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#create your own stories instead
alchemiclee · 8 months
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been looking in tags for a few days now to see if anyone else found the whole high cloud quintet and related story to be a bit.....poorly written, nonsensical, contradictory, full of plot holes and loose ends, etc. apparently i'm not the only one. (and i'm not even talking about shipping stuff, because any time I saw someone mad about bad writing, someone always replies to be homophobic and laugh about failed ships. weirdos.) it could have been so good but was thrown into the garbage for the most part (IF you noticed all the plot holes and contradiction. if not, then it's a fine enough story tbh. I expect most people to see it on surface level and not read all the little hidden lore bits and try to piece it together like my autistic brain did. which is ok! enjoy it if you liked it and ignore me 😆)
#apparently one of the writers did it on purpose. wont explain here. you can find it elsewhere. but it makes sense now#that's why it fell apart and didnt make sense in the end#ive seem people say anyone mad about it is a shipper and thats why. they use it as an excuse to be homophobes#youre gross get out of thos fandom. im here as someone upset about the story who was very skeptical about any ship theories and focused#more on plot theories and overall friendship and stuff so its not even about shipping you het weirdos!!!#the contradictions and plot holes are bd regrdless of who you ship lmao stop reducing it to that#aure its fine if you ignlre those plot holes. but it happened to be the little plot holes that interested me the most so its obvious to me😅#cant wait until a talented writer in the fandom rewrites the whole story a lot better and fills in the holes and ties up the end better#please someone do this 😭#lee text#hsr#i just wanted a close found family who met a tragic end#my idea for a better way to write it is dan feng wanted free from the high elder cycle and yingxing helped him create a new elder#but it went wrong and failed because the preceptors fed him wrong info hopong it woukd destroy dan feng since they hated him#instead it was yingxing that died and dan feng selfishly brought him back somehow and thats why hes immortal and hates dan heng now#they created a monster in the process that made a mess and baiheng died trying to kill it maybe but hit its weak spot#so it was weaked enough for jingliu to slay it#maybe for a plot twist jing yuan somehow knew the preceptors were up to something and didnt stop the two because#they were too stubborn and he knew it would do nothing#we know the dragon heart disappeared so either it ended becoming bailu in the end#or it could be inaide blade bow. another fun possible plot twist. they never explained where it went so it coukd be a n y w h e r e#i had other ideas but i forget now. bht baiheng deserves better as well. just being a plot mechanism to make two dudes be stupid#is kinda bland and boring and wasted her character. she deserves better too!!!!#id write this if i had the time and brain power but ill hope someone else does it instead#OH yeah i forgot a big idea. dan feng and yingxing perhaps try to also kill the arbor and end the abundance and long life/reincarnation#and maybe that was one part that led to it all going wrong or something. since yingxing wanted revenge on the abundance for destroying#his home and family???? and dan feng wanted to escape the cycle? similar wants that worked together snd failed#these are all ideas from past theories i read and my own ideas i came up with all of which are better than what that bad writer did!#these are very incomplete ideas that im sure someone else can write better#lee rambles
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valla · 5 months
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look away
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gentil-minou · 1 year
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This is a REALLY unpopular opinion, but I actually really loved the break-up in 2521. It felt so realistic and so undramatic. Yes, it made me bawl like a baby, but I also felt it so deep in my bones. I was going through a very difficult phase with my boyfriend when I watched it, and it made me feel validated. Like, couples are allowed to have problems that may seem minor to outsiders, but it can matter so deep to the people involved that it can even lead to a break up. Such perfect depth.
See I wouldn't have minded the ending if it didn't completely go against the characters and their earlier scenes. I agree real couples and breakups have depth and nuances but we should HAVE SEEN THAT IN THE SHOW NOT JUST PRETENDED IT WAS THERE CAUSE THEY TOLD US IT WAS
Like, you're telling me they survived a longer separation when they were kids and weren't even together but then he goes off as adults and is seeing some of the most traumatic things ever and they butcher nhd's character so hard by going "yeah but he needs to pay more attention to ME" even though the foundations of their relationship involved distance and friendship LIKE COME ON. It destroyed their characters, byj WHOSE ENTIRE GOAL WAS TO GET BACK TO HIS LOVED ONES was like "actually I'm gonna stay in this place where I'm miserable because I have to or some bs" and nhd who was one of the sweetest most understanding caring person is like "actually I don't care about your trauma I care about what I want even though I'm the one who travels for work all the time" LIKE IT DOESNT MAKE SENSE.
If they breakup happened for other reasons, or if we had seen more of their relationship falling part and like ah yes they need to breakup its good for them it might have worked but they didn't. Everytime they had am argument about byj's work they made up and moved on. But instead the main issue was miscommunication which I fucking hate in general but it was worse here because THEY ALWAYS COMMUNICATED WELL. EVEN WHEN ALL THEY HAD WAS FUCKING VOICEMAILS THEY COMMUNICATED WELL you cannot tell me they lost that ability by dating no fucking way make it make sense.
Because it didn't fit with their characters and what we knew of them and their relationship, the conflict didn't work for me and thus the breakup felt forced and unnecessary. The last two episodes felt like I was watching an entirely different drama with different characters because thye did not make any sense at all and just ugh
Also the fact that we clearly see both of them are unhappy in their later lives. NHD is always complaining about a shitty absent husband, and she didn't even seem happy when they were newlyweds (wanting a divorce instead come on) like what a sucky way to see it. And BYJ though we don't see much from him he still feels lonely and is a workaholic. The drama didn't give us any closure for them as characters, ans since we watched them grow up and end it with them still being sad and hung up on the other.
If the show had ended with a hopeful open ending, even if they were broken up, I'd feel better about it. Maybe we got to see NHD's husband and see why she married him and that he's good for her. Maybe we'd get to see BYJ with a family of his own or at least some goddamn friends, something to show he healed from that trauma of his nyc stay, idk.
Obviously my ideal ending would have been for them to get back together after a couple years apart and him to have been the dad all along BUT by the end I was okay with the idea that at the very least they can reconnect as friends when they're older. At its core their story was about friendship, and I would have been satisfied if she just like met up with her friends. But no, we don't know what happened to the friends at the end. I don't know if she and bona's character are still friends, if the other two are still married (and THAT was not a realistic romance okay that was bs comparing the two ships and seeing that was the one that lasted was a slap on the face) or whether the smart one whose name i also forgot got to live up to her full potential and be satisfied with her career (i actually liked her working on a variety show it suited her character but also id like to see something). We didnt get to see any of the character grow into people they wanted to be, just hopelessness. It destroyed the main premise that we got from the first 14 episodes. It would have been an easy fic just like a fucking ending shot with her getting a group text from the friend group or contacting byj to meet up and catch up like seriously anything would have been better than seeing her walk off into the distance like "well I can't change my past but i can sure live in it cause my current life sucks)
Not to mention the poor casting choice where older nhd just ended up becoming the most stereotypical ajumma I've seen down to fashion it felt like I was watching some other show. Kim tae ri could have stayed in that role and worn different makeup at least then it would have felt like the same character instead of feeling like it was another drama entirely jfc.
