Sméagol and the Gift
'Now!' said Sam. 'At last I can deal with you!' He leaped forward with drawn blade ready for battle. But Gollum did not spring. He fell flat upon the ground and whimpered.
'Don't kill us,' he wept. 'Don't hurt us with nassty cruel steel! Let us live, yes, live just a little longer. Lost lost! We're lost. And when Precious goes we'll die, yes, die into the dust.'
Devastated by this. Just a little longer, he begs. Even though his existence is a torment. Even though the will that holds him to life is barely his own anymore. He has long outlived his time but it's such a cruelty that now the only freedom for him is in death. I'm glad Sam didn't kill him but the whole scenario is awful.
When a mortal keeps a ring of power he does not gain more life, he continues, denied natural mortality as the fear of death is amplified and twisted into fear of separation, nothing matters anymore but the keeping, the continuing. In that miserable existence there is no peace, and at its end there is no graceful goodbye to life, there is only dust. Sudden, empty, and final.
It would take murder to spare him that. Or falling with the ring into the fire.
Bilbo let it go in time (did he feel anything when it was destroyed?) Frodo is freed of it now, though the toll it extracted for the separation was at very least a finger. It was too late for Gollum for the price to be anything other than it was, and that's brutal.
If you live long enough, death is no longer the enemy. What Sauron did to Gollum ensured that it would always be the enemy, to be feared and avoided for ever, once time and the ring had fashioned it into the only escape left. Evil.
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shuake works because it feels like akechi's the only one who listens to akira and prompts the otherwise quiet leader to talk.
in a game about defiant teens making their voice heard, goro akechi listens to akira's voice from the get-go. out of detective-sleuthing/work duties, sure, but over time it's clear that akechi genuinely finds akira interesting.
in fact, akechi's confidant route regardless of which game is being played starts with him deeming akira the antithesis to his thesis, a "worthwhile debate partner". akechi values joker's opinions.
its always nice to see people point out that in that one 3rd sem phone call with akechi, its the most involved akira's been in a conversation in-game. i myself remember inserting a lot more input during that story-sequence which usually i can put on autoplay otherwise. akechi, in a whole different reality, still seeks out joker's opinions on it. it's like he trusts no one but him.
and imo this gives a lot of character to akira. he talks the most with akechi. the quietest people have the most on their minds, and it shows with akira. but akira never gets a say in anything, and who would listen? he's less than a nobody in reality since society dictated that. so he pointedly made himself silent, hiding his thoughts beneath an impenetrable mask. during important story moments, akira favors doing more than saying. his teammates and confidants are all directly inspired by his actions over the course of the game.
but with akechi, it's different. actions seem to take a backseat as they continue with their verbal back-and-forth. in rank 7 of royal, they play pool while talking, but it's clear to the outsider that the focus is in the layered conversation they're having. they primarily talk everytime akechi's in the coffee shop, because they dont usually see eachother in their busy schedules. it's not just "hi, hello, how are you?" with them but "i find you and everything you stand for interesting. let's talk more."
there's something to be said about how two people with vastly different and opposing views seek eachother out to further discuss things instead of antagonizing eachother. its why maruki said "despite being enemies, your relationship was never based on hatred or ill will".
their relationship was never a one-sided thing. akechi helps joker as much as joker helps him... arguably more. he eggs joker on, shows him that he can do better. otherwise, the leader would remain stagnant and unchallenged. there is no progress where there is no thesis and-- you can finish the rest.
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ngl im fucking terrified of how the fandom will act when the asian ccs get added and they are confronted with asian customs such as honorifics, asian cultural norms, and the language itself (ie words that are common in one language that sounds like a slur in another) and i know most of the fandom will be open and welcoming but idk im probably being way too pessimistic as someone who is asian and has seen the bs that people can spew esp regarding things like stereotypes
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its kinda crazy that yall will apply real world politics and situations to gotham when it comes to jason and his ‘vigilantism’, but never choose to take that angle when analyzing any other bat character’s
brother eye from batman? hello? does constant nonconsensual surveillance seem like an ethical way to keep an eye on supposed allies or stop crime in real life? does beating people up until they comply with u (under fucking duress) seem like the ethical way to produce testimonies and confessions?
but nah, one speech from jason in utrd and yall are up in arms about how nothing he’s saying is actually conducive to lowering crime rates.
at the end of the day, it doesn’t fucking matter who’s right and who’s wrong regarding these morals in real life because the dc universe is so fucking far from reality in the crime that the justice system has to deal with. there is no point in arguing a reality standpoint if its not going to be applied to vigilantism in the bat comics as a whole.
and on the topic of fiction, the willful ignorance as to how jason’s story also portrays a victims revenge/justice is just boring at this point. how are themes in a narrative not coming through to you. especially when doing literature analysis for any of these comics.
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The way love is such a prevalent theme throughout jjk has me in shambles
especially because it's not even a "love saves the day" kind of thing no love literally doomed some of these people. It's why Riko didn't merge with tengen, it's why Gojo couldn't kill Geto the first time, it's why Kenjaku was able to take over Geto's body, it's why Yuuta cursed Rika, it's why Gojo got sealed, it's why Maki massacred the Zen'in, it's why Toji spiraled like almost every pivotal point in the story can be linked to someone whose love for another resulted in catastrophe
Gojo was right that love is the most twisted curse of all
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something about the fact that Hermie wasn't even supposed to exist, the fact that he only came into being because Beth was fucking around with an anagram generator and he was funny enough to keep around. (something about the fact that Anthony clearly liked him enough to not want him to be a total creep, and retconned an explanation that he was method acting as the Joker.) something about the fact that Paeden didn't mind getting frequently forgotten by the PCs, but Hermie minded a lot, and that was funny, so it became a running gag. something about the fact that all his flirting and messing with Normal was motivated by his single most important desire in life: getting attention, and more specifically, attention from Normal. (something about the fact that he seeks attention more than he seeks love.) something about neither of his dads wanting him, of the party not wanting him (of the cast not wanting him). something about the fact that it was clearly specified that Scam spawned him into existence, meaning he might not even have a soul, meaning he might be gone forever without even the possibility of reunion in the afterlife. something about the fact that he outlived his usefulness, and the only significant or meaningful thing he could do for narrative or characters was to die. (something about "he's basically a free kill that changes nothing in the story.") something about him saying in the stand-up ep that he'd be better off dead. something about the fact that the narrative decided he was right. something about the fact that he was loved enough from his introduction to keep coming back, but not loved enough to be made plot important. not loved enough to be saved. Hermie the Unworthy, everyone.
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