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chuluoyi · 5 months

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I'm thinking about Megumi's sister, who went to magic school with him. who was trained by Gojo. who fell in love with Gojo. who dared to confess her feelings to him. and which Satoru rejected, saying that he was too old for her

it doesn't have to be something obscene… so if you like this idea, then please write something!

belong with me

- gojo satoru x reader

the strongest sorcerer is your savior. you know he is far from your reach... but is it so wrong to love him—after the years you spent by his side?

genre/warnings: angst to fluff, a bit slow burn, reader pining on gojo, mentions of injury, comfort

notes: omg omg i actually really like this idea!! i had wanted to write this since you sent this ask but i was struggling with the setting, so i tweaked minor things so that it’ll fit the canon timeline—reader is megumi’s cousin rather than sister.

and *sigh* it somehow turned out into a 4k+ word🤧

series masterlist | oneshot masterlist

What is Gojo Satoru to you?

If asked that, Megumi would definitely say that he owed both of your lives and his sister’s to him. Following the chaos too complicated for you to understand that left the three of you orphaned at the age of six, Gojo Satoru, who were just barely an adult himself then, was the one who stepped in to take all of you in.

But to you, he was more than just that. He was many things. Your savior, mentor, friend, and... you daresay, first love.

And because of that, you would never thought that there’d come a time when your heart was really broken by him.

At first, Gojo Satoru felt like a big brother to you. Megumi was suspicious of him since the very beginning—his skepticism was funny sometimes—but you and Tsumiki weren’t as much.

He easily became your friend. You would laugh for hours to end after he cracked the stupidest or lamest of jokes. He made the fact that curses exist and that you were somehow able to keep them at bay more bearable.

And when Tsumiki fell into her curse… Gojo was there to bring you comfort.

“Why isn’t she waking up?” Your hands were shaking as you frantically poked and nudged your kind cousin from her peaceful slumber at the hospital bed. The smell was suffocating—the sight was unbearable. Tsumiki was supposed to be bouncing up and keeping both you and Megumi at bay, not lifelessly lying here like this.

Facing Gojo, who had a tight-lipped expression beside you, you pleaded, "Gojo-sensei—" your glassy eyes welled up, voice choked with tears, "—make her wake up, please..."

And that was the first time he broke your heart. Even the strongest couldn’t lift this cruel curse posed upon your kind sister.

Your throat tightened, choked with painful whimpers as tears flowed uncontrollably. Sudden grief overwhelmed you, making you sway and shake like a leaf. At first, you didn’t notice how a pair of warm hands enveloped you, drawing you close for comfort.

Gojo allowed you to cry against him while you pounded on his chest. Not a word came out of his lips, a telltale sign that he was taking the situation seriously—something you, above anyone else, understood well.

From then on—ever since the tragedy that befell Tsumiki, it seemed like Gojo became even more protective of you but stricter with Megumi. The two of you eventually pursued the path of jujutsu, driven by one wishful thinking in mind—the possibility to break Tsumiki’s curse.

Encountering Gojo became a daily routine when you lived at the dormitory as a first year at Jujutsu High. He frequently dropped by just to greet you, or give you some things he got from his missions.

"Here," Gojo handed you the package of a popular kikufuku store. With that blindfold on and a shit-eating grin split his face, he actually looked so ridiculous. "I got you all their available flavors! Trust me, you'll like them!"

Against your own will, you felt rosy blush spreading across your cheeks. "Oh, thank you... I'll give some to Megumi as well, he's been working hard lately..."

"Ehh?" he pursed his lips. "No, no, no—they're for you! Don't give them to that emo kid!"

There was absolutely nothing significant about how he worded it. You were well aware of that—only a fool wouldn't be.

So why are you so giddy? Hah, why do you feel like you're... special?

"Don't call him emo," you chided, trying to suppress your smile.

"But he is! He's always grouchy with me without reason!"

Throughout your childhood, and now as you were entering adulthood yourself, Gojo's presence in your life still felt like a comforting, warm blanket—a dependable presence you could rely on, someone you could trust completely.

And apparently, someone you had unwittingly given your heart to.

It was a gradual process. You didn't fall for him at first sight or anything of the sort—it took years of being under his protection. Even as you watched him pursue one girl after another from the sidelines, you couldn't deny it—your heart was already his since then.

He always knew what to say, how to cheer you up.

"What's got you so down, huh?" Gojo asked, tousling your hair gently as you slouched. "Is it because of earlier? Don't be so down, you're doing great."

You fidgeted with your fingers, feeling the sting of failure twisting your gut. "I held everyone back, sensei. That's not great at all."

