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#dark themes maybe
akanemnon · 29 days
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Turns out this new Dark World is paid DLC
FIRST - PREVIOUS - NEXT
MASTERPOST (for the full series / FAQ / reference sheets)
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dr3adlady · 1 month
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🐦How to Catch a Bird🐦
This au has been eating up my mind recently :) long story short, Sandor and other vikings raid a convent and he decides to steal this beautiful brave nun.
In the first picture, he's telling his friend, Asha, that maybe this little chirping bird can be a good loving wife for him, but Asha is doubtful :)
Sansa's clothes designs:
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Also there's one raunchier illustration, open at your own risk (cw: noncon elements):
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mikani · 8 days
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꒰  𝘀𝗻𝗲𝗮𝗸 𝗽𝗲𝗮𝗸 ── magenta shots ꒱
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── ❝ y'know your one hella annoying bitch, and i know how to shut your filthy mouth... ❞
𝐌𝐄𝐄𝐓 𝐓𝐇𝐄 𝐎𝐍𝐄 𝐀𝐍𝐃 𝐎𝐍𝐋𝐘, Y/N L/N. she sure knows how to crack a case closed, i mean that was her whole purpose for the case that she was given. all she had to do was stop a criminal running lose, in Tokyo. nothing hard, right?
but the police department claimed that the case is dangerous, and she needs some help. so they forced her to work with the annoying, lord of smugness, Ryomen Sukuna. Now the loner girl is stuck, working side-by-side with him.
Having some company can't be bad, right? Definitely no built up, love under the scenes. Nothing bad is gunna happen!
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what do you think, should i write a whole fanfic about this 🫣
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ranminfan · 3 months
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What would you do with a bunch of whalers early in the morning?
I wish we had more episodes of them working together in the vastness of the sea and how their comradery makes them a competent bunch of whalers.
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revelisms · 2 months
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Antichrist Copia theory has overtaken me yall. I was not expecting to crank out a full thing on this, but, uh...if you're looking for one big indulgent braindump on Terzo trying to unpack his feelings on this while Copia gets possessed by a demon, look no further?
Quick context setting—I'm still working out these headcanons a bit, but what I'm generally tinkering with here:
Everyone tied to the Emeritus bloodline has some degree of magical abilities, which were formally "awakened" in an oath-taking ceremony at a point in the boys' childhood. This is the Sight mentioned here (i.e., whatever is up with the white eye), and each of the brothers have a slightly different angle for it: Primo can see into the minds of living things, Secondo can see into the past, Terzo can see into the future, and Copia can see into the realm that bridges life and death—and is somewhat a literal bridge, himself, between those planes of reality.
The Exaltation ceremony is a formal handoff from each Papa to the next heir, in which their Sight is tapped to its greatest potential in preparation for becoming head of the church. This typically involves a delivery of rites, a magical blessing, and an opening of the Gate between worlds (which, in this context, is technically Hell itself).
Basically: mayhem ensues.
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here we lie
4k words | Rating: M | Terzo-Centric | Antichrist Copia | CWs: Ritual magic, dark imagery, near-death experience, blood, language, existentialism, doomed fate, whump, anger issues, dysfunctional family dynamics, hurt/comfort. Also on AO3
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The exaltation ceremony goes wrong.
By all accounts, it shouldn't have.
As with any long-standing traditions of the church, the ritual had been perfected to the scrape of dust one was allowed to wear on their boots—and, as such, had been prepared with the expected flurry of pomp and circumstance.
The esteemed Monsignor Emeritus, firstborn, blessed with the Sight, had cleansed the air thrice with dishes of althea and frankincense and bistort: enhancements for protection and divination. 
Sister Mariella, well-familiar with the customs, had laid down the sigils for the Gate flawlessly: shadowed by the slow-prowled growlings and page-turned rites of Secondo Emeritus, Archbishop of the Eternal Light.
The ceremony, as was custom, was set to be led by the head of the church: their Exalted, sheened in black from neck to toe, the points of his clawed gloves glinting in the lowlight—for whom the Sight of premonition had seemed both a blessing and a curse, and never more so than now.
He was distracted, perhaps. Dehydrated, maybe. Dreading the moment he would stand at the door to the realm beyond—a threshold of time and space untethered—that would soon devour the faceless flesh-form of a ghoul cast back to the shadow (his One, his All, his own); a door he himself, in time, would one day find himself crossing, with body and soul split, head and neck cleaved, heart and mind shattered.
