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things people do after having a nightmare that isn’t crying
struggle to catch their breath
grab onto whatever’s close enough to ground themselves in reality
become nauseous / vomit
shake uncontrollably
sweat buckets
get a headache
things people do to combat having nightmares if they occur commonly
sleep near other people so they can hear the idle sounds of them completing tasks
move to a different sleeping spot than where they had the nightmare
leave tvs / radios / phones on with noise
just not sleep (if you want to go the insomnia route)
sleep during the day in bright rooms
things people with insomnia do
first, obviously, their ability to remember things and their coordination will go out the window
its likely they’ll become irritable or overly emotional
their body will start to ache, shake, and weaken
hallucinate if it’s been long enough
it becomes incredibly easy for them to get sick (and they probably will)
add your own in reblogs/comments!
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Can you please share some words to use instead of "Look", I really struggle with that, it's always "She looked at him in shock" or "He looked at her with a smile". I know there's "Gazed" and "Glanced" but I wanted some advice to use "Look" less
Words To Use Instead of "Look"
Words Closest in Meaning (w diff connotations!):
stare
eye
study
behold
glimpse
peek
glance
notice
observe
inspect
regarding
view
review
look-see
get an eyeful
peer
give the eye
eyeball
size up
size up
check out
examine
contemplate
scan
recognize
sweep
once-over
judge
watch
glare
consider
spot
scrunitize
gaze
gander
ogle
yawp
Other (more fancy) words:
glimmer
sntach
zero in
take stock of
poke into
mope
glaze
grope
rummage
frisk
probe
rivet
distinguish
witness
explore
gloat
scowl
have a gander
comb
detect
surveillance
squint
keeping watch
rubberneck
pout
bore
slant
ignore
audit
pipe
search
note
speculation
simper
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oopsie! You got a bit too manic about a creative project too close to bedtime and now your brain is too awake to sleep. One million dead 10 morbillion injured
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when in fics they say two characters gave each other a look this is always what i envision in my head
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this reply kills me 😭
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“how did you get into writing” girl nobody gets into writing. writing shows up one day at your door and gets into you
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I’ve seen your kiss scene and fight scene vocab posts and was wondering if you could do one about some things characters may do when they are nervous, or there is awkward tension — not necessarily romantic but just awkward.
Nervous Tension Vocab
Physical Reactions
have sweat beading/breaking out on one's forehead
have one's heart in one's mouth (or throat)
have one's heart pounding (or pulse racing)
butterflies in one's stomach
hand feeling clammy
knees bouncing
pacing back and forth
tearing up due to embarassment (wanting to cry)
Shift their weight from one foot to the other
Sway slightly where they are standing
Fidget with their hair, clothes, nails, or something they’re holding
Glance around the room or refuse to make eye contact with someone
Chew on their lips or nails
Hum quietly to themself
Tap their fingers on their arm, the wall, or a table
Wrap their arms around themself
Cross their arms or legs while seated
Pick at their lips or cover their mouth
Rub their own neck or shoulder
Sigh often
Sit with their knees up near their chest, or lay in the fetal position
Look stiff and uncomfortable
Check over their shoulder often, or glance around the room
Cough or clear their throat often
A pounding heartbeat, or the feeling that their heartbeat is in their head
Accelerated or heavy breathing
A tingling sensation in their fingers, hands, or legs
A rush of energy (which would suddenly leave them afterward, making them even more tired than usual)
Dizziness
Tightened muscles
Descriptors
fumbled
blushed
winced
fidgeted
cringed
stuttered
giggled
afluttered
agitated
robotic
hesitant
bothered
distracted
edgy
clumsily
awkwardly
distractedly
flustered
frantically
frayed
hypertense
nervy
jittery
jumpy
intimidated
paranoid
perturbed
rattled
queasiness
restive
restless
skittery
shudder
skittish
strung up
tenterhooks
tight
stressy
uneasy
unquiet
twitchy
unsettled
uptight
unrelaxed
Idioms
be at your wit's ends
be bricking it
be ill at ease
be on pins and needles
be under the gun
get in a sweat
have all the cares of the world on your shoulders
have kittens
like a cat on a hot tin roof
sweat bullets
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WIP Questionnaire ±2
I was tagged by @rjcopeseethemald! I haven't done one of these in a while and really enjoyed the questions here, so I decided I'd give it a go for my wip: Wings of Faith!