In the last mission, you nearly put Yuji and Nobara's lives in danger. You had taken the initiative to step into the cursed room, and had it not been for Megumi who came to your rescue, any one of you could have sustained significantly more severe injuries.

Gojo offered you a lopsided smile. "You couldn't have known that. Don't beat yourself up so much. The most important thing is that all of you are safe."

"But we might not, all because of my daring ass."

"Look."

He squatted to meet your eye level, and it dawned on you that he wasn't wearing that blindfold. "The fact is that everyone is good. And no, even if Megumi wasn't there, you wouldn't have been doomed. I would have been there, I always have, yeah?"

He was truly a sight, with that sparkling eyes even more so when he smiled unabashedly, voice not as playful as his tone usually was.

"That doesn't make me feel better," you replied, forcing out the words even as you were somewhat awestruck. "It doesn't change the fact that I'm inadequate."

"You're a first year," Gojo pointed out. "Everyone is bound to make mistakes. You just have to learn from them."

"In our line of work, those mistakes can cost us lives." You chewed your lip, looking down. "I—I don't want to be responsible for someone's death."

Your words left Gojo momentarily speechless. His blue eyes blinked several times as though he was taken aback, and you felt even more small—you had just revealed your deepest fear to him.

But suddenly, he laughed right in your face, prompting you to shoot him a glare. Just as you were about to retort, he rested his palm on your head.

"Do you seriously think I will allow that to happen?" Gojo queried with a wide grin and snarky tone. "To you, out of everyone else?"

You gazed at him in a daze, feeling self-conscious with his warm hand on your head. He'd likely done this a hundred times already, but you could never get past the sensation of his gentle touch on your skin. You yearned for more—for him to cradle your face, to caress you, to draw you closer—

“The obvious answer is, I won't,” he declared so surely, exuding unwavering confidence. You blinked, marveling at how his words made your heart soar and your breath catch. “So stop thinking about scary things. I'm here, remember?”

How was there a person who was such a perfect blend of the man of your dreams—smug, but also funny, caring and strong, like Gojo Satoru was?

Was it a sin to harbor these feelings for him? He has always been kind to you, and if you daresay it, fond of you as well. Is there a possibility—

Really, you should have known your boundaries.

"I think..."

And yet your heart screamed, for whatever it's worth—

"...I love you..."

Why couldn't you see that this was doomed right from the start?

"—Gojo-sensei."

You were breathless. Your wildly thumping heart drowned out almost everything else. Your hands were sweaty, and you braved yourself to meet his eyes.

And when you did, you knew heartbreak for the second time—

The way his smile faltered a bit, yet he forced it upwards, perhaps to spare your feelings.

Just as he always has. Ever since he rescued you back then, he would do these silly things so you would feel better.

"I'm flattered, you know?" Gojo gazed at you genially. "But I think—"

"You don't understand." What am I even insisting? "I... like you so much, Gojo-sensei. All this time."

It was supposed to be your final card. Baring everything to him. How grateful you were that he took you in, the kindness he showed you, Megumi and Tsumiki, those sleepless nights after Tsumiki fell into coma that he spent with you, sharing shaved ice on the hottest, cruelest summer...

"You're almost half my age," he stated matter-of-factly, and a sinking feeling settled in your stomach. "You're mistaking love for admiration. That's it."

"No! I know how I feel—"

"You should find someone your age," Gojo added while maintaining his smile. "There are good guys out there. Toge is nice—ah, but his cursed technique might be a little troublesome. Yuji is earnest and honest..."

You have never thought that there’d come a time where your heart was really broken by him. But he just did, as he listed all your friends without any regard to your feelings.

Suddenly, a wave of resentment surged within you, prompting you to hiss and cut him off.

"You're always like this," your eyes had started to well up with tears, but you ignored it. His puzzled expression only fueled your frustration.

"I hate how you constantly treat me like a child!"

You felt ashamed, but in hindsight you should've probably expected this. You didn't have anyone else to blame but yourself. You knew it wasn't fair to lay the blame on Gojo like now—he was merely on the receiving end of the brunt of your heartbreak.

You hated this. You hated yourself. And you couldn't help but to hate him too, despite knowing that you shouldn't.

With that, you dashed away, tucking away your first love to the furthermost part of your heart, swearing that you'd never, ever revisit that chapter of your life again.

Ain't that just the worst thing to hear?

Witnessing your tear-streaked face as you hurried past him left him stunned, rooted in place.

In no way was Gojo Satoru going to romance his own student. You were quite literally his protege and his other protege’s sister. That was simply out of the question. Not that he was the model of propriety, but even he knew that was not right.

And it didn’t have anything to do with the fact whether he did see you as a woman or not, because even if he did, it shouldn’t make a difference.