From the moment he'd slopped a spoon through the breakfast his secretary had slid on his desk that morning, he'd known, instinctually, that this damned thing could turn so haywire, if only because he'd been the one shackled with it.
His jittery magic, his restless brain, and Copia—
Well. 
Copia has been anything but normal, from the day Sister carted him up the chapel steps.
Terzo knew he had magic—the likes of which few could fathom, even from his sticky-fingered child days. The night the little rat had taken his oaths, the air had sung with it: a strange buzz of sensation that felt like the sun had tipped off-center. 
And now— 
Now, the Gate is laid open beneath Terzo's hands, the unseen ink of his spell-marks glowing a blood-lilac fuchsia, bright enough to glare violently through his clothes, and the void of Hell itself screaming in its glory—and Copia is not imbued with the Dark One's majesty, as he should be—is no man, is not living, has flames for eyes and claws for teeth and wings like the undead and is screaming—
"Close it," Secondo snarls at him, a blurred tower of shadow and piercing white—
—and Terzo knew this.
Knew this boy-man-beast-hellspawn of Christ-Shadow Beholden always was. 
He'd looked him in the eye—kneeled there in the cat's cradle of a pentagram scraped in chalk, hands fidgeting at his cassock—and gave a crook of his head: murled, Ready? like a tease, though some part of him had meant it as, You'll be alright, eh?
But unblessed saints and demons below, Copia isn't.
What writhes before him now is a creature that terrifies him to the bone—one that may not abandon his brother completely, should he fail at this any farther than he already has.
"Terzo." Primo, now: an urgent hiss at his shoulder. "Close the gate—"
"I know." His magic burns at his fingertips, sears through his blood. "That—thing hasn't released him—"
A thing with claws cradling Copia's head like ceramic a hairline from shattering, spitting a pained growl through his teeth.
The sacrament in Mariella's hand shakes. "Papa, what's...?"
"I don't know." The flamelight flickers unnaturally against the domed walls: a great breath that lapses to darkness, sparks back again. "Shit, I—I don't know."
"Terzo—"
"Close the gate—"
"Hell Satan—will you all shut up?!"
There are horns in Copia's hair, slick-red-gold between his grappling fingers.
His stomach is in his head. His brain in his feet.
Mariella swallows. She's always been a strong soul—far more than him, now: level-headed in a storm, vibrant in a fog; a presence that guides as much as it grounds.
"How long can you hold it for?" she whispers, firm and calm. 
He pulls dry air into his lungs. "As long as I need to." 
He steps forward, spellwork singing in his veins, and lets his hands unfurl. The air whips at his vestments, wailing with the bone-deep unease of voices old as Creation straining to be heard.
Somewhere in there is Copia's own. He'll drag it out by hand, if he has to.
"You imbecile!" Secondo is shouting, muffled behind the blurred opalescence of the Veil: a wall that glows off the circle Terzo crosses, consumes him with the prickling unease of a limb losing its circulation. "You can't reason with it!"
The flames warp again. A shadow like death bends over the walls. 
Terzo's no stranger to the taste. His dreams have been riddled with the stench of it, from the day the Sight was force-gifted upon him. And like he had, then—a child with battered elbows and bruised knees; a not-man with awkward limbs and disdain for the old orders of this world; a Cardinal with paint on his teeth and a straightjacket of woolen expectations—he repents.
"I call on the spirits of the Then and the Below." A twitch strings through his fingers: with it, a flare of violet light. "To the Beings of those Beyond, the Eternal, I speak now, and speak only—" The pitch of his voice mangles, ragged with the corded growl of a beast: the underbelly all their half-human souls peel clean, when drowned deep enough in this waste. "In my Blood, see my will. In my Sight, my path—"
"What is he saying?" Mariella asks, her voice muffled as though through glass.
Primo calls a sharp warning: "Don't cross it—"
The air whistles with a faint singing of metal—and splits. It grapples at his clothes, twisting his hair with a gravitational pull unseen. 
He breathes in chalk dust, sighs out knives.
Beneath Copia's shivering limbs ripples the black expanse of the Gate: an aether so endless one couldn't capture its history in a millennia: a presence so indefinable that even Primo, with years of such history under his belt, can only stare through the blur, voiceless and rigid at the sight of it.
