So you loved Kira Kira Precure a la Mode, and/or some of the other seasons of the past 10 or so years. So you go to watch the season that started it all, and its probably not what your expecting. And there's a good chance you don't like it. That's fair. The two could not be more different.
Now, Kira Kira Precure A la Mode is not a bad magical girl anime. Not by any stretch of the imagination. It has charming characters and creative battles.
But is it a good Precure show?
It is Futari wa Precure's antithesis. At least as much of an antithesis as it can possibly be while still being a show targeted towards young girls.
Kira Kira Precure A La Mode is a colorful show, with 6-8 larger than life characters as they battle against hatred. They fight in confection themed outfits while wearing heels and being unabashedly cutesy. It's main protagonist always saving the day with an energetic "Whip Step Jump" or a "Bright Idea".
To be fair, many modern Precure series are more similar to Kira Kira. Girls who are role models. Girls who chase after their dreams with everything they have. Who even without being Precure live extraordinary lives.
There is only one Whip, there are many like her.
There is no Cure like Black.
Now excuse me while I get really emotional and overdramatic about Futari wa Precure.
Futari wa Precure is not modern Precure, Modern Precure wouldn't really start until Fresh. Splash Star took the first steps, and Precure continues to evolve, but the first seasons of Precure, particularly the first 3 are not the Modern Cure.
Futari wa Precure is not a story about Extraordinary girls, doing extraordinary things. It's not loud, nor bright spectacle.
A show is not wrong for being these things. But these things are not Futari wa.
It is a story about ordinary girls, who live ordinary lives, who fight against eternal forces that seek to destroy the normal things they hold dear, with only each other to count on.
There are two sides to Nagisa and Honoka's lives. Their day to day lives, filled with people they love. Takoyaki and Chocolate and Dogs and Lacrosse and a million other simple things. Slice of life filled with unapologetically ordinary vibes. The world they seek to protect.
And the things they do to protect it. The lonely brutal battles. The interruptions to their day to day. The threats on those they love. The villains dismissal of their important feelings and things in a battle that feels bigger than them. There are only the two of them. And 2 fairies who, themselves, only have each other, desperate refugees stuck in a world that makes them so tired that they cannot navigate it on their own.
And when I say there's no Cure like Black, I'm not exaggerating. There aren't many sporty lead cures anymore. But even when there were. There was no one like black. Melody, Rouge and Bloom are closest. But even then.
Cure Black is not an optimist.
She is not confident.
Nagisa does not want to be a Cure. She does not want things to change. She bullies her little brother, she argues with her fairy. She is irresponsible and struggles to do things she dislikes. She hates fighting.
But she fights anyway.
She is not hope.
She is courage.
Because if she's going to die, she will die fighting. Bitterly.
When I say there hardly any Cures like Black, I mean there are also no Cures like White. We have cures into Science, though even now not many. And when we do, they are mostly into biology. (Doctors, Nurses, Marine Biologists, Botany). The closest we have is Himari, and her way of connecting sweets to science. We do have two cures who want to be astronauts (Tsubomi and Hikaru), but even then their primary interests are Botany and Cryptids respectively. Not that these are bad goals. But they are not White's more nebulous interest in science, that extends beyond the life sciences. Beyond domesticity. She loves learning, pure and simple.
Honoka is well off, but gets her hands dirty. She is a woman of science, but takes the supernatural in stride. She is kind, but does things her way. She is graceful and polite, but temperamental and bold.
In this way, Rhythm and Egret perhaps resemble her though not each other. Egret shares her independent nature, and mild obliviousness. Rhythm shares her temper and hands-onness.
Honoka is hope.
But she is not the loud Hope, like so many pinks, burning towards a dream. Burning with the possibilities.
She is the quiet hope. The stubborn hope. She is the hope born of sorrow and things that cannot be. The hope that hears "This is the way it is" and says "No".
Cure Black and Cure White are not merciful. They do not redeem their enemies.
A general hurts Black's brother and laughs. She kills him in rage. He was desperate. But she was vengeful.
The enemies they fight are not all encompassing evil. They are darkness, and a threat that needs to be eliminated. But for many they merely want to survive. But so do Black and White.
Cure Black and White fight, pitting the survival of their world against the survival of their enemies.
It's them or her, and she chooses her and she loses.
Her brother is vengeful and angry, and its him or them.
And he chooses them.
They lose a friend to this pointless struggle.
But they continue on. The battle continues on.
Honoka cries and cries for him. Did it have to be this way? It doesn't matter because it is.
And there is no one she can talk to aside from Nagisa, and Mipple.
There is no one shouting to cheer on the Precure, no miracle lights. Those wouldn't come until Yes 5!
They are merely rumors. A half seen fight. A figure seemingly out of a dream.
Are they even real?
Their imitators on the playground are more real than they are.
Bring more smiles than they do.
The universe is more vast than any of them could comprehend. There are entire other worlds with people who laugh and cry.
And there is no setting quite like Futari wa's setting. The setting in Futari wa, which I don't believe is named in show, is based on the Tokyo area. Not a made up city. A real one. Sure their school is fictional, as are the stores they visit. But the amusement park they visit is directly inspired by a real one. Nagisa lives in an Apartment building I believe to be modeled off a real one. They travel busy trains. Honoka's grandmother lived through war and tells stories of bombings. This is the Tokyo of a world not quite unlike our own. And perhaps most notably, this world is melancholic. Not bright.
