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#heartstopper analysis
thetrashiestbaby · 9 months
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“I like to think we would find each other in any universe”
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thedecadenceofwar · 9 months
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Elle Argent as Jesus Christ: Heartstopper art analysis.
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Yesterday, I made this post where I wordlessly compared Elle's art piece for the Lambert School to the painting that draws her attention at the Louvre, Caravaggio's Supper at Emmaus, a depiction of Jesus breaking bread for his disciples after his crucifixion and subsequent rising.
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Elle's perspective on the painting / a full view of the painting (source)
The first thing I noticed that helped me draw the connection between these two paintings was their composition, the basic triangular lines that guide the eye in each painting; from Jesus and Elle in the center to the innkeeper and Tao at the top.
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Heartstopper also clearly wanted us to make some connection between Elle and this Caravaggio: they focus on her face before they show us the painting, so we wonder what exactly it is she's seeing, which increases its narrative importance. I assumed she recognized herself in a painting; she did, but not in the way I expected.
The National Gallery (see above source) has this to say about the Caravaggio:
On the third day after the Crucifixion two of Jesus’s disciples were walking to Emmaus when they met the resurrected Christ. They failed to recognise him, but that evening at supper he ‘... took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight’ (Luke 24: 30–31). Painted at the height of Caravaggio’s fame, this is among his most impressive domestic religious pictures. He brilliantly captures the dramatic climax of the story, the moment when the disciples suddenly see what has been in front of them all along. Their actions convey their astonishment: one is about to leap out of his chair while the other throws out his arms in a gesture of disbelief. The stark lighting underlines the dramatic intensity of the scene. Typically for Caravaggio, he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.
Jesus, in the story, opens the eyes of his disciples in more ways than one (I pulled my Bible out for this!). First, in the scene depicted in the painting, the disciples do not know that this man is Jesus until he blesses the bread and breaks it for them, revealing himself as Christ. Second is the context in which Jesus comes to share dinner with his disciples: they meet him on the road during the day before, and he interprets the Old Testament for them: (stay with me I promise we'll leave the Biblical stuff and get back to the gay stuff soon)
Luke 24:13-16 Now on that same day two of [the disciples] were going to a village called Emmaus, about seven miles from Jerusalem, and talking with each other about all these things that had happened. While they were talking and discussing, Jesus himself came near and went with them, but their eyes were kept from recognizing him. Luke 24:25-27 Then he said to them, "Oh, how foolish you are, and how slow of heart to believe all that the prophets have declared! Was it not necessary that the Messiah should suffer these things and then enter into his glory?" Then beginning with Moses and all the prophets, he interpreted to them the things about himself in all the scriptures.
If Safe Space is an exact analogue to Supper at Emmaus, then Elle takes the position of Jesus, and she draws from the story of Christ's crucifixion and rising a trans metaphor.
Death does not always mean death. For example, in the world of tarot, the card of Death does not signify literal Death, but a transformation: that the idea of death is a catalyst for change. If you're trans or non-binary, you understand the idea of the person you were being dead; that's why they call it a deadname. For me, the girl I was is dead. The person I am now, a living, breathing, non-binary person, is alive.
Jesus died and lived again; the boy Elle was died and the girl Elle is lived. Elle takes the spot of Jesus. Elle is risen.
There's another half to this metaphor: of the disciples that don't recognize Jesus. See where I'm going with this? At first, after Jesus had undergone his transformation, the disciples do not recognize him; literally "Their eyes were kept from recognizing him." The fault is not on them – it is another stronger force that maintains their blindness. But Jesus stays with them, despite the fact that they don't know who he is, and he talks to them about the scriptures.
We don't know much about Elle, pre-transition. But we know that Elle, Tao, and Charlie, at least, were friends before Elle's transition, and she had to come out to them at some point. So, in essence, she is Jesus on the road to Emmaus; unrecognized, a stranger, until she reveals herself for who she is.
She takes the moment Jesus tells his disciples who he is and shows what happens when Elle stays. We don't all have the luxury of being the Son of God, who can just pop away at a moment's notice after coming back from the dead (which is what he does, in the story: once the disciples have their eyes opened, he leaves). But this is Elle, out, resurrected, staying.
"So. There've been a lot of changes in my life over the last couple years. But with this piece I guess I wanted to capture a place that holds a lot of happy memories. Even in the darker times. Somewhere I always felt safe."
Safe Space comes after the moment of realization, after Elle comes out, after her friends' eyes are opened. But implied in its source and its inspiration is the moment of truth, the moment of coming out. There's been a lot of that, this season, coming out. There's people that want to and are scared, and people that refuse to and walk away. We never had to go on that journey with Elle. But she's telling us about it, now. She's telling us that it was glorious, that it was godly, that it was religious, that she died and was resurrected.
Before I leave, I want to touch on Tao's importance in this piece. The disciples in Supper are the two men that are seated; the man standing is the innkeeper, who is not quite a part of Jesus' world. Interesting, that Charlie and Isaac, the two people of Elle's group who are part of the queer community, take the place of the two disciples, and Tao, the token straight friend, is standing in the place of the innkeeper; not a follower of Jesus but a witness to the miracle of his resurrection anyway. They are all different people in this painting; different identities, different lives, different loves. But they were all there to witness Elle revealing herself in her resurrection. Tao, afraid of being left alone, is brought into this inner sanctum of Elle's world. Into her safe space.
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This has probably already been said before, but I’m rewatching Heartstopper (because ya know) and the bit where Nick wants to hold Charlie’s hand...
Obvs he’s having a sexuality crisis, but there’s also got to be a part of his brain that is thinking about what Ben did to Charlie and knows that Charlie isn’t awake to consent to it and then that ongoing fear he has of being like Ben 😭
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whitestopper · 8 months
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It's so frustrating that we don't get any information on Elle's backstory because... did she not have any other friends at Truham apart from Charlie, Tao and Isaac? If not, did they ditch her after she came out as trans? Did she not realise that she was trans at first but come out as gay/bi instead? Or did she just cut off her friends before they could leave her first?
