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blueheartbooks · 1 month

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Sense and Sensibility: A Delicate Tapestry of Love and Society

Jane Austen's "Sense and Sensibility" weaves a captivating tale of love, resilience, and societal expectations in early 19th-century England. Published in 1811, this timeless classic follows the Dashwood sisters, Elinor and Marianne, as they navigate the challenges of life, love, and loss in a society governed by strict social conventions.

At the heart of "Sense and Sensibility" are the contrasting personalities of Elinor and Marianne Dashwood. Elinor, the epitome of sense, embodies rationality, propriety, and self-control, while Marianne, the embodiment of sensibility, is characterized by her passionate nature, emotional intensity, and romantic idealism. Austen masterfully explores the tension between these two opposing qualities, highlighting the virtues and pitfalls of each as the sisters navigate the complexities of romantic entanglements and societal expectations.

One of the most compelling aspects of "Sense and Sensibility" is Austen's incisive portrayal of the constraints and expectations placed upon women in Regency-era England. Through the experiences of the Dashwood sisters, Austen illuminates the limited options available to women of their social standing, whose futures are largely determined by their ability to make advantageous marriages. As Elinor and Marianne grapple with the pressures of propriety and the dictates of their hearts, Austen offers a poignant commentary on the challenges faced by women in a patriarchal society.

Moreover, "Sense and Sensibility" is celebrated for its richly drawn characters, sparkling dialogue, and subtle humor. From the affable and pragmatic Colonel Brandon to the dashing but duplicitous John Willoughby, Austen populates her novel with a cast of memorable characters whose foibles and follies add depth and texture to the narrative. Austen's keen observations of human nature and her sharp wit are on full display as she deftly skewers the hypocrisies and vanities of her characters with a gentle but incisive touch.

In addition to its exploration of love and society, "Sense and Sensibility" is notable for its enduring themes of resilience, sisterhood, and female agency. Despite the setbacks and disappointments they face, Elinor and Marianne demonstrate remarkable strength and resilience as they navigate the complexities of their circumstances and strive to carve out their own paths in life. Austen's celebration of sisterhood and female solidarity resonates with readers of all ages, offering a timeless message of hope and empowerment.

In conclusion, "Sense and Sensibility" by Jane Austen is a timeless classic that continues to captivate readers with its richly drawn characters, incisive social commentary, and poignant exploration of love and sisterhood. Austen's masterful storytelling and keen insight into the human heart make "Sense and Sensibility" a compelling and deeply resonant read that speaks to the universal truths of the human experience. With its enduring relevance and timeless appeal, "Sense and Sensibility" remains a beloved masterpiece of English literature.

Jane Austen's "Sense and Sensibility" is available in Amazon in paperback 18.99$ and hardcover 25.99$ editions.

Number of pages: 478

Language: English

Rating: 8/10

Link of the book!

Review By: King's Cat

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blueheartbookclub · 1 month

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Sense and Sensibility: A Delicate Tapestry of Love and Society

Jane Austen's "Sense and Sensibility" is available in Amazon in paperback 18.99$ and hardcover 25.99$ editions.

Number of pages: 478

Language: English

Rating: 8/10

Link of the book!

Review By: King's Cat

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fireflysparks · 2 months

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The Burbs Move to Belladonna Cove

Morgan Dashwood: It's really nice to meet you!

John Burb: It's my honor! I can't wait to introduce our families.

Jenna Coltrane: Oh, gross. You both have the same geeky dad hair.

(Just wait until you meet Timothy Riley.)

#the sims 2 #belladonna cove #burb family #john burb #morgan dashwood #jenna coltrane

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miss-polly · 4 months

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ooc. i'm watching sense and se.nsibility for the first time in years anyway drawing connections between elinor and polly

i'm not necessarily thinking of an au where she never left her family but also like. shed be so much quieter with her emotions than she already is. even her smiles would be hidden and she wouldnt laugh half as much but shed take such good care of everyone and love them so much. anything that needed doing, anyone needed minding.

#ooc #tbd #granted her family is more abusive than mrs dashwood but thats just how it goes #mmmmm i AM an au fiend though i wont lie....

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mellpenscorner · 9 months

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A Ranking of Jane Austen Heroines, in Ascending Order of Culpability

Fanny (Mansfield Park): Has done nothing wrong ever in her life (but would never say this as she is far too humble).

Elinor (S&S): Must have scoliosis from carrying the whole weight of the Dashwood family at the ripe old age of 19. Should probably have asked for help by now, but who's she going to ask? Her mother? Unlikely.

Anne (Persuasion): Pros: is the only functioning member of her family. Cons: took some really bad advice when she was 17.

Elizabeth (P&P): So dead-set on hating Mr. Darcy that she falls hook-line-and-sinker for the lies Wickham tells her with no questions asked. Otherwise has good sense.

Marianne (S&S): Throws herself headlong into the Romantic Experience™️ and gets her heart broken by a playboy when Colonel Brandon is literally RIGHT THERE.

Catherine (Northanger Abbey): Good-hearted, but easily led astray. So obsessed with Gothic novels that she kind of accuses Mr. Tilney's father of murdering his wife and burying her in the basement.

Emma (Emma): Tells Harriet to refuse the nice guy she likes, too prideful to see that Mr. Elton is pursuing her instead of Harriet, gossips about Jane Fairfax, feels like the rules don't apply to her, won't listen to Mr. Knightly. Is a menace.

