What would you do with a bunch of whalers early in the morning?

I wish we had more episodes of them working together in the vastness of the sea and how their comradery makes them a competent bunch of whalers.

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

In the world I love

_

In a different world

Hestia, the virgin goddess of home, hearth and fire.

last saturday that will be spent staring 20 minutes at a screen watching this guy go thru incomprehensible horrors. cant wait to have normal weekends from now on

Everyday i think about this screenboard scene that got semi-scrapped from Donnie vs Witch Town, like it just explains so much about Donnie as a character and i’m very sad we didnt get to see it entirely

ofmd season 1: "hurt people hurt people" mostly from the perspective of Stede, who copes with his trauma through avoidance, hurting himself by hurting those around him

ofmd season 2: "hurt people hurt people" mostly from the perspective of Ed, who copes with his trauma through violence, hurting himself by hurting those around him

both seasons have subplots about healing and growth, about finding love, about what to do with those parts of yourself that are drowning you, and what NOT to do with them, and those storylines and themes help support the main ones, seen through the eyes of our protagonists.

in particular, the parallel deaths in the last episodes of each season (Badminton dying in front of Stede, Izzy dying in front of Ed) have distinct thematic beats as well, in different moments of the main characters' storylines, but are still connected in a similar way: both Badminton and Izzy represent the external voices and pressures that have etched themselves in Ed and Stede and have forced them to hide their true selves in order to survive. in Stede's case, the pressure and bullying was always kind of detached, an overwhelming indifference and casual hatred, while for Ed, the pressure and bullying was always up close and personal, given to him by the very people who claimed to appreciate him. that's why Badminton is a villain we don't care much about, and Izzy is a character that was much more fleshed out by the end, because sometimes the call comes from inside the house, and I thought it was nice the team tried to incorporate some of those nuances into the storyline to help develop the main themes.

The fact that we were denied a ‘Clothes Don’t Make The Turtle’-style, low-stakes episode with the kids trying on funky outfits is one of the greatest tragedies of Owl House being prematurely ended.

Eugene was truly the best boyfriend. saw his girlfriend get broken up with, and immediately had a revenge glow up. Imagine being Cassandra seeing your ex girlfriend's boyfriend and he's wearing a golden choker with the just deepest v neck known to man, the world's sluttiest gloves, and a thigh garter. I'd have to give up then and there.

JAMIE & KEELEY            ↳ 1.03 Trent Crimm, The Independent

Hot take: I think there should be more non-object AND non-joke characters, that would be important for either their OCs lore, their show lore etc., because who wouldn't love to have an OC, who's, for example, a cat that is actually important and isn't there to just make a joke about how they're not an object or just do nothing and get eliminated/get hated.

Like, seriously, why are you all afraid of making interesting non-object characters, that aren't joke characters? Of course I have nothing against non-object joke characters, because I love Yellow Face from BFDI series and also I really like David and Dora, but MAN things could be way cooler if there were more non-object non-joke characters, who were for example guards over objects, or even were a co-host, or heck, had lots of knowledge over objects.

Just imagine the scenerio, where a bunch of objects need help and, instead of going to the host of the competition/their other friends - they decide to go to, for example, a cat to ask for an advice for help and the cat actually helps, instead of being there for humour. Or even better - a group of objects have to save the world from something and they're deciding to get help from a dragon, who helps them get rid of the danger!

Just imagine it... Imagine it how epic those things would become if we got to see more important non-object non-joke characters!

GET CRAZY WITH YOUR OBJECT SHOW OCS! DON'T CARE ABOUT WHAT WOULD OTHER PEOPLE THINK! DO WHAT YOU WANNA DO!

and if i were to make a sunny coloring book like what would our thoughts be🧐

The Dragon Prince - 2x01 || 4x01

Redraw of human Barf and Belch!

what we do in the shadows is widely considered one of those shows that’s a comedy but the way tumblr talks about it makes it seem like a high drama or tragedy but it’s really like. a comedy with layers of deep tragedy right below the surface. the story and presentation is comedy-focused but there are so many events that are and are recognized by the narrative as being deeply tragic.

laszlo and colin robinson’s arc last season is a good example—laszlo’s close friend died and was replaced by an identical baby, whom laszlo then chose to raise as best he could and had to work through his own parental issues to do it well. then, when he felt the worst about it, when colin was a teenager and angry at the world and he hated laszlo for not being able to help him, he grew up. and he was colin robinson again, with no memories of laszlo raising him anymore, as if none of it had ever happened. of all the season 4 arcs this one was the most consistently dramatic, and laszlo ended the season devastated. and that’s only one arc

while it is true that wwdits is a comedy and people on tumblr do talk about it like it’s a tragedy, it is also the case that the tragedy is Right There. we don’t have to dig very deep to get there, and in many cases it’s a central aspect of the story. in a way this is due to its predecessor, the 2014 film, which was intentionally made to be a comedy with tragic elements, not one or the other

my timephoon hot take is that the episode was literally fine, it's the episodes that came AFTER it that fucked things up