I ask this because a part of me feels like her, Charlie, Tao and Isaac are mostly together out of necessity/a lack of options. This isn't a strong judgement on them because most friendships are made based on proximity, and this isn't to say that a friendship will always be as shallow as the initial reason for befriending - one of my best friendships was formed mainly because we were next to each other in the alphabet and thus were seated together often. But Elle and Charlie feel more distant than Tara and Charlie or even Tao and Nick, and Isaac's closest friendship is with Charlie or Tara and even then isn't particularly strong. Realistically, I think not only would Tao and Elle break up, but that her friendships with all of them would wane and become more "we were friends in school" than "we are friends from school". But I don't think that's the impression the show wants me to get what with Elle's painting and the prom photo.
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I saw a post claiming that Heartstopper condemns the idea of someone in the closet asking an out person to be in a secret relationship with them, and I just want to explain why that’s not at all true.
While Nick feels bad for wanting his romance with Charlie to be secret, it becomes more evident as the season goes on that it doesn’t actually have the affect on Charlie he thinks it does (that’s why he said he was fine with it) and that he shouldn’t feel guilty.
For example: when Charlie gets hurt in the rugby match, Nick wants to check on him but is worried that people might somehow see that and assume he’s gay. He realizes his fear is momentarily getting in the way of his kindness, and he takes that as meaning that him being in the closet is automatically wrong. (It’s why he starts misremembering Charlie’s reaction to their earlier conversation.) But that’s not the case; he just got scared and froze up because he’s a kid under pressure. So afterward, he apologizes to Charlie, but this apology is about more than not looking out for him in that one moment; it’s also about being in the closet, which he shouldn’t apologize for.
Nick thought he was giving Charlie a hard time by keeping their relationship temporarily secret, but every time he did something unfair, he said sorry and changed his behavior. As long as you and your partner(s) are on the same page, communicating, and treating one other with respect, the level of secrecy to the relationship doesn’t make either/any of you a dick or a bad partner. So the problem here wasn’t secrecy — rather, it was that Charlie didn’t wholly believe Nick wanted him romantically.
In his relationship with Ben, it was clear that his personality didn’t matter; Ben only cared about whether his own needs were being met. When he said, “I like you,” he meant, “I like how you look. I like what you can do for me.” When Nick said, “I like you,” he meant, “I like you as a person,” But how was Charlie supposed to know the difference between two, identical sentences?
He felt like his purpose was to make Nick (and everyone else) happy, so whenever anything slightly related to him made Nick unhappy, he assumed it was his fault. If he wasn’t catering to another’s needs (especially *physical* needs in this case), he didn’t deserve to be loved by them.
That’s why the conversation between Nick and Tao in episode eight is so important. Tao doesn’t tell Nick to come out; he tells him that Charlie wants to be more than the guy he kisses. If Nick also wants more than kissing, he should be extra specific about those feelings because Charlie won’t take hints. He won’t trust his own, initial understanding of the situation and will assume the worst just in case. So Nick saying, “You are the kindest, most thoughtful and caring and amazing person in the whole world,” meant everything to Charlie because all of those compliments can only be interpreted as being about his personality.
Though it did make things more difficult, their relationship being secret wasn’t what made Charlie feel like shit. Charlie felt like shit because of his insecurities and trauma, and Nick coming out wasn’t going to change his level of self esteem. He just needed to know he deserved love.
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retrieve-the-kraken · 8 months
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Heartstopper season 2 play-by-play analysis
It can’t be over! It can’t be! How long will it be before my next dose of serotonin? Although rewatching helps, absolutely, but my god, that cliffhanger! Those last moments of the episode just leave you yearning for more. More Paris Squad, more in-depth looks into their individual stories, more Nick & Charlie, more more MORE!
I’m glad that Alice Oseman is already hard at work on the season 3 script. I hope they’re as inspired as ever.
EPISODE 8 - PERFECT
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- Baby Queen’s “Colours of you” makes an appearance/comeback. I don’t know, but I feel like a lot of people said that it was about how Nick makes Charlie feel, how his world is black and white until Nick comes into his life (I don’t know if maybe Baby Queen said that), but to me it was always more the other way around: that Nick’s life was very black and white until he met Charlie, because not only did he realize he liked Charlie, but he also realized this whole other part of himself, in the form of the colors of the rainbow (queer pride).
- Comments to Nick’s post coming out as bi are a a mix of joyful and shocked but a few awful people just taking up space too.
- Charlie saying that his life is perfect right now and that everything’s perfect, whilst Nick knows it’s not, because Charlie still has an eating disorder, and he doesn’t know what to do about it.
- “Do you want to be my girlfriend?” “Is that a serious question?” Love them.
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- Tara and Sahar, I hope you’ve learned your lesson: never ever take part in an organization committee.
- I was weirded out by the fact that they included prom in the show, since I thought there was no high school prom in the UK. It just seems like such an American/gringo thing (we have prom in my country, but it’s nothing like the gringo prom… mine was so weird and lame). But it turns out that they do have it in the UK now, likely made popular by all the classic teen dramas and rom coms that take place in high schools from the United States. But since it wasn’t in the comic either, I still thought it was a strange addition at first. However, the whole group dynamic made it work.
- Coach Singh coaxing Mr Ajayi to text Mr Farouk… that whole interaction was so precious…
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- People just openly coming up to Nick and Charlie to ask if it’s true that they’re dating. Children, it’s none of your business, you don’t even know them…
- The conversation between Tao and Nick, Tao’s face as Nick mentions that Charlie is still affected by the bullying… poor Tao, he really didn’t mean for that to happen, that’s why he’s so protective of Charlie. And Nick’s face when Tao mentions his dad dying, like he’s really surprised that Tao is opening up to him. “Didn’t know about your dad…” “Don’t be weird about it.” “I’ll try.” “Good.”