#emma is actually my favorite lol #and then eleanor #jane austen #textpostsbymellpen #pride and prejudice #sense and sensibility #mansfield park #northanger abbey #persuasion #emma jane austen #elizabeth bennet #elinor dashwood #marianne dashwood #catherine morland #fanny price #anne elliot #convoswithmoystarushka

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thatscarletflycatcher · 8 days

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Thinking again about the darknesses that lurk underneath the surface of Sense and Sensibility (I have talked before about how Edward despite being the eldest is subjected to what we can argue is emotional and financial abuse by his family for years, and how the Dashwood women are disinherited on a whim of their great uncle), and this time specifically about the Brandons.

We get so little about them, and what we do get about them is all bad:

This lady was one of my nearest relations, an orphan from her infancy, and under the guardianship of my father... At seventeen she was lost to me for ever. She was married—married against her inclination to my brother. Her fortune was large, and our family estate much encumbered. And this, I fear, is all that can be said for the conduct of one, who was at once her uncle and guardian. My brother did not deserve her; he did not even love her... I have never told you how this was brought on. We were within a few hours of eloping together for Scotland. The treachery, or the folly, of my cousin’s maid betrayed us. I was banished to the house of a relation far distant, and she was allowed no liberty, no society, no amusement, till my father’s point was gained... My brother had no regard for her; his pleasures were not what they ought to have been, and from the first he treated her unkindly.

Mr Brandon Sr is shown to us as being a greedy man, a bad administrator of his estate, and a cruel father. His first son seems cut of the same cloth, and his pleasures were not what they ought to have been is one of the most, if not the most sinister line between all the Austen novels. But there's more about him!:

Her legal allowance was not adequate to her fortune, nor sufficient for her comfortable maintenance, and I learnt from my brother that the power of receiving it had been made over some months before to another person. He imagined, and calmly could he imagine it, that her extravagance, and consequent distress, had obliged her to dispose of it for some immediate relief.

The Brandons were married for two years; the colonel returns to England and starts looking for her 3 years later. Young Eliza was then a 3 year old toddler. We are obliquely told that Brandon cut all ties with his brother:

It was a valued, a precious trust to me; and gladly would I have discharged it in the strictest sense, by watching over her education myself, had the nature of our situations allowed it; but I had no family, no home; and my little Eliza was therefore placed at school. I saw her there whenever I could, and after the death of my brother, (which happened about five years ago, and which left to me the possession of the family property,) she visited me at Delaford.

Eliza is now 17, so the eldest brother died when she was 14, which is 16 years after his marriage with the older Eliza. In that period of time, he managed to squander the whole of her fortune, and put the estate in debt again, as we are told earlier on by Mrs Jennings:

Poor man! I am afraid his circumstances may be bad. The estate at Delaford was never reckoned more than two thousand a year, and his brother left everything sadly involved. I do think he must have been sent for about money matters, for what else can it be? I wonder whether it is so. I would give anything to know the truth of it. Perhaps it is about Miss Williams and, by the bye, I dare say it is, because he looked so conscious when I mentioned her. May be she is ill in town; nothing in the world more likely, for I have a notion she is always rather sickly. I would lay any wager it is about Miss Williams. It is not so very likely he should be distressed in his circumstances now, for he is a very prudent man, and to be sure must have cleared the estate by this time. I wonder what it can be! May be his sister is worse at Avignon, and has sent for him over. His setting off in such a hurry seems very like it. Well, I wish him out of all his trouble with all my heart, and a good wife into the bargain.”

We know the Bennets, with five daughters, and without a saving mindset, still manage to live very comfortably with 2000 a year, and if they had had any mind to save money, they could have provided all five of them with decent dowries/money enough to keep them out of poverty when their father died if they were single. It is clearly not that the money isn't enough, or that Delaford is an unproductive estate; in fact, it is described to us as almost paradisiac:

Delaford is a nice place, I can tell you; exactly what I call a nice old fashioned place, full of comforts and conveniences; quite shut in with great garden walls that are covered with the best fruit-trees in the country; and such a mulberry tree in one corner! Lord! how Charlotte and I did stuff the only time we were there! Then, there is a dove-cote, some delightful stew-ponds, and a very pretty canal; and every thing, in short, that one could wish for; and, moreover, it is close to the church, and only a quarter of a mile from the turnpike-road, so ’tis never dull, for if you only go and sit up in an old yew arbour behind the house, you may see all the carriages that pass along. Oh! ’tis a nice place! A butcher hard by in the village, and the parsonage-house within a stone’s throw. To my fancy, a thousand times prettier than Barton Park, where they are forced to send three miles for their meat, and have not a neighbour nearer than your mother.

One interesting character, though forgotten because only mentioned in passing, is the Brandon sister. On one of the quotes above we get that she's in Avignon for her health, and we know her husband is wealthy (and probably abroad with her) because it is his estate that the planned picnic is for:

A party was formed this evening for going on the following day to see a very fine place about twelve miles from Barton, belonging to a brother-in-law of Colonel Brandon, without whose interest it could not be seen, as the proprietor, who was then abroad, had left strict orders on that head. The grounds were declared to be highly beautiful, and Sir John, who was particularly warm in their praise, might be allowed to be a tolerable judge, for he had formed parties to visit them, at least, twice every summer for the last ten years. They contained a noble piece of water; a sail on which was to form a great part of the morning’s amusement; cold provisions were to be taken, open carriages only to be employed, and every thing conducted in the usual style of a complete party of pleasure.

It is implied that Brandon and his BIL are in very good terms (and we know he's not afraid of cutting ties with bad relatives), and one can safely guess that at the very least he cares enough about his wife as to have her travel for her health. Another guess can be made about her getting married about 10 years before the events of the book. Whether she lived at home before that, or was at school or somewhere else, it isn't said.

