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#daniel pearce
tiger-hugger · 2 years
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I HAD A BROTHER.
it (2017) // maurice sendak // single dad laughing, daniel pearce // the good, the bad, and the grace of god, jep robertson // it, stephen king // the carnivorous lamb, agustín gómez-acros // erica e. goode // my name is memory, ann brashares // it chapter two (2019) // prodigy, marie lu // i wish i was, the avett brothers
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caroleditosti · 10 months
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'Hamlet,' Kenny Leon's Dynamite Version, Free Shakespeare in the Park
Ato Blankson-Wood in Hamlet (Joan Marcus) There are more iterations of Hamlet presented globally in the last fifty years than are “dreamt of in your philosophy.” To that point director Kenny Leon’s version of Hamlet, currently at the Delacorte Theater in Central Park until August 6th, provides an intriguing update of the son for whom time is so “out of joint,” he is unable to seamlessly and…
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milesworld96 · 5 days
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AEW & WWE X TEXT POSTS AGAIN🤯🤯🤯
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praxieserver · 2 months
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lonely birthdays, lonely valentines
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alt ver under the cut!
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weirdlookindog · 1 month
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Jacqueline Pearce and Jennifer Daniel in The Reptile (1966)
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countesspetofi · 23 days
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Today in the Department of Before They Were Star Trek Stars, Majel Barrett guest stars in "Three Brides for Hoss," episode 22 of the seventh season of Bonanza (original air date February 20, 1966). Barrett plays Annie Slocum, the first of three mail-order brides who show up at the Ponderosa claiming to be engaged to Hoss Cartwright. They were really sent for by Hoss's friend, a widower who wants a mother for his high-strung daughter. Hijnks ensue, but in the end Annie bonds with the daughter and decides to marry the widower. The other two brides marry Annie's backwoods brothers, and the Cartwrights' bachelorhood survives another week.
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psychopomperanian · 5 months
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@praxieserver's Wilson Pearce generally does not like being touched, but daniel keeps insisting on sitting entirely too close
i was so indecisive about their expressions that i made an animatic that combined all the options under consideration:
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praxieuser · 9 months
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YEAR 3 CHAPTER 4 SPOILERS
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chemzee · 4 months
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some doodles
(Wilson belongs to @praxieserver , Muriel belongs to @avielex
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benxcallumforever · 7 months
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All of the EastEnders wins at the Inside Soap Awards 2023
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yrsonpurpose · 11 months
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This ain't goodbye.
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sepvqiite · 8 months
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paper art ! doing a lot more of it since school started since i cant draw on my phone lol
featuring daniel, wilson, melly, ben, eblana, and jordan :3
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neurodivenport · 1 year
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top 30 lab rats characters as voted by my followers number 15 ⟶ daniel davenport (14.3%)
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praxieserver · 5 months
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Contrast
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weirdlookindog · 2 months
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The Reptile (1966) - Swedish poster
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agentnico · 1 month
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The Gentlemen - season 1 (2024) review
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Alright, alright, alright….. wait, McConaughey is not in this one? Oh, well that’s not alright, alright, alright…
Plot: When aristocratic Eddie inherits the family estate, he discovers that it's home to an enormous weed empire, and its proprietors aren't going anywhere.
Guy Ritchie is honestly great. Since way back when he made Lock, Stock and Snatch, he’s consistently churned out top quality entertainment, except maybe the Aladdin remake. I mean I totally get he probably got a superb pay check out of it, but honestly what in the heavens did Guy Ritchie have to do with blue genies I will never know. Regardless, where the man really excels at is when it comes to the British gangster genre. The guy can make swearing sound so poetic and melodic - it’s honestly mad how something so otherwise rude can come off utterly beautiful and delightful like a song. Especially in his 2019 film The Gentlemen, the writing in that movie was so good!! Naturally Netflix caught onto this too as we now how a spin-off series.