- And their faces when they both realize that neither knows how bad the bullying was, because Charlie hasn’t opened up to either of them completely about it.
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- And Nick and Charlie both looking so handsome in their suits, and being so gaga for each other. “I can’t believe you’re my boyfriend…” “You look… sooo… goooood! YOU LOOK SOOOO GOOD!” My favorite thing about this new season is that I’ve lost count of how many times Nick can’t resist the urge to pick up Charlie. I’m making a montage.
- “And a big public appearance as a couple… that’s definitely what we want?” Nick knows how much the attention might overwhelm Charlie. But Charlie’s not thinking about that, he’s trying to focus on the good part, the fact that he has an amazing boyfriend, that they can be together without hiding now.
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- Darcy watching sourly as a mother picks up and comforts her small child, indicating that her bad relationship with her mother is not a new thing, her mother has never been nurturing or comforting or loving. And of course, how is Darcy supposed to know how to love someone if she has never been shown love in her entire life?
- Best scene ever: Elle’s dad being a ten feet tall burly man, pretending to be intimidating but then laughing it off. Will Gao’s awkward nervous laugh sends me.
- His reaction to Elle’s whole look. “You look… you… you’re so… Hello…” He’s so smitten.
- Seriously, Tao and Elle being the hottest, most stylish couple at the prom. Tara’s dress, though, is my absolute favorite.
- Tao and Elle being silly and cute for photos, and the four original friends taking a cheesy studio photo together. Love them.
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- “I can’t believe Nick’s showing off his boyfriend, but none of you managed to bring a girl!” How does Harry manage to say something ‘nice’ and still make it sound like bullying? AAAND you didn’t bring a girl either, Harry, so what’s your deal??? He’s just loudly seeking attention. Where’s Tao when you need him to shut Harry down with a snarky comeback??
- The boys teasing Nick about being the first one in a relationship, like it’s no big deal. But my favorite was Christian going “I could get a girlfriend, how about Tara Jones?” Awww, has he genuinely liked Tara this whole time, or was she the first one that came to his mind? (I think he genuinely didn’t remember she’s a lesbian).
- Tara’s “How do you talk to someone about something they don’t want to talk about?” And Nick realizing that that’s what’s happening with Charlie. “Maybe you just have to try, even if it doesn’t work”. They both have to go for it. I love their friendship.
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- Baby Queen‼!
- The dance routine, Elle and Tao living their best movie sequence.
- The little neon butterflies as Elle tells Tao she wants to go to Lambert, and he tells her that he knows. Yes he knows, and he knows that it will make him happy to see Elle happy, even if that means letting her go. He has to overcome his fear of abandonment. He’s not being abandoned, they’re just growing up.
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- THE ACE BOOK. Give it to mee‼! Isaac is looking for an identity. And I love that it cuts to James enjoying himself too, and Tori being content by herself at a table. I hope we get more of Tori’s story in future Heartstopper seasons (and the comic too).
- And the teachers are going on an actual date!
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- I don’t know what that meant, Imogen getting sort of misty-eyed looking up at Sahar playing. Maybe she’s realizing that she might have feelings for her, but my interpretation is that, since Imogen claimed that she needed to focus on herself, and since the whole season she has seemed pretty lonely, and we find out that she and Sahar used to be friends until Imogen got a boyfriend and they stopped talking to each other (regardless of who stopped first), and because Sahar revealed that she was bi and Imogen got caught unawares and thought maybe she should have known that, that Imogen’s reaction was more of a wanting to rekindle that friendship. As we saw with Tao and Charlie, and maybe now even Nick and Tao, friendships and platonic relationships are given the same importance in Heartstopper as romantic ones. Not all stares mean romance. And Imogen is looking for friends right now. (Although if it does lead to romance, I wouldn’t be mad about it… and who can deny the Lesbian Lighting??? Maybe Imogen IS into girls after all…) “Youuu, soft and lonely…”
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- Isaac getting his heartstopper moment when he holds the book to his chest. YES ISAAC!
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- Charlie asserting himself and asking Nick if they can leave, because he’s tired and uncomfortable of people staring and pointing. Everyone’s been so nice to their face about them coming out as a couple, but that doesn’t mean that Charlie’s not going to be worried about someone saying something nasty to either him or Nick, and it doesn’t mean that he’s not possibly going to have horrible flashbacks to being bullied. And Nick once again realizing that he doesn’t care about parties, he just wants to be with Charlie.
- Seriously, Sarah needs to adopt Darcy, replace David.
- Why would Darcy’s mum see Tara in her dress and think “oh no, a door-to-door salesperson?” She clearly doesn’t want to deal with anyone, but maybe even worse, she just wants to quickly get rid of a black girl standing at her doorstep.
- “She had another one of her tantrums last night.” Like this is typical and so it’s not a big deal that she has no idea where her daughter is…
- Group hug to heal my soul.
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- “I wanted to be that person for you…” My heart. Tara and Darcy finally talking. “You’ve only seen half of my life.” “And now i’ve seen the other half, and I still love you.” “Are you sure? Because I’m a literal disaster.” “Oh I know.” That is so sweet. And Darcy practicing saying I love you until it feels normal and natural. So joyful.
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- By the way, only Heartstopper can get me to listen to Taylor Swift. No offense to all the Swifties (including Patrick Watson), I love your love for Taylor, but I really don’t get it, her music just doesn’t get to me. Admittedly that song was nice for this moment. But that’s about it. But anyway… don’t come at me. I just prefer Baby Queen and Orla Gartland and beabadobee and Carly Rae Jepsen and Gabrielle Aplin and Wolf Alice and Carmody and girl in red much more in this soundtrack. AND THAT WASIA PROJECT SONG‼ Weeping‼
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- I love how warm and sweet everyone in the group is to each other. Look at Tao and Nick hugging! Look at how Nick and Tara and Darcy are as much a part of the group as if they had been there for as long as the other four have been tight. Everyone deserves a friend group like that.