But this way you can feel there's a parallel in a way, between the Brandons and the Tilneys: a greedy, cruel father, a son that follows on his steps, and a younger brother and sister managing the toxicity as best they can. Talking about this with @bad-at-names-and-faces, she brought up the idea that in that scheme, Cathy would be Eliza (if it wasn't her not being an orphan, or a rich heiress, and how that connects with Austen's line about Cathy not being born to be a heroine at the beginning of Northanger Abbey). Certainly part of it is the romantic gothicness of the Brandon backstory, united with NA's commentary on Gothic tropes, but to me it drove home with even greater force how such a situation would break a man; losing Cathy that way would have definitely broken Tilney, and if we had met him 14 years down the line, would he have appeared to the unacquainted much different than Brandon appeared to the Dashwood sisters?

#jane austen #sense and sensibility #Northanger Abbey #colonel brandon #Henry Tilney #these are the spaces in the novel where you can see how Austen's craft evolved and changed #The mystery about Brandon's past works well in the context of keeping the surprises and the twists coming #but it doesn't lend itself easily to relate to the character and understand him properly #which I somewhat delusionally hold onto hope that it would have come across much better in the original epistolary form #Austen is kind of trying to pack a Wuthering Heights size and Tenant introspection levels story #into one and fractions of infodumps within her comedy of manners #And that's really A LOT to put on the plate of your first novel

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blackinperiodfilms · 5 months

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Roger M. Bobb to direct Hallmark Mahogany adaptation of Jane Austen’s Sense and Sensibility with an all-black cast.

The period film which takes place in the early 19th century follows the two Dashwood sisters Elinore and Marianne and their widowed mother as they are forced to leave their rich family estate at Norland Park and move to Barton Cottage, a modest home on the property of distant relative. There Elinor and Marianne experience love, romance, and heartbreak while dealing with their new found poverty.

The film stars Deborah Ayorinde (as Elinor Dashwood) Bethany Antonia (as Marianne Dashwood), Akil Largie (as Colonel Brandon), Victor Hugo (as John Willoughby), Martina Laird (as Mrs Jennings) and Victoria Ekanoye (as Lucy Steele).

Executive Producers are Toni Judkins and Tia Smith. Filming locations are Bulgaria, Ireland and London. Sources say that Hallmark is devoting considerable resources on this first of it’s kind production which is slated to be released in February 2024.

(Source)

#Sense and Sensibility #Deborah Ayorinde #Bethany Antonia #Akil Largie #Victor Hugo #Martina Laird #Victoria Ekanoye #Jane Austen

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curiousb · 2 months

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The DBU Alumni Newsletter: Volume I

Welcome to the first edition of the De Bourgh University alumni newsletter, where we catch up with all our recent graduates, as they take their first steps in the world beyond academia!

Engaged couple Martha and James have moved back to Merybury, to take up residence at the Knightley family home.

~ Scorpio 8 / 7 / 5 / 2 / 7

~ Animal Lover / Bookworm / Coward / Absent-minded / Vegetarian

~ OTH: Nature

~ Favourite colour(s): Turquoise / Orange

~ Aspiration: Knowledge / Family

~ Turn-ons / -off: +Animal Lover / +Mechanical / -Rebellious

~ Major: Mathematics (3.6)

~ LTW: Have 6 Grandchildren

Almost as soon as the young couple move in, there's a sad loss to endure - of family pet Tiger.

But this animal-loving family have since opened their home to former stray Sake.

~ Scorpio 6 / 3 / 7 / 6 / 7

~ Athletic / Brave / Loner / Night Owl / Frugal

~ OTH: Tinkering

~ Favourite Colour(s): Blue

~ Aspiration: Fortune / Knowledge

~ Turn-ons / -off: +Adventurous / +Reserved / -Daydreamer

~ Major: Economics (4.0)

~ LTW: Have $100,000 Mansion

Marmaduke has moved in with his older brother Ambrose, to share a rented apartment in Merybury, while he looks for the right opportunity to exercise his business acumen.

He's already winning new friends and influencing people.

~ Gemini 4 / 7 / 9 / 1 / 3

~ Genius / No Sense of Humour / Dog Person / Diva / Ambitious

~ OTH: Sport

~ Favourite Colour(s): Primaries

~ Aspiration: Fortune / Romance

~ Turn-ons / -offs: +Athletic / +Serious / -Rebellious

~ Major: Biology (3.7)

~ LTW: Own a Top Business

Also returning to the family home is William. Although he's a Literature graduate, he's decided that he would really like to follow in the footsteps of his mother Fanny, by pursuing a career in Natural Science, which will mean dedicating himself to many years of further study. He's also still considering what the future might hold for his relationship with fiancée Keziah.

~ Cancer 7 / 3 / 6 / 4 / 9

~ Coward / Shy / Natural Cook / Eco-friendly / Avant Garde

~ OTH: Cuisine

~ Favourite Colour(s): Mauve

~ Aspiration: Family / Knowledge

~ Turn-ons / -off: +Reserved / +Tidy / -Infamous

~ Major: Literature (3.1)

~ LTW: Become Ecological Guru (Literature is going to be a big help with that 🙄 - yet another example of the Maxis criteria for rolling a Want to study a particular Major making no sense!)

Former family pet Boo puts in regular appearances, to remind them that nothing is really gone forever - not in this world anyway.

Over in Sanditon, Keziah is dismayed by the light fixtures in her rented studio apartment, and I'm dismayed by her postgraduate attire.

