Understanding Correlation Coefficient: A Tool for My Browser App Store Users

Learn what correlation coefficient is and how it can help you make informed decisions in My Browser App Store. Read on for a comprehensive guide.

Understanding Correlation Coefficient: A Tool for My Browser App Store Users

What is Correlation Coefficient?

Correlation coefficient is a statistical measure that measures the relationship between two variables. In simpler terms, it tells you how closely two variables are related. Correlation coefficient ranges from -1 to 1. If the correlation coefficient is 1, it means that the two variables are perfectly positively correlated. If the correlation coefficient is -1, it means that the two variables are perfectly negatively correlated. A correlation coefficient of 0 indicates that there is no correlation between the two variables.

How Does Correlation Coefficient Help in My Browser App Store?

In My Browser App Store, correlation coefficient can help you make informed decisions about which apps to download. For example, let's say you're looking for a new productivity app. You can use correlation coefficient to see which apps are most closely related to productivity. You can also use correlation coefficient to see which apps have a positive or negative impact on your device's performance. By using correlation coefficient, you can make more informed decisions about which apps to download and which to avoid.

How to Calculate Correlation Coefficient?

Calculating correlation coefficient can be a bit complicated, but it's not impossible. There are several methods you can use to calculate correlation coefficient, including the Pearson correlation coefficient and the Spearman correlation coefficient. The Pearson correlation coefficient is used to measure the strength of a linear relationship between two variables, while the Spearman correlation coefficient is used to measure the strength of a non-linear relationship between two variables.

Conclusion

Correlation coefficient is an important statistical measure that can help you make informed decisions in My Browser App Store. By understanding what correlation coefficient is and how it works, you can use it to your advantage when choosing which apps to download. Whether you're looking for a productivity app or trying to improve your device's performance, correlation coefficient can be a useful tool in your decision-making proc.

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I cannot perceive sokka as being cis after I read one of your posts abt him being dykey and playing gender chess?? It just makes so much sense in my head, for me sokka sees being a man as a duty of sorts because he wants to protect others

right like sokka internalizes patriarchal logic but is also able to detach bioessentialism from that logic no problem the second he puts on the kyoshi warrior outfit and realizes how good it feels…. like his relationship to gender is actually so difficult to define because on one hand he views men and women as ontologically equal very early on into the show, but on the other hand he still believes that it is his duty to perform a certain role, and he doesn’t really understand how that role is harmful or incorrect because he stakes it so entirely to his identity and, indeed, his raison d’être.

so sokka performs Manhood insofar as he associates it with being a protector and a provider, but that’s also kind of complicated by the knowledge that his idealized identity is also so closely staked to his desire to martyr himself like kya did. or like yue did. he wants to a protector and provider and warrior but that model is largely founded (concretely at least, not just within his imagination) on examples of the women and girls in his life. whereas he desperately attempts to live up to this vision hakoda provides him of manhood (“knowing where you’re needed the most”) but the irony there of course is that hakoda is gone. sokka is attempting to fill an absence but is also actively modeling his ideal embodiment off of the legacies of women.

so on hand he’s enmeshed in these patriarchal ideals of what it means to navigate a war, but he is also actively learning from women how to fight and die for your people. and one of the first things we see sokka actively realize is that women can embody that same role he has idealized his entire life, and he can embody “womanhood” and take pride and personal satisfaction in that (even if others don’t fully understand it). but that also isn’t to say that i think sokka is just straight up transfem (although im not against that reading either), but rather that his relationship to gender would be something he approaches pragmatically and conditionally because he sees it as a tool rather than a key piece of his identity.

the fact that he was “born a boy” and had to be “the last man” of his village and take on those specific roles all by himself is such a deep injustice (even if, as katara somewhat rightfully points out, it also afforded him a certain privilege) and even though he quickly understands those designations are arbitrary, he can’t just let go of how that role shapes his identity either, especially because he is actually needed to provide for and protect and fight, and he can’t just dismiss those roles as being purely trivial and constructed either. there is a need for people who can do those things, which is why the roles exist in the first place, and why they’re so valorized (especially during wartime).