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- I love that they included that bit from the little comic answering fan questions, where Nick realizes that maybe he’s had a crush on a boy before.
- “Now your turn”. Nick really wants Charlie to be able to open up to him, about anything. Charlie deflects, as always, and says that they don’t need to talk about it because everything’s fine, but the truth is he doesn’t want to talk about it, he doesn’t want to deal with those feelings. But if he never does, he’s just never going to move past that. And Nick wants to help him, even if it’s hard, even if it’s painful, he wants to understand. “You don’t have to be perfect with me.” Charlie just shrinking into himself…
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- That whole conversation, it was an impeccable performance from Joe and Kit, and I’m crying again… Nick can’t even fathom that anyone would call this beautiful boy disgusting, and he can’t even fathom the pain that would cause Charlie to hurt himself, he doesn’t even know what to do… but he’s there, he’ll be there, and he wants Charlie to know how much he cares about him. It’s so soft, the hugs, the soft voices, the kiss on the forehead, the tearful kiss, and telling him how much he loves everything about him…
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- Serial hoodie thief.
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- That deep sigh… that terrified look…
- Spoiler alert: Charlie doesn’t send the text… of course not… he quickly realizes that he wouldn’t just say that for the first time over text… he wants to really mean it.
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This episode is brought to you by TIPTOE KISSES™.
Looking forward to next season:
- Sara and Nick’s talk at the beach in Menorca. It will destroy me, but it will be worth it.
- The ‘I love you’ shower scene, and subsequent street chase.
- The beach, and Nick and Charlie both blushing when Charlie’s putting sunscreen on Nick’s back.
- More from The Teachers™ ‼
- I’m not ready for Charlie writing the note to read to his parents… I’ll never be ready… I’ll weep until I’m out of tears…
- Charlie possibly speaking Spanish… listen Joe, Kit had to learn French, Spanish is NOTHING compared to that, you’ll be fine.
- In the comic, after Charlie faints, there’s that funny moment when Nick says “Charlie, I’m not gonna start acting like I’m your doctor and you’re my patient… *seductive smirk* *eyebrow wiggle* unless you’re into that…” “SHUT UP!” I need this moment, I need it so bad…
- More about Elle’s family, please. I already love her parents. More about all the families, really.
- More Tori, hopefully.
MORE HEARTSTOPPER, PLEASE!
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sir-klauz · 9 months
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That moment with the padlock with Charlie and Tao, that’s just, so sweet. Friendship is awesome. Love is beautiful in all of its. Its.
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mirabel-on-a-bicycle · 9 months
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“We find our community when our community is visible.”
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There's so much more to this scene than what's going on actually. Elle visiting Lambert and meeting Naomi and Felix, I feel, also alludes to this ongoing conversation about the difference in queer visibility and acceptance in the arts and in STEM.
I FELT that scene btw, I so strongly did. Stem has been my whole life. I've only ever been surrounded by the culture in these fields. And it's rigid. It hardly leaves any room for self expression (istg u do something as low tier as cutting your hair short and suddenly you owe 10 billion people an explanation). Even full fledged scientists like Dr. Daniel Pfau, Joey Nelson, Jarrah Dale and a whole slew of others on places like 500 queer scientists, OSTEM and Queer in Stem still talk about feeling unwelcome and alienated in their own academic spaces growing up and grappling with losing a sense of community within the very thing they had so much interest in as a kid.
I've been holding onto my favorite science podcasts and films so strongly since the last few years of school when my love for science was slipping away from me at an alarming speed, because they were the whole point of continuing, everyday, to face engineering as a future— to somehow sperate it as a living breathing thing from the dead system it was taught in, to still see beauty in it despite everything. They're incredibly important to me.
Last year I went to visit a friend studying at a very similar prestigious art college and.. its just that roaming around the whole place with her was like an ache getting heavier and heavier. High ceilings and walls plastered with concept art, personalised desk spaces and boards full of self expression—like you could look at a board and clearly tell what kind of person they were, rooms full of music, shaved thermocol lining the floor like snow, open galleries where the students had sleep overs, people in the middle of easy flowing conversations about films and gender and academic approaches, art pieces and statues in every bend of the road that completely dismantled every traditional assumption about them— it was all real. And it just. felt so right. It felt like something was glowing so so beautifully and strongly in me by the end of the day that if I ever left that place itd go out of control and set everything on fire.
And I distinctly remember my friend saying, matter of fact-ly, that half the faculty was queer.
In all the spaces I've ever been, I found the people I grew and bonded and learnt about myself with in friend circles, lab partners, and group project members. And in mentors especially. It was my 6th grade eng teacher who had stopped a student mid sentence and taken 5 minutes to patiently explain to us what being gay and lesbian actually meant and what words that we could've been picking up from here and there were hurtful and weren't to be said ever. It was Mr. Ajayi and Mrs. Singh who were trying to be the mentors to Nick and Charlie that they never had. I can't help but wonder how different it could've been for me and every other queer kid in my school and college, if we'd had even a single mentor we could've confided in like that.
The roads from my home to pretty much anywhere in the area are lined with arts colleges and galleries, and each day on my way to college, I pass the workshop I took courses in in middle school and its students, knowing that it's all within arms reach and yet so far away. I've (not very kindly) felt this contrast too, but I'm still nowhere near feeling what Elle and Naomi must've felt when they said that to each other.
And it really sucks that people can't have that no matter what their academic background is. That the sciences keep pushing out people willing to learn, that minorities in these spaces have always had it much harder because the system was so rigid that it left no place for community within education. It's a serious and very widespread issue. Black, disabled and queer students and professionals keep dropping out every year because of this.
And I don't know if this was intentional or not but I love love LOVE how heartstopper touches upon this subject as well. It truly left no stone unturned.
