There’s a general consensus that above all else Jason should be homicidal again. However I think what’s also very important is that he should be a fucking hoot.
There’s nothing not funny about this entire bit.
1. He couldn’t give less of a shit about explaining that he’s single-handedly trying to stop a terrorist attack. Obviously cause he’s short on time, but even if he had all the time in the world he would still be this indifferent towards explaining himself to cops.
2. This bomb is seconds away from exploding but he’s at most mildly annoyed like he’s in the office doing some menial task.
3. The perfectly timed British jokes.
4. Circling back to number 1 on the list. After he throws the bomb into the water he just dips. For all they know he’s the (weird) terrorist. (But as long as everyone’s okay he doesn’t care! The beauty of Jason Todd everybody).
This one is funny (but it’s also true)? Like yes … that is exactly what you are. (A sweet, kind-hearted goodboy learning how to effectively poison people, shoot guns, and blow shit up with all manner of explosives like a certified pro).
Bonus:
Red Hood: The Lost Days #5 (2010-)
Red Hood: The Lost Days #4 (2010-)
“Not so irritating for an American” is a far more impressive title than “genius” if you ask me. Although I think Jason balances both pretty well.
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does anyone want to join me on the aventurine/argenti train. it's got all the perks of being as funny as any other argenti ship - especially given the random absurdity of their first meeting. what the hell was argenti doing in the depths of the nihility? who even knows anymore man. but like also i think it has the potential to be really sweet?
aventurine hasn't let anyone In since his sister died. he's long since forgotten how to Trust, and Love, and how to BE Loved. and this, combined with enormous amounts of survivor's guilt and trauma and being treated as an object, has really done a number on his self-esteem. he doesn't act like it (because he's learned that it's dangerous to be vulnerable; it's the one gamble he's not willing to take), but 2.1 gave us that glimpse into his inner dialogue and it is Bad in there
between his conversation with acheron, the note veritas left for him, and finding a sense of closure in the apparition of his younger self, he's on track to becoming better. we can see it in the way he pretty much immediately reaches out to the trailblazer to get some things off his chest once he gets his phone working again. and the way he's accepting what is basically a form of therapy from the doctors of chaos. but his self-hatred has been building up for years, and it's going to take a long time to unpack and unlearn all of that
so like, in comes argenti, right? he's a loud show-off, but he is SO earnest. he sees the beauty in everything and everyone. he's kind, and gentle, and so full of love. he also comes off as a bit... lonely to me? he's spent so much of his life chasing after idrila's shadow, and only catching a glimpse of them in his many near-death experiences (and isn't that something to think about...........). he's not like, secretly miserable or faking or anything - i think his exuberance is 1000% genuine. but humans are social creatures; everyone wants and requires at least some form of closeness and intimacy. to have a love to pursue in This realm... someone he can see and hold without needing to have one foot in an early grave . i think that would be good for him. that's all
anyway, it's clear that argenti was pretty enchanted by aventurine
like yeah that's kind of just how he talks normally but !?@,%&#& that's a lot of awfully romantic things to say about one specific person out of the several you apparently rescued (??????? god i love this guy he makes no sense. literally why are you even here bud). it seems that aventurine's more subdued state left an impression on him too, and well wouldn't it be pretty in character for him to start popping in randomly... as he does, because he can apparently just go wherever the fuck he wants. to check on this sad yet oh so beautiful peacock.. to try to bring a true smile to his face... to show him how kind and beautiful the universe can be......
i think aventurine might have a hard time laughing off offers of comfort and company and the beginnings of a courtship if it comes from someone like argenti. this man couldn't be disingenuous if he tried. he doesn't wear his heart on his sleeve as much as he rips it out of his chest to show you. it'll be a learning curve regardless - aventurine is too used to needing to constantly prove his worth to keep anyone around and to keep them from hurting him
but do you see it. do you see the vision. do you see how Sweet this could be. aventurine is about to receive more roses than he'll know what to do with
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DICK KNUBBLER MAYE STILL BE ALIVE
Kinda
Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.
Alright! So!
On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.
NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it
Songs with “ * “ are canon, the rest are personal interpretation.
DURING ARMY OF THE DOOMSTAR:
* Aortic Desecration ( the first song of salvation but obviously not )
* SOS ( song of salvation )
Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )
Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )
BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )
Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )
POST ARMY OF THE DOOMSTAR:
* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )
DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )
Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)
I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )
Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )
Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.
Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.
ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know
Let’s look at them.
Dethalbum I ^
Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.
I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it
Anyways
Dethalbum II
Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus
Dethalbum III
Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.
So what about Dethalbum IV
Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..
Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.
If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.
Which leads to 3 possibilities.
Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it
Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.
It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.
I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla
something fun to think about tho yk?
TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray
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My housemate is moving out in January
She told us this a week or two ago, when she sat down and, after sitting with us watching TV for over an hour, said "hey so I bought a house and I'm moving out. We agreed on 2 months notice so I won't move until the end of January."
The last time she talked in the immediate terms about buying a house was in 2021, when the sale she was working on fell though and she was unemployed so it was a "when I'm back in a position to look I'll start looking again." Since then I've occasionally asked her how she's doing on the house buying front and she's been like "oh I'm getting there financially" but hasn't mentioned anything concrete.
She didn't tell us she was looking at places. She didn't tell us she had put in an offer. She told us when the offer was finalised. A week AFTER she emailed the letting agent about getting out of her part of the lease. And, it increasingly feels like, only because the letting agent's response was that we had to agree to change the lease.
The letting agent's response (which our housemate obviously didn't copy us into; we had to follow up separately and they copied us into the email chain) also includes that when we change the lease, they're empowered to change the rent, quote, "no cap". Rent was already going up in January - there's no possibility of Sam and I paying her share of the rent.
The really fucking upsetting thing is we're not strangers. This isn't a casual "housemate we found on flatshare" thing. She and Sam have lived together literally their entire adult lives. Me and her have known each other well over a decade. I lived in her and Sam's flat when I was homeless. We were the first people she came out to as trans. We're not super close but I thought we were fucking friends. And she's literally gone out of her way to not talk to us about this for what must have been months while the sale completed - which means she's lied to my face at least once cause I've asked her about her finances in that time (cause she's in a job she hates that she only took to get the house money, so it's like. when we've been commiserating about work stuff I'm often asking 'are you almost free?'). she literally went out of her way to talk to the letting agents before talking to us about putting us in a situation where we could lose our fucking home.
And she keeps. trying. to pretend nothing's happened. Every time I've seen her since then she's not mentioned anything or apologised or anything, she just keeps chatting away and offering hugs and fistbumps like nothing's happened. Like we're still fucking friends.
All it would take for us to still be friends and to be happy for her would have been one fucking sentence in the groupchat like "hey, just put an offer in on a house" or "I'm looking at properties, just so you know, that might happen in the next few months". Like nobody begrudges her for buying a house! It's very cool for her! She's 31 she's worked really hard to get the money I would love to be happy for her! Unfortunately she decided avoiding conflict is more important than giving the people she fucking LIVES WITH (who btw fronted her a month on the rent here while she was unemployed and agreed to take on a larger proportion of the move-in cost back in 2021, if we're still holding ourselves to shit we said 2.5 years ago), so no, you are not entitled to our friendship or to going back to normal.
like if she'd been honest with us it would have been something to process but we'd have had time to figure out our next steps. instead she's left us in a position where we have to find a new roommate before she gives her one month notice, which means finding someone by the end of December, which oh look that's the middle of the fucking Christmas holidays. and she didn't tell us anything until the START of December, or copy us into her conversation with the letting agent, meaning we still don't know what the rent on that space will be so we aren't yet in a position to advertise it. Has she offered to help find a roommate? Has she fuck. Has she offered to help out by moving her move-out date? Nah, she's moving as soon as she gets the keys because, quote, "that means her finances won't have to change". SOUNDS LOVELY. NOT HAVING YOUR FINANCES SUDDENLY CHANGE. I THINK THAT SOUNDS LIKE A REALLY REASONABLE FUCKING GOAL.
Thirteen fucking years she's lived with Sam. Four fucking weeks over Christmas she's left us to figure out a way to not turbofuck our living situation. And she's got the fucking nerve to try and pretend we should be interacting like nothing's changed. Jesus Christ. What a fucking unhinged way to treat...anybody, honestly. never mind the friends-your-entire-adult-life part. literally cannot imagine a scenario in which I would buy a house without telling the people I lived with.
(haha actually this is what my parents divorced over so apparently it's not unusual. although at least my dad had the decency to tell the woman he shared finances with at the point he put in an offer not the point the fucking sale went through.)