They didn't advertise this drama as a sad one, or at least there was some definite disconnect between the writer and the directors/actors. Even kim tae ri asked the writer to change the ending cause she thought it didn't fit with the story. They changed a lot and it was advertised as a coming of age romance, not the melodrama is became. It just was so incongruous and I hate how it didn't fit with the characters I grew to love.
I'm glad it was cathartic for you but it left me feeling really shitty and hopeless at the end, and that's the feeling I get still when I think about it. It really had the potential to be my favorite drama of all time (something that hasn't changed in nearly a decade since coffee prince for crying out loud) but I can't even think about rewatching it. It's just something I find so unsatisfying.
Plus I hate the message of the story becoming something like "your teens and early 20s are the best years of your life after that it sucks and you just have to be okay with that" like no gtfo. This is a problem across the board in Korea where married women with kids who are miserable just have to be okay with that and I'm sorry I hate it sooooo much. If they just showed that everyone was happy and that their lives were good and importantly THAT THEY STILL HAD EACH OTHER AND FRIENDS it would have told a different story that yes you grow up and change but life doesn't end and you can still go back and be with people who care about you and God I just there was so much wasted potential that they fucked up so bad
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queeraang · 1 year
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you've heard of "The App" but get ready for "convincing yourself you're going to make a comic even though despite loving comics, you hate making them"
if done correctly you will blink and find that is is the afternoon and you have roughs for seven pages even though you're sure you just had breakfast
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hamingo · 1 year
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Yall I had a whoooole rant drafted up in the tags of an RPF poll but I decided not to post it because I am growing as a person and not going to be mean and judgy to strangers online :)
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sevensins-stuff · 1 year
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I miss the characters obey me used to have...
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paganinpurple · 1 year
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AO3 Etiquette -UPDATED
Based on both decent and not so decent replies, I have made some changes to my original post below.
It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:
As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.
If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.
No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).
Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.
There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.
For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.
The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.
Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.
If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.
Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.
Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.
People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.
Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.
Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.
It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.
The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.
I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.
I invite anyone to add to this, but please explain, don't berate.
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a-b-riddle · 1 month
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Part Four
Can't stop thinking about reader losing her cool.
"So we're closed, John." You said, trying to be cordial.
"Is that all you have to fucking say?" He practically growled before huffing. A humorless chuckle rumbling out of his chest. "I suppose not since you won't respond to any of us."
"Don't do that." You said taking a step back. Trying to create some distance between you and him. John would never physically hurt you. That much you knew.
"What?" He asked. His voice rising as he stepped closer to you. "Be angry that you pulled that shit and then left? Stopped talking to us. Changed your fucking locks. Last thing we even knew about you was that you got on a fucking plane and left. Even your friends wouldn't tell us anything besides that you were okay." "Which considering this came out of bloody nowhere, I find it highly unlikely that you are in any way 'okay'."
You took a deep breath. You wouldn't be intimidated. You wouldn't clam up. You wouldn't cry. You won't go back on your decision. You will be cordial and polite and not unleash everything you want to.
"I understand you might be upset, but it's for the best. It wasn't working out and I wanted to end on somewhat good terms. I would appreciate it if you lowered your voice and stopped speaking to me in that way." You could barely recognize your voice. It sounded so scripted. So robotic. But it was something you had been telling yourself. Excuses you had been telling yourself.
Because if you told yourself the truth. The picture you would paint would tell a different story. It wouldn't highlight the fact that John spoke to you like he was one of your men or that Johnny had the emotional capacity of a teaspoon. It wouldn't show what a flake Kyle was or that Simon was well and truly a mean-spirited person.
It would show how you weren't worth it. Four possible men. Four possibilities of happily ever after and none of them chose you. That no one ever did and no one ever would. You weren't worth it. You weren't loveable.
It wasn't right, but it was what the voices had been telling you late in the night. When you would crawl into your cold bed. The silence of the room not filled with John's steady breathing or the sound of Kyle's heartbeat as you laid you head on his chest. The absence of Johnny's occasional snoring or whatever Simon was watching playing in the background of your dreams.
In the void, all your dark thoughts came back at you.
"Upset?" He asked, his voice still louder than you would have liked. "An understatement considering the stunt you pulled."
"You think it was a stunt?"
"So Johnny thought with his dick and didn't plan things out. You should have told him instead of crying to Simon and then pulling this shit." "Christ, I knew you were still young, but I didn't take you for that immature."
"You know what?" "I'm done." "I am so fucking sick of making excuses for you all." "You want to act like I'm the immature one, John?" "You are 35-year-old man who cannot separate his work from his work like. You have continuously talked to and down to me like I am one of your men, only to turn around and always blame your shitty fucking attitude on work. I get that your job is stressful, but I did not sign up to be your verbal fucking punching bag."
"And this come and fucking go incident with Johnny. It has been a consistent issue with him coming over just to fuck. I've asked him for that last six months that 'hey, we've been seeing each other for a year and a half, I would love to meet your family' and suddenly the dates stop. He doesn't ask to see me until after 7 PM. He brings food occasionally, fucks me and leaves. Sometimes before I even wake up."
"And the only reason Kyle is the person I am the least pissed off with is because I haven't even seen him." You took a step closer, not noticing how the anger in John's eyes had softened. "I have not seen Kyle in weeks, to no fault of my own. I stopped reaching out to make dinner plans after the third time he canceled on a date night when I was either on my way or already at the restaurant."
"And Simon?" You scoffed. "Well, it doesn't really matter. After all, as he said I get mine. You all make me cum which is supposed to magically erase how shitty you've all been as partners. It's supposed to erase the nights I've cried myself to sleep debating on whether or not there was something wrong with me. How I'm not good enough to meet anyone else in your lives like some dirty fucking secret. How none of you can even bother to pencil me for a group dinner so I can tell you a publishing house picked up my book. How at some point you all stopped caring or maybe never did."
You took a breath. Blinking quickly to keep the tears at bay.
You wouldn't cry. You wouldn't cry.
"As Simon said it best, I should have known that spreading my legs wouldn’t end with one of you putting a ring on your finger.”
For once, John was silent. Unsure of what to say. An apology starting to form at the tip of his tongue before realizing 'sorry' wouldn't cut it. Not this time.
Had he really been that sharp with you? He knew that there were times he had gotten short, but he almost always apologized immediately after. If not at the very moment he took in your crest-fallen face, then definitely later. But he almost always told you he was sorry. Didn't he?
"So as I said," you swallowed down the lump in your throat. "I'm closed. We're done. Now get out." Your face held no sadness. Even though your eyes were nearly full to the brim with unshed tears, you weren't sad.
You were finally angry.
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eelhound · 11 months
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"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:
If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.
'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?
This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).
But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."
- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.
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caparrucia · 1 year
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Full offense and pun fully intended, but I genuinely think the very existence of "dead dove, do not eat" was a fucking canary in the mines, and no one really paid attention.