With twitching claws and lightless eyes and Hell beneath his feet, Terzo beckons.
"Bare yourself to me."
The room shivers. The walls shriek. The flames stagger, flutter, wheeze again—and snuff out, completely. 
In the pitch, it is only the Eternal, and the glow within his veins, and the white of his eye, and Copia's beast-man-beast-man-fanged grin with a split lip— 
A Being that takes the air of the room by the throat, and speaks in a voice that thunders.
"It is time."
Terzo feels its presence slithering up his legs. The weight of its All on his lungs. 
He keeps his hands steady, his intent clear, even for the exertion that leaves his arms quivering.
"Not here," he grits back, a strange echo in the ringed light that encases them. "Not now."
A hand that is not Copia's, is scaled and rotted and red, slaps to the stones. "When?" The shriek hits his ears like a thunderstrike. A chill is crawling under his veins: a heaviness that isn't right, is this thing more than his own blood. "When?"
Primo's magic is wafting through the air—some swift-casted attempt at a ward around them, far too late now. The scent of it itches on Terzo's tongue: dragon's blood, rose-ash, frigid at his back. His own aura swats it off like a gnat, too distracted to let it in, to think.
Fuck, he needs to think.
A stage—
The Being wails.
His downfall—this one's own Ascension—
Ice knifes into his ankle.
A stage and heat and lights and purple-bleeding-black and blood on his throat—a syringe in his brother's own hands, a demon masqueraded—his Unnamed's voice gristling in his ear, Be still be still be still now—
Mariella squeezes a talisman in her palm, smoking sweetly with the taste of Secondo's own protection charm. 
"Papa," she calls out: her voice a muddy, drowned thing.
His lashes flutter open, heavy as lead. 
"Coward!" the Being retches. Hellfire blisters against its silhouette, a nebulic haze. "Tell them of your death. Of Our purpose. Where We were sewn. You know it—"
Mariella holds the stone out to him, guided through the surging current of Primo's ward. The air wrestles like a gale through her sleeve.
"You know it!"
His claws catch at her palm—not his gloves, but his own, thick and black as talons. The talisman burns a sunspot-bloom through his marrow, bright as a thousand stars.
"Thirteen months." His speech is one he doesn't recognize: child and entity and Bloodline infinite. "On a black dais, surrounded by your flock." The talisman melts like a balm into his skin: an unseen shield that ripples with half-lit iridescence. The chill biting into his skin flinches. "You will know it," Terzo grits on, "and now is not it."
He thinks he hears Copia's voice through the fray. He can't be sure.
"And then?" snarls the Being.
Not a being. Not a thing. 
No—this is Lucifer-incarnate.
An orchestration.
"It won't be finished, then." The shell of magic around them snaps like embers in a flame, a jolt wrestling up his arm. So much time. So much weighed down—and he weighs it down, still, his breath shuddering. "You'll have years to go—"
"And then?"
Scraped nails, dead eyes, bloodied horns, Copia—
Secondo's gloved palm tears through the gleam, squeezes like a noose around his bicep. "I won't say it again, you fuck," he spits, the words warped and crackling. "You're going to get him killed—"
He can't shake him off quickly enough. 
"Close it!"
Copia's eyes. Copia's soul, trapped in the All. Right there—
His magic flares like a supernova, spears through that gate and holds: a cosmic blast that shouts his throat raw, knocks Secondo nearly off his feet, leaves him lightheaded and with blood on his teeth—but he has him—
"Thirteen months' time," the Being roars, "and you'll be taken with it."
Terzo hisses, his claws scraping at his brother's skin. 
"So is the Rule."
The Gate grapples at his silks. 
Copia's gloved fingers shake, snatching desperately at his arms. His own voice breaks through the loom. "Terz—"
"I've got you," Terzo spats. Sweat sticks at his neck. 
The fibers of his magic are fraying at the edges. 
Red eyes glare up at him. "Do you accept it?"
The portal whines.
"To the day it is marked, you'll have it. As it is written." His claws slip on Copia's sleeve. "As it always was."
The Being grins. "And so it will be."
It spits his brother out.
His hold on the Gate snaps like a wire—and shatters the well of magic, with it. The howl torrents through the room with a cello's blare, and whips to a bee-winged nothingness.