With her signature look re-established, she too is reflecting on the current status of her relationship with William, and hoping that they can move beyond a certain unfortunate misunderstanding.

~ Pisces 3 / 4 / 5 / 4 / 6

~ Absent-minded / Rebellious / Eco-friendly / Brooding / Avant Garde

~ OTH: Film & Literature

~ Favourite Colour(s): Orange / Blue

~ Aspiration: Knowledge / Pleasure

~ Turn-ons / -off: +Reserved / +Unique / -Fitness

~ Major: Mathematics (3.7)

LTW: Job Hopper

And finally, for this edition, we catch up with Marmaduke and Ambrose's sister Olivia. Although the Military has decided that it's not a good match for her unique talents...

...she and boyfriend Elliot have a much happier event to report. We're sure that this dynamic young couple are set to take Merybury by storm!

Olivia's adult stats:

~ Scorpio 4 / 5 / 7 / 5 / 1

~ Ambitious / Vehicle Enthusiast / Handy / Mean-spirited / Workaholic

~ OTH: Tinkering

~ Favourite Colour(s): Burgundy

~ Aspiration: Fortune / Knowledge

~ Turn-ons / -off: +Occult / +Serious / -Daydreamer

~ Major: Biology (3.9)

~ LTW: Earn $100,000

Elliot's adult stats:

~ Pisces 8 / 5 / 10 / 6 / 3

~ Grumpy / Virtuoso / Born Performer / Workaholic / Anxious

~ OTH: Music & Dance

~ Favourite Colour(s): Black

~ Aspiration: Fortune / Knowledge

~ Turn-ons / -off: +Cultured / +Serious / -Daydreamer

~ Major: Economics (3.7)

~ LTW: Become Criminal Mastermind

#sims 2 #gameplay #merybury #martha knightley #james morland #tiger knightley #sake knightley #marmaduke elton #william bertram #boo bertram #keziah dashwood #olivia elton #elliot wentworth #knightley family #elton family #bertram family #dashwood family #wentworth family #dbu alumni

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esther-dot · 5 months

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Pride & Prejudice AUs

You Look Like A Movie, You Sound Like A Song 2k @jonsastan

She had met Jon Targaryen there. It was a complete accident and at first, Sansa thought, a complete misfortune. He was drenched from an impromptu swim in his pond, and she was flustered, not wanting him to think she was vying for his attention. But as she had attempted to make her hurried escape, he had found her and invited her parents to stroll with him around the gardens. He had offered her kindness, and thoughtfulness, he had talked with her parents, discussed the present state of politics with her father and chatted knowledgeably about gardens with her mother.

A Certain Step Toward Falling in Love 2k by @comma-splice

Jon Snow returns North after departing abruptly one year ago.

The Bennet Sisters - a P&P AU comic by @melinaillustrations

P&P Gifset by @sardoniyx, P&P Gifset by @dcbicki, P&P Gifset by deactivated

Persuasion AUs

Who Loves Longest, Who loves Best 1k by @ladysaruka

After refusing him years ago, Sansa sees her cousin once again.

Persuasion edits one, two , three by @glueck

Mansfield Park AUs

Half Agony, Half Hope 10k, incomplete by @noqueenbutthequeeninthenorth

After the death of his disgraced mother, Jon Snow is taken in by his uncle's family, the Starks of Winterfell. He grows up alongside his cousins, including the beautiful and kind-hearted Sansa, but knowing he can never truly be their equal, he fears he has little choice but to leave the place he's come to call home. corresponding moodboard

Catch Me If You Can 34k (P&P and Emma inspired too) by @ben-barnes-is-my-husband

Set in the countryside of Regency England, Jon Snow has been in love with Sansa Stark for as long as he can remember. He wants her as his wife, but Sansa is not sure she wants to be a wife at all, and she knows she doesn’t want to marry the pragmatic and boring Jon. She’d rather help Theon Greyjoy come out of his shell and play matchmaker. But then Jaime Lannister comes to town and Jon finds he has some serious competition for Sansa…

Moments Like This (So Few and Far Between) 3k by @lydiamartenism

Mama and Papa left the house to go pick up Jon, the son of her father’s oldest friend. Three weeks ago, the phone rang and their parent’s announced that Jon would be coming to live with them since his mother passed away and had no one else to take care of him.

Northanger Abbey AUs

The Lady in White 7k by @kissed-by-circe

Dragonstone Manor had looked like it had woken only a few days earlier, after a slumber of several years, if not decades, and Sansa had felt like the heroine of a gothic novel, a mysterious, naive girl with a dark past or a dark secret, arriving at the opening scene of the most dramatic story of all times. Or Sansa as Katherine Morland in a Jane Eyre Setting.

Sense & Sensibility AUs

In Such Jocund Company 2k @maybetwice

It would be no matter at all for Captain Snow to return to the north after seven months’ absence, had Sansa’s heart not changed entirely in that time. A remix of Colonel Brandon and Marianne Dashwood from Sense and Sensibility.

Emma & Clueless AUs

if i loved you less 2k by @ladystarks

Her father has, often and fondly, told Sansa that she and Mr. Snow bite at each other like wolves, but he hardly understood that their verbal sparring was as exhilarating as a sport well done, or a match coming together under Sansa’s skilled hands. corresponding artwork

Sansa: A NOVEL in Five Parts 15k by @imagineagreatadventure

Sansa Stark, handsome, clever, rich, hopes to establish herself as her town's foremost matchmaker. After seeing her governess Miss Shae married to the rich and clever Mr. Tyrion Lannister, she feels as though she deserves that title. Her dear friend and cousin, Jon Targaryen, heartily disagrees and is quite proven right when Sansa sets her sights on marrying off her newest and dearest friend Jeyne Poole to the vicar Mr. Baelish.