Because the tag itself was created as a response to a fandom-wide tendency to disregard warnings and assume tagging was exaggerated. And then the same fucking idiots reading those tags describing things they found upsetting or disturbing or just not to their taste would STILL click into the stories and give the writer's grief about it.
And as a response writers began using the tag to signal "no, really, I MEAN the tags!"
But like.
If you really think about it, that's a solution to a different problem. The solution to "I know you tagged your story appropriately but I chose to disregard the tags and warnings by reading it anyway, even though I knew it would upset me, so now I'm upset and making it your problem" is frankly a block, a ban and wide-spread blacklisting. But fandom as a whole is fucking awful at handling bad faith, insidious arguments that appeal to community inclusion and weaponize the fact most people participating in fandom want to share the space with others, as opposed to hurting people.
So instead of upfront ridiculing this kind of maladaptive attempt to foster one's own emotional self-regulation onto random strangers on the internet, fandom compromised and came up with a redundant tag in a good faith attempt to address an imaginary nuance.
There is no nuance to this.
A writer's job is to tag their work correctly. It's not to tag it exhaustively. It's not even to tag it extensively. A writer's sole obligation, as far as AO3 and arguably fandom spaces are concerned, is to make damn sure that the tags they put on their story actually match whatever is going on in that story.
That's it.
That's all.
"But what if I don't want to read X?" Well, you don't read fic that's tagged X.
"But what if I read something that wasn't tagged X?" Well, that's very unfortunate for you, but if it is genuinely that upsetting, you have a responsibility to yourself to only browse things explicitly tagged to not include X.
"But that's not a lot of fic!" Hi, you must be new here, yes, welcome to fandom. Most of our spaces are built explicitly as a reaction to There's Not Enough Of The Thing I Want, both in canon and fandom.
"But there are things on the internet that I don't like!" Yeah, and they are also out there, offline. And, here's the thing, things existing even though we personally dislike or even hate or even flat out find offensive/gross/immoral/unspeakable existing is the price we pay to secure our right to exist as individuals and creators, regardless of who finds US personally unpleasant, hateful or flat out offensive/gross/immoral/unspeakable.
"But what about [illegal thing]?!" So the thing itself is illegal, because the thing itself has been deemed harmful. But your goddamn cop-poisoned authoritarian little heart needs to learn that sometimes things are illegal that aren't harmful, and defaulting to "but illegal!" is a surefire way to end up on the wrong side of the fascism pop quiz. You're not a figure of authority and the more you demand to control and exercise authority by command, rather than leadership, the less impressive you seem. You know how you make actual, genuine change in a community? You center harm and argue in good faith to find accommodations and spread awareness of real, actual problems.
But let's play your game. Let's pretend we're all brainwashed cop-abiding little cogs that do not own a single working brain cell to exercise critical thinking with. 99% of the time, when you cry about any given thing "being illegal!!!" you're correct only so far as the THING itself being illegal. The act or object is illegal. Depiction of it is not. You know why, dipshit? Because if depiction of the thing were illegal, you wouldn't be able to talk about it. You wouldn't be able to educate about it. You wouldn't be able to reexamine and discuss and understand the thing, how and why and where it happens and how to prevent it. And yeah, depiction being legal opens the door for people to make depictions that are in bad taste or probably not appropriate. Sure. But that's the price we pay, creating tools to demystify some of the most horrific things in the world and support the people who've survived them. The net good of those tools existing outweighs the harm of people misusing them.
"You're defending the indefensible!" No, you're clumsily stumbling into a conversation that's been going on for centuries, with your elementary school understanding of morality and your bone-deep police state rot filtering your perception of reality, and insisting you figured it out and everyone else at the table is an idiot for not agreeing with you. Shut the fuck up, sit the fuck down and read a goddamn book.
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malkaviian · 1 year
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this is going to sound extremely stupid but i have been thinking for a few days now and. i think donnarose may as well became a special interest???? these little guys genuinely make me happy and i love developing them, thinking about their relationships with each other, it's just too much fun. but since i'm a whole autism with personhood i don't know if my level of enjoyment is normal and akin to someone with their own ocs or im once again having an autism moment. so idk
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ao3commentoftheday · 7 months
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managing creative envy
Just like in other areas of our lives, it's easy to be jealous of others when we create in fandom spaces and post online - the online aspect of fandom just offers more opportunities for it. Hits, kudos, comments, reblogs. Whatever unit of measurement you look at, there's always some number out there ready to tell you who's "better" and who's "worse" at whatever creative endeavor you engage in.
Except that none of those numbers actually gauge skill or quality.
When we're jealous of those numbers, what we actually wish we had isn't bigger numbers, it's attention. Reassurance. Excitement. Community. Whether the number is 5 or 5000, that's what it represents. We want those things and that other person has more of them, and so we end up jealous.
To manage that jealousy, we need to understand what we need and then find ways to get it. It might not come from posting on AO3, but maybe it comes from a local writer's group. Maybe there's someone in your life that you wish cared a little more about your "silly stories" and took you more seriously when you spoke about writing. Maybe what's missing isn't related to writing at all and it's more about having someone who cares about you and thinks you're important.
But numbers are just one thing to be jealous of. Perhaps the envy is instead because of another person's abilities. They come up with such interest plots! They have such fun ideas! They always have the perfect words, the singing phrases. For them it's easy, and for me it's just impossible!
Whether it's easy for them or not isn't what's making us envious, though. It's not about them and their abilities at all. It's about feeling like our own skills are lacking. The envy comes in because that person has what we want and don't yet have.
If we want to get past this type of envy, we need to refocus our energy away from being sad or angry or hopeless because another person is able to do something. Focus instead on celebrating the things we already do well. Take the time to notice improvements. Identify specific things we want to do better, and figure out how to learn. Remember, asking for help is always an option - and it might even lead to that feeling of community that might be lacking too.
Emotions are information that we need to take the time to interpret. Take the time to reflect on what's causing it. Find the thing that's missing from your experience and then figure out how to fill the gap.
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Fanfic Thieves on Youtube
A collection of youtube channels have been uploading preexisting fanfictions in videos with little to no credit to the original authors. These are not podfics, these channels copy-paste the fics into text-to-speech readers then upload the unaltered audio over static or unrelated backgrounds, either art that is also stolen or mobile game footage. In addition to not naming the authors, they alter the title to make it that much harder for readers to recognize or find the original uploads. Some go so far as to pretend they themselves are creating the fics in question. Many claim that their stealing actually helps give fics "exposure" despite the intentional steps they take to conceal the origins of the fics they profit off of. However, this practice has lead many authors to discontinue fics after the frustration of having their hard work stolen. Many of these channels claim they will remove videos upon request, but will either argue with the author in order to keep it up, or simply unlist the video for a time until they think the author isn't paying attention anymore. And their solution to receiving strikes against their channels in the past has been to further obfuscate the origins of their content instead of even considering asking first.