With the loss of it, gravity lurches in his gut. He cracks to his knees, catches himself on the stones just enough—gloves still intact, not torn through, only clawed with gold—and heaves blood. 
"Papa!"
And his brother. His damned demon brother: rubber-legged, staggering, Copia gasps like a man near-drowned.
Unscathed, somehow—Satan willing.
Primo is across the room, in an instant. "Copia. Unblessed beneath, are you alright?"
"Ye-Yes, yes, I—shit." Primo catches him, his gloves slipping at his sleeves. Unsteadily, he veers back on his feet. "What...what happened?" 
It's too dark. Too quiet. Too loud.
Terzo swallows down bile; chokes on blood and phlegm. Mariella's habit swims in his vision.
"Papa," she hushes, clear as crystal now. "Papa, look at me." 
Secondo, halfway between them: "Is it gone?"
Her fingers skim through the sweat-dripped mess of his paints: press cooly at his temple.
"Is it gone?"
"Yes," she breathes.
Hazily, lashes flicking, Terzo tips out of her touch. He chokes on his words, the first try; rasps them, the second. "Where's the rat?"
"He's here," Primo answers him. "He's fine."
There's a clumping of boots, a rustling of silks, Mariella scurrying from the floor.
"What in Hell's name were you thinking." Secondo's hand jerks at his sleeve, wrestles him half-blind back into his bones. "You could have doomed us all. We never—never—speak to the Unnamed without wards in place. You know that—"
"Brother," Copia croaks.
Secondo rips his head over his shoulder. "You shut your mouth. I haven't even gotten to you." With a firm grip, his hand slips under Terzo's arm, helps him slowly to his feet. "Get up," he huffs. "Come on. Are you alright?"
"I'm—fuck. Fine. I'm fine."
His elder brother scowls down at him. "Good. And you better stay that way, because I have half a goddamned mind to put a fist through your teeth—"
"Dino," Primo snarls, "This is helping nothing." Years of practice in such misguided events has left him rationed, calm: a quiet glance turned to the pale-faced attendant behind him, who stands shell-shocked, having seen unwantedly the darker veins of their Order—and ones their customs would soon have him forget. "Jean," Primo says, waiting for his eyes to drop. "We will need a medic. Say nothing to the All-Father."
Secondo scoffs. "Oh, yes—Nihil will have this one's ass, when he hears of this—"
"Saints—ignore him, young one. A medic, and Priestess Diana. Quick as you can."
The boy nods and takes off through the hall's doors, stumbling up the stairs in his haste.
In his absence, the room holds a collective breath, the eyes of the siblings still in attendance fixed like rabbits on the four men clustered in the center of the room.
"We're alright," Primo says to them all, in a tone that is more order than reassurance.
It couldn't be more of a reach.
Terzo wheezes a snarl, a laugh. "Alright." The stones sting beneath his feet: five paces that drive him out of Secondo's iron grip, steer him straight into the path of Copia's saucer-wide blinking: eyes blue and white and younger than they should ever seem, in a face that has grown so weathered, as all of them have.
And he knew.
He lifts a clawed finger, his breath too slow. "I knew."
Primo, sharp as steel: "Do not take this out on him—"
He couldn't give a shit. 
He almost killed him.
The bastard wasn't living.
"What are you, mh?" Terzo licks his lips, tastes the bitter metal of blood. He lifts a shaky hand. "No, no—what did she make you?" He smears the leather against his mouth, the heat of his stare unwavering, a knife-edge sliced from shoes to frazzled fringe. "That—that Aether just within you, eh? Always that, under there?"
Copia shakes. "I didn't," he blunders.
"This is why she brought you, isn't it? Satan, of course—"
Secondo wrestles for his elbow, a steadying squeeze. "Terzo—"
"You saw it—!"
His brother's eyes simmer: one black in the lowlight, the other white as a moonbeam. "I saw you."
His bites his nails through his glove. Rattles in a breath.
"Calm down, the both of you," Primo says coldly, a hand still on Copia's shoulder. "It was reckless—but you managed. We are all still in one piece." He steps between them, pointedly, studying Terzo's face like a leech. "Your Sight will be strained for weeks, after that. You did not have the power to even attempt that on your own."
Terzo snuffs. "A good thing one of us sorry shits did."