but if he ever actually bothers to look inward (lol, as if) for even a single second, he’d probably realize that even if he takes pride in inhabiting those roles, he no longer feels as if it is something that is directly staked to his “manhood.” because he knows from people like suki that there isn’t a logical correlation. and so his gender is something he feels no personal attachment towards, but is rather externally constructed, a matter of social perception. and perhaps someone who is less resistant to exploring their own internal world would also come to realize that their gender nonconformity constitutes an “identity” in its own right, but i don’t think sokka is that thoughtful when it comes to who he is or how he identifies.

if anything suki is the one who bestows him dykehood and dictates the terms of his gender, and he’s just like “yeah that sounds right i guess.” because like, he’s definitely not cis. but does he know that?? unclear.

not sure how to phrase this but something i have been ruminating on recently is that xue yang is strangely fragile. obviously he is also incredibly resilient. he survived, and continues to survive, impossible things. he has a million barriers between himself and the world, but none of this actually matters when it comes to what he feels. everything is personal to him. everything pierces straight through all that armor and goes right to his battered heart, the heart that no one else believes he has. that even he is not fully cognizant of. the world strikes and strikes and strikes and so he strikes and strikes and strikes back, even (especially) when the wound is something other people would not think worthy of retribution.

xue yang would never realize this- would be outraged at the concept of it- but the way everything, everything is something to rally a defense against is in itself a form of fragility. he does not know how to let go of things, or let them pass him by. passivity is death. so he is ruthlessly cruel and violent. he projects himself as a lunatic untouchable by anything you might possibly do to him, and on some level he even believes this. but in actuality he is one raw emotional wound. he never learned to separate himself from his emotions, much less process them. the volatility is not so much insanity as it is the constant lashing out of an animal in a trap, and the trap is the world, and the trap is himself, and he is never going to get out. and like so much else, this pain is just part of the background radiation of his life. it hardly registers. to be able to register the hurt, you would have to be able to register a time in which you were not hurt.

i feel like it is a fragility that could blossom into such tenderness, given exactly the right set of circumstances. how at the very first touch of softness in his life he fell into a domesticity from which he never recovered. how much was there, still, to be salvaged from the cruelty. on some level i am always thinking about the little apple bunnies. about the meal for daozhang and the straw in a-qing's bed.

it was too little, too late. it shattered like glass when the world intruded back in. but the tenderness was there. no one, least of all xue yang, knows what might have happened had it been unearthed in him any sooner.

You ever think about how, like,

themes of abandonment and found family and breaking cycles and loss and grief and realizing that having emotions is okay and that bettering yourself as a person upon realizing than you're more than your generational trauma and just overall that learning and growing from past mistakes is normal just...

Run rampant, in Ninjago?

Cuz like,

I sure fucking do-

Like-

Lloyd is the obvious example, right? He tried to continue Garmadon's legacy as an evil and deeply feared dark prince of pure evil and it just didn't work out. Instead, he broke that cycle. He created a place for himself in a dysfunctional family of other runaways and orphans and ambitious children who set out to be more than they were told they could be, found a strange team of people who all cared in their own unique ways, and ended up being exactly the opposite of everything he thought he was destined to be

Which comes with it's own problems. Cut to later, closer to the end of the series, and by then you've gotten to a point where most, if not all of Lloyd's traumas are from misdirected anger and violence, actions based in blind rage and seeking vengeance as closure. Lloyd's worst fear is being just like his dad, but... that's not quite it, is it? He's afraid of anger and how it consumes people, afraid of how easily it blinds others. He's afraid of allowing himself to feel anger because he doesn't want to be like everyone he's ever been forced to deal with on that level, and it ties into how seasons 9 and 16 both resolved.

But that.

That's just Lloyd briefly summarized.

It continues.

Zane is another good example. He had no idea who he was for a good long time, and yet he too found a new home for himself among others who seemed just as aimless, had Wu not come along and offered them his training. Even when he did find out, the others just suddenly had a lot of context to the weird things he would do and moved the fuck on, like, that fast. So fucking fast. It wasn't an issue.

But let me stop you right there.

It was usually used in gags, but it's emphasis repeatedly that Zane's primary objective is and always has been to protect others.

Translation: He was built and programmed to have a savoir complex UNRIVALED, and that makes itself PRETTY DAMN APPARENT, PRETTY DAMN FAST. Like, do I even need to give you examples? Zane actively puts himself in harms way SO OFTEN that he literally, no shit, HAS A REOCCURRING THEME THAT SIGNALS GREAT HARM HAS BEFALLEN HIM.