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sky-neverending · 8 months
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Finally doing my heartstopper note taking/ analyzing!! starting with season 2 episode 1, bites under the cut bc it’s long boy. strap in for me squealing a bunch and occasionally getting deep
Episode One Rewatch
Starting with the opening scene, and possibly one of my favorite songs on the soundtrack. The song parallels too, with last season starting with a song that is basically saying how someone wants to be enough for the person I like, and how this one is about how he’d give the world to be with Nick. Maybe that’s just something i’m overthinking but idk.
S1: “I wish I thought that I was pretty so that i could turn you on….”
S2: “Sweeter than the best you ever had…. I’d do anything just to feel with you.”
I love how it’s calm and then immediately jumps into the action with Nick texting Charlie. I also like how it parallels the first scene of episode one, but this time Charlie is happy. Love Tori sipping her drink. All of that scene really shows “Hey, we’re happy for once with what is going on in life,” and I enjoy that. Also Charlie being obsessed with Nick and texting him 24/7 is cute.
Then we get to the classic ‘Hi’ that Nick and Charlie are known for, which is the perfect first interaction for them this season.
Nick pulling Charlie into an empty room and telling him he came out to his mom and Charlie immediately asking how it went, and then basically jumping on Nick when he heard it went well is so good. and then “Want a well done kiss?” Is such a cute line.
And then boom we’re making out. Also Nick pulling away and saying “Kissing at school is a terrible idea” and then going back to kissing is so iconic.
And then theres the whole montage of them being cute and making out, which i could go on and on about but I’ll spare you bc this is getting long already oops.
Nick and Charlie at the door, the hands touching and the sparks, the little waves goodbye, the soft smiles, all of it makes me so eeeeeeee.
The “I have a boyfriend!” scene is so cute, with Tao admitting Nick is “okay” after Issac gives him a look lmao. and then them talking about him coming out, and Tao being concerned as always lmao
also that shop they go to is really aesthetically pleasing idk
And Tao’s rrrrrude is awesome. Also him and Elle fighting over the apple juice is adorable. I love how they interact, the way they play off each other so nicely. Of course, Tao gets all awkward and runs, but he means well. I’m glad we get to see their dynamic more, because it truly is such a good time.
I’m also glad Nick and Imogen are still friends, because Imogen deserves platonic love. And Nick’s friends calling out to him, trying to make amends, shows that they mean well, and I’m glad for it. We just Ignore Harry being a dick. Anyway Imogen immediately running up to him with her little “Nicholas!!” and being so excited about her dog. and her wanting to move to brooklyn makes so much sense. i'm so glad they had a talk and want to be friends.
Nick’s little pause when she asks about his romantic developments is smth that makes me go awww bc its so obvious he *wants* to tell her, but its hard and he can’t, which I understand completely.
I also don’t understand British schools but Nick having to do studying next to Ben makes me gag bc Ben makes me gag. but the top down shot is so cool
also the “QUIET” from Mr. Farouk is what i've been waiting for yesss. He’s so… i just love him.
Nick texting Charlie right after seeing Ben is so sweet of him, and the “I miss you” is adorable. I love him.
Bash does such a good job making me despise Ben. Like actually I hate him. And Nick shutting down Ben and telling him not to talk about Charlie like hello supportive bf!!
Nick being worried about Charlie not wanting to be there is so sweet. and the line “I need you.” ugh my heart. Nick being vulnerable like that is so sweet and something I love. and then Nick not playing well because he’s at odds with the team and it’s causing a rift between him and his performance!! and charlie’s face, you can really tell he’s worried for him.
tara and darcy teasing elle is such a thing my old friends would do, and it’s a very accurate portrayal of teenage romances. (the way tara and darcy hold each other in this scene tho)
“Your hair is cute long. but it would look cute short too” *plays with his hair and then leaves him alone to panic.
okay can we talk about Charlie getting Nick his favorite chocolate bar for their two month anniversary and then getting all embarrassed about it and how cute it is that he remembers such a little thing. and you can tell Nick really appreciates it, the way he thanks him and does the little forehead press. (and then they just start going at it like bro give your lips a break)
Charlie reassuring Nick that he doesn’t need to tell anyone is so important, and i’m glad it’s touched on multiple times this season. because. it’s something that everyone needs to hear.
tori appears!!! her lines are always either so witty or so sweet. also charlie getting so many snacks is so like real of him bc i know what it’s like to want to make a good impression and provide for everyone. and then the cute little scene of all of them interacting and nick and charlie touching with the little sparks, getting more and more confident being themselves around each other. and issac’s little glances at everyone!!
also imogen being invited is so sweet. and the “she’s an ally” line makes me fucking laugh.
i want to talk about how well kit does at playing the nervousness of coming out to someone, even someone you trust. it’s scary, and it’s hard to say. and then charlie telling him that it’s okay. because it is.
more taoelle moments too! the garden scene is so cute. and elles hand hovering on taos face and the sparks and then it being all awkward is so ansjjsjsj.
i also wanna talk about how tara always tries to include issac like it’s incredibly just awww. it’s nice that he’s integrated into the group more because he’s always in his little book shell. like boy you are watching a movie get your head out of the books!!
imogen really tries and i love her for it. like she’s supportive in the best way she can be, even if she doesn’t know what to do. but girl you can do better than ben!!!
i love the girls supporting elle when she’s upset, the three of them have such a good dynamic. and then nick and charlie texting about telling imogen <3 you can tell how happy charlie is, and how much he cares.
love how charlie gives all his friends hugs as they leave bc that’s so in character for him honestly. and then nick turning around and kissing him in front of everyone makes me go eeeee like go Nick go!! slay king!!! i’m so proud of him. and of course Tao being Tao coughing and interrupting the moment lmao
Charlie telling his parents is such a funny scene because of the ‘hanky panky’ bits. tori is great in that scene.