Right? It won’t change anything.

Because it was how it was supposed to be.

It was probably one of the forms of tantrum—or whatever it was labeled—in the end, it was simply a reaction to not achieving what you wanted.

For years, Gojo had shielded you and Megumi from the Zen’in clan. They were horrible people, and you were eternally grateful that Gojo went to great lengths for you, always swatting them away before they could get close to either of you.

Now that you thought about it, who they really wanted was Megumi. Your cousin held the quintessential Zen'in talent, while your modest Projection Sorcery wasn't particularly rare among the clan. Still, they sought you as well, merely to bolster their prestige with another member.

Normally, you wouldn't think such things. But you weren't in the best state of mind, muddled by your blind heartbreak. It skewed your mindset to one of the extremes.

And then you got this terrifyingly brilliant idea—what if you turned yourself to them? Surely the Zen’in would be sated for a while and stop bugging Megumi.

And you didn’t have to see Gojo as often too.

This went against everything he had done to ensure your safety. But that was the first thing that entered your mind when Zen’in Naoya accosted you by chance.

"We're family," he stated with a smirk, sending a shiver down your spine, an unsettling feeling washing over you. "We wouldn't harm you. Why waste your time being Gojo's little errand girl, huh?"

This was easier, or at least that was the illusion you attempted to persuade yourself with.

Naoya left with you with a meaningful "Think about it."

And the more you thought about it, the more you leaned towards the scenario you had thought to be unimaginable before—leaving Gojo behind.

Two months had passed since then, and it was time for the Kyoto Goodwill Exchange event. Gojo remembered this being one of the most exciting moments during his youth, and he sincerely wished that you would have fun too, even with all that had been going on between you.

He knew he was the one who said Yuji would be good. But he wanted to backtrack when he saw him getting punched by Todo. Nah, Yuji was too stupid, he wouldn’t want that for your match. Must be someone else… who was stronger, better.

And then he was even more beside himself when he saw you with Mechamaru.

Like really? That tin soldier? You could definitely have someone more human. He surely didn’t approve of the sight of you getting friendly with that suspicious scrap of metal!

"Hah," he grumbled to himself. Was it just him or were young boys these days simply too subpar?

Yuji is too risky, after all, he is also Sukuna's vessel. Todo... no way, he can crush you with one hand... Panda is a panda...

As if the roster wasn't bad enough, he was met with the most bewildering sight.

Never would have Gojo thought that someway or another, he would see you with that obnoxious Zen'in spawn who called himself the heir.

Before he could grasp his actions, he stomped right into the midst of where the two of you were—

. . .

You were a step away from agreeing to a whole load of new mess, until wind got knocked out of your lungs as you were harshly yanked from behind—

—and the next thing you knew, a broad back was in front of you.

“What do you want?” a low voice, almost foreign to your ears. But this man before you was Gojo Satoru himself, just way sterner than he usually was.

You were caught off guard by his tight grip on your wrist, his dark gaze fixed on the Naoya.

“Ah, don't be like that, please.” Naoya dismissed with a wave of his hand. "I'm just saying that it's been too long already for you to play the benefactor. She ought to be with the family, where she rightfully belongs."

Gojo seemed to grow more imposing, his sneer deepening. "And by family you mean you?"

The atmosphere grew tense as the exchange between them continued, each word laden with underlying tension.

"Hah, Gojo-sama, you really think you're so high and mighty, don't you? I'll have you know that she, and by extension, the Fushiguro boy, are Zen'ins. No matter how—"

Naoya's words seemed to falter as Gojo's presence intensified. There was this thick electricity in the air, and you almost shuddered when he spat, "Leave."

He couldn't possibly murder another great clan's heir, no matter how much he might have been able to. It would incite a strife that would make his eyes hurt. He just had to scare him off.

And he did. Naoya went with his tail tucked behind him, and that was one problem taken care of. Now Gojo just had one other thing to deal with—

"What were you thinking?" he asked, his tone sharp and accusing, before he even properly faced you. "Since when did you start meeting up with him?"

You hadn’t talked to him ever since your botched confession, but with the way it seemed, he was acting quite normal. It irked you.

"That's hardly your business," you retorted with a hiss.

Your responses seemed to grate him. "Oh? What do you mean it's not?"

"He is right, isn't he? I'm a Zen'in. There is no need for you to go out of your way to keep me under your wing. I can always go back to them."

"Are you—" His frustration was evident and it was quite possibly the first time you saw him direct this at you. "You can't go to them—"

"Sure," you mocked, wrenching your wrist away from his grasp. "I'm telling you, I'm not a child, Gojo-sensei. Please stop telling me what should and I should not do."

