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#dude we are SO back
cacaocheri · 7 months
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pumpkin carving :^)
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I am not over the fact that Jesper didn’t realise he’d met Wylan before until he was literally on top of him. He didn’t recognise his one night stand until he was On Top Of Him,,,, that’s the angle he had to have to remember his face,, there’s only one image that’s fitting for this.
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fungi-maestro · 29 days
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Happy tdov to fat trans people. 🏳️‍⚧️ Biggest thing that helped me as a trans kid was seeing older fat trans people. There were a lot of really irritating "advice" posts going around early in my time on the internet with a lot of misinformation in them, but one that I constantly saw (in addition to people claiming you should wear your pants rediculously low or only wear button ups) were posts saying you had to lose weight to transition. Can confidently confirm that is completely untrue. 👍
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novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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doctorsiren · 17 days
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thinking about Phoenix Fulwright….😳
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inkskinned · 9 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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lesbaurinkos · 4 months
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they call me the world’s number one fan of dnp’s ffxiv catboys (who bought matching red and blue carbuncle mounts if you care). just like they call fditl the most important video to ever exist in the world
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ew-selfish-art · 4 months
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DP x DC AU: Danny desperately wants to find the explosion guy. Tim is really good at covering his tracks... he didn't account for ghosts.
The explosions make it onto TV as purported terror activity and most people haven't heard of that part of the world much less ever given a second thought to care about it. The only real reason it gets reported on has something to do with the Justice League and... Danny knows too much.
He's been in training for Clockwork's court (which he's suspicious of- feels like kingly duty bullshit- but Danny is playing along out of curiosity for now) and he's learned a lot about how the living and non-living worlds collide. That means learning about CW's usual suspects- one of which just happened to have a ton of bases around the area Danny was seeing on the news.
It didn't take long for Danny to try to piece together that whoever blew up Nanda Parbat was trying to fuck with the League of Shadows, and was doing it successfully. Less green portals in the world the better, same goes for assassins. But it gets Danny thinking... Maybe he can employ similar tactics on the GIW Bases that keep spawning on the edges of Amity Park. It would at least set them back while he and his friends navigated the help line desk to request Justice League intervention. None of them can leave Amity Park, so outreach is going to have to be creative.
So Danny figures he'll just find the guy. Call up some ghosts who were there, or er, came from there and get a profile and track him down. But the ghosts keep saying it was The Detective. Annoying!
Danny goes full conspiracy theory, gets Tucker and Sam involved, and begrudgingly asks Wes Weston his thoughts.
He hadn't expected Wes to garble out a thirty minute presentation (that had 100 more slides left to go before he cut it off) about how Batman totally trained with a cult and so did his kids. Danny kind of rolled his eyes but... hey, new avenue of searching in the Infinite Realms at least.
The ghosts confirm that Bombs is for sure not Batman's MO- But maybe his second kid would know? The second kid was already brought back to life though, so no way to easily reach him... Danny starts to realize that this might be the work of a Robin now. Wasn't the red one known for solving cold cases? (Sam provides this information- its a social faux pas to not know hero gossip at Gotham Galas- everything she's learned is against her will).
It all comes to a head when Danny goes about the hard task of opening a portal for the guy to come through at just the right time, explain the infinite realms so he doesn't panic and then describe what the fuck was going on with the GIW. It takes months, just over a full year, of random (educated guesses) portal generating- Finally, Red Robin drops into the land of the dead.
"So, you're the guy I've got to talk to about explosions right?" Danny enthusiastically asks.
Tim thinks he's died and landed in the after life following 56 hours of being awake and plummeting off the side of a building into a Lazarus pool. Nothing makes sense about the kid in front of him.
"Yeah, I got a guy for munitions." Tim answers cooly.
"How do you feel about secretly sanctioned government operations that violate protected rights?"
"Gotta get rid of 'em some how. Need me to point you in the right direction?" This might as well be happening.
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nothingbizzare · 2 months
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When u forgot to bleach your hair because u helped stop world domination
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I was relistening to Ruthlessness and I heard Poseidons “43 left under your command” and I immediately thought of the “558 men who died” part of The Underworld and oh my god he remembered to include that one guy who got drunk and fell off of Circe’s roof that’s amazing
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sp0o0kylights · 7 months
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"I feel him." El insists. "Alive." 
She hasn't said his name since Will first raised them all over the walkie, but every person in the room knows who she means. 
Not that Steve can say his name either.
"But we watched him die." Nancy says gently, before Dustin properly loses it from where he sits in the corner. "Owen's even sent someone back through to check." 
"Yes." El agrees, but it's clear she's frustrated. "He died here. But he's not alive here, he's alive over there." 
"In the Upside Down?" Steve asks, and pretends his voice isn't cracking with desperation and barely concealed hope.
"No!" El snaps, before taking a deep breath and collecting herself to try again. "Through the other gate." 
"Okay." Hopper cuts in, hands waving in some kind of "stay calm" gesture. "El, honey, I think we're all still hung up about the other gate." He pauses, before adding. "And how Creel dying opened it." 