Going into the show I was looking forward to it but also cautious, as I was aware this new show was missing the star power of the original film. I mean can you blame me? The movie had the likes of Matthew McConaughey, Charlie Hunnam, Colin Farrell and Hugh Grant to name a few. That’s a solid load of A-listers huddled together. As for the show, the names like Theo James or Kaya Scodelario didn’t instil heavy excitement, especially with James as honestly, I always thought he was a bit of a prick. Granted this may be due to when he played the dickhead in The Inbetweeners movie, and gosh do I feel old with that reference, but he just has that face of a guy that’s so full up his own arse. Again, I’ve never met the chap, he’s probably a lovely human being, but I’ve made this prejudgment in my head and as such when I found out he was the lead of this series I naturally rolled my eyes. That being said I give Netflix props as they hired the original film director Guy Ritchie to create this spin-off and even direct some of the episodes and do a lot of the writing, so of course I was going to check this show out.
Never doubt the Guy should be a new cinematic rule. I’m proud to report that the new The Gentlemen series is a fantastic watch. It’s not the most original show, yet it plays out more-so like a Guy Ritchie’s greatest hits, as it’s got his visual flare and style, with the super cool and smooth fashion choices - honestly Scodelario has a wardrobe change every other scene and each time it felt like she was walking out of a Tom Ford fashion exhibit, and then also all the men wearing their gentlemanly suits dripping with swagger and smoking their cigars and drinking their whiskeys - the whole thing is simply infused with that signature upper-class British gangster feel. Ritchie’s signature syllable-heavy dialogue that just rolls of the tongue is also more than ever present here, and whoever decided to cast Giancarlo Esposito in this show deserves a pay rise, as Esposito’s soft-spoken melodic tone proclaiming the colourful lines of Ritchie’s rich exposition was music to the ears.
The cast here too are super game. Theo James was actually solid as the lead young duke, as he had that manly prowess and was very believable as someone who gets shit done. Kaya Scodelario I thought at first was trying too hard to mimic Michelle Dockery from the original movie, but eventually she made the role her own, and she gave enough mystery to her performance to make us feel uncertain of her true motivations. Daniel Ings as the duke loser-cocaine-addicted-brother Freddy was a lot of fun, however I would say his character became a bit overbearing and annoying in the end, as he constantly made so many mistakes throughout that I honestly kind of wanted him to get killed. It’s as if whenever the show needed an excuse for something bad to happen, they’d just get Freddy to fuck up again. Apologies for my language, I don’t usually swear in my reviews, but also this is a Guy Ritchie project we’re talking about, and he uses the F word every other sentence. So fuck it. In regards to other notable cast members, Pearce Quigley as Gospel John, a leader of a religious gang was oddly creepy yet entertaining, especially when he’d randomly scream certain lines for absolutely no reason. Pure psycho. Peter Serafinowicz and Guz Khan have amusing turns. Lastly we have two British gangster alumni Vinnie Jones and Ray Winstone. These two of course were on a different level to everyone else. Of course Vinnie Jones can be quite cheesy when it comes to acting. One can fondly remember his delivery of the line “I’m the Juggernaut, bitch!”. But when it comes to Guy Ritchie, Jones and him have always been a great pairing. Here as the duke estates’ caretaker, Vinnie is super reserved yet again super cool. I think cool is a word that can be used and abused when it comes to this show. It’s all so cool! Then Ray Winstone as the leader of the crime family… I mean it’s Ray Winstone as the leader of the crime family! He got that Godfather-level gravitas, only more Cockney, and it was great watching him do his thing.
When it comes to the story, this show is standalone to the original film. You can definitely see the inspiration though with certain narrative beats and story choices being very reflective/similar to what occurred in the film, and then the hidden weed farm under the estate looked like exactly the same set as from the film. But overall this is completely its own thing, and each episode brings more fun crime shenanigans for the characters to deal and navigate through, and it was consistently entertaining. My only complaint is that I’d say the finale a tad anti-climactic. I think with all the roughness and toughness that the characters go through, the ending tied everything up a bit too conveniently and neatly. I get I’m not to expect the most realistic thing as this is Guy Ritchie’s world, but I did want things to get a bit more messy, especially due to the build up. That being said this is a major win for Netflix, and I’m expecting a season 2 to be green-lit soon, as this is a winning package.
Overall score: 7/10
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