A Baldwin and a Betty 2k

Jon drives to the Valley to give Sansa a ride home.

Emma AU art by @dcvahkiin and Clueless art by wolvesofspring

Emma Gifset by @dcbicki

General Regency AUs

No Notion of Loving by Halves 2k @darkmagyk

The Stark cousin, Jon, goes home to discuss matters concerning the entail on Winterfell. In which Jon is a really good guy, and I flagrantly disregard how entails actually work.

Manners and Misunderstandings 114k, WIP by @x-winging-it

The Stark sisters have travelled all the way to London to begin their first season, leaving behind the familiar world of Winterfell Hall and a disappointed Jon Stark- with whom the eldest Miss Stark has been convinced to break off a connection. In London they join family friends the Baratheons and the fashionable young Tyrells in a world of romance and balls. Meanwhile Gendry Waters has been plucked out of the life he knew to become his ailing father's heir, Robb, Theon and later Rickon embark on military careers in the Napoleonic wars, and their aunt Lysa makes a foolish marriage. When tragedy hits the family, they must come together, learning how manners may hide monsters and the best people are often those misunderstood by society.

You Could Draw Me to the Gallows 2k by @azulaahai

After having eloped from home with and subsequently been abandoned by wealthy heir Joffrey Baratheon, Sansa Stark refuses to come home. Having caused a scandal that is sure to prevent her from ever marrying, she is adamant not to bring further shame to the family name by returning to Winterfell. Until, that is, a visitor comes to her - Jon Snow, an old family friend, determined to bring Sansa with him back north. He has a solution to offer her - a proposal with the potential to change both of their lives.

A Perilous Dance Indeed & fiercely, tenderly and eternally 27k by @amymel86

He should either look away or interrupt this improper little meeting, he knows. For some unfathomable reason, he does neither. The two look far too intimate for Jon’s liking, although he feels he should have come to expect it to be so. A romantic like Sansa – however proper she is – would simply adore overt flirtations and a secret tête-à-tête. Even from where he stands, Jon can see the way in which she has stars set in her eyes like precious cut stones. He only hopes the man for whom they shine is deserving of it. *** Cousin Jon is to inherit Winterfell Manor and its estate after the untimely death of his uncle leaves a widow and two daughters. Sansa is expectant of an imminent proposal from her dear beau, Harrold Hardyng and everything will be absolutely, stunningly, utterly fine.

Waiting for Your Slippered Feet 49k by @wintry-ritu

Lady Sansa Stark has always looked forward to her come-out season in London, the balls, the rides in Hyde Park, evenings at Vauxhall, the romance and wonder of it all. Never had she imagined that it would happen like this, with her parents gone and her younger siblings underfoot. Now, all Sansa wants is for it all to be over quickly so she can get back to Winterfell. She needs a kind, amiable man who will be brave enough to take on his wife's siblings. That should not be so hard to find in London, should it? And while she is most grateful for Jon Targaryen's help, why must her cousin be so distracting?

To Make You Love Me 16k incomplete and orphaned

When Ned Stark dies, he leaves behind his wife, two daughters, and his family’s estate at Winterfell. What follows is a series of unwanted marriage proposals, houseguests who far outstay their welcome, and Arya parading around in a comically large hat and an oil-paint mustache as she declares herself the new ‘Lord of Winterfell,’ in an attempt to dissuade her sister’s suitors. However, when Mr. Jon Snow — their distant cousin and Ned’s appointed heir to the estate — comes to call, an oil-paint mustache is hardly enough to deter him from courting Miss Sansa Stark. And she thinks, perhaps, that a man could marry her for love more than her claim, after all.

Mine for a Season 101k by @vivilove-jonsa

Colonel Jon Targaryen is a single man in possession of a good fortune who claims no interest in finding himself a wife. With his war wounds, he thinks no young lady would want him anyway for anything beyond the allure of his pocketbook. Fortunately and unbeknownst to him, Fate has chosen to find a wife for him and will even deliver her right to his doorstep. Taking on the responsibility of shepherding a young lady about for a Season in London is not at all what Jon had wished to do but he had accepted out of a sense of familial duty. However, once he meets Sansa again after only having met her years ago as a child, he may not consider it a duty so much as a torment.

a lady of winterfell 185k, WIP by @wandering-scavenger

She bit her lip and exhaled shakily, “If you are so sickened by the prospect of marrying me, we should be able to obtain an annulment easily enough with your father’s connections.” “I will do no such thing.” he snapped, refusing to look at her. Sansa had never felt more rejected than she did at that moment. Her past experiences of being humiliated at the hand of Joffrey did not feel as painful as this. Even so, she could not allow him to see the weakness in her, not now. “I will not be left out, Jon.” she said, tilting her chin up to look down at him. He grimaced. They were silent for longer than she cared to count, but each second that he did not speak chipped away at her resolve and her ability to withhold her tears. Jon did not want her, and she could not blame him. Who could ever want her? It should not have distressed her as much as it did. She was never his favourite sister, she who treated him as a stranger since she was old enough to understand what a bastard was. A tear slipped down to her face until she tasted the salt of it on her lips. “If we marry, we will remain so.” corresponding gifset

moth's wings 47k by @cellsshapedlikestars

Sansa was determined to convince her aunt to let Arya debut, which is how she finds herself in her current predicament. “Who is this secret gentleman who has asked for your hand?” Aunt Lysa asks, and Sansa knows from her tone that she does not believe. (She has every right not to believe, for it is not true.) And then Sansa does something very, very foolish. She says a name. “The Duke of Dragonstone!” Or, Sansa fakes an engagement so that Arya can debut and marry the man she loves. The only problem? Her fake fiance just so happens to be in the city when he was not supposed to be.