It's never said directly, but Zane puts himself into a lot of dangerous situations under the logic that it's better him than anyone else, his skin is made of metal and thus he's harmed the least. Which is. So bad. Like, I really hope I don't have to explain how bad that is, because wow.

This never really goes away, but he does get a lot better at thinking about the risk certain actions pose to himself. Just based on his actions during early crystallized, he now prioritizes the well being of his family above all else- even with his emotions turned so low that he's effectively only capable of taking the most logical of approaches. Breaking into the high security cell to release one of the highest priority villains of the city? That has no rhyme or reason, nor does it ensure the safety of the city- it actively endangers it.

And yet.

He does it anyway. Because of Nya.

Zane is fucking built different bro. Literally.

Oh, I'm sorry, did you think I was done?

Idiot.

...I mean, I am done, I'm tired and it's late and I have shit to do in the morning, but I could go on. I could. Cole and Harumi and Kai and pretty much everyone are sweating in their fucking boots right now.

I probably will.

...Later, when I have more time.

TL;DR:

Basically, Ninjago is a fucking masterpiece and should really sacrifice their PG rating to explore some of these topics a touch better because DAMN THERE'S POTENTIAL HERE

hi! im a nerd! i would like to do data science! however, it is exceedingly hard to acquire data. so, i ask for just a bit of your time to fill out this survey about characters inspired by those chart templates with silly axes. if i get enough data, I'll make some very nice looking graphs!!

canon characters and original characters are welcome and you can submit multiple per person!

"my interpretation is more meaningful than yours" this "___ piece of media is objectively bad" that. yeah, well have you considered I'm having fun? 🤨 have you considered that I strive to be joyful rather than striving to prove the worth of my opinions? 🙄

Seee if nobody else got me I know @zeravmeta got me. Please please pleaseee….I…insane clown p-ussy...

I think in his interactions w Anyone really. he needs to be read as pretentiously playing the “devil you know.” Like, as you mentioned here for Jeanne this takes the form of like, an unhinged desperate man turning to her for forgiveness. But he changes his personality up a bit w everyone he talks to in a way that mirrors their perceived insecurities. All of its genuinely Him because he has a strong personality, but he also has very strong paralels to every character I can think about him having any sustained interaction w. I can’t even really get into all of them cuz I’d be here forever but I’ll rant a bit about some scenes he has w Jeanne, mash, the one valentines scene w Kama, his general shtick w nursery rhyme. And how murder at the kogetsukan is actually imo important to understanding who he is at heart.

The thing is in each case I can think of where he does this, the reality is he’s more similar to the person he’s trying to disturb than the person whose evil behavior he’s imitating. Or is equally similar to both and kind of bridges the theological gap between them a bit maybe. Like, w jeanne, it’s not just that he’s behaving like Gilles, he is also situationally a lot like Jalter, he himself is some weird horny old man’s botched lab experiment out to avenge himself and others like him, but also, his approach to this feels more abstract and inhuman than Jalter , more adjascent to jeanne herself, and I think that’s meaningful bc she sort of theologically distances herself from Jalter but here is a guy who is batshit in both ways. He enacts good will through force of evil deeds which distance him from being able to hold normal relationships, the type of morality I don’t think Jeanne who holds tight to goodness for goodness sake, or even most normal people, can really begin to comprehend, but it’s also, the same way others can’t comprehend her insistence that she’d hold tight to goodness no matter what is done to her. Both are simultaneously, totally reasonable for latching onto the abstract concepts of good and evil within their own perspective. But totally incomprehensible to anyone who isn’t also. like that. Sure Mephy may have the “selfish” Jalter adjacent motives of a victim lashing out to avenge himself in an undignified attempt to gain dignity. But also, like, fatalistic understanding of the will of god as something he serves at his own expense, means he kind of is a saint and martyr in his own weird way. When I say serving the will of god I don’t mean happily so, he even says to guda he wants to help them kill god, bc. Well, he’s the worst Big Daddy upstairs of them all. But he’s still a big daddy who can smite you like an insect, so you have to play by his rules. Mephy wants to make everyone think he’s evil, bc he wants to become a real devil, bc that’s what he thinks he exists to be, what will give him power to avenge himself, and so he’s purposely denigrating himself to an inhuman construct to achieve it, and a portion of the audience apparently buys it, bc just being an arrogant asshole dressed like a creepy clown is enough to rub a lot of people the wrong way. But imo he holds a similar type of arrogance as Jeanne’s in this regard. He’s holding himself to an impossible standard of both good and evil so he kind of had the right to call it out in her even if he’s a hypocrite, which he is in every interaction w everyone. And also, even the parallel to Gilles has multi tiered meaning, since Faust is often portrayed as a child abuser, and so is mephisto in the Goethe play, and he sort of ends said play lamenting his obsession w innocence and purity and inability to ever possess it being his downfall... and like, our Mephy, i would guess, despite the conflicting framing of him, probably doesn’t want to become that, but might sort of think this is his natural disposition or fate, simply bc the things he’s implied about Faust or at least how he perceives him. So only Jeanne can save him from becoming and committing evil like that right? But like. No. She can’t. Bc he’s not her devil. And she shouldn’t even really be held responsible for Gilles, or any other unhinged guy needing her forgiveness. Mephy is pointing out how many people approach her w this whim that she can make them fucking normal if she just hits them hard in the head w a brick. This is normal to her but it’s pitiful it’s normal and she accepts it as such, which he probably wants her to admit, bc his repeated theme across these interactions is that he just wants people to be happy and reject creeps like him, but tells them in the cruelest way possible. which brings me to. Mash!! Bc it paralels his behavior towards her too.