Original from @illarian-rambling.
If you want to know more about Wings of Faith, check out my post here!
RULES: 1. Answer as few or as many of the following questions as you’d like! 2. In passing the tag along to others, you can add one question of your own, or replace an existing question.
This art is a bit old but it's the last time I've drawn everyone all together haha
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1. What was the first part of your wip that you created?
Surprisingly enough, Emmie (a main character, but not the protagonist) is the first part of my wip that I created (See the red girl on the top left). She was the protagonist of the very first book I wrote in fifth grade, and I wanted to pay homage to that work by including her. However, she's changed a LOT since then (even her name!), and the only remaining carry-over is the red streak in her hair.
2. If your story was a TV show, what would the theme song/intro be?
Intro song: "Run to the Devil" by Dragonwyck or "(Don't Fear) The Reaper" by Blue Oyster Cult. Outro song: "It Will Come Back" or "Francesca" by Hozier Instrumental: "Dragonlord Placidusax" from the Elden Ring Soundtrack or "Danse Macabre" by The Oh Hellos
3. Who are your favorite characters you’ve made? Why?
Andrew, my protagonist, is by far my favorite character. Writing from the POV of an incredibly sensitive, incredibly traumatized person (who feels things very deeply), while outwardly projecting a cruel and defensive facade is... *chef's kiss* Otherwise, I'd have to say Emmie. She is a very layered and multifaceted character with an incredibly important role to play in the story, and her kindness is refreshing amid a mostly hardened cast of characters.
4. What other pieces of media do you think would share a fan base for your story?
Six of Crows fans
Dante's Inferno fans who don't mind me bending the lore a bit
Fellow ex-Catholics
Fans of Hozier's "Unreal Unearth" album
Supernatural fans into the "corrupted angel x man struggling for redemption" dynamic
5. What has been your biggest struggle with your wip?
Keeping the facts straight. This has been a 10+ year project and sometimes I forget the revisions I've made, and accidentally cut out important details...
6. Are there any animals in your story? Talk about them!
Yes! Rimfaxe is a wraith, aka a shapeshifting shadow monster that takes the form of the things he's killed and eaten. (See the top left of the art above!) Emmie stole him from the government and now he's basically her kid.
7. How do your characters get around? (ex: trains, horses, cars, dragons, etc.)
They mostly walk (or fly on Rimfaxe)! Because Hell has a ceiling, the authorities restrict car transport to government officials ONLY to keep down emissions.
8. What part of your wip are you working on rn?
A giant, chapter-long fight scene that I've been working on for a literal year. It's TORTURE. Can't explain much else because of spoilers haha.
9. What aspects (tropes, maybe?) of your wip do you think will draw people in?
The main romance is an mlm enemies-to-friends-to-lovers angel x demon pairing! (Angel x demon pairings where they're both assholes>>>>>) Also I feel like there's been a void in lore-focused media dealing with angels and demons, and I'm hoping Wings of Faith will fill that void!
10. What are your hopes for your wip?
That I get it done after 10+ years... and that people will like it :')
11. (Added by rjcopeseethemald) What pieces of media have been the most inspiring to you for this wip?
Six of Crows by Leigh Bardugo
The Inferno by Dante Alighieri
Hozier's "Unreal Unearth" album
Adding a Question 12: Is there a part of your wip you wish that you could change, but it's too late to go back now?
I don't want to bother anyone by tagging them directly, so I tag anyone who sees this post and wants to do it! Blanks below.
What was the first part of your wip that you created?
If your story was a TV show, what would the theme song/intro be?
Who are your favourite characters you’ve made? Why?
What other pieces of media do you think would share a fan base for your story?
What has been your biggest struggle with your wip?
Are there any animals in your story? Talk about them!
How do your characters get around? (ex: trains, horses, cars, dragons, etc.)
What part of your wip are you working on rn?
What aspects (tropes, maybe?) of your wip do you think will draw people in?
What are your hopes for your wip?
What pieces of media have been the most inspiring to you for this WIP?
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Okay, so, looks like Google Docs might actually start implementing their rule about not sharing explicit content. (This includes writing.) How in the ever loving fuck am I supposed to back up 1,000+ stories that equate to 3 million+ words into fucking Microsoft Word????? And efficiently, for that matter?! HELP.
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Words to Use Instead Of...