An Understanding 2k, WIP by @thewolvescalledmehome

At the start of Sansa Stark's third London Season, she decides it will be her last. She will secure a husband by the end of the final ball. Jon Snow is new to the London Season and high society. He never expected to inherit money or property from an unknown uncle. When they meet at a ball, Sansa gets an idea.

you're in my blood like holy wine 72k

Sansa finds it difficult to look at Jon’s face, with its weathered lines and cragginess. It is the face of the North and a face that northerners trust; the face of Sansa’s brothers and her father, who had been loved and respected by their tenants as their forefathers had been when they were kings. How can Sansa feel anything but resentment, looking into that face and knowing that all of her years of hard work will never earn her the respect that that profile engenders within seconds? But she does. It is a small, burning coal of something that must be smothered.

PRE CANON - WESTERN - FAIRYTALES - LITTLE WOMEN - HOLIDAY - SEASON 6 ANNE OF GREEN GABLES - THE GIRL IN GREY - FREE CITIES - FAIRYTALE PART II - POLITICAL MARRIAGE - SALTY TEENS - POST CANON

#jonsa #jonsa fic #regency au #pride and prejudice au #emma au #northanger abbey au #mansfield park au #persuasion au #dot fic list #marriage of convenience au #arranged marriage au

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bethanydelleman · 1 month

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Why I am NOT an Austen Heroine:

-If I was Anne Elliot, I would have married Charles Musgrove in a heartbeat just to get away from my family

-If I was Elinor Dashwood, I would have ugly cried when Lucy Steele told me she was engaged to Edward until I couldn't breath

-If I was Fanny Price, I would have married Henry Crawford just to get away from Mansfield Park

-If I were Elizabeth Bennet, I would have probably just said yes to Darcy (highly loss adverse and very concerned about my age)

-If I were Emma, I wouldn't have lasted until Box Hill to insult Miss Bates. It would have happened years ago and far more often

-If I were Catherine Morland.... oh... at 17? Oh... yeah, girlies I would totally accuse my crush's dad of murder because I was reading too many Gothic novels...

I AM a Jane Austen Heroine

#well aware that Henry C is a cheating risk but at least I'd have a fire that's all I'm saying #You go cheat honey I'm going to enjoy my whole mansion #jane austen #catherine morland #jane austen heroines #honestly I wouldn't have lasted a week at Mansfield park #I would have bit Julia or Maria out of sheer rage #now hand me my Henry Tilney

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percheduphere · 5 months

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LET'S TALK ABOUT THE LOKI SERIES' ROMANTIC TROPES AND JANE AUSTEN

I am going to compare the relationships and romantic undertones of Loki, Sylvie, and Mobius with my all-time favorite Jane Austen adaptation because the character archetypes and plot-points are strikingly similar with Ang Lee and Emma Thompson's 1995 Sense and Sensibility.

This sounds cracked, but stay with me. Tropes are tropes for a reason. They are often repeated in writing subconsciously because they are very old and near-universal story arcs regardless of the literary genre we are discussing.

Please note that this is not a 1-to-1 comparison. This is an analysis of basic archetypes, tropes, and plot-points: the barebones skeleton of story structure. With that said, let's dig in:

Loki = Kate Winslet's Marianne Dashwood

Sylvie = Greg Wise's John Willoughby

Mobius = Alan Rickman's Colonel Brandon

For those of you who have not seen (or read) Sense & Sensibility, the story is about a family of women who are rendered near-destitute when the patriarch passes away and, due to English law at the time, all the family finances fall to the only son. The only hope for the women to escape the edges of poverty is to marry into wealth.

The Loki series’ main storyline is a far cry from that of Sense & Sensibility. It is first and foremost a sci-fi action-adventure, but don’t let that genre fool you. Well-written stories are always character-driven. The setting serves to establish the rules of the world and the tangible challenges the characters must confront to achieve their goal. The end goal for Loki is his ascension to the God of Stories (and time). Therefore, his character arc must follow a trajectory that prepares him for that ascension.

Love, above all else, is essential for Loki’s journey. In order to understand and be capable of love, Loki must experience love in all its forms including but not limited to romantic. I've seen a lot of social media posters mocking shippers with comments saying, "the story is not about romance." I wholeheartedly disagree. While romance is not the main concern of the series, romance does serve Loki's character development.

It is critical that we remember romance does not require physical contact or even blatant declarations of love. If that were true, unrequited love would not be thought of as romantic, which we know is not the case. Further, it is possible for physical intimacy to exist without any romance at all. One does not require the other.

While dismantling HWR’s old regime is the Loki series’ “Plot A” thread, Loki’s emotional experience serves as the series’ “Plot B” thread. Love and romance exist in Plot B.

THE CHARACTERS & THEIR ARCHETYPES

LOKI & MARIANNE

Within Sense & Sensibility’s plot, one of the main heroines, Marianne, has the archetype of the mercurial, passionate, and freewheeling spirit. She is rebellious at heart, chaffing at society’s rigid expectations of emotional repression and polite rather than fiery courtship. Much like Loki with Sylvie, Marianne is drawn to John Willoughby because his temperament, values, interests, and talents very closely mirror her own.

Like Loki, Marianne is emotional. Her emotions drive many of her decisions, some of which are rash and socially unacceptable for her era.