When he first meets Mash in garden of order, he says a bunch of things that are brought back as specific notes of contention within her dynamic w Beryl during the lostbelts (and also Pepe and Kadoc to some degree) He says he’s like her big brother in an attempt to get her guard down, which Fujimaru chips in instead of letting it fly as ironic or cruel like yeah yeah, you’re like her big brother, encouraging him in a positive way bc Fujimaru believes in everyone’s capacity to be equals, flying in the face of mephistos assumptions Fujimaru only likes mash bc her lack of agency and rebelliousness, so they would consequently hate him for being. Not a nice sweet submissive person. This is true of Mash in this point of the story, she has little agency in the earlier chapters, and if you understand his character you understand he actually relates to this and is genuinely horrified on her behalf, but is phrasing it more like it’s in a pitiful inconvenience than w the kindness it actually needs to be said, the same thing kadoc did which is why I point out it’s not just beryl even if it’s mostly beryl.

Bc he also says he watched his roommate repeatedly sever the arms of his family members every night, and due to his conditioning by Faust sacrificing humans (supposedly to aid in his creation) doesn’t know if this is done as an act of abuse or love, specifically adjascent to what beryl does to her and what she asks after. At this point in the story you haven’t met Beryl, but Mash still clearly dislikes this, she becomes visibly uncomfortable and for a short bit after that is slightly hesitant towards mephisto, but she also like, gets over it really quickly after she sees him attack his “bad” selves, stepping in to be like, oh, ok, I see you are trying to become a better person despite having been mislead and used as a proxy for other peoples violence. She Gets it. She’s the first to sort of commit to the repeated theme w Mephy, that everyone he attempts to harass is actually hesitantly accepting and compassionate towards him and willing to relate to him, he’s the one who most struggles to accept this possibility of having normal loved ones who care and understand him and not just bc they are naive and mislead by him. Bc if everyone trusts him not due to naïveté but due to recognition of everything he embodies. He loses power as a (theoretical) devil. He is obviously, regardless of his status as a know it all, mostly just a petulant traumatized child, with no real power over anyone. That’s both the sad and hopeful thing. Power is bad for him, it’s the corrupting force which will help him actualize into a real devil. But conversely he’s the easiest villain to defeat and in some ways purposefully so, because deep in his heart he doesn’t actually want to win. He just wants to be innocent, if someone does not give him any power over them by reacting with violence or hate, he utterly flounders. Devils only exist if you will them too, but nobody here wants the devil, they want Mephy to be whoever Mephy actually is, some sort of, weird pathetic clown guy who is sort of sweet and sort of an asshole? and that’s incredibly agonizing to him bc he doesn’t know who the fuck that is without Faust. He has very little personhood outside of Faust and yet constantly boasts his independence and freedom, for understandable reasons.

Preoccupation with avenging lost innocence is a good segueway to the valentines scene with Kama I think. Also note, I use Kama and Sakura sort of interchangeably here but I recognize they still separate characters. To me this scene reads as the character Kama wanting to offer something nice to the character child Sakura. But I sort of mush them together when discussing them.