Tumblr media Tumblr media Tumblr media
”I got caught stealing, so instead of not stealing anymore, I’m doubling down on stealing even more so it’s harder for people to find out and prove I’m stealing. Stealing doesn't count if the specific person I stole from didn't call me out. I am the real victim.”
That, plus the incessant tag scumming in all the videos (spamming unrelated tags in order to appear in more search results) proves to me that these are lazy attention seekers who don't want to put in creative effort when they could just leech off of the passion of others.
In order to report them, go to their channel's "About" page and click the flag icon. Said icon might be behind the three dots in the top bar on mobile. Go to "Report User" at the bottom and tick the "spam and scams" button. This will allow you to list multiple videos as offenders instead of reporting them individually. Youtube's policy states that video spam constitutes:
Massively uploading content that you scraped from other creators.
Auto-generated content that computers post without regard for quality or viewer experience.
If you recognize one of your fics among the stolen, say so in the additional comments box, and perhaps call out the channel directly in the video's comments. If you recognize someone else's fic, please let the original author know so they can report the channel as well. Many have been confronted for stealing previously and refuse to admit wrongdoing.
Most of what I've found has been My Hero Academia fics since that's my fandom and those are the ones I can recognize as stolen, but there are many other channels that steal from other fandoms, so I invite anyone and everyone to reblog this with their own findings.
The reality is that this extremely low-effort content and new youtube channels are both very easy to make, so most likely they'll start new channels once the ones on this list are run through. But hopefully, if we all work together and keep whacking these moles, perhaps we can instill that same defeatism they caused so many creators who didn't deserve it, and eventually they'll give up.
My sincerest thanks to everyone who helped bring additional channels to my attention. A special thanks to ao3 user InArduisFidelis who brought the initial attention to the issue, and @owlf45 whose work was stolen.
Links under the cut.
YurikoFanfics - Not only stole content, but acted in comments as though they were the one writing these stories.
https://href.li/?https://www.youtube.com/@YurikoFanfics
What-IF-Anime - Has the exact same "disclaimer" about not being the original author as the one above. Either they're the same person or the thieves are stealing from each other.
https://href.li/?https://www.youtube.com/@What-IF-Anime
quirkywhatif7 - Either an alt of the above, or all these people are talking to one another because this one made a community post identical to a comment the one above made in response to being called out (the above screenshots).
https://www.youtube.com/@quirkywhatif7/about
DekuFanfic - It's the same fucking guy again.
https://www.youtube.com/@DekuFanfic/about
InfiniteParadoxfanfics - Nothing notable, same deal as the others.
https://href.li/?https://www.youtube.com/@InfiniteParadoxfanfics/about
WhatIfAnimeChannel - Admits in their community posts that other people write the fics they post but still doesn't give credit. Migrated to a new channel after issues with youtube, likely being flagged previously.
https://href.li/?https://www.youtube.com/@WhatIfAnimeChannel/about
WhatIfAnimeAll - Alt of above.
https://href.li/?https://www.youtube.com/@WhatIfAnimeAll
FWNWorld - Makes sure to tell you that the videogame footage is theirs, but can't bother to credit anyone else.
https://href.li/?https://www.youtube.com/@FWNWorld/about
WTFW - Claims to have "[A] team of talented writers, voice actors, and artists work together to create immersive fan fiction stories that are sure to captivate your imagination." Just the same test-to-speech stolen content over videogames. So straight up lying claiming that everything is theirs (and that anything they make is quality).
https://href.li/?https://www.youtube.com/@WTFW
MHA2.0Fanfics - Lots of crossover theft.
https://www.youtube.com/@MHA2.0Fanfics/about
Collerwhatiif - Pretty sure this one is the same guy as the previous 2, also has one for another fandom.
https://www.youtube.com/@Collerwhatiif/about
https://www.youtube.com/@GoJoFanfiction/videos
ko_sensei - Another that claims to have a "team" that makes the stories they steal: " passionate about creating compelling and engaging fanfiction that explores the various "what ifs" in the anime universe."
https://www.youtube.com/@ko_sensei/about
FantasticWhatIf - Multifandom stealing, uses the exact same bs disclaimer as many others.
https://www.youtube.com/@FantasticWhatIf/about
LettuceHeadFanfics - No credit, no acknowledgement of anything. Next one is an alt.
https://www.youtube.com/@LettuceHeadFanfics/about
brocollifanfics - Alt of above, once again admits to stealing with a declaration of "☆If you want to takedown any videos. You can mail us or leave a comment below the video☆"
https://www.youtube.com/@brocollifanfics/about
whatifofficial786 - Focuses on MHA/Naruto crossovers. Identical format.
https://www.youtube.com/@whatifofficial786/about
NotWhatIf - I've lost track of who's an alt of who but yet another identical format, descriptions, and bullshit claims of "enhancing the viewer experience" by putting a robot voice over bootleg fortnite footage.
https://www.youtube.com/@NotWhatIf/about
weebxds - Same again.
https://www.youtube.com/@weebxds/about
ItachiFanfics - Naruto channel, we can at least confirm that this one is run by a human given the rare different descriptions and a real voice at the beginning of videos before the robot comes back.
https://www.youtube.com/@ItachiFanfics/about
WhatIfDN - As if mockingly, a bunch of videos have a "credit" section in their descriptions that is of course blank.
https://www.youtube.com/@WhatIfDN/about
SpiceandBooks and spiceandfiction - Apparently Youtube itself has started picking up on the bullshit, because this multifandom channel is being dinged as ai spam so they started a new one.
https://www.youtube.com/@SpiceandBooks/about
https://www.youtube.com/@spiceandfiction/about
theoriginalastra - Doesn't even bother with disclaimers, the following are multiple alts/potential alts for different fandoms.
https://www.youtube.com/@theoriginalastra/about
SillySenpai12 - Highschool DXD alt.
https://www.youtube.com/@SillySenpai12/about
RosieRealms - Naruto alt.
https://www.youtube.com/@RosieRealms/about
DekuWhatIfs - Potentially another astra alt but not sure, doesn't matter because all these channels do the same thing anyway.
AnimeStark688 - No credits or disclaimers.
https://www.youtube.com/@AnimeStark688/about
Please take the time to report these channels, spread this post around, and reblog with any additional offending channels you find.
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tanaor · 2 months
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Want to worldbuild like a pro??
(📖 Master tips and everything I know📖)
Hello writers! You don't know how to worldbuild? Don't know where to start explaining the world you have created? Don't worry, you are in the right place! I have been there myself, and after many research (and even more trial and error) I have put together a list of the best worldbuilding tips I have encountered, and also created some of my own. (I know the first one is kind of overheard, but trust me).
Don't start right away with worldbuilding. A long paragraph about how your world works and its history might overwhelm new readers. A lot of other writers suggest waiting and learning about the world at the same time the protagonist does, or if that doesn't work for your story, dropping bits of information while the story moves forward. However, if you want to give a sense of how your world works from the start...