Nagisa does not have pink hair. She does not have blond hair. She has orange hair. Not bright orange. Orangish brown. Though not one common in Japan, a real color.
Honoka has black hair. Some might say blue. Although with its darkness its otherwise indistinguishable. It might as well be black.
Shiho has red hair. And later Hikari will have blond. Kirya's will be green, but like Honoka so green it might as well be black.
These may not be real hair colors, exactly. But they're close. Their muted. In the same way this is Tokyo but not.
With all of this said, there is still one core tenant Kira Kira holds to. It is still a story about girls, different kinds of girls, protecting the things they love. In Kira Kira, it is sweets. In Futari wa... its sweets.
Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.
Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.
At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.
Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.
Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.
“queer spaces should be inclusive of people who don’t enjoy sex and who have “strange”, negative or repulsed relationships with sex” and “sex is an important aspect of lgbt community, history, and activism and queer people should be allowed and able to talk freely about sex without stigma or shame” are ideas that can and should coexist.
I need to see more demigods who bite. Like jason totally feels the need to bite stuff, and leo half-jokingly suggests getting him a chew toy (like a dog). Nico absolutely bites to show affection, (maybe not willy nilly like jason but still) like just randomly biting people he's close with shoulders or hands because he just loves them so much (jason both bite to express affection and stim)
Anyways petition to normalize neurodivergent people who bite as a form of expressing affection or stimming.
oh absolutely. I actually have a tier list of "which of the Argo II crew & co are most likely to bite:"
Jason gnaws on people to show affection. He is extremely "Everything I love belongs in my mouth and everything I hate belongs between my teeth." He mostly stopped doing it for awhile cause of the whole "being trained to be the Perfect Praetor™" and having to mask a lot more, but he picked it up again a bit when he and Reyna became friends cause she didn't care and then more with the Argo II crew. He definitely hoards chewlery. He also definitely bit Krios real bad when they were fighting, if not outright killed him with his teeth.
Nico is a younger sibling. He has no qualms against biting in fights, any fight, but he does associate biting with fights. Jason tries to friendly-bite him one time and Nico just takes it as declaration of war and they end up tussling for like five minutes. After he gets used to Jason though he picks it up a bit too, mostly just chewing on people's hands. Also I 100% hc that when he was in Tartarus he just went full teeth-and-claws mode to survive. Honestly he bites more in regular combat and even training than Jason does, mostly just cause he's not above fighting dirty. If it works, it works. Also I hc he has sharp canines and is small so he might as well.
Frank's third but only on technicality cause shapeshifting. When he's human he's pretty much equal level to everybody else which is "only bites as a last resort."
Everybody else is pretty on-par with each other but Percy is probably just sliiightly more likely to bite not for any particular reason, he just considers it a valid fight tactic in a pinch (unlike Nico, who just considers it a general fight tactic). Also he got the oral stim adhd vibes. He has a lot of chewlery. They're all sea-themed, of course. Thalia is also pretty equal to Percy in terms of "biting as a valid fighting tactic."
Annabeth is also like. She's less likely to bite than Percy but more likely to than the rest of the crew. It's just a valid battle tactic under certain scenarios to her (and that includes training). She does consider it a low-blow though. She's also definitely got the oral stim adhd too. Lots of chewlery, rip her pencils and pens, etc etc. Her and Percy probably have a shared chewlery collection.
Piper is not the bitey type but she does have little to no formal combat training so yknow, wet cat technique. I do also totally believe she'd also have a chewing stim though. Like yknow how I draw her with the little braid sidebangs? Yeah she definitely chews on those and that's part of why she wears her hair like that. The other reason is that braiding it is one of her other stims.
I just recently started following you so i don't have the full lore of your murderous gay religiously traumatized doggos, BUT, from my understanding, they are Italian and i don't know what part of Italy they are from, yet i can't help headcanoning Vasco as Tuscan, while Machete is probably from some part of Veneto. And as an Italian who has heard Tuscans and Veneto dialet, well it's an hilarious mental image.
Vasco is indeed Tuscan, Florentine to be specific. He comes from a wealthy and influential noble family that has lived in Florence for centuries. He's proud of his roots, and it's usually easy for strangers to tell where he's from. He's a resonably successful politician and has worked as an ambassador and representative of Florence on numerous occasions.
Machete is originally Sicilian (ironically about as far from Veneto as possible), although he was taken to mainland at young age and has lived in several places since then, before ending up in Rome. The way I see it, he exhibits very little local color, his demeanor and (even though Italian hadn't become a standardized language yet) way of speaking are formal, neutral and scarcely give away any hints about his personal history, at least in the 16th century canon.
Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)
i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.
Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,
And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)
i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.
frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.
as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.
Two men with endless patience and wells of kindness within them; who have been hurt time and time again but continue to be gentle and jovial. Who were forced to grow up before their time, and take care of themselves without that same expectation of others. Who hold levels of insecurity so deep within that it has taken root there. Who feel the need to protect, but who protected them?
If anyone could make Halsin see the beauty in Baldur's Gate, it's bright eyed Wyll. And when Halsin murmurs “My hero,” eyes wide and adoring, it is without a lick of insincerity.
They both want to be dads - and they would be such sweet ones together! Gentle parenting squared. Wyll is the one I could see joining Halsin in Reithwin and rebuilding. There is a lot of potential!!
do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
and look at how exasperated and resigned she looks
And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)