IMO if you don’t understand these characters backstories still haunt them, this scene might fly totally past the radar as anything important, because Kama is trying to downplay her engagement in any of these scenes, so it’s played for silly and awkward in context. But that’s just any scene Mephy is in, and you have to look past it for what it really is. Kama is pretending to be a child at the park w her dad, sort of, mimicking maybe one of the last happy memories of childhood Sakura has, and Mephy is clearly here to play the villain, he doesn’t even really have to Try to be sakuras devil bc he’s already at glance an amalgamation of the worst traits of all the family members who hurt her but. Also. He’s a stranger,,, or more so, they sort of imply they concocted this scenario ahead of time and are just really bad actors motivated by the same wants, who are using each other as pawns for each others evil ends (showing the hypocrisy central to their approach).

However. Your feelings of dread are kind of mitigated by the obvious fact no one here wants to play out a depraved or traumatic scenario bc it clearly hits them too close to home. I think the implication given by their backstories is they are waiting to see if you are a creepy or innept dad towards child kama, because Mephy as we know from how he talks about Vicky Frank in London, is basically itching to smash literally every shitty dads shitty face in. but of course guda isn’t a shitty dad, so they’re left w nothing but a really awkward setup they’re trying to play off as meaningless that kinda screams like, this isnt meaningless and petty at all actually, both really wish their fucking parental figures had taken them to oniland instead of committing human rights violations. They did not get to have normal childhoods and so they implicitly. want this nice little fantasy to play out for child Sakura. without phrasing it as such bc that kind of open admission of vulnerability is forbidden, so mephisto, as usual, will play the villain to his dying breath, bc he won’t ever directly admit he’s traumatized. Neither will Kama of course, but this is -their- valentines scene, which necessitates them revealing more than he does. It goes to show how hard mephisto will self denigrate until the other party confronts their inner demons, and that’s bc the clown in him that exists to be humiliated and despised, which Kama has to give in to bc a god of love can only go so far in that capacity. So it feels like Kama is both. Irritated by the pretentiousness of this . He ends up being less like shinji or his father or zouken and more like Kariya, and that’s still shitty and traumatizing in its own way. Mephisto prefaces this scene as him being creepy but what he’s really doing is going oh poor baby whatever you’re going through is more important than having my own similar problems be understood. And of all things, that’s what fucks this scene up. She’s trying to brush off why this scenario or any of these scenarios exist bc she’s never dealt w this pain and assumed she could preface all of this w ironic detatchment. But still! Going to a park is something kariya and her mom used to do w her and her sister, showing she might not have actually totally forgotten what this type of thing means and holds sentimental attatchemt to the idea of it (a theme park just ups the ante and the fantasy aspect of it) But also do you really think Kama would admit they want this sort of sentimental thing unironically? So Mephy the clown must prove he is a worse more traumatized asshole than Kama , so she can admit by proxy she just wants to act like a normal innocent kid for a day, she doesn’t have to thank him for this role or even care about him, but she still points out hes not evil, that he does this as a pretentious part of being what he is, and she focuses on the one thing that’s Not familiar. Clown. he’s sticking to the act of a horrible despicable clown, even on Valentine’s Day, bc hes a very pathetic man scared of being loved, and would probably sooner die than admit that. kama does the big person thing, accepts the shallow pretense they brought you here w for the paradoxical depth it has, this is a normal scenario of a little girl at the theme park with her dad, who had a brush in with a creepy clown and just wants to feel protected and loved. Both of them are too detatched to tell Why you any of this was necessary, it’s the context of what they’ve said and done before now you need to read into, It actually makes me really sad to think about.