Like Loki, Marianne detests social norms. Refusing to contain her nature for anyone, she is unafraid of the stares and judgment of others.

Like Loki, Marianne is poetic, a lover of words and metaphor.

Like Loki, Marianne is a hedonist. She will follow where her heart takes her regardless of the consequences. Just as Loki runs after Sylvie through the portal door, Marianne chases after Willoughby.

SYLVIE & WILLOUGHBY

Willoughby fulfills the archetype of the ideal lover at first sight. He is young, handsome, strong, deeply romantic, and a lover of poetry, pleasure, and unfettered emotion. I will not go into the deeper details of his character and plot here as I don't find them relevant for the purposes of this analysis. The key point to remember is that Willoughby is meant to be Marianne's perfect match by virtue of similarity.

Like Sylvie, Willoughby is emotional and consequently chaotic in nature. At his worst, Willoughby is unafraid of hurting others in the pursuit of his desires.

Like Sylvie, Willoughby chooses absolute freedom over the genuine love and care he has for Marianne (Loki).

Like Sylvie, Willoughby views institutions with social authority with contempt.

Like Sylvie, Willoughby judges character based on association with institutions rather than the individuals themselves. He holds repugnance for Brandon’s (Mobius’s) association with the military (the TVA). Fair enough, both the TVA and the military (especially the British military) are institutions that have committed horrific global atrocities.

Like Sylvie, Willoughby is unable to separate the institution from the individual people living and working within it, who are capable of goodness.

MOBIUS & COLONEL BRANDON

Colonel Brandon, a decorated military officer, fulfills the trope of the “dark horse” in love. He is Willoughby’s opposite: older, "less physically attractive", reserved, practical, and orderly. The main character (Loki/Marianne) appreciates his friendship yet does not feel any romantic affection for him (Mobius/Brandon) until the primary love interest (Sylvie/Willoughby) abandons the relationship for absolute freedom.

Like Mobius, Brandon is drawn to intelligent, artistic, footloose nonconformists.

Like Mobius, Brandon accepts and loves Marianne exactly as she is, including her faults. He does not want her to change against her will and gently reprimands her older sister, Elinor, at such a suggestion.

Like Mobius, Brandon serves an institution with significant influence on the lives of others.

Like Mobius, Brandon accepts that his love is not returned yet continues to express his love through his support of Marianne’s (Loki's) wishes, including his romantic rival Willoughby (Sylvie).

Like Mobius, Brandon is seen as a dear friend rather than a potential romantic partner in the first 2/3rds of the story.

Like Mobius, Brandon’s personal desires are secondary to Marianne’s (Loki’s) happiness.

THE ROMANTIC PLOT

It is understood by the audience that love is not only a feeling; it is also an action that requires incredible responsibility. In that responsibility, both lovers must choose to take into consideration the feelings, wants, and needs of the other.

The trope of a main character meeting their perfect match and falling quickly in love informs the audience that conflict must lie ahead, and that the third party of the love triangle will be tested for their worthiness as a romantic partner.

Loki & Sylvie and Marianne & Willoughby possess a fast, passionate, and explosive love.

Loki & Mobius and Marianne & Brandon posses a slow, steady, and gently burning love.

These two relationships, which are BOTH valid AND romantic, are set against one another to contrast each suitor's strengths and weaknesses, as well as to shed light on which suitor best meets the feelings, needs, and wants of the main character.

The main character's (Loki/Marianne) love interests inevitably collide in a tense confrontation. Being the Georgian Era, Brandon and Willoughby do not discuss their dislike for one another directly but with Marianne's older sister, Elinor.

Sylvie, on other hand, is not afraid to tear into Mobius, saying exactly what she thinks of him. Both directors of photography frame their shots in a near-identical fashion, demonstrating who are at odds and the individual (present or not) who is between them.

Whether in the realm of fiction or reality, the act of love inherently requires some degree of self-sacrifice.

While Sylvie performs self-sacrifice by pruning herself in hopes of finding and rescuing Loki from the Void, that self-sacrifice does not extend to her personal values and beliefs with respect to free will. She therefore fights Loki, ultimately kissing him farewell before kicking him through a time door to get what she wants.

Likewise, Willoughby, cut-off from his family's estate due to indiscretions he refuses own, prioritizes wealth over his relationship with Marianne in order to continue his lifestyle of luxury and absolute freedom. Willoughby therefore marries the exceptionally wealthy Miss Grey to achieve this end, abandoning Marianne and breaking her heart in the process.

At the midpoint of each storyline (where the narrative turns), both Loki and Marianne have lost the person they felt most strongly about because they were not that's person's priority.

Marianne's quote in the above gif is significant. It is a poem she and Willoughby recited together when they first met. She recites it again, alone, as she looks upon the estate Willoughby has married into in the rain. The poem is as follows:

"Love is not love which alters when it alteration finds, or bends with the remover to remove. Oh, no. It is an ever-fixed mark that looks upon tempests and is never shaken."

This poem defines love as not fickle but persistent in the face of challenges and "never shaken".

THE DARK HORSE IN LOVE

Brandon, who falls for Marianne first, establishes himself as not only a friend of Marianne's but her whole family's. All of his actions throughout the film are performed out of love for Marianne, but these actions are not read as romantic by Marianne because there is no fast-burning fire and (seemingly) little commonality between them.

Marianne's mother cautions her, pointing out that the romances she cites all meet pitiful ends. In return, Marianne describes such love as not pitiful but "glorious."