Exposition through action. This is my favorite method, and it helps a lot if you don't want to pause your story to info dump about the world you have created. Instead, this method relies on explaining the world and its dynamics while you continue with the narrative, briefly. For example: "As always, you couldn't see any trees in the meadow. The king had ordered years ago to cut each one of them because of a prophecy that foretold that the last dragon egg would lay in an oak."
Use expressions that reference normality or routines. In the last point, we used "as always", but there are tons of expressions you could use in your writing. This helps the reader understand what is the norm in this new world and what things are common, to later detect something that is not within that norm (or sometimes just to understand the world and its traditions better).
Use flashbacks when necessary. If you need to explain a very specific or detailed topic, I suggest using a flashback scene, that will help the reader understand with the narration and dialogue, instead of just explaining it to them. It makes for a more dynamic learning experience. But, at the end...
Do whatever will intrigue you. Some readers even like info dumps, and there is not one correct way to show your world. If it would make you curious, go and do it, wether people say it's correct or not. There are a lot of successful books that randomly stop to explain something about the world, and there is nothing wrong with that if you like it.
Hope you find this list useful, and as always happy writing :)
Also, if you are interested in tips or more examples of a specific topic, you can always leave a question in my ask. I'd be glad to answer it!!
Other tips for writers: previous | next
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“Show, Don’t Tell”…But This Time Someone Explains It
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If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”
Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).
More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 
The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)
1. What Does "Show, Don't Tell" Even Mean?
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“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.
EXAMPLE 1:
Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.
EXAMPLE 2:
Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.
EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")
Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.
Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.
Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 
As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!
2. How Do I Use “Show, Don’t Tell” ?
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There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.
In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.
i. Help When Your Writing Feels Bare-Bones/Soulless/Boring
Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?
It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!
Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)
ii. Add More Depth and Emotion to Your Scenes
Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.
Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."
Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."
iii. Understand that Sometimes Telling Can Fit Your Story Better
Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!
Initial Impressions and Character Opinions
If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).
2. Tone and Reader Opinions
Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.
3. Pacing
"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.
iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!
If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.
Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!
3. How Can I Get Better at “Show, Don’t Tell”?
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i. Use the Five Senses, and Immerse Yourself!
Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?
Smell? Hear? See? Touch? Taste?
Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.
EXAMPLE:
TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 
The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)
ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer
Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.
Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.
(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)
If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?
How do the actors convey things that can't be experienced through a screen, like smell and taste?
Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.
iii. Listen to Music
I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.
Here’s a link to my master list of instrumental writing playlists!
iv. Practice, Practice, Practice! And Take Inspiration from Others!
“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!
If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.
In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!
If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !
Hope this helped, and happy writing!
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beejunos · 1 month
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SPEAK TO ME | Alastor x f.reader
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Summary: Alastors voice turns you on. Something he loves to take advantage of.
FULL STORY!
Here we have it! The full story! 5k of pure smut. Enjoy darlings! Tags: Dom!Alastor, masturbation, oral, light bondage, fingering, dirty talk
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Attraction was a funny thing. It could never be explained, and often, it just appeared one day. Attraction could hit you like a train in the dead of night, but sometimes, it would follow you like a shadow. Whispering sweet words in your ear without making itself too known, not until it was too late, and you realised that you had stayed awake for two hours when you should have been asleep instead of thinking about what someone's hands would feel like on your skin. 
Attraction was an annoyance, but lust, its evil twin, was irrational, unpredictable, and, worst of all, it made you stupid. 
So incredibly dumb.
The lust had crept up on you like a thief in the night. Stealing your rational mind and sanity, leaving only the body to fend off the raging attraction that wanted to sink its teeth into your tender flesh. 
Having a crush on the radio demon was a poor choice and a painful one.
It began weeks ago when you first arrived at the crumbling hotel. 
Hazbin Hotel, with its rehabilitation program, had been your last resort after your landlord, who really deserved to be in Hell, kicked you out of your apartment. 
You had been tired of fending for yourself, trying to work, feed yourself and find an apartment with a landlord who wasn't a humongous creep. It seemed to be an impossible task in Hell. It wasn't until you heard one of your coworkers talk about the interview on the news with the princess of Hell that you found out about her little redemption project.
The Hazbin Hotel appeared like a lighthouse on the horizon for you, and the prospect of a warm meal and a soft bed was too enticing to pass on.
Charlie had, of course, taken you in straight away and for the first time in days, you felt like you could finally catch your breath. 
The bath you took that evening in your own bathroom, connected to your own bedroom, was heavenly. Almost sinful with how much pleasure you took from it. 
The next day had been quite overwhelming to you, to say the least. Thrown into the middle of trust exercises with people whom you had known less than 24 hours, where you had, in the span of two hours, visited a bondage club and escaped a turf war that Vaggie had thrown you into. If that was how she had learned to trust others, then maybe you weren't cut out for redemption. 
While the other hotel residents turned out to be a wonderful company, one, in particular, made your little sinner's heart skip a beat. 
Alastor, the infamous radio demon. 
He had ... not been what you had expected. 
From all the tales you'd heard of him, you expected a grotesque monster who murdered anyone who would just look at him funny. But he couldn't have been further from the image you had created of him from all the rumours. 
First of all, he was beautiful. His soft red eyes were so hypnotising that you feared you would drown in them, with a smile showing rows of sharp teeth. One thing was for sure: Hell would contort any morals and virtues you may have had, and if you had liked the idea of lovers biting your skin during intercourse before, it was now a raving obsession. An obsession that would fule you nightly fantasies for weeks and weeks. 
Sometimes, that was the only thing you could think about, his sharp teeth grazing your neck or nibbling your ear. 
Alastor was also very charming in his own way. A gentleman by hellish standards. Whenever you were going somewhere in the same direction, he would always hold up doors for you or pull out the chair for you during dinner time. Something you were highly unused to, and it had taken a long time for you not to blush whenever he did it. 
Whilst his jokes were lame at best, the conversations you would have late at night by the fireplace were your favourite time of the day. Because you loved his voice. You really loved his voice. 
There was something so bewitching with that transatlantic accent and that strange buzzing overlay to how he spoke. It made it sound like he was far away when he was, in fact, right in front of you, and the gentle buzzing had made you tremble more times than you could count.
Something that you suspected that Alastor had caught on to with how often he would appear behind you, only to put his head right beside yours and say the most innocent things that would make you react in the most sinful ways.
The day he had started to call you 'my dear' had been a day you would never forget, for you had laid awake all night imagining him whispering those exact words in your ear as you brought yourself to climax. Again, again, and again. 
You had had a tough time the day after looking him in the eyes without thinking of all the times you had desperately whispered his name into your pillow with your fingers between your legs.
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"What's this?" you asked, surprised as you sat down to eat breakfast. On the table sat a red present with a big black bow right in front of the seat you always occupied. You could recognise Rosies' gift rapping technique anywhere.
"It is a gift, my dear. Open it," answered Alastor and sat down to your right at the end of the table.