Also this is why I’m convinced Mephy is concious and self aware in murder at the kogetsukan. Even the naming convention and setup follows everything you see from the established patterns of interactions, the names of the violet family have a lot of biblical conventions which feel too convoluted to ignore the symbolism of. (Also, that dancing with Eve and Lilith is something he and Faust do in the play, and gorgon taking Margaret’s face in the same scene, there’s just a lot of weird little meta bits in here) Mephy’s character is named Cain, which imo gives him an excuse to break the fourth wall 4th wall and literally just be a self possessed actor rather than narratively lacking self awareness. Named after Gods grandson, whom God dismisses because his sacrifice of plant instead of meat is deemed less significant, and so he becomes possessed by the devil and enraged, and imo this is paraleling mephistos preoccupation w his doll body, how it implicitly makes him feel inherently objectified and worthless and inhuman. Like. Valentines day he gives you a pet which will explode and simulate artificial death, and tells you he wants you to see it as a mascot more worthy than fou. Or when you give him chocolate he’s like (clown screech) my heart valve is pumping. Constantly reminding you he isn’t human and feels awful about it. He thinks his own life and death is meaningless because he is artificial which is why he’s a self sacrificing individual. While maybe not concious and self aware. Ignore everything Moriarty says abt the faces not being significant? They are, Lancelot is cast as and is subsequently the perfect father to this stand in for mephisto bc he’s also struggling w these same feelings and told it all to kariya back in fate zero, and he’s worried he’s a bad dad who would objectify or traumatize his kid, something you see Moriarty needle him for in grand carnival albeit played for laughs at the fact that usually Lancelot is the one who ends up objectified, but Moriarty is also someone who needles peoples trauma when trying to help them. But Lancelot’s like, not what people assume him to be, he’s a genuinely loving person, and so is his character by proxy, so the second “Cain” realizes this, he has a massive sentimental breakdown where he says he loves his family and wants to save them, and I think this is important not to distance the characters 100% from the npcs in this moment bc it shows major facets of Mephisto and Lancelot that often get ignored or misunderstood, and lets mephisto actually commit to his genuine issue of just wanting a dad who loves him normally and showcases that Lancelot actually is so good he wouldn’t care if he’s in a family unit wher he’s a cuckold or his kid is a crazy loser like him, the things people sort of assume he’s preoccupied w being like the possession of another man’s wife or having the perfect child, but like, no, he genuinely just wants to love the people he’s with in the moment but is hesitant to attempt it. the event isn’t totally uncorrelated to the faces the npcs have at all. For some people at least (Mephy, Lancelot, Moriarty, and Mordred off the top of my head) all had some deep seated desire or other fulfilled by this scenario . (Sherlock npc dies, mordred npc has a dick) I can’t really rationalize the others but these 4 at least are super obvious, and it’s part of why I want to “blame” mephisto bc I think out of everyone his reasons for wanting this and ability to put it into place as a mythological wish granter who concocts dreams, makes the most sense motive wise, and also, the deadly fever guda falls under as well as the fantasy concocted are both things mephistos poison is capable of in faust. But I might be missing something, it’s possible like the drama Cd or something I don’t remember revealed a culprit behind the “it was all a dream” thing, but I just think it’s notable that for mephisto there is no barrier between dreams and reality.

Also I should probably mention the importance of his dynamic w nursery rhyme mirroring the absense of what he and Kama don’t have? She calls him uncle mephy and is clearly like, trying to talk him out of his nihilistic suicidal outlook of reality. Bc well whatever, they are both helpless broken dolls but also, she has reason to form sentimental attatchment to clowns, they -are- familiar to her, Faust was one of the first plays put on by pantomime, clown theatre, as was the goose that laid the golden egg, a story about sacrificing something loyal to you so you can reap the immediate benefits of its labor. and I think the latter was one of the performances where mother goose went from a folklore figure to having a canon physical appearance (and you can see as of fgo she still does not, she’s still using Alice’s appearance) and there’s even more nameplay going on w the paralels to kariya she’s invoking w the uncle Mephy shtick making them like kariya and Sakura, kariyas name means “wild goose” and being sent on a wild goose chase is a euphemism for becoming lost in pursuit of something you desire. Mephy doesn’t seem to accept anything in reality as anything but nonsense and farce, yet he constantly imbues every attempt at nonsense and trivializing peoples problems w a huge load of painful sincerity. mother goose is, itself, a book of mostly nonsense. But its sentimental purpose as a familiar children’s book and folklore brushes against his, saying “you have a home here” something he’s obviously in severe denial of wanting but also manages to make 90% of his personality. Mephisto at the start of faust is literally just a lost dog looking for a home. @zeravmeta mentioned how little of Mephy is even allowed to be himself, and he exists mostly through others and like, yeah! There’s more paralels than there is Mephy at a certain point. every “joke” scene Mephy is in is actually majorly sad and fucked up the moment you take a minute to dissect it. Bc he’s convinced trauma makes him funny, when it only paradoxically makes him funny by sheer force of how unfunny he is.

i genuinely don't think a story's worldbuilding and lore has ever drawn me in the way that check please did. it's been years and i still think about it every day. the characters and plot were always superb but i think what has stuck with me the most is the depth of the settings and how everything feels so lived in and tangible. everyone wants to make a fake world and town and university but no one else has EVER done it that well

If you're neutral towards Leander or chess, I recommend you vote no

Omg, I just realized something that’s not gonna add much to the narrative or if anyone has noticed it.

