–loving classic rock and loving his car, for example–are no less core joyful parts of Dean simply because they originated from his father. Dean can love classic rock and still occasionally love a Taylor Swift song, for example. He can love cowboy movies and manly movies, and also enjoy chick-flicks. It’s the idea of learning that there are no limitations, not that masculine interests are not inherently something he loves for himself or that aren’t important parts of his identity. It’s an expansion to openly include more, not a switch or a narrowing. The same applies to his sexual attraction and his queer identity. He can be attracted to cowboys and bikers, and also be attracted to gorgeous women. Him being attracted to / loving women does not mean he cannot and does not feel attraction and love for men; likewise, him being in love with a man does not mean he wasn’t and isn’t attracted to women.
(“Last Call,” as an episode, exists in part to drive the totality of these points home, and emphasize that Dean’s attraction to men is something he’s known about himself for most of his life and acted on previously. So is most of the queercoding and queer subtext applied to Dean–which is specifically coding him as bisexual. His attraction to men is sometimes established or made clear because it echoes his attraction to women, etc. etc. Dean’s canonical attraction to men is a whole other post.)
So here we come to why saying otherwise and trying to shoehorn a comphet narrative onto Dean in canon is harmful:
Aside from the fact that to claim Dean’s joyful attraction to women is performative is to cut out chunks of the story and is thus not supported by canon, and it relies on making assumptions about and projecting onto the text… unintentionally or not, the implication is that bisexuality is not queer enough, or that being gay is somehow “queerer” and thus more compelling and a preferred concept, and that attraction to different genders is a heterosexual / straight trait requiring removal. No one is queering a text in a more revolutionary way or unlocking a ~secret good Supernatural~ by making a bisexual man into a gay man. That’s simply not how this works.
“Preferring” an argument for Gay Dean in canon requires explaining away or misreading all of those moments Dean has with women, essentially replacing them with trauma or suffering or discomfort that–in my observations–also sometimes rely on stereotypes of gay men. It also involves potentially preferring to twist them into behaviors Dean must have universally put himself through not out of genuine joyful desire but at minimum because he felt like he “should” or at maximum in an attempt to “fix” his “gayness,” even when no one was watching. And it points to the pressures Dean experienced about living a life that fit him fully–pressures that exist not just in his world, but also in our patriarchal world and society–and it implies that queer people can’t authentically experience attraction or love to someone of a different gender, because maybe they’re actually just “performing” the heteronormative ideal. As in: a “visually queer” relationship is the end goal, right? For Dean, that’s an m/m relationship... so surely m/f matters less, or maybe it can’t be a genuine and significant part of a queer person’s life.
Once again: I do not think any of this is intentional on the part of Gay Dean truthers, nor do I think it’s done with malice. Nonetheless, these harmful biphobic viewpoints permeate these conversations and misconceptions when people say these arguments are valid.
There is no canonical basis for explaining away all of Dean’s moments with women, and the story does not provide or point to any kind of cohesive narrative reason to do so. YES, people absolutely experience comphet in real life, and those experiences are valid and exist. YES, real gay men can and do sleep with or have nuanced romantic relationships with women before realizing they’re gay later in life. No, that does not mean that’s how analysis of a fictional character in a fictional story always works, especially in regards to a story built over time like Supernatural’s unique approach and the way it was molded to place queerness and specifically bisexuality at the core of Dean’s story.
Ascribing comphet to Dean in canon–or making any other insufficient justification for explaining away his attraction to women–is personal projection. And yes, it is bisexual erasure.
This is not a position fueled by personal hurt for me, as I would say the same here whether or not I was personally bisexual. It is an acknowledgement that these conversations don’t exist in a vacuum, and that’s something everyone should care to understand. I know what comphet storylines look like in fiction, and I know they are worth defining as such, and in other fandoms I even defend that very loudly. This is not the case here, and to say it is requires mental acrobatics that are objectively unsupported by canon... and invariably insisting otherwise perpetuates one of these harmful biphobic viewpoints whether or not one realizes it.
To say Gay Dean is a legitimate read of canon–which it is not–supports people who are erasing his varied sexual and romantic attraction to a different gender simply because they’ve decided they want to ignore that. “I like the idea of Dean being gay” does not mean that he is gay in canon, and writing meta to that end is a problem. It’s not an invalidation of someone on a personal level or some weird variation of homophobia to say that, and I do think people should maybe examine why they seemingly like the idea of him being gay more than him being bi, or why they staunchly defend it (or any other “different queer reading”) as a possibility.
I understand there may be the urge to be like “is it that serious” or “this is just a CW show,” but to that I would say… then why are we all here?
Clearly, most people do still care about queer representation on some level and understand that queer subtext is present and acknowledge that Dean isn’t straight... hence the origin of this new prevalent concept of “as long as you say Dean’s queer then it’s fine.”
