Captain Hands! Besides hands: what other physical parts and/or expressions are you watching for the most in dramas? What physicalities (besides intimacy, heh) give you the most clues into the psyche of a character?
BESTIE
BESTIE COME ON, I STILL HAVE TO WATCH ABSOLUTE ZERO AND INSTEAD HERE YOU ARE PUTTING DIFFICULT QUESTIONS IN MY ASK BOX!!
And you’ve fucked me further by excluding the intimate scenes, when you KNOW THAT THOSE ARE SO FUCKING RIFE WITH PHYSICALITY, CHOREOGRAPHY, AND EMOTIONAL WEIGHT
GAHHHHHHH
Ugh. Ok. Fine. Just know you did this to yourself because I look at fucking everything, which is part of why it can take me three hours to watch a 45 minute episode of something.
So there are a couple different things that I love looking at when I am analyzing characters, their body language, and what they are thinking. That said, I think everything after this is extremely subjective and often times hard to give an explanation for why (for example [and just to sneak in a hands example] James gives an incredible performance as Uea, and also, when I see him on screen as Uea I feel like he is paying too much attention to how his hands are laying in a scene since he has to femme himself up a bit. Why do I think that? No clue).
An additional problem to this is that what I look for is variable depending on the actor themselves and how many things I know them from. For example, I didn’t think Earth was a good actor at first when I watched A Tale of a Thousand Stars because Phupa was *so* repressed that he just read flat to me, and I literally went and sought out other EarthMix pieces, at that time I think only Cupid’s Last Wish was available, to see how Earth performed in that and it grew my appreciation for the fact that he can act.
So, what other things, besides hands, do I look for in the physicality of an actor that makes me understand their character?
Eyes
Hands and eyes are some of the most expressive parts of a body, and you can learn a lot about people from looking in their eyes.
There are three main things I am looking for when I am parsing a character’s thoughts or feelings: Eyelid/Eyebrow Movement, Eye Movement, and Eye Shine.
Eyelid/Eyebrow Movement
Not sure if this makes sense, but I am looking for small movements such as eyes narrowing, or getting bigger, or an eyebrow being quirked (shout out to Mark Pakin in Only Friends quirking his eyebrow at Boston when they meet for the first time at the phone repair shop). Obviously for this, as for all things, there are levels to it, if a character is someone fundamentally incapable of keeping their emotions close to the chest, you are going to see that in larger reactions, extremely visible, eyebrow raises, eyes that obviously narrow quickly, etc. Or for characters that are repressed, surprised, distrusting, or otherwise mysterious, I may be looking for smaller reactions, just a little eye twitch if something is getting to them, minimal dipping of an eyebrow if someone is, say, confused. And variations in that are going to be so interesting, for example if a character who is typically good at hiding his emotions suddenly gets a deeply furrowed brow, or has his eyes widen dramatically you know shit is suppppppeeeerrrr fucked.
gif by @klausbens
Nick is both demonstrating the eyebrow movement, and the next thing I look for...
Eye Movement
Oh BL boys constantly looking down at their crushes lips, how I love theeeeeee. When I am looking at eye movement, I am usually looking to see how many times someone breaks eye contact with another character, how quickly they return to that eye contact, and where they are looking. Ray in Only Friends is looking very disrespectfully at Sand, and you can tell that Ray is admiring the goods by how slowly his eyes move ever lower. This is an extremely obvious example, because there isn’t really even dialogue happening at the point in time at which Ray is checking Sand out in his bathroom. I live for the moments where characters are talking to eachother, but their eyes keep flitting down to the other person’s lips cause they just wanna kiss them so bad.
This doesn’t even have to be a ‘let me stare at your lips three times in thirty seconds” or a “let me stare at your lips for thirty seconds” deal either. In moments like Laws of Attraction, Episode 7 where Tin is a wash of frantic eye movements to assess Charn for injuries. You can tell he’s just anxiously taking Charn in, looking to make sure that he’s okay.
gif by @spicyvampire
Eye Shine
Eye shine is such a vital fucking part of acting, if I watch something and someone consistently has dead eyes it takes me out of the story a bit, makes me think that either they are a bad actor or that they were not interested in being on that film set. But if a character with bright and shiny eyes, suddenly has dead eyes, oohhhhh the juiciness, ohhhhh the trauma that has been unleashed upon that character. For as much as I have been shit talking Dangerous Romance, I will give it to Chimon that Sailom’s dead eyes after he is almost burned with the iron are incredible. Peat similarly does a great job of this in the last episode of Love in the Air when Prapai rescues Sky from Gun.
gif by @moonkhao
Bright in I Feel You Linger in the Air is absolutely crushing it in the eye shine department. You do not have to look at Yai for more than ten seconds any time Jom is in the room to see the human equivalent of the heart eye emojis appear. Though we only really started a romance at the end of Episode 6 and we didn’t spend a lot of time in Episode 7 actually focused on Jom and Yai’s relationship, I do not doubt their attraction to one another for one second because of how Yai looks at Jom.
Film in Laws of Attraction absolutely destroys the ‘I am actively thinking about fucking you, or getting fucked by you,’ aka horny eye shine as Charn in Episode 8 after Charn and Tin kiss at their wedding. I think we are all aware of (as @shortpplfedup calls them) Mix’s ‘fuck me’ eyes in Moonlight Chicken, so on and so forth.
The change in Neo’s eyes in Ep. 5 of Only Friends before he digs his claws in to Ray? Superb, I saw that look and knew Boston was about to be a shit stirrer.
Low key, I think part of what makes First such a great actor is the fact that he has really big eyes, because First is a very skilled micro-expressive actor, having facial features that are slightly larger than average I presume (in full speculation) is easier to read the microexpressions. At least for me. For example, it is easier for me to tell when say First in The Eclipse or Mix in Moonlight Chicken are doing micro expressions, especially when it comes to eye shine, than it is for me with Earth in A Tale of a Thousand Stars or Kao in Until We Meet Again.