Behind the sharp slope of Primo's shoulder, Copia shivers, eyes downturned. "I—"
"Don't." He drags a gloved hand through his hair. Shaking—still shaking? Outraged—always. Horrified, still. "You're good," he tells his brother, tells himself. "It is all good. You're alright. Okay."
Primo's eyes stare through him, see a bitten-lipped boy with a bandage on his cheek.
Terzo turns away. "Okay," he hushes again, and walks, past Secondo's stone-still glare, Mariella's worried frown, and walks, and walks, and walks—
"You are not running away, now—"
"Dino. Leave it. Copia, do not linger on that, alright? Don't listen to it. You know how he is. It is not your fault—"
"But what—what was that? What happened—?"
—up the gnarled stairwells, out the maze of lower halls, stumbling over the grasses, and sits like a stone on the side-entry's steps. Like a ghost.
Sits for an age.
He must—because, by then, the medics have come, and the stench of that room has been dragged open, and Mariella's whispers are drifting across the corridor's arches—after he's ripped off his gloves, dug his fingers through his hair, tried to breathe and not think—and he expects her. 
He expects her fear, her pity.
Not Copia.
The fool's boots scuff on the stairs.
"Is it, eh..." His brother muddles over a breath. "Alright if I—?"
Terzo doesn't have the mind to fight it—not with sweat still cold at his back. He swats his palm, some attempt at allowance, kneading his other fingers over his brow.
Copia slumps down to the steps. Just stays there, in awkward, insufferable silence.
Finally: "Shit—it's chilly today, isn't it?"
Terzo leers through his fringe. "Going to talk about the birds, next?"
"I'm just saying."
"Just saying. Yes—and you'll be singing, after." He combs back the half-tamed waves of his hair, hangs his hand across his knee. "Old chamber smells like a cesspool."
Copia manages a smile, the thistles of his mustache wrinkling. "Bleh. Nasty place. I've always hated it, down there."
"All the more reason to, now, huh?" Terzo forces a sneer of his own, glaring away. He sniffs. Pits his tongue against his teeth.
For a beat, his brother says nothing. Then, his gloved fingers squeaking over each other: "I'm alright."
Terzo chuffs, furrowing his brows. "Barely."
He can feel the rat's eyes on him. It makes his skin crawl. "Primo...told me. What it—well." Copia frowns at his boots, at the graveled path beyond. "Did you mean it?" he hushes, lifting his eyes. "That you've...seen it, before?"
Terzo bites the inside of his lip. "Seen lots of things."
"But—that. It's—I've always thought...er...felt that, maybe, she'd..."
"Sister?"
"Mother, yes—"
"Your mother."
Copia's shoulders twitch.
"I—sorry," Terzo mumbles, shifting his fingers over his thumb. "I know it's not..." 
His fault, his intention—his anything, right?
But it is. Isn't.
Should be.
He flexes his hand, pitters his fingertips together. Looks away. "Anyway."
A breeze rustles cooly through the shrubbery that flanks the stairs: a feathered hush along the pines that tower over the grounds.
"Anyway," Copia repeats, shifting his tongue around his mouth. "It's just...you, eh...you have seen it, before," he says again, watching the air ripple through the leaves, "haven't you?"
Terzo glances at him. Sister's sloped nose. A paintbrush-smattering of freckles. The white of his eye, fixed on the swaying branches. Lanky little thing, as he's always been. The mirror to his own placelessness, own purposelessness, own forced mantle he never asked to have thrown upon him—but craved, clawed for, claimed, nonetheless.
"Told you, little thing," he says, tipping his heel off the stones. "Seen lots of things."
"But I know. I've always...felt it, I just haven't—" Copia fumbles, lacing his fingers. "Had the words, I guess." 
"Rare thing, for you."
"Shut up."
"Heh—even rarer for me, eh?"
"Ugh."
They breathe in unison, the air thick with it: hope, despair, magic, emptiness.
"When it...when that...thing took over me, did it...say anything to you?"
Terzo's mouth ticks.
Thirteen months. Poison in his neck. His body tossed through the gaping maws of the realm beyond.
He stares at the points of his boots, still speckled with his own spit and blood, and scuffs his thumb at it.
"Eh...not clearly. Hard to make out, in the muck of it."
"None of it came through?"