“i can protect him” charlie baby that’s sweet, especially knowing what you went through. but i think you need to realize that not everything is going to go perfect 100% of the time. love the optimism tho!! it does show he really wants everything to be perfect for nick, which i think is so meaningful and deep when you take a look at charlie’s own background.
anyway, that’s all for episode one!! i’m doing these slowly, so episode two should be up in a few days!!
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frommybedroom · 2 years
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why nick and ben are each other’s foils
(cw for super brief mention of s*xual ass*ult, used only for analysis)
both nick and ben start the season (and end the season in ben’s case) in the closet. this could so easily be another “homophobic bully is secretly gay” cliché, used to, in a way, excuse the behaviors ben exhibits towards charlie. but then here you have nick nelson, this golden retriever of a person who, while figuring himself out, is still able to maintain a friendship with charlie instead of pretending he doesn’t know him and literally assaulting him.
the way they interact with charlie in general. obviously ben is a dick who doesn’t care about charlie’s feelings. he straight up makes out with a girl in front of the school gates and tells charlie that he’s overreacting. on the other hand, when charlie even thinks nick’s going out with imogen, nick jumps at the opportunity to explain his side of the story and promises to let imogen down gently. he doesn’t criticize charlie for feeling insecure about it and apologizes, even though imogen was the one who put him in that awkward situation.
the fact they both have scenes with charlie playing the drums: for ben, this is how the two meet and for nick, this is how the two bond even further when he comes over to charlie’s house. along with not caring about his feelings, ben doesn’t even bother to take an interest in charlie’s drum playing, whereas nick tries (and fails lol) to play which lets charlie know that nick, unlike ben, actually cares about his hobbies.
the conversation nick and tao have is a conversation ben could never ever have with any of charlie’s friends. during the conversation, tao is incredibly blunt. he tells nick that keeping their relationship a secret is hard on charlie and that the longer the secret goes on, the worse he’ll feel about himself. this is 100% true, and tao doesn’t try to soften his words. however, nick really listens bc he knows tao and charlie are besties. he listens and he learns and he almost immediately starts his journey on rectifying the situation. on the other hand, when charlie confronts ben with cold hard truths about his behavior and internal homophobia towards himself, he shuts those criticisms out and refuses to work on bettering himself.
in conclusion, ben hides behind his internalized homophobia and uses it as an excuse to be a dick, while nick takes the time to understand and process his feelings so he doesn’t hurt the people he cares the most about.
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thetrashiestbaby · 9 months
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idk about you but i was so scared about ben's safety (to/from himself) a couple times this season. I only didn't think it'd happen bc that would be opposite to the message the show was trying to send re: you don't need to forgive abusers. (plus being dark. though they did then touch on that w charlie in ep8.)
but yeah idk there's such pain in him and it just makes me really anxious for him. partly especially because he's made himself irredeemably unwelcome in the community that could have been a light for him (and he obviously wants that back! but can't have it)
like I'm not being a ben-apologiser, and I think charlie's right to cut him out his life. but damn am I not scared for him. he just seems so at risk to me. so it's a little worrying to see complete ben vitriol. (bc yeah he's caused pain but i don't want him ending up dead/hurting himself, yk.) like not everyone who needs help is going to be perfect or seem deserving of it, but they still need and do deserve to get help
I think the fact that we can feel all these conflicting feelings with Ben is apart of what makes the writing of his character so great. Ben is the bad guy we can get that out of the way. His actions last season are unforgivable, and yet you still quietly root for him. When he’s dating Imogen it’s hoping that he’ll treat her well, and when the rainbow is flooding out your BEGGING for him to let it embrace him. Ben makes the wrong decision over and over again and it’s only going to continue to hurt him, he’s not even hurting other people since Imogen broke up with him he’s only hurting himself. Ben is a bad person and I hope he is never apart of Charlie’s life ever again but I also hope that he can eventually grow into a better person if only for himself.
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thedecadenceofwar · 9 months
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i've just watched the ep. 7 conversation with ben for the second time (spoilers)
it's a lot, and it's really fucking heavy, and this time just like the last i had to pause and walk away, especially because of the moment after charlie leaves.
ben hope in this season, somehow more than last, is extremely punchable. he smirked a lot, notably. but in this moment you want him –
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to just take a step forward.
the thing about ben in that apology was that he really believed that he was being so sincere, that he had figured something out, and that once he apologized, it was all gonna be okay. but he still wasn't able to comprehend that what he did wasn't just bad, it was wrong, and it severely affected charlie (see the charlie spring spectacular for more). and he was so pitiful! "I just wanted something good. You were something good."
he says to charlie: "If I just had more time." he tells nick: "charlie didn't even give me a chance to figure myself out." his whole argument hinges on the idea that he WOULD have been better, that he COULD have been better, if only they understood that none of it was his fault, never his fault – charlie was the one who didn't give him enough time, or nick was the one who stole charlie. he's dead set on being the victim. the victim of his parent's disapproval, of charlie's impatience, of nick "messing up [his] life." he refuses, even in the apology, to acknowledge what was actually wrong, acknowledge his actions. he says, "I was a dick back then." "I'm a messed-up person, Charlie." why, ben? why? what did you do, exactly, that makes you such a messed-up person? he doesn't know. he knows what he wanted: "something good," and he knows that he fucked it up, because he doesn't have it anymore, so he must be a bad person.
and it's – in a moment, for a second, you feel really bad for him, because he's smiling a little, and he's so sorry, and he really liked you, charlie, you know that, don't you. but then charlie speaks, and you watch his face fall, and fall, and fall. because he wasn't expecting charlie to call him on his actions. you can call yourself a bad person and get away with it until you face your actions head-on, and charlie is a collision.
here's the thing: ben says, "I want to be like you two, but my parents would never accept who I really am." but then when he's alone, with no one to see him but himself, faced with a safe space, one that is literally, narratively, welcoming him, he walks away from it. the waves lap at his feet. he could take the first step towards being better right there. redemption, right there. and goddammit, you're supposed to WANT HIM TO! because without knowing it he's hit on the theme of the season: be who you are on your own terms. being honest with yourself, by yourself, is the first step. and ben can't.
if ben wanted to apologize, he would have taken charlie's explanation, and he would have walked into those waves, and taken a chance on being honest with himself. but he just wanted liberation. he just wanted forgiveness. he just wanted to stop feeling bad about himself for long enough to feel good about being the victim.
ben hope is a tragedy. alice oseman and the writers know that most of heartstopper's audience is queer, that most of heartstopper's audience knows exactly what it's like to take one step forward into a queer space for the first time, and the terror and bravery that accompany that. you've been there, faced with a choice, walk forward into freedom and light – or walk backwards into secrecy and darkness.