Beautiful
stunning
gorgeous
breath-taking
lovely
jaw-dropping
pretty
glowing
dazzling
exquisite
angelic
radiant
ravishing
excellent
ideal
slightly
wonderful
elegant
bewitching
captivating
mesmerizing
enthralling
magnetic
impressive
tasteful
charming
desirable
enchanting
Interesting
stricking
unusual
appealing
absorbing
srresting
gripping
riveting
alluring
amusing
exceptional
fascinating
impressive
provocative
prepossessing
exotic
readable
refreshing
entrancing
exceptional
Good
honest
upright
dutiful
enthical
pure
guiltless
lily-white
reputable
righteous
tractable
obedient
incorrupt
respectable
honorable
inculpable
irreprehensible
praiseworthy
well-behaved
uncorrupted
irreproachable
Awesome
wondrous
amazing
out-of-this-world
phenomenal
remarkable
stunning
fascinating
astounding
awe-inspiring
extraordinary
impressive
incredible
mind-blowing
mind-boggling
miraculous
stupendous
Cute
endeaing
adorable
lovable
sweet
lovely
appealing
engaging
delightful
darling charming
enchanting
attractive
bonny
cutesy
adorbs
dear
twee
Shy
modest
sel-effacing
sheepish
timid
way
reserved
unassured
skittish
chary
coy
hesitant
humble
introverted
unsocial
bashful
awkward
apprehensive
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It’s hard to call it an “apocalypse”, exactly. No-one died and nothing was destroyed. But everyone talks like an NPC now. Their eyes are empty. They walk in silence, never so much as stepping differently. There are still billions of humans, but you’re worried that you’re the last person left.
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no writing workshop can help you improve your writing as much as this screenshot can
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love how the moment ao3 goes down we all start acting like housewives waiting for their husbands to come back from war
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Let's talk about misdirection.
Misdirection in storytelling, through foreshadowing and other techniques, is a powerful tool that can enhance suspense, surprise, and engagement in your narrative and make plot twists more unexpected.
Remember to maintain coherence and avoid contrivances that may undermine the integrity of your storytelling.
Here are some techniques you can use to effectively misdirect readers:
Red Herrings: Introduce elements or clues that suggest a certain outcome or plot direction, only to later reveal that they were misleading. These false leads can divert readers' attention away from the true resolution.
Selective Detailing: Highlight certain details or events in a way that implies their significance, while downplaying or omitting others that might be more relevant to the actual outcome. By controlling what information readers focus on, you can steer their expectations.
Character Misdirection: Use characterisation to mislead readers about characters' true intentions, motivations, or identities. Create multi-dimensional characters who may behave ambiguously or inconsistently, leaving readers unsure of their true allegiances, motivations, or goals.
Foreshadowing: Employ foreshadowing to hint at future events or outcomes, but do so in a way that misleads interpretation. Provide clues that could be interpreted in multiple ways or that lead readers to expect one outcome while delivering another. (See my previous post about foreshadowing for more!)
Misleading Narration: Utilise an unreliable narrator or perspective to present events in a biased or distorted manner. Readers may trust the narrator's account implicitly, only to discover later that their perceptions were flawed or intentionally deceptive.
Subverting Tropes: Set up situations or scenarios that seem to follow familiar narrative tropes or conventions, only to subvert them in unexpected ways. This can keep readers guessing and prevent them from accurately predicting the story's trajectory.
Parallel Storylines: Introduce secondary storylines or subplots that appear unrelated to the main narrative but eventually intersect or influence the primary plot in unexpected ways. This can distract readers from anticipating the main storyline's developments.
Setting: Manipulate the setting or environment to create false impressions about the direction of the plot. For example, presenting a seemingly idyllic setting that harbors dark secrets or dangers.
Timing and Pacing: Control the pacing of your story to strategically reveal information or developments at opportune moments, leading readers to draw premature conclusions or overlook important details. (See my post on pacing for more tips!)
Twists and Reversals: Incorporate sudden plot twists or reversals that upend readers' expectations and challenge their assumptions about the story's direction. Ensure that these twists are logically consistent but sufficiently surprising to catch readers off guard.
Happy writing!
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Some tips for using a few words to describe voices:
1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.
2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.
3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."
4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."
5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.
6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."
7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.
8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."
9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."
10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."
11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."
12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."
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reading an ao3 description and continuing to scroll as if you didn’t just suffer intense psychological damage 
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