Terzo tilts his chin on his shoulder, fixing him with a narrowed look. "It wasn't you, Coppie," he says. "Just...forget what I said, before. Old temper of mine, rearing its shitting head again."
"But what if—"
"It wasn't." Terzo plants his palm on his brother's knee, chipped black on his nails, and squeezes. "It wasn't," he murmurs again.
Copia stutters. "Well, even if it wasn't—it—it felt like I was..."
"Delirious?" He perks one brow, fox-grinned in his usual reach for deflection, distraction. "Dead, even?"
"Whole."
The smile wanes. 
For a breath, he tries to hunt for that beast beneath his brother's skin—the way he so often does in the steamed glass of his own mirrors, and so easily sees it in them: the spire-teeth, the winged limbs, the eyes half-living. 
He finds only a quivery little boy, tucked in the cage of a man's body. The same one who spent years, against all odds—against his own stupid, spiteful jealousy—clinging like a barnacle to his side.
He slides his hand away. "The Sight does it to all of us, little rat. Strips away the Veil." He picks at his thumb, the gravel hazing to a fine blur, and swallows: white stone crisping to clarity, again. "Catch an Emeritus in the right light—even a clueless one can see the Fallen in them."
Copia frowns.
Maybe it's not a comfort. All the more proof that he isn't one of them, as he has so often feared.
The Other, above all else.
"But what if I am?" he says quietly. "Whatever that...thing was? Will, eh...will something happen, if that's true?"
Terzo lifts his eyes to the sky—grayish with cloud-cover, damp with the chilled humidity of a storm along the way, something to wash this whole mess clean—and lies through his teeth. 
"Happen?" he snides. "What is this—Armageddon, itself? You worry worse than Nonna, Coppie." He wrinkles his brows at him, his smile thin, his paints half-smeared off his face. "And even if you were—would it be so bad? All of us are hardly human, eh? Perhaps you are just farther along the evolutionariness—the truest Creature of the Night, of us all." His eyes widen, teasingly. "I mean—psh! I will have my fangs, no? And the pincher, his wolf-pelt, and Primo will, eh...Hell, what would the old goat be?"
Copia rolls his eyes, leaning into the cradle of his elbows. "A zombie?"
"Feh—the Nihilist is the rotting corpse, surely."
His brother rolls into a snicker. "Sea creature?"
"Agh—not the lagoon man! We will insult the dear river's integrity, with such things—no, no." Terzo sniffs, feigns smearing away his paints instead of the heat itching at his eye, and smiles wryly again. "Let's be realistic, here—the old gardenia will be the enchanted plant that traps one's bones for the witches, yes?"
Copia wheezes on another laugh.
Saints, he hates that laugh. Godawful sound, a mimicry of his own: a snort and a tea kettle and a giggle all in one. 
The brightest sunbeam of any.
"He has to be the, er—the witch, right?" Copia wonders, giving him a teasing glance.
Terzo flashes his teeth. "Now, if that is the category—I will rule above them all, no?"
And his brother laughs again.
Their little brother, little demon, little star. The highest heir of them all, doomed to a path he should have never been put on—as all of them are, in their own ways. Always have been; always will be.
Terzo ignores Primo's shadow in the corridor, flanked by Mariella's quiet eyes. Ignores the hawkish leer of Secondo's folded-armed scowling, waiting to deflect the plague that will no doubt burst into the halls, once news of it all has reached the ears of their Highest.
At least for this moment, he can pretend.
Flit away what is yet to come, like a bottle tossed to the sea—Nihil, Sister, this brother tressed in silks and jewels for a price he hadn't the slightest knowledge would be paid—and goad another laugh out of him, and another. 
Relish in the denial that this is all that ever was. Ever could be. 
Copia: blushing, teary-eyed but toothy, knocking his shoulder into his—unable to do anything but choke at the idiotic scenarios he conjures for the four of them, in all their monsterly glory. As distracted as he deserves to be, after that wretched thing. The memory of it all forgotten, if for a moment.
And that's enough, Terzo thinks, the cool tang of rain on the gales.
For now, maybe, that's enough.