But in any piece of media, the text is the text is the text. The text can also be compelling, and fascinating, and contain value whether or not it’s an exact reflection of you personally as a fan and as a person. Sometimes there is arguably even greater value in being able to find reasons to relate to the humanity of a character or in a story even though elements differ from who you are personally. It is an exercise in empathy, and it is a pillar of why humans tells stories to each other to expand our viewpoints, and it sometimes results in examining the sources of that empathy. It’s why “representation matters”: not just so we can see ourselves, but so we can see others, and find reason to empathize despite differences. There’s unquantifiable power in that, and it’s also why the diversity of queer experiences and identities should be championed and acknowledged both in fiction and in reality, not turned into a monolith. Our solidarity amongst our individual queer differences and identities is our truest version of strength and authenticity. We are not all exactly the same, and that’s a good thing. When care is taken to specifically convey that in fiction, it is worth not only acknowledgement but also defense.
So: do we or do we not care about why representation is important, and why these sorts of conversations should exist at all? About censorship of queer storylines, and diversity in the queer community, and solidarity in differences? About bisexual men, a vastly underrepresented group in fiction, and the specific censorship that affected Dean’s bi story accordingly? And about how these viewpoints people can place onto fiction through fandom-wide conversation–like implying Dean is ~queerer~ if you say he’s gay, or that you’re somehow sticking it to the CW and “straight culture” if you suggest he’s gay–can influence biphobia that translates into ways people see bi people in real life?
In other situations even in this fandom, people understand the value of diverse queer experiences. No one would dare to say that “you can argue Charlie is bisexual in canon because as long as you say she’s queer it’s fine.” Charlie is a lesbian. It’s very, very clear, and she shows and states that she is only attracted to women. Dean’s attraction to women in canon is equally clear, and is part of his bisexuality. Why is erasing that defendable?
Look: it is people’s God-given right to write whatever fic they want about “what if” variations of Dean’s sexuality through a different lens. It is not their God-given right to make things up about canon and call it analysis.
It is a universal truth that fandom is always going to take canon and mold it into other versions that they love, for their own personal reasons and in ways that have value to them. That’s why transformative works like fic exist, and it’s why fandom is awesome, and I’m glad people use aspects of their favorite stories to tell other inspired stories that are of personal significance to them. But the word transformative is used for a reason: it’s an alteration of canon. It’s not a bad thing or a personal attack on people to say that.
There is a difference between understanding canon and writing actual meta / analysis of the show, and writing AUs for ones own enjoyment and fulfillment. (This is true on AO3 or on Tumblr/Twitter. I often see posts that are positioned as “meta,” but again, are just cherry-picked weirdness.) These differences are important, as is understanding how headcanons and fic affect surrounding conversations and fandom perceptions. And this fandom seems to have a very big problem with understanding the difference between these things, while taking it extremely personally in a negative way when people try to explain why the difference matters.
Confusing analysis and transformative fandom does a disservice to both, and denying the value in the former is not only a form of anti-intellectualism but also removes some of the beauty in the latter. If we can’t distinguish and differentiate between canon and headcanon, we can’t discuss the value in understanding the canon, nor adequately discuss the artistic value and power in creating derivative variations from it in personal ways. Both are different, both are equal, both are vital, and insisting the distinction is needless hampers conversation across every space. And nowhere is that more true than when one is discussing queer representation and queer censorship, like in the case of Supernatural. Again, why are we here? Why do we care? You cannot argue for and discuss the problems of censorship sufficiently if you don’t understand what was censored–and in Dean’s case, that was his love for Cas and his bisexuality.
I leave you with this (probably unneeded) analogy:
Imagine Dean’s a zebra.
(Sorry, EDS community; not that kind of zebra.)
People are trying to say “Dean is a black and white hoofed mammal <3″ and well, that’s accurate, but that doesn’t mean him being a zebra isn’t its own unique thing. A whole bunch of people are looking at him though and saying “well I prefer to say that Dean’s a black and white horse,” because they like that viewpoint better. Close enough, right? A black and white horse is basically a zebra, right? And then there’s the people who are like “I think Dean’s a cow!” and it’s like, okay, no idea where you came from, but whatever.
The point is that those are all entirely different fucking things. They’re different animals. Someone wanting Dean to be a black and white horse doesn’t make him less of a zebra. Pretending otherwise is absolute nonsense.
This debate/discussion/discourse is equally nonsensical. That is the logic (or illogic) that applies here.
Just because Dean is “queer” doesn’t mean any queer categorization underneath that umbrella suddenly equally applies.
Dean is bisexual. And he is “queer” because he’s bisexual.
Those are the facts.
And for the love of God, please... I really don’t think I’m an asshole for saying it.
So, to whoever made it this far: please do me the courtesy of not hating me for it or trying to bait me into a fight.
I’m tired. Thanks.
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EDIT: Couple of good additions!
• @doctorprofessorsong added some good details about how some of these harmful biphobic concepts translate to real life, and real things that bi people struggle with.
• A lesbian anonymously sent in her perspective as someone who enjoys gay Dean headcanons/fic and agrees with this post, and agrees that the fact that Dean is bi in canon is important.
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