You and Alastor were always the two residents in the hotel who were awake first: You because you wanted to spend as much time as possible with the strange but charming sinner. Unfortunately, he had the habit of disappearing during the day, so you only ever had the morning and the night to talk uninterrupted with him. You also suspected that Alastor barely slept because, after your evening chats, when you went to bed, Alastor would go up to his radio tower to host his show, and you had no idea when he would end them.
You opened the gift slowly as if savouring it, trying not to get too excited about having gotten a gift from Alastor when, in reality, you just wanted to rip it open.
Inside the box was a beautiful antique radio in pristine condition. The dark wooded exterior was smooth and shiny as if someone had just polished it, and it made you almost not want to touch it in case you left fingerprints on it.
You looked up at Alastor, whose smile seemed to grow as he looked at you.
"I remember you telling me that you had never had the pleasure of hearing my radio show, and now you can listen to it whenever you want!"
At times like these, you wondered if Alastor knew of your slightly obsessive crush on him. He struck you as a man who liked to play with his food.
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The radio turned out to be a great gift that you used almost religiously. Every evening, when you were preparing to go to bed, you would turn on the radio and listen to Alastor's radio show. You would have the radio on softly in the background as you walked around your room doing your nightly routine. Sometimes, you would even invent stuff for you to do so you could stay up longer just so you could listen to his voice.
It was almost like he was in the room with you, talking just to you about anything he found interesting. On the odd occasion, Alastor would incorporate a passive-aggressive threat into the show for some poor sinner getting in his way, but that never scared you. In fact, you looked forward to those instances.
Alastors' voice would drop and get darker, reminding everyone who listened that he was still dangerous—a predator waiting to strike.
A wolf in sheep's clothing, and what a stupid sheep you were. Yearning for the wolf bite.
Halfway through your night routine, you turned on your radio at a soft, pleasant volume, and Alastor's smooth voice filled the otherwise silent room. 
"Salutations, friends and hellish residents! Tonight, we have a splendid assortment of the latest news and the best Hell has to offer in jazz, but before we chitchat about our dear city's hellish affairs, here is the newest music from Miss Jezebel and The Wicked Six!" 
Slow and sultry jazz music started to play on the radio. The woman who sang had a deep, smoky quality that was inherently sexy to you. There was just something about women who sang with deep voices that made your hips sway from side to side, effortlessly dancing across your room as you started to strip, pretending there was someone there who enjoyed the show you put on. 
You turned off all the lights except the small lamp by your bed and crawled under the thick blanket. Leaving the radio on as you made yourself comfortable, hugging one of your pillows close to you. 
The song ended, and Alastor came back. This time, he started talking about the news. Since the news sometimes made you too sad to sleep, you never really listened to what he was saying; you only listened to his voice—his tone, the cadence of his speech, and his transatlantic accent. 
You let his voice wash over you like a soothing balm to your aching body, but soon, you felt the familiar tingles run up your back. Warmth pooled low within you as you shifted in your bed, lying on your back. The desire to touch and be touched grew in you, to move, to grind, to satisfy the urge for sex. 
Closing your eyes and letting your hands wander over your body, you start by slowly dragging your fingertips over your sensitive throat, making sure that your light fingertips touch all the places that made you weak. 
Your hands travel from your throat down to your chest. Palming your breasts in your hands, you drag your nails over your sensitive nipples. Pinshin, pulling and rolling them between your fingers till they are warm and hard. 
Your senses sharpen as you start to feel more intensely, but your mind goes hazy, making it hard to think clearly. Alastors voice is but background noise now that edges you on.
One hand stays on your breast as the other journeys down, down, down and under your underwear. 
You slowly drag your finger between your lips, coating your finger in your wetness as you slowly pull it towards your clit. A breathless gasp is pulled from your mouth the first time your finger comes in contact with your sensitive clit. Slowly and with the lightest touch, you start to circle the organ, and what feels like electricity builds in your loins.
You can't help but move in your bed, legs bending and toes curling as you give yourself the pleasure that you wished Alastor would provide you. Your hand that previously played with your breast joined your other hand, and you let out a not-so-subtle moan as you pushed two fingers into you. Desperately, you curl your fingers inside you to increase the pleasure. 
You want it. You need it. Your toes curl almost painfully as Alastors name falls from your lips like a prayer. 
You're so close. So close you can see stars behind your eyes. You breathlessly chase that sweet release. Building, and building, and building. Your legs are shaking as you bite your lips. Hips lift from the mattress as you fight the urge to close your legs.
You are so, so close.
"What are you doing, my dear?" 
Cold dread crashes through your body as you rip your hands away from your body. You frantically look all over your room in the shadows. Looking for that all-knowing smile and calculating red eyes. 
His voice had been so close and clear that he had to be in your room. It had felt like he had spoken to you right beside your ear. But you were alone. No one was in your room but you. 
"Such a naughty little creature you are, my dear. So desperate to be touched." 
Goosebumps travel up your back as you slowly turn in the direction you hear his voice. On your nightstand is the radio that Alastor gave you. It is still on, but the yellow light of the display has turned red. 
Towering over you in your bed, you almost feel like he is watching you. Observing you as you lay naked before him. Your blankets were by the end of the bed as you had kicked them off a long time ago. 
"Can't even listen to me talking without having to touch yourself. My oh my, what will I ever do with such a bad little doe, hm?" 
Shaking all over, you lunged for the radio's electrical cord and jerked it out of the outlet. The radio fell silent as you collapsed in your bed. Spent, but not satisfied. However, you soon start to tremble all over again over the fact that Alastor had listened to you pleasuring yourself, and he seemed to like it.
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You would be lying if you said you had a good night's sleep after that fateful evening—or if you said you had slept at all.
You had stayed up all night replaying the previous night's events, unable to comprehend what you had been through. Had it really happened? Had Alastor really listened to you masturbate while you were moaning his name? It had almost felt like a fever dream had you not stared at the pulled-out electrical cord for the radio all morning.
The clock on your dresser kept ticking as you sat in your black dressing gown on your bed. The time was about to turn nine, and you had not stepped a foot outside of your bedroom, too scared to face the man after your night. You knew you had to leave your bedroom sooner or later, but you were waiting until you were sure that Alastor would have gone for the day to do whatever he usually did during the day. As soon as you were sure that you would not encounter him in the hallway, you would sneak out of your bedroom and go down to the kitchen to steal all the snacks you needed to survive the day cupped out in your own room, like the coward you intended to be. 
It was one thing to fantasise about Alastor naked, but it was a completely different thing to now face the possibility that maybe he would like to see you naked, too. 
Three knocks were heard from your door out of nowhere before Alastor slammed the door open and stepped in with a silver tray full of food in his band. You let out a small yelp before climbing further up into the bed to get away from the other sinner, who waltzed into your room as if he owned the place.