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reesescuffs · 1 month
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Thinking about sos!lizzie but she's just. Like a creature from the deep dark just being silly
Like, she looks human enough, but just also very clearly not
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Ft what I mean ig I'm still working on designs 😡
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aclowntiny · 8 months
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Guys…I have been thinking and I have come to the conclusion that Jongho
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titaniumions · 3 months
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(some) r1999 charas but i assign them entities from the magnus archives
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cryptvokeeper · 7 months
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I think haunted museums are an underutilized concept
you take so many personal objects from peoples final resting places, at least SOME of that shit is gonna be haunted or cursed.
Night at the museum is the closest we as a society have come to a museum horror story and that’s a damn shame
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miqojak · 5 months
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sehnisweet · 9 months
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Ok hear me out guys
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blujayonthewing · 2 months
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the main problem I've had with trying to do 'your PC as other races' art is that when other people have done it, including ryoko kui's changeling comparisons, they always keep the character's original palette-- and that ends up being an immediate stumbling block for me when the first place I'd be inclined to start is with Elyss, whose main point of difference from an ordinary human is that she is green
#and with elyss like-- okay being an ordinary human would affect not only her bone structure and skin but even her eye color#because it's a pretty-close-to-natural sort of lavender grey BUT I already know human!elyss would have brown eyes#so does 'racebend your blorbo' human!elyss also look like theoretically canon human!elyss who looks like her mom?#in that case what about halfelf or gnome elyss-- am I basing those on human elyss or on canon elyss?#because elyss' light eyes are specifically part of her Water Themed Palette--#-- but light eyes with dark skin and hair are really common naturally for gnomes and elves where they're more rare in humans#AND you start to run into the problem of 'here's a gnome with gnomish features and also a different palette' does it even look like her??#and if I have to take 'what would be normal for this humanoid' into account for elyss whose race is such an unusual case--#-- it gets me into the weeds with like... well specifically melliwyk who has dark skin white hair and bright turquoise eyes#that's not going to occur naturally in ANY other race except MAYBE a very unusual elf but like...#okay so do I just keep her palette anyway? but that feels kind of weird compared to how I have to handle elyss??#ALSO I honestly feel like 'how does the hair color and texture translate' is just as valid as ear shape and bone structure for exploring--#-- the different morphologies of dnd races- and just as interesting to me- but you run into the 'are they still recognizable' issue again#TL;DR MY BIG PROBLEM IS OVERTHINKING IT AS ALWAYS#about me#my OCs#elyss#melliwyk
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narcissisticnugget · 1 year
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rb to prove you were an evillious fan before the engpjsk aku no taizai collab release
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lucielovekj · 24 days
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When I was in uni we had to do a presentation on an artist chosen from a provided list and I chose Mark Ryden and the lecturer who I presented it to laughed and asked mockingly why I would make the presentation pink because it’s extremely unprofessional and I was like you mean this guy?
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Why did I make a presentation on this guy pink???
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laniemae · 6 days
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Could John start hurting himself in trial 3?
TW FOR SELF HARM
So I’ve got a lot of theories for trial 3 and stuff but this is the one I want to talk about first since it was the one that stuck out to me most yet I haven’t seen people talking about the possibility
I actually wrote about this theory quite a while ago which I’ll just link to but I definitely do think it’s very likely but hasn’t been discussed much.
For a brief summary of the post I made it’s a theory on how John may have self harming desires but doesn’t physically hurt himself as he’s afraid of hurting Mikoto. Basically it’s how the reason why Mikoto’s clothes are so tattered is because John has been ripping them apart in another way to harm himself but not physically hurt Mikoto. Heck, there’s very clearly bite marks on the clothes so I highly doubt it was from the fight with Kotoko. And as well as just ripping his clothing it probably explained the breakdowns John is said to have at night especially in that one minigram where Es heard on it and there was a lot of crashing sounds and stuff breaking, even ripping sounds which definitely matches with what I was saying. So John does all of this in a method to self harm as a stress reliever but not physically harm Mikoto.
So here’s the trial 3 theory. As of recently Mikoto has stopped denying John’s existence as everything he’s seen in heard it’s just too much for him to deny anymore. And instead of that he’s began to hate John so much and blame him for every bad thing that’s happened, even going as far to blame him for what happened to Mahiru even though it was very clearly Kotoko’s fault. And with John, he loves Mikoto. Dedicates his entire existence to him and despite all the constant trauma and suffering he’s endured the only thing that keeps him going is the possibility that Mikoto will love him and praise him for saving him.