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And Ben makes his choice.
I think sometimes that becoming a better person means walking forward even when you know you don't deserve it.
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albaqae · 9 months
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Heartstopper season 1 they were so inmature but it makes sense bc they’re teens and in the comics they were had pre existing patience and super emotional intelligence but here we see it happen and develop and it feels more realistic and both versions had such good character depth but I like they take different approaches and yuseff is such a good actor and the asexual representation was so fucking good they gave him depth which was always a weird area bc everyone had their arcs and he was just there and im rlly happy and it made me so happy and trans rep is so fucking good omfg TAO HAD SUCH GOOD CHARcter development and it’s actually INSANE and his dad explains him a lot and I love it was added also also Ben’s character was so good too like they didn’t just make him a bad person they made him a human that’s fucked up but also they didn’t excuse it because he was real messed up and the symbolism of the electric flowers and butterflies versus the Norma leaves versus the gay waves the GAY WAVES THE GAY WAVES THE GAY WAVES and they kept the paris squad and and
and I’ll elaborate later
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theyarerealtome · 1 year
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Ok, but let’s talk for a minute about just how good Nick and Charlie are for each other?? Not only romantically, but how their lifepaths are genuinely changed for the better because of their relationship?
Like, we know Charlie gave Nick the positive queer experience he himself never got to have and supported him through figuring out his sexuality. And Nick helps Charlie rebuild himself after Ben and the bullying, and his eating disorder.
It made me think about how things could have gone if they hadn’t met when they did. Beyond the aw-they-wouldn’t-get-to-meet-their-soulmate-☹ and to the sad, wider implications of not knowing each other.
Sorry for the incoming Way Too Long Ramble about what if Mr Lange had done the seating plan differently.
TW for discussions of canon eating disorders, self-harm and sexual assault.
Charlie
First off, I think Charlie would still break things off with Ben after seeing him with a girlfriend. But the big difference is there’s no Nick to discover Ben assaulting him, and to subsequently confide in about their relationship and reaffirm that Ben is the terrible, awful person.
So, we’re looking at a Charlie who is still carrying this toxic secret alone that could damage and tear away at his self-esteem even more than canon where he fairly quickly gets to build a healthy, loving relationship with Nick who actively combats a lot of the shit that Ben told him
(I wonder if eventually Charlie would have told Tori more?? About the guy who ‘made him feel like it would be better if he didn’t exist’. I hope so, because Charlie, my beloved, while you are an actual angel for not outing that piece of dickweed to anyone, you’re allowed to tell someone)
(Don’t even want to get into if the assault would have progressed further without Nick there. Probably Ben wouldn’t have gone beyond kissing. But it would still be more traumatic, and Nick’s discovery meant Ben was warier about coming near Charlie afterwards. Whereas no Nick means Charlie is constantly on guard avoiding Ben)
More under the cut. 
Unquestionably Charlie still develops his eating disorder - and chances are it’s quicker and more severe than in canon, with all this extra crap going on.
The one bit of hope is that while it might take longer for other non-Nick people to notice his ED, I’m sure they would. Charlie still has a good support network, and someone – Tori, Tao, Elle, Isaac/Aled, Mr Ajayi – would pick up on it.
But still getting help, and his recovery process (especially around self-harm) would be much longer, and more painful given Nick was the one who first got through to Charlie and helped him talk to his parents.
And Tori and Nick were both the biggest supports for Charlie through it all – without Nick, poor Tori has so much more on her shoulders.
The events of Solitaire end up being even darker, as Nick/Charlie are basically the main bright spot in all that. So, you have an even sadder Charlie and Tori
When the air clears after an incredibly shitty few years you’d have a 16/17-year-old Charlie who is working on his ED, self-harm, and mental health, but bottom line is it’s a much more painful journey, and he’s probably more impacted by everything with Ben.
In terms of the wider friend group, probably the Paris Squad Charlie/Tao/Tara/Darcy/Aled-Isaac/Sahar unit still develops. Because Elle was really the one who connected the girls with the guys. So, at least Charlie would have that
But with wider popularity? Canonically he ends up Head Boy and is friendly with a lot of people. I’m thinking without joining the rugby team, expanding his social circle, and having Nick to build his confidence we’re seeing a more reserved version of Charlie. Maybe he’d just be like a prefect or something but not quite head boy?
So, by the end of high school you’ve got a recovering Charlie heading off to uni, but he’s carrying a lot of self-loathing and emotional scars that Nick chipped away at. 
Nick
It feels like in the shorter-term Nick’s situation would be better than Charlie’s – but longer term everything goes to shit.