Like we'll be fine. It's a huge city centre flat with decent rent and queer housemates, hopefully even when the rent goes up it'll be an easy sell in a city with a huge housing shortage and big queer community. We've got a couple of people interested already, sight unseen - worst case scenario we have to live with someone we don't get on with. And it's given Sam and me a push to look at our own finances and as of today, we've got a mortgage decision in principle and can start looking at flats in the area - mind, we'll be transparent upfront and tell any prospective housemates that yeah, we're looking to buy and move out in the next 6-12 months, and we'll tell them if we put an offer in, because we're decent fucking people who aren't going to spring that on someone out of the blue.
But it's been I think 2 weeks and I'm so fucking angry I could spit. It's such a fucking betrayal. And frankly you know selfishly like. I just had a breakup a couple of months ago, I'm in the middle of moving jobs, both me and Sam have a history of housing instability and this has been the first decent, stable, safe, not-mouldy not-freezing home I think any of us have had, and this is so fucking triggering and upscuttling I could just start biting. like I was talking to my friend about it last week and it's just like. Can I have One Fucking Thing of the three main tentpoles of survival - home, work, relationships - that are fucking stable right now? because shit has been In Flux lately. and at least the work and relationship stuff has changed because of my decisions. going through all that work to make myself short-term unstable to gain long-term stability has been really hard and draining and then just as I was reaching the crisis point with work stuff BOOM, IT'S HOUSING INSTABILITY WITH A STEEL CHAIR. fuck. seriously fuck this and fuck her. we're going to make something good come of it but what a deeply, unbelievably shitty thing to do.
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I think Aziraphale should at least get a little credit that the Only Line Crowley couldn't, and most ppl seem to agree(including me) Shouldn't have crossed to be with Aziraphale is the Same Line Aziraphale was Constantly risking by socializing/making heart eyes at/associating with Crowley for 6000 years
And I want to be clear, it seems pretty obvious that Crowley most likely suffered very real and terrible consequences from hell bc of his relationship with Aziraphale. We see a very concrete example with the Wee Morag and Elspeth situation (though we don't actually see what happens, but I feel that it's implied that it's very awful). And Crowley Should and often Does get credit for this. So, this isn't a "who risked more" post, because the Whole Point is that they both risked basically everything to just...hang out together.
This is more about What Exactly Aziraphale Was risking in light of the S2 breakup scene, and that thing is Identity.
Because the S2 breakup scene, and really the audience's reaction to it, shows us that Aziraphale is out of pocket for offering Crowley to become an Angel because (whether or not Aziraphale realizes-I say not- but that's another post) it Fundamentally Changes Who Crowley IS. And this heavily suggests that Angel and Demon function as a kind of identity (as opposed to a job, which is, in my opinion, slightly more the book's take).
And if we are looking at Demon and Angel as at least Some Kind of form of identity, then I think it is relevant to recognize that Aziraphale was Always risking his identity for the better part of 6000 years. {And It is very important to Also recognize that it is Crowley who spares him this in the Job episode (perhaps in a way Aziraphale Doesn't in the breakup scene. But here is where I would like to point out that Aziraphale was possibly Excited about being together as Angels with Crowley, but he never actually made that decision for her, as Aziraphale never actually made a decision at all. Crowley is possibly upset that Aziraphale didn't know them well enough to understand that Demon is a functionality of their identity and to say No Immediately.....and this is another post,lol)}
The worst that could happen to Aziraphale is Fall, to have his identity stripped from him. (which, arguably, Crowley did have their identity stripped from them when they fell, though Probably not because of Aziraphale-or who knows-,but I feel this really convolutes things, OR clarifies, because, I guess it makes a lot of sense if you view Angel as an identity that Crowley had stripped from him, then it would Make Sense that Aziraphale would Want to Restore that, but then it also means that Aziraphale is losing sight of the 6000 years of identity as Demon, so restoring would perhaps Erase those 6000 years, as opposed to what Aziraphale is possibly thinking, which is that he can give a piece of Crowley's identity Back to them, not really realizing that having that piece of identity Removed is Part of their identity now...and it gets complicated)
I just think that if in the Good Omens show universe, If
Heaven and Hell are The Same (as the show frequently points out), and If Angel and Demon are viewed as forms of identity, then I don't think Aziraphale falling is any better than Crowley becoming an Angel.
And I just think Aziraphale should get Some credit for risking his very identity this whole time.
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