Here we go.

So basically in episode 12, Vash did his girlboss move of flinging himself and Nai over the ledge.

And as they’re falling, I noticed something:

To me, this reminds of the Yin Yang symbol:

Then I remember that one post where someone mentioned where Vash in episode 12 wore the colors of ‘evil’ (black and purple).

Knives wore the colors of ‘good’ (white and blue).

They’re polar opposites of one another.

And that got me thinking more in depth with their relation with Yin Yang.

Obviously everyone is familiar with two sides of the same coin. It’s the same idea with Yin Yang, they’re polar opposites but they complement each other.

As part of the Naruto fandom (*groans*, I know I know). But hear me out, lots of symbolism that is related to Naruto and Sasuke is their relation to the sun and moon respectively.

Naruto is the sun. The Yang per say, because he is bright, aggressive and masculine. His respective color is orange.

While Sasuke is the moon. The Yin, because he is with the shadows, silent and feminine. His respective color is purple.

If you read the Naruto manga, then you would see how much Kishimoto bashes your head in with their respective symbolism, it’s in the cover art, the parallelism in the panels. It even showed up as their respective symbols on their hands after the ceremony for the final battle.

Back to TriStamp.

I believe they put Knives as Yang. He is aggressive and very in your face with his conquests of taking back the Plants. He is very muscular, and it’s shown through his tight bodysuit.

Then they would put Vash as Yin. He is way less aggressive with his morals than his previous counterparts. Obviously he still has them, but he is less forthcoming. His entire character design has changed, as everyone says with his non-binary haircut.

But in certain scenes, he still has those broad shoulders and managed to lift a fucking ion cannon enough to break his prosthetic arm. So, my babygirl is still fucking strong, hmph.

It’s even mentioned that the director of TriStamp has said Vash is both the female and male lead.

Same thing with Sasuke, some Studio Perriot staff has stated that he is the heroine of the story.

Obviously Naruto and Sasuke’s relationship heavily implies they’re in love with each other and soulmate coded to the max.

(Ha, get it? Trigun MAXimum??)

(. . ., I’ll see myself out).

But they did a different relationship of Yin Yang:

Twins.

Knives wanted desperately Vash to be the ‘perfect’ version that he envisioned. Taking away Vash’s bodily autonomy.

Vash just wanted to have ‘love and peace’ in the world. He didn’t want to fight Knvies, but he would defend his loved ones.

Until during episode 12, when he was ready to go in guns blazing to take down Knives.

With the color palette of black and purple against Knives’s white and blue.

Purple is the combination of red and blue. Vash’s red jacket and part of Knives’s color palette.

But also in the end, when Vash wanted to shoot that cube up in the sky.

He still wanted to save his brother, even though Knives was rejecting it by reaching to the absolute power of the cube and what it would bring him and Plant kind.

An Icarus-esque trope per say.

But yeah, anyways, this was just a jumble of thoughts I had to immediately write this down.

so i made a snufkin playlist instead of doing my homework..

warning: it's mostly taylor swift cos I physically cannot make a playlist without her, sorry to all you quirky indie mainstream-hater folk out there😞🤚

I wish Heartstopper got (more) into the reason(s) why Elle decided to go to Higgs and then Lambert.

She doesn't want to be known as the trans girl by S2, but if she felt the same in S1, then Higgs was the worst place to choose due to the Higgs-Truham relationship. Hell, Imogen probably even saw Harry saying stuff towards Elle pre-series if she made a habit out of joining the boys in the morning.

And then of course we never actually see her interact with other Higgs girls, whom we know to be lesbophobes as a whole (to an almost comical and cocky degree, though I won't say it's wholly unrealistic). The closest we get is when Tara starts a conversation with Elle by asking about how she used to go to Truham, and it's never really treated as something by which Elle is worried or caught off-guard. So there's really no proof that she's seen as the trans girl in any way.