El gives him a thousand yard stare. 
"I'm getting the crayons." Joyce sighs as she stands up. In a mutter she continues, "Should have gotten them to begin with." 
Silently, Steve agrees. 
xXx Eddie xXx
It goes like this.
A bat breaks through the side of the trailer. It swoops low, teeth rattling, but it doesn't attack. 
It emits an odd, echoing screech, before  flying through the gate, to the Rightside-Up. 
"Shit." Dustin curses wildly. "Shit, they're gonna try and invade!" 
"I thought they were guarding the gate!" Eddie protests, as that echoing scream returns tenfold, coming from the mouths of too many demobats. “If they wanted to invade wouldn’t they have done that already!?” 
"No, because Vecna was focused on opening more gates! This must be his plan--to open enough gates to push an army through. We have to lead them away!"
"Dustin-!" Eddie calls out desperately, but finds himself overwhelmed by bats as more and more break through. 
He fights through them, trying to get to Dustin, trying to listen to what the kid’s screaming.
He can’t hear him.
Not over all the screeching, the beating bat wings and the thudding noises as they smack at his head. Their teeth snap, tearing into every piece of him they can reach.
Eddie doesn’t know how long he’s been surrounded, but he hears the trailer door bang open--and shut.
"Dustin!" He screams this time, voice as loud as he can make it.
The kid’s faster than he is.
He’d planned this--or at least, had thought about it long enough to get himself a solid head start, leaving Eddie scrambling after. 
Fighting through the torrents of bats. Abandoning the gate because Hawkins can burn for all he cares--but there are people who don't deserve to go down with it.
People like Henderson, who have bright futures ahead of them.
Eddie tears his way towards Dustin, unthinking, just running.
‘Stupid, stupid, stupid-!’ He thinks, but not at Dustin. 
At himself, because he knows the kid. Knows what to expect from how he acts in games. 
Steve even called it--and Eddie’s not stupid enough to think he was talking to both of them when he warned them about not being a hero. He was included purely because Dustin would fuss otherwise and they were short on time.
Dustin’s on the ground when Eddie finds him, and he whips his spear at the few dozen bats that attack him, their bodies circling, teeth biting. 
He gets in two good hits before shit hits the fan. 
To his right something explodes, flames high and reaching, a thunderous boom whipping out so loud that Eddie's ears ring. 
A shockwave nearly takes him off his feet, bandana pulled from his head and freeing his hair. 
Eddie crashes on the ground next to Dustin.
 Sees all the blood and doesn't know what to do. 
"Come on man." Eddie pleads. "Come on!" 
He doesn't get an answer. 
It goes like this.
Vecna’s dead. 
The blast that killed him was from some kind of explosion that took out all of Creel House. 
It fireballed skyward, and the Upside Down rapidly began doing….something, seconds after. 
Returning, Eddie decides, to whatever it was before the asshole got thrown in here. 
Or dying, maybe.
(This is easier to think about than the fact that no one could have survived that blast. That there's a black hole Eddie can see, and it has to wrap miles and miles around the Creel House because he's still near his trailer.
It the trees down the stupid hill didn't make it then Robin, and Nancy, and Steve--
He stops. Shakes his head.
If Eddie thinks about it, it will make it real. 
He can't let it be real.),
The monsters all fall as one, dropping to the ground like puppets with cut strings. 
Eddie had been pummeled by a few demobat bodies before he could get clear, though given how some still occasionally twitch and hop around weakly after, Vecna's death doesn't necessarily equal their own.
Madly, he crushes a few beneath his boots. 
Knows that won't bring his friends back. 
Stomps on a few more because he can't do anything about that, and he can't cry any harder.
It goes like this.
Eddie gets back topside to find Vecna's revenge in action.
 It's an act worthy of a mad god, not that Eddie would ever give him such a title. 
Hawkins wasn't split. It was consumed, with large portions falling deep into the earth that opened under it. Smoke chokes half the town from an outburst of fires, while downed trees and electrical lines make walking a chore. 
The road is a cracked and pitted mess, littered with holes large enough to swallow entire cars. 
Passage is nigh impossible by car, and downright dangerous by foot.
It makes Eddie want to sink to his knees in despair.
There were still people around, that first day. 
There were still people around the second and fifth days too. 
But then the monsters appear. 
They're not the demobats, or demodogs or even the demogorgons that Eddie was told of. 
They're something--else.
Mutated and mutating, taking on appearances that reflect both the Upside Down and the Right-Side Up (a term coined by one of the freshmen--Eddie can't recall which.) 
Actual flowers, great purple and orange looking blooms sprout teeth and attack. Vines stick out of arcade cabinets, carting them around like a hermit crabs shell. 
Some people breathe the falling little pieces of ash and suddenly aren't people anymore.
(It was Erica, who had coined the term. The Right-Side Up. 
Erica who was also deceased, because the fucking explosion didn't just take out the Upside Down version of the Creel house, but the real one too. 
Which meant Max and Lucas and Erica…
But Eddie's not thinking about that.)  
It goes like this.