“Hey now, I saved you, right? So why in the hell are you crying?
Cling to me, hoist me up as your "savior", stand up and sing out your gratitude, that'd be good.”
Judging by these lyrics, it seems John is somewhat aware that Mikoto is denying his help but still wants to believe it. Even Neoplasm he says how Mikoto’s entrusting him with his heart, which can either be he doesn’t fully know about the hatred or is denying it. But what I’m really worried about is how much Mikoto loathes John in trial 3 and what he could do.
As I said earlier John dedicates his existence to Mikoto and I couldn’t explain how John may feel after he would realise his hatred for Mikoto  aside from his entire existence being denied. I already discussed this in another theory but for John to so deeply love Mikoto and dedicates everything to protecting him and only holding on with the possibility of approval and being told he did a good job, only to be met with unimaginable hatred from the person who he idealises as someone who could never hate anyone must be devastating on so many levels for John and… you can tell where I’m getting at here.
So what would happen next? Could perhaps John feel so betrayed by Mikoto that he could go to actually physically hurting himself out of conflicting feelings around Mikoto? Loving him like that but feeling so betrayed and hurt that he just tries not to care about Mikoto any more and harms himself out of both previously established coping mechanisms and spite?
It’s hard to tell here, as John is one of those characters who it’s very hard to predict what would happen next so who knows what he might do. I just believe this may be the most likely based off things that have been implied and established.
And just to address a potential elephant in the room is I highly doubt John would disappear in trial 3. That’s not how it works, and just because Mikoto may not be Guilty any more doesn’t mean he would be relieved from all stress so John definitely would still have his purpose. And I think it’s most likely why John claimed that he would disappear was that he believed Es hated him and wanted him gone, so he claimed that he would disappear if Mikoto were to be voted Innocent as a way to sway Es to that verdict. And there are lines such as “I’ll play dead even if I’m alive right?” And “can’t get rid of me now” that definitely imply that he will stay or perhaps pretend to go dormant which perhaps would be interesting as we’ve seen him masking as Mikoto in the minigrams before so it would be interesting if he does that in trial 3 perhaps. And side note even though this is kinda cheating theory wise but it would be stupid to remove John from the story like that so uhhh.
#milgram#mikoto kayano#John kayano#john milgram#tw sh#tw self destruction#I just wanna say I’m sorry for bringing up such a dark subject matter like this in a theory sense#It’s just when writing about the darker themes in milgram I always get scared I’ll offend someone by how I talk about it so sorry#But trial 3 is certainly gonna be crazy#This theory is one I’ve had for a while and thus easier to write but I’ve got a lot planned#Like it definitely seems like how in trial 2 kotoko was the main antagonist/one causing conflict and it definitely seems#That in trial 3 amane will fufill that role#Which I mean I am uhh really exited about that because Amane’s my favorite and I love character who fuck up everything#But from everything we’ve seen the whole thing with fuuta and Shidou she’s going to be the one starting the whole chain of events#And there’s definitely a lot of theories on people who could suffer or be injured because of everything#Definitely Haruka but that would be from himself#But from the amane thing potentially Shidou if she or fuuta attacks him#Maybe mahiru if Shidou can’t treat her if she’s injured which could be really bad I’m actually very worried for her#And fuuta if he goes too far deep into the ideology and actually takes off his eyepatch but that’s kinda hard to predict#And as I said it’s definitely likely that mikoto would be hurt but at the hands of “himself” rather#And with kotoko I have absolutely no clue how she would react to the guilty verdict but that unpredictably makes it more exiting#I’ll have to talk about kotoko and the others in a separate theory because it’s so complicated but aughahhan hiatus brain no#And kinda off topic with the mood that I’ve kinda set with this post#But looking and analysing the lyrics of meme and double for this post#I found it pretty funny how John is actually really affectionate when referring to mikoto#Like of course the “snuggle together and say good night” lyric which is funny because how that does not fit John normally but does make sen#And in double he uses words such as basically “welcoming home” mikoto and in those freeze frames whispers of good morning#Which one again is really funny as edgy boy misanthrope John has said almost uwu fanfiction stuff canonically#But it totally makes sense to his character which makes it all the more funnier but kinda fucked up as from what I’ve said in the post#Why am I talking about something funny like this? Maybe I’m just too worried about talking about dark subject matters I’m sorry
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