Of course, realistically, she would be seen as the trans girl. But the series refuses to get into that, and Elle's narrative feels so underwhelming as a result.

Shogun 2024 is really good holy shit

When I say that Wu and Kai are too similar I mean in the pilots, Kai’s character flaw was going off on his own as in the turning point of the story was when he went off on his own to face Garmadon and find Nya and he faces the consequences of getting his ass whooped. And then 5 seconds later we see Wu do the exact same thing and then face the consequence of losing the other three weapons.

I really like the idea that Kai is like a more successful wu, that they both faced the same difficulties but as a pair they got it right second time around. I like to think that Wu had a hero complex too, when he was younger, but ended up letting that blind him and making mistakes, which is why he’s so determined to make Kai work with the team because he wants better for him. And Kai is succeeds where Wu didn’t, he was a better brother to both Nya and Lloyd, forgave and made peace with Lloyd where Wu and Garmadon didn’t, had a team when Wu had no one, and Kai was able to grow where Wu was shown to still struggle with that same flaw as a loner (as evidenced by s7). Maybe it’s gotten to a point where Kai could teach Wu a thing or two.

RIProducer's "Pyrite Girl" reminds me of Rick!!

TW mental health and suicide discussion

NOT PROOFREAD IF SOMETHING DOESNT MAKE SENSE IM SORRY

Analysis below. I'm working from the end to the beginning because I said so.

This is the end..chorus? Christ I'm in choir I should know this. Anyways, something about this just screams his mental state. Not all of it, but a lot of it. It showcases how he's both a huge ass egoist and extremely self loathing. Him just knowing he's destroying himself and that he's going bonkers, but also fully deluding himself into thinking that he IS God and is untouchable when in reality he will break any moment now. It also ties into the irony of the title Pyrite girl, which is also known as "fools gold" due to being mistaken as gold for its colour. His "shield of gold" is really a fake protector.

Him putting up protective emotional walls so he does not get attatched again. Probably after Diane's death, and possibly also from being betrayed by Prime in their partnership/relationship? I'm unsure where their relation to eachother will actually lead canonically but I've read some interesting theory posts and it's got me convinced a lil bit so I'm adding this.

He oh so badly wants to be understood and comforted but he doesn't have anyone anymore because they all either left or betrayed him. (Let's push Squanchy and BP aside for the sake of convenience I'm tired) and this will soon turn into a need to hide the vulnerable parts of himself away.

Ricks response to Prime's betrayl, "you left me covered in gold" implying that Rick is the reason he is the way he is today. His anger is new but so is his grief, and it hits so very hard. ("don't you try me! Don't take it lightly!" And "I'm broken, yet somehow, still alive.")

"I've been pulverized for the past five thousand five hundred days." References his endless hunt for Prime. It's exhausting and killing him so badly, example "you shattered my mind one thousand times.", but he's counting every single day to torture himself because he can't keep failing his family. This can also be backed by how the AI in his old house taunts him so horribly, and he even fucked with the time in that dimension just so he could suffer and continue to look with a constant agonizing reminder.

This mainly just reminds me of all the enemies and allies he's made but there's also an actual point here. The people in his life that love him want to try and fix him in their own way. People like Birdperson and Morty. Probably even short term partners, not-seen-in-canon-friends, and probably Unity too when it broke things off. It realized it could not fix someone that wants to stay broken. And Rick does need support, he needs his big support system because he's been so lonely for so long. But without him putting the work in himself, not much can be done. I actually read a fanfiction where Unity had used some sort of mind control to make Rick pass out before he killed himself, and I think that was really smart but also sad. It knows it can't jeopardize it's own health to be around him, he is toxic and infectious like the plague. He seeps into every person around him to survive, but it sees the humanity in him.

In conclusion, the song can be seen as Ricks fall into...himself. or a fake self, someone he shouldn't have been. You can also just think all of this is bullshit and that's okay too. This song is really good and it's story is both a thinker and easy to place at the same time! I hope I made sense and that my tired almost-4-AM brain didn't make you want to retake kindergarten. Feel free to pm me or comment whether you just wanna tell me how your day was or you want to discuss this more. :)

-Ozzy