Wayne's gone.
He'd been at the plant when the Earth had swallowed it, his first day back to work because he'd used all his PTO trying to find Eddie.
The coworker who watched it happen makes sure to tell Eddie his uncle insisted he was innocent. That the old man never stopped looking.
Likewise, the trailer is gone. 
It fell barely a day after Eddie had climbed out of it, one half eaten while the other teetered dangerously on the edge.
There's cops at the borders of the city. 
They’re been commandeered by the military and the feds both, and people in heavy gear prowl around like guard dogs just waiting to be let off leash.
Helicopters fill the air, always circling and searching. Units of men and women begin parading around with guns as they escort tanks and other battle equipment through the streets. 
They're looking for something besides the monsters, and they're happy to cut the phone lines and police the survivors to find it.
No one's allowed in--or out. 
Eddie tries to escape the first few days, after he realizes everyone who knew the truth is gone. 
Thinks maybe he can get to the Byers, and that super powered girl out in California, but keeps getting cut off.
Twice they've nearly caught him, which means twice Eddie has been forced to come to terms with the fact that he's one of the things they're after.
They know him by name.
They know he was involved in Creel's takedown.
Eddie"s not just being hunted by the town now. 
He’s being hunted by the United States as a whole. 
It goes like this.
Eddie doesn't want to die. 
Can't bring himself to take his own life, forever too much of a coward. 
So he berates himself while he hides.
Wonders what the fuck his plan is here. 
Focuses on surviving, stealing food, sleeping in people he loves houses and hoping maybe some of them made it out.
(Given how Gareth's and Jeff's places are both untouched, he doesn't think they did.) 
He’s never prayed before but now he’s praying to every deity he can think of. Hoping, wishing, that if he can’t get out alive, he at least goes down quickly. 
It goes like this.
Steve Harrington walks out of the woods with a nailbat in his hands, like a blood soaked fever dream. 
Eddie doesn't care. 
He hugs him so hard his own ribs hurt and the crazy thing is Steve hugs him back even harder. 
"You're alive." Eddie sobs, face buried in Steve's shoulder.,"You're alive, you're alive…" 
Steve grips him for a moment before whispering back; "And so are you." 
He pulls away and Eddie struggles against him, not ready to let go, fingers grasping at his shirt. 
Steve strokes his hair, his stupid tangled, gross hair and Eddie looks at him, desperately needing the contact to prove that Steve is real. 
That he’s here. 
 "I need you to listen--I'm not your Steve." Steve says, and Eddie’s so desperate for contact that the words don’t register for a moment. 
Not that they make sense when they do. 
"What?" Eddie asks. 
"There’s a--okay.” Steve sighs, before saying; “I am going to absolutely blow the explanation, but I need you to trust me.”
“I do.” Eddie says, even as Steve fulfills his own prophecy, and gives a completely nonsensical explanation.
At the end of it, Eddie can’t bring himself to care. 
As long as he has Steve back--even if it’s not technically his Steve, Eddie will follow him wherever he goes.
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ruporas · 1 year
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soft (and some bittersweet)
#trigun stampede#trigun#vashwood#vash the stampede#nicholas d wolfwood#i think they both spent majority of their lives in solitude and ofc vash went town to town and made friendships promises and etc along the w#way + he had his home and whatnot in the long years he's been alive but he still just seemed so lonely.#in prior versions of trimax he had friends at home at least and maybe he mightv made some but luida and brad are basically just his#guardians in this adaption. like brad used to be a homie.... vash watched that little dude grow up.... and jessica too.... but he doesn't#have that in this adaption. nor a town like july where he had grown close to the townspeople and shaped that tragedy to be closer to his#heart. and wolfwood spent years fighting under the eom and doing shit under their jurisdiction when we saw him so adamantly try to reject#and fight back against that fate. i dont think he had a second at all to get familiar with townspeople or even care to#so its just these two lonely ass souls and  vash immediately seeing the good in ww and points it out#ww who is under orders again to be involved in vash's business but he's also SO touchy about it bc vash is so careless and lack that self#regard and also just is not seeing the world that ww is seeing. but then vash helps him and saves him by sharing a piece of what /he/ sees#and it fucking. rescrambled ww's brain for a sec. HE GAVE HIM HOPE!!! he gave him hope!!!! and in turn ww gave vash hope too and its#all done in like 3-4 eps. there's so much fervent attachment in what they managed to give each other in such a short time#but theyre limited to the contract to the inevitable confrontation with knives - so while theyd want to give into that chance to love this#person who managed to give them smth special they just can't at all#ruporas art
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littlenimart · 1 year
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i can’t believe that this is how the Like A Dragon Party canonically sleep every night
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and it feels good to be known so well / i can't hide from you like i hide from myself / i remember who i am when i'm with you / your love is tough, your love is tried and true blue
prints
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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qkmlh · 4 months
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Still ducking hilarious to me that Zoro & Sanji began their beef because they thought the other was misogynistic and it came to a head of no return when Zoro felt his title of ‘Luffy’s specialest boi’ threatened by Sanji’s comment
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