Posture
I look at how a character holds themselves in space, do they feel stiff constantly, do they feel loose? Where are they relaxed, how are they relaxed, are they leaning in, are they leaning out? Do they stutter and stumble (Ray in Only Friends), are they ramrod straight (Akk in The Eclipse), when and where do they melt (Ren and Kazuma in Tokyo in April Is…), when are they experiencing joy (Karl dancing in Gaya Sa Pelikula), when does a character experience desire and especially when do they yank on the leash they have tied around their desire and snap it back behind a door (Pran in Ep 5 of Bad Buddy, Teh in Ep 3 of ITSAY), where does a character place themselves (Hira and Kiyoi in Utsukushi Kare).
gif by @eohachu
If I had to pick one master of posture out of every performer I have seen in a BL, it is hands down, without a shadow of a doubt, no contest, and zero time needed to think, Billkin in his performance as Teh in I Told Sunset About You/I Promised You the Moon. That boy is awkward as hell and I drank in every second of it. But Teh’s posture changes so much in this show, he’s constantly tense, but you can see how some of that falls away when it’s just Oh and Teh together, or when Teh’s attention is on Oh because he leans more forward in his chair, or when he is thinking about things and kinda stressed about them and he is shaking his leg anxiously under the table. Teh is constantly fidgeting and Billkin shows that so well
gif by @thii-nii
One of my favorite acting moments in Only Friends so far is the fight scene in Episode 5, but especially how fucking pissed you can tell Ray is from the way he is breathing and how drunk and ready to continue a fight he is by him being unsteady on his feet
gif by @bird-inacage
And as an aside, some of my takeaways from watching characters aren’t so much about the characters, but about the actors. For example, Saint in Step by Step is too stiff all the time, like he’s aware of the camera and he’s not comfortable being there, and I had hoped as time went on in the show he would give a stronger performance because I could see the bones there, but he just didn’t have the fluidity. And there were a couple scenes towards the end of Step by Step where I do genuinely think he showed major improvement from where he started.
Similarly, Copter as Lomfon in La Pluie is very stiff, and seeing the behind the scenes, that seems to just be how Copter himself is. But pairing him with Suar is going to make it difficult for Copter to shine in my opinion because of how relaxed and expressive Suar is as an actor.
Speaking of expressions…
Facial Expression
“Yeah, yeah, Captain Hands, facial expressions, obviously”
Okay but like, I really really struggle when it comes to microexpressions, and I will watch scenes like four or more times in a row staring only at one character’s face to try to see everything they are doing with their face so I can get a better understanding of how they are reacting, what they are thinking, or feeling. I did this for Phupa a ton in Our Skyy 2 because at someone point in it, and possibly because I have become more familiar with Earth at this point and can read his face much better, something clicked and I started being able to see Phupa’s reactions much more clearly.
Great example of this (especially in conjunction with posture) is Shiro in What Did You Eat Yesterday? when he fights with Kenji, and tells Kenji to leave and Kenji turns to go. You can see the panic set in to Shiro’s face, the way his mouth drops open, and he kinda moves his jaw like he’s trying to think of something to say. It is such a beautiful demonstration of how deeply Shiro loves Kenji, seeing how scared Shiro is of actually losing him, even when he is incapable of saying “I love you” to Kenji. And that set up early on really helps guide the show, and builds wonderfully up to Shiro’s panicked breakdown near the end of the WDYEY movie when he thinks Kenji is dying cause he dyed his hair.
gif by @dengswei
Or the way Kenji's face falls when Shiro says "I know you're hurting"
Other examples of very busy faces with lots of things going on that tell me a great deal of information about the characters: Sengtian in La Pluie when he’s watching Lomfon’s video, his jaw drops ever so slightly and quirks to the side a bit and you can tell he’s mad even before he storms out; Akk in The Eclipse, I mean I feel like this one doesn’t really need an explanation, but god is there some good frustrated intakes of breath when Ayan needles at him; Yutaka and Minoru in Our Dining Table (are great examples of eye movement as well) but when Minoru is rambling about his feeling for Yutaka and Yutaka opens his mouth slightly and takes in a breath like he’s going to speak, and then he doesn’t? Superb;
Sorry to keep bringing up the same handful of shows but they are the ones I’ve watched more recently so they’re what immediately springs to mind. But, in Episode 8 of Only Friends you can tell Ray is feeling kinda bad from very early on in the conversation because he swallows hard after Sand asks about Mew and then has varying levels of face fall when Sand hits him with yet another passive comment.
Aura
God, I do not know how to explain this one at all, because it’s not something I am really actively investigating, but does very much shape how I engage with certain characters, and that is just the invisible vibe they give off. And yes, I understand that an aura is an intangible thing, but to give off an aura in television requires a number of physical elements all working in tandem. Teh, for example just radiates anxiety, frenetic energy, and there are a number of little things Billkin is doing like posture, like eye movement, like facial expression to aide that but those are things that would usually tell me that Teh is anxious, rather than me getting hit with a wave of anxiety through my screen. Similarly the believability of the magnetism between Teh and Oh in PP’s performance, as well as PP and Billkin’s work as scene partners that you can feel the pull between them.
gif by @tehohaews
I could ramble ever longer as I am sure you are aware, but I will stop here for the sake of making sure whoever is reading this is maintaining even a single scrap of sanity after my very long winded reply. Hope this answered your question?
TL;DR: Beyond hands I look at eyelids, eyebrows, eye movement, eye shine, posture, and facial expressions including hard swallows and sharp intakes of breath to get a sense of what a character is thinking or feeling.
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