Initially not much would change – he’d play rugby, he’d have his friends who he doesn’t actually like but is accepted by, he’s in a group where he can never be fully himself
Basically, Nick is ok but he’s not happy – and not even fully aware of how ‘not-happy’ he is
Harry would still have pushed Tara & Nick together at his birthday and Tara might still have come out to him. But without Nick’s sexuality crisis or talking about his openly gay “probably-my-best-friend-right-now” I don’t think they would have connected so quickly
And he never would have been at the orchestra practice to see her again and plan lunch together, milkshake dates etc. So that means no befriending Tara/Darcy and not connecting with the Paris Squad
Things with Imogen would have developed in a similar way: chances are peak peer-pressured Nick would still be bulldozed into going on their date, but without his relationship with Charlie to enable him to cancel, you’re looking at it being dragged out way longer - it’s a question of how many dates they go on before Nick calls things off
Yeah, he would have stopped before they actually became boyfriend/girlfriend, but it’s still a much stickier situation all round and one that leaves him more alienated
Then he’d still go on the Paris trip but probably ends up rooming with Harry and co. so much less fun all round  
On the friend’s front – he’d still have Sai/Otis-Omar/Christian, but in canon it seems like their friendship deepened when Nick got together with Charlie, and a line was drawn over who Nick’s true friends were?? Without that happening, their friendship likely stays more surface level and shallow
Similarly, I’m not seeing a Charlie-less version of Nick having the confidence to confront Stéphane and David
Coming out as bi, having Charlie to confide in about his feelings, and just generally being able to be more himself – all that contributed to Nick calling both of them out on their shit. Without those circumstances, you’ve got a more people-pleasing Nick who pushes his own feelings down, so nothing real gets addressed and both relationships remain toxic and distant.
Obviously the massive, massive question is when and how Nick has his “full-on gay crisis.” And that’s kind of impossible to say. It could still be at Truham over another guy, or might not be until after school (maybe at uni)
There are a hundred ways that could go – but I think the key thing is that without Charlie, the chances are Nick’s sexuality journey wouldn’t be nearly as positive or healthy. (Honestly, it’s often missed just how supportive and essential Charlie was through it all, and how wonderful it was that Nick got such a sweet first (only) boyfriend).
Also remember, Charlie is the only out guy at Truham – if Nick falls for someone else at school then they’re either straight or closeted, and Nick is hit with feelings that he has to deal with on his own
There’s no Charlie to make the first move, no Charlie to hold Nick while he’s breaking down, no Charlie to tell him it’s ok to figure things out, no Paris Squad to provide queer community, no Tara/Darcy to talk to. It’s Nick alone in his room with BuzzFeed quizzes and articles on conversion therapy
Luckily he does still have Sarah and he might confide in her at an earlier point than in canon, but in terms of actual friends to talk to? ☹
Again, as with Charlie, Nick would eventually be ok. He’d figure it out – but it would be a hell of a lot of lonelier, and he’d probably never come out or act on anything while still at Truham
If his sexuality crisis happened post-school (likely uni) …possibly that would be better?? Uni is less of a cesspool, he wouldn’t be as trapped with people like Harry, and could at least connect with LGBTQI+ groups on campus etc. But on the flipside, it’s a Nick whose had years more of repressing his true self so there would be more to untangle
Overall, whether he’s realised he’s bi or not, by the end of school you’re left with Nick who is doing fine enough and seems content, but is much less anchored in himself, represses important parts of who he is, and lacks a real, close community
Idk, what other people think. This is all assuming that Nick and Charlie don’t meet later during school (e.g., if Nick reached out to the collection of queer students at Truham during his bi crisis). 
But basically, all that long ramble was saying that a Nick and Charlie without each other is a very sad thing to think about, and they’re 100% a couple who make each other better, happier versions of themselves <3
(Also sorry this is a frankenstein combo of Netflix and comics heartstopper. basically it just takes everything across both universes into account. Plus Solitaire, This Winter, N&C etc. 
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whitestopper · 9 months
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Before Season 2, I thought that Tao's father had left Tao and Yan, and since Tao('s actor) is mixed white and Asian, it could've been shown that Tao's anxiety over fitting in as a half-Asian boy in a white school started from a young age. Maybe his father told Yan to stop teaching him Cantonese, or not letting him bring egg noodles for packed lunch. Maybe Yan would agree out of fear that Tao wouldn't assimilate with his classmates or maybe she'd just agree so he wouldn't cause a fight about it. Just little things that started building up the idea that being 'too Asian' would make Tao unlikeable, which would then reach its peak when his white father leaves him.
Or if Tao's dad needs to be good but dead so Yan can speak happily about him without any issues, then Tao could've just had a bad time at school. Teachers expecting him to be a minority model student (quiet, polite and getting exceptional grades) and peers doing racist stuff like broken accents and stretching their eyes. His parents could do their best to make sure that his spark isn't dulled but his insecurities still come out, especially at school where they started.
Now I'm speaking as a white-passing half south-east Asian who was spared being targeted - to my memory the school I went to, while having all white staff, had a decent of mix of white and (east to south) Asian kids. But make no mistake, kids are very much exposed to racism and internalising it. My brother and I were younger than 10 when we learned about the aforementioned racist imitations. We watched Family Guy (to my mum's displeasure) and Eurocentric beauty standards are very clear (and I did internalise the idea that because I was 'ugly', I should put my pride into being 'smart'). And when I became a teenager who realised just how detached I was to my Asian heritage - to the point of thinking myself as less than half-Asian due to lack of exposure - it very much fucked with my sense of self and made me feel like a tourist/outsider when trying to get in touch with it.
All this to say, you can get away with not addressing race when your story is centred around two white boys and poc are just side stories (I mean, you shouldn't and you can't really, but you can), but when you're trying to bring poc to the spotlight, it's really bad to only acknowledge homophobia, mental illness and passing sexism/transphobia (Elle's experiences with transphobia are only mentioned as happening at Truham, but who really believes that the homophobes at Higgs are trans allies?) and not racism, colorism, or xenophobia. Like, does Elle being able to pass as cis supercede the fact that she will never pass as white? Is there not a certain reason Tara struggled to accept that she was a lesbian for longer than Darcy did? Would Tao not have had experience with white peers who bully him and white peers who don't stand by him?
And I won't say much on it as a cis woman, but as Asian men are emasculated as 'weak', Tao's seemingly inexplicable aggression towards Nick becomes... well, explicable when you recontextualise it as (subconsciously) trying to match the white masculine ideal of aggression.
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RIP everyone who followed me for other shit; this has become a Heartstopper blog.
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