Brandon and Mobius express their love for Marianne and Loki through practical means. Their actions are predominantly viewed as marks of friendship rather than marks of romantic love. It should be noted that in both cases, no verbal declaration of love, nor any physical declaration of love, such as a kiss, is ever made by either Mobius or Brandon on screen. Brandon's unrequited love, however, is readily apparent to everyone (the characters and the audience) due his presentation of the opposite gender.

Brandon, upon seeing Marianne struggle cutting reeds for weaving, offers her his pocketknife. Mobius, knowing that confrontation with Sylvie at Roxxcart will be dangerous, offers Loki his daggers for protection.

Brandon, recognizing Marianne’s need for artistic pursuits, gifts her a piano. Mobius, recognizing Loki’s need for validation, provides him with words of affirmation, encouraging Loki’s talents in magic and cunning.

Brandon, acknowledging Marianne’s love for Willoughby, invites Willoughby to a picnic at his estate despite his distaste for him. Mobius, acknowledging Loki’s love for Sylvie, frees Loki and is pruned despite his jealousy of her.

Marianne, out in the rain and in distress over her loss of Willoughby, succumbs to a deadly fever. Loki, kicked through a time door and in distress over his loss of Sylvie, succumbs to time-slipping.

Brandon and Mobius actively make themselves available in response to their loved one's individual break-ups with ZERO expectation of having their love returned.

Brandon, concerned that Marianne's illness may kill her, rides nonstop for hours to retrieve her mother during a storm. Mobius, concerned for Loki's wellbeing, risks his life on the loom's gangway, risking exposure to temporal radiation and death.

In the end, both Brandon and Mobius are the triumphant winners of Marianne's and Loki's hearts.

Indeed, Brandon reads poetry to Marianne, and when he announces he must "away", Marianne worriedly asks "where?", demonstrating her desire for him to stay. Brandon teases her, fulfilling Marianne's need for romance and excitement by saying, "it is a secret."

Mobius, meanwhile, begins to open himself up to worldly pleasures, allowing himself to drop the strict, no-nonsense behavior he exhibited in S1. Loki, in turn, begins to provide him with the type of emotional support Mobius has consistently given him since the beginning (yes, he has a jealous meltdown, but he recovers relatively quickly).

The outcome of their successes, however, diverge due to their gender presentation.

Whereas Brandon happily marries Marianne ...

... Loki returns Mobius's selfless love with a sacrifice of his own, and they are separated.

#lokius #loki #mobius #loki series #loki season 2 #lgbt representation #lgbtqia #queer representation #lgbtqia representation #loki meta #loki analysis #my meta #my analysis #jane austen #sense and sensibility

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warrioreowynofrohan · 8 months

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After a reread of Persuasion, I’m thinking about how it relates to Austen’s character types discussed in this post. It stands out from S&S, P&P, and Mansfield Park in not haveing a ‘charming rake’ type as the main male antagonist, but instead a reserved, intelligent, courteous, cold-blooded and selfish man. There is no counterpart to Willoughby, Wickham, or Henry Crawford.

Instead, if Mr. Elliot is a counterpart to any of the characters in Austen’s other novels, he feels like a dark mirror of Darcy. They are both reserved; both (at least at the time of the main plot of the book) place a high value on social status, and look down on commonness and vulgarity. However, while Darcy’s arrogance makes him rude, Mr. Elliot has impeccable manners; and where Darcy in has strong principles and treats the people for whom he is responsible well, Mr. Elliot is a hypocrite and, though voicing good principles, is in fact cruel and uncaring to those who are dependent on him. Mr. Elliot is, really, the type of person that Wickham portrays Darcy as being. The other thing that brought this comparison to my mind is Mrs. Smith’s description of the friendship between her husband and Mr. Elliot, which very much recalls the one between Bingley and Darcy (as an additional note, both Mr. Smith and Bingley are named Charles):

From his wife’s account of him she could discern Mr. Smith to have been a man of warm feelings, easy temper, careless habits, and not strong understanding, much more amiable than his friend and very unlike him - led by him

I think this all goes with one of Austen’s common themes, and one that is especially important to Persuasion - the importance of not marrying in overmuch haste and without good knowledge of and, at a minimum, respect for your partner. Darcy is decidedly not like Mr. Elliot in character - but at the time if his first proposal, for all Elizabeth knew he might have been.

And on the flip side, Frederick Wentworth is not like Willoughby or Wickham - but given the short time Anne had known him when he first proposed, he might have been, and Lady Russell certainly sees that danger. He is, at that time, daring and charismatic, but not prudent, having saved none of the money that he won in his naval career. There’s also another reference to the ‘charming rake’ type in that, like Henry Crawford, he for a while courts two sisters, the elder of whom is attached (though, unlike Maria Bertram, not engaged) to another man. In Wentworth’s defence, he isn’t aware of the latter, and isn’t trying to make them both fall in love with him, just being his (naturally charming) self, and keeping his eyes open for who he might like to marry; and he very nearly gets himself badly entangled and, later, freely acknowledges that as his own fault. Really, Wentworth has elements of all three of Austen’s main male character types, and is the better for it. (Anne herself has, I think, the most in common with Elinor Dashwood in being the only sensible and intelligent person in her family, and in being very perceptive, and with Fanny Price is being rather quiet and imposed upon.)

On the whole, this combination of characters makes the book feel less on the side of intelligence and judgement, and more on the side of a warm and open heart, in making for happiness, whereas S&S and P&P focus more strongly on the need for ‘sense’ and intelligence. Intelligence may well be a necessary quality for a truly good marriage, but it is not a sufficient one, not when it is combined with a cold and selfish heart.

#jane austen #persuasion #pride and predujice #anne elliot #mr elliot #mr darcy #frederick wentworth

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