"My dear, what are you doing in bed at this hour? Don't you know that you've missed breakfast?" Alastor's voice was laced with a hint of amusement as if he found your predicament delightful. He walked over to the little table and armchair you had in front of the unused fireplace on the opposite wall to the bed and sat down the tray on the table before conjuring a matching armchair out of thin air. He sat down as if nothing was out of the ordinary and leaned his cane against the armrest as soft jazz music began playing.
As you sat on your bed, feeling increasingly uncomfortable in your underdressed state, you watched in disbelief as Alastor, seemingly unperturbed by your unease, crossed his legs and settled into your room. His casual demeanour, coupled with his humming along to the music, only served to deepen your sense of bewilderment, and you were sure that you were hallucinating. 
You must have eaten something terrible yesterday, and maybe everything you thought happened last night and now was all in your head. 
"Are you going to eat or not? Your food is getting cold, my dear." 
The look Alastor gave you from the corner of his eye told you that it was in your best interest to sit in the armchair in front of him and eat. 
You slowly left the safety of your bed and walked over to Alastor. However, the steps you took on the way were tiny, considering that your dressing gown ended in the middle of your thighs, and you didn't want to flash him accidentally. Not caring about the look you got from Alastor, you shuffled your feet across the room and sat down in the armchair, struggling as you continued to keep your legs as close together as possible. 
With shaking hands, you took the small coffee cup and were about to put it to your lips for a sip when Alastor spoke up again:
"Aren't you forgetting something, my dear?" 
The look he was giving you made shivers travel up and down your spine. Shivers dipped in fear with a hint of excitement. He had never looked at you so intensely before. 
"Thank you for bringing me breakfast," you whispered hoarsely. 
"Good girl." You almost choked on your coffee, "And you're welcome." 
You had a tough time looking into his eyes after that comment as your cheeks grew warmer and warmer. 
Without warning, Alastor began to talk about everything that needed to be done that day. Apparently, Niffty had found a cockroach infestation in the basement, and Charlie had decided they would use chemicals instead of Niffty's needle, which she liked stabbing them with. 
Alastor kept talking on and on about work and the hotel as you ate. On the outside, you kept calm as you finished the last of your breakfast, but on the inside, you wondered if he would mention what had happened yesterday. Had it even happened? 
Maybe it hadn't, and your obsessive crush had finally broken you. 
"Ah, I see that you have finished your breakfast! Well, I best be on my way!" With a snap of his finger, Alastor made the breakfast tray disappear into a red cloud. He did, however, leave the extra chair he had conjured up. 
"Could you be a doll and tell Vaggie that I'll need the documents later today and that she can leave them in the bar? I need to head out today, and I don't think I'll be back until this evening," said Alastor as he stood up, brushing invisible dust off his impeccable suit. 
"Uhm, sure. I'll do that. Just close the door when you leave, please," you answered as you looked as Alastor made way for the hallway door. He waved absentmindedly over his shoulder in affirmation of your request.
A small part of you were disappointed that this little breakfast meeting had turned out the way it had, no matter how confounding it had been. If only you could have gotten a hint from Alastor about what he was thinking and why he frankly was there.  
Maybe he had just brought you breakfast from the goodness of his heart? Or he had just missed your company that morning since you usually only got to talk uninterrupted in the morning.
You turned around to walk to the bathroom as he left your room. Letting your shoulder slump in disappointment, you wondered what you would do that day. You remembered that Charlie had mentioned that it would be nice if the hotel's garden were more well-kept but that she couldn't hire a gardener just yet. 
That could be the thing you did today. Find some gardening tools and surprise Charlie by pulling out all the weeds in the flowerbeds. 
Oh, what a joy, you thought sarcastically as you started to open the bathroom door. However, it slammed close hard in front of you as a hand shot forward and a hard chest pressed into your back. 
All around you began shadows to dance as if they were made of mist, and the air got charged with a static you were all too familiar with. The shivers came back, but your whole body shivered this time as his other hand gripped your hip, pressing you closer to him, but the only thing you could focus on was his breath fanning over your ear as he whispered:
"I will be back at eleven tonight, and when I get back, I will find you in your bed, naked, waiting on me. You are not allowed to touch yourself, and don't try to defy me, my dear, for I will know if you do." 
In a heartbeat, Alastor was gone, and your body instantly felt colder. Shaking all over, your knees finally gave away under you, and you collapsed in front of your bathroom door. 
Behind you, the radio began to play softly—the same music Alastor had played during breakfast. Looking at the blasted thing, you could see that the radio wasn't plugged in.
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The clock was about to strike a quarter to eleven, and you had been a nervous wreck for the past three hours. Time couldn't have gone by slower as you constantly turned to look at the clock hands to see how far they had moved. 
You had tried to distract yourself during the day with the gardening, but you constantly got distracted by all the fantasies you had of what Alastor would do to you. Turned out that it was really hard to work when horny. 
As you looked at the clock again, you re-adjusted in your bed for what felt like the thousandth time. 22:47. 
Ugh, this is taking forever! 
Laying down again, you looked over at the radio on your nightstand. It had been quiet since the morning, but you still waited to hear the tiniest sound from it that would indicate that Alastor was with you. But nothing came. 
You turned on your side to continue staring at the radio as you took one of your pillows and pressed it against you. The air in your room was cold against your skin, yet you ignored your chilled skin, for the mere thought of what would happen tonight warmed you from the inside out. 
The benefit of laying on your side was that you now could feel the slickness between your legs, coating almost all of the insides of your thighs. You knew that Alastor had said that you were not allowed to touch yourself, but he had never specified in what way you could not touch yourself, and if you didn't get some of your release soon, you felt like you would spontaneously ignite.   
Slowly, you started to press your legs together as you rubbed them against each other. Sweet pressure was building up the pleasure within you as you pressed your face into the pillow. Harder and harder, you tried to push your legs together, increasing the pleasure you had longed for all of them. 
Close, you were so close, and the excitement of defying Alastor just heightened the experience. 
You only needed one more push until you would fall over the edge into sweet release, but it never came as something grabbed onto your ankles and roughly pulled your legs apart. 
"I must say, I am really disappointed in you, my dear." 
From the shadows stepped Alastor out and looked down at you from the end of the bed, but what scared you the most was that he was not smiling. 
Looking down at you from heavily hooded eyes, Alastor dragged your body further down the bed, keeping your legs spread out with the help of his shadow tentacles. 
"I'm so sorry! I didn't mean it," you pleaded, hoping he would show you mercy, but from the looks of it, you would not be shown any. 
"Don't lie to me. You know very well what you did." With a snap of his finger, the armchair Alastor had conjured earlier that day dragged across the floor and stopped behind him. He sat down and made himself comfortable, looking over at you as he had a full view of between your legs.
"Now, darling, since you didn't listen to me, there will be consequences," said Alastor, crossing his legs and leaning his head in his hand lazily. You pressed up on your elbows to look over at him, and while his body language did not look interested, his eyes were sharp, focusing on your wetness that glistened in the light from the chandelier.
"One, you are not allowed to touch me." 
"What?!" you cried, the fear that you had ruined your only chance with Alastor burning within you like a forest fire. 
"Silence." You instantly shut your mouth as static filled the air and prickled your skin. Alastor's antlers had grown in size. He sighed and continued when he was sure that you would not say one more word.
"As I was saying, you are not allowed to touch me, but I can touch you however I want. If you wish me to stop, you will simply say television. Understod?" 
"Yes."
"Yes, and?" 
"Yes, sir?" You weren't sure what Alastor wanted to hear, but from the smirk that started growing on his lisp, you were sure that you had said the right thing. 
"What a good little doe you are, my dear." Whilst you were sure that was said condescendingly, you could not help the pride that grew in you that he thought you were good for him. A small yelp was pulled from your lips as you felt Alastors tentacles start to massage their way up your legs.
"You seemed to like my voice so much, my dear, that I thought you must love it if I command you as well. Isn't that what you want? For me to tell you exactly what to do to you and how to do it? Wouldn't you like to put on a show for me, darling?" 
Your brain was short-circuiting as you could not get a single word out. The only thing you could do was nod enthusiastically as Alastor's shadow tentacles gently began to play with your lips between your legs without touching your clit.
"Lovely." said Alastor, now giving you his trademark smile, "Why don't you show me how you touched yourself yesterday? I could hear those delicious sounds you made, my dear, and I want to hear them live."
And so, with shaking hands, you began massaging and caressing your body, making sure that you touched every part of your body that made you sing in pleasure. You wanted to put on a show, but you were so eager, so impatient as you played with your body that you could not bear the thought of prolonging this torture. 
You needed to be touched, and you needed it now. 
Dipping your hand between your legs, you could feel Alastors tentacles pull away from your genitals but keep a firm grip on your thighs. The first time you touched your clit was electric, as you made sure to look Alastor deep in the eyes when you did it. A soft moan from you filled the air.
Rolling the tip of your finger lazily against your clit you looked on with great satisfaction as Alastors eyes dropped from your down to your finger between your legs.
"Drag your fingers between your lips, darling, but before you do, circle your opening. Slowly without pushing in," commanded Alastor, and if you weren't delusional, you thought you heard the desperation in his voice, but his face gave nothing away. He readjusted in the chair by uncrossing his legs, giving you a full view of his hard cock in his pants. 
Never had you been filled with the need to fall on your knees and suck someone's cuck as if it was what you were created to do as you did now. You licked your lips and whined loudly as you circled the opening to your vagina with your finger, wishing it was Alastors finger or tongue that did it instead.
After circling for some time, you pulled your finger through your lips up to your clit and began touching your clit again. This time, with additional wetness, you let all the sounds you wished to make leave your mouth as you quickened the speed of your finger. 
"That's it, darling, you are doing so well." Whispered Alastor as he leaned forward in his chair, "When you feel like you're about to cum, remove your finger immediately."
The demand almost made you want to cry, but from the look Alastor was giving you, you did not want to challenge him. Savouring the feeling of your fingers a few seconds more before you removed your fingers from your clit that begged your release. The orgasm that had been at the tip of your fingers slowly fizzled out as you started to calm down. 
You looked at Alastor, who had moved from his chair to sit on the bed by your feet, waiting for his following instructions. 
"What a treasure you are, darling. So willing, so needy."
Alastor lifted his hand and, with the back of his fingers, caressed the inside of your thigh. The touch was so charged that it felt like you could cum from that mere touch alone. As your leg twitched from his touch, Alastor's tentacle tightened around your leg, pulling you closer to him. Your breath got stuck in your throat as you watched Alastor climb onto the bed, sitting on his knees between your legs.
"How long have you dreamt of this? How long have you been mine without me knowing it?" The look in Alastor's eyes grew increasingly intense as he leaned over you, looking down at you with an almost mad look in his red eyes. Out of nowhere, Alastor pushed two fingers inside of you and curled them, making your hips lift from the bed involuntarily at the pleasure. 
"How long, my dear? Answer me," he growled as his antlers grew. You could barely breathe as he continued to curl his finger repeatedly inside you, hitting the spot that made your toes curl. 
"Since... since I first met you!" you cried as your breathing quickened. Above you, Alastor chuckled darkly as he put his free hand on your left thigh. 
"So long. We have much time to catch up to, don't we, dear?" 
You could barely comprehend a single word that left his sinful mouth as you neared the orgasm you desperately wanted. And had you not made the mistake you would have made, you would have cum on Alastors finger. 
In your lustful haze, you placed your hand on Alastors arm, holding your thigh. Instantly, Alastor recoiled from you, and the second orgasms you had almost tipped over were ripped from you. 
"What did I say about not touching me?" 
Two new tentacles came out of nowhere and wrapped around your arms, pulling them above your head. 
As you begged and pleaded for forgiveness, the weight of your desperation was palpable. You implored Alastor not to leave you like this with every fibre of your being. The thought of losing him now was unbearable, and you knew that if he did leave, it would be the end of you.
Your legs shook from the strain of being in the same position for so long. Tears prickled at the corners of your eyes, threatening to spill over at any moment. You were overwhelmed with emotion, your heart aching with the fear and uncertainty of what would happen next. The tension in the air was unmistakable, and you held your breath, waiting for Alastor's response.
But he only looked at you from under heavy lids. Slowly, he lifted his hand that had fingered you and licked the wetness that was still on it. 
"If you think I would leave you now, my dear, you are indeed mistaken. You are mine now, and I will do with you as I please." Grabbing both of your legs under your knees, Alastor pulled you towards him before bending you backwards so your toes almost touched the bed beside your hands. He stared deep into your eyes as he put his tongue against you and licked you from your vaginas opening up to your clit. The sound you made had been ungodly and would have been a miracle if no one else in the hotel had heard you. 
Alastor quickly started to suck and lick your clit as your legs began to shake. You could feel the sinner's claws dug into your flesh as he grew increasingly frantic in his administration, acting almost like someone who had just been presented with a glass of water after 12 days in the desert. 
Pressure built up within you for the third time, this time stronger and more intense than the previous ones. Closer and closer, he took you to the edge you wished to fall from. 
Shaking, twisting, and pulling against your restraint, you let Alastors name fall from your lips loudly as you looked at him, giving you pleasure. Blood was dripping down from your thighs where his claws had dug into your skin, but it didn't matter. All that mattered was the sweet release that you begging for. 
"Close, Alastor, I'm so close," the words tumbled out of you in a whisper as you looked on as the man licked your clit with the tip of his tongue. The only thing Alastor did was briefly look up at you as he continued to give you pleasure. 
Closer, closer, and then you fell. 
The orgasm ripped through your body like a tidal wave, making your thighs tremble uncontrollably. Your toes curled almost painfully as you threw your head back in ecstasy.
You had no idea when Alastor had put your legs back down, but suddenly, when you came to it, he was sitting by your head, gently brushing your hair from your sweaty forehead. 
"What a good little doe you were for me, my love." 
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Thank you for reading my little story! I hope you like it!
Taglist: @mossingvines @kitty-kei @chibistar45
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