"That's not what I'm getting at. I've told you how horrible that place is, your place definitely isn't there."

"And? Where should I be?" you huffed challengingly. "Please, don't tell me that it's your cue to say that it's by your side. Because both of us know it's not."

Gojo didn't know what frustrated him more, the fact that you somehow fell into whatever it was that Naoya had whispered to your ear or how bratty you were being right now. Unwittingly, he let his own pettiness slip out, "You know what? You're being quite childish right now."

He convinced himself that, having practically raised you, he was entitled to have a say in major decisions in your life. He wouldn't let the Zen'in take Megumi away, let alone you.

Your face went scarlet with repressed anger. "So be it then."

With that, you stalked away, and just like how you went away from him the first time, Gojo could only stare at you in silence.

How had your relationship with him turned this sour? Was it the wrong thing to not acknowledge your confession before? He sincerely thought you would realize the implications behind your own words and snap out of that ideal version of him you had in mind—because he knew best that he wasn’t made for this.

Girls your age must want a taste of young love. He understood that, but it couldn’t be with him. It had to be someone else.

He resumed his musings earlier before he found you out with Naoya. And he finally came to a conclusion, that Yuta was the best match. Shame he was still away somewhere in Africa.

When Yuta got back, he would introduce him to you. Yuta was strong, kind, and he wouldn’t hurt you. And it would do him good too to have someone who cares about him.

Gojo Satoru never made flawed judgements. He knew this was the best approach, and yet why was there still this stifling feeling in his gut… at the idea of you being with someone—god forbid—who isn't him?

Not long after, a sinking feeling gnawed at him at the chaotic mess surrounding the Kyoto Goodwill event.

At first Gojo thought it was the standard worry. He chalked it up to all of his students were trapped inside this curtain that specifically forbid him to enter. Naturally, he would worry for his students; after all, he was their teacher.

But when he saw you fell on your knees with what seemed like a stem of cursed flower perched on your chest, he knew it was something else.

You were gasping for breath, clutching your chest in pain while Panda supported your weakened form, and seeing you like that apparently was too much for him. For the first time, Gojo regretted his decision. He shouldn't have pursued the enemy first. He should have gone to you first.

His instinct took over as he swiftly tore you away from Panda’s arms, drawing you close to his chest. His mind went blank, but he forced himself to focus on you, on what was causing you pain. "Y/N, calm down—"

"It hurts—!" you whimpered, digging your nails into his arm tightly, tears streaming down your face. "It hurts so much... I-I..."

For Gojo, this was a form of torture he hadn't realized before. For him, seeing you smile should have been the default, not this sobbing, injured, vulnerable state you were in now.

"I'll take you to Shoko. You'll be fine," he murmured decisively into your ear as you slumped against him. His grip around you tightened, and he repeated, "You'll be fine, I promise."

In the midst of your foggy mind, a realization struck—this was the second time you were ever held in his arms. And much like the first time, you felt an overwhelming sense of security.

Ah, but he had rejected you. You should know your place. You really should because pining on someone who didn't want you wasn't a wise thing to do.

But just this once...

Stupid. You were stupid indeed.

Because you chose to bask in this very short fantasy, fervently wishing that the heavens would grant you this sweet dream of him holding you in his arms like just this for a little longer.

As Gojo quietly observed you resting after being tended by Shoko, numerous thoughts swirled through his mind.

"I hate how you constantly treat me like a child!"

That was not true. He didn't mean to treat you like a child, because you were indeed not. You were a grown woman now, no longer the crying child consoled by Tsumiki and protected by Megumi as you were back then.

Once, you were this young bud he was meant to nurture into strength, but now despite himself, he saw you more as a woman rather than his protege. He wanted to see you bloom into this pretty girl he had always known you were, always innocent and protected—and a selfish part of himself would add: preferably by himself.

You were so serene. You looked so soft too as you laid there. Gojo thought this wasn't quite right and he couldn't quite get the image of you screaming in pain out of his peripheral thoughts.

Had he truly fallen? This strong urge to protect you, ensure your happiness, see you always smiling—it was as if these emotions were suddenly planted, but immediately establishing themselves like deep-rooted feelings that wouldn't fade away easily.

No, actually... who was he kidding? It was what he had kept to himself for a while now. He just refused to acknowledge these feelings out of the misguided sense of propriety.

It was all he could think of from the moment you passed out until you awakened. He pasted a smile on his face when you opened your eyes to his face.

"Ah, Gojo-sensei..." you mumbled, still disoriented. The way you looked at him was as if you were spooked, to say the least, and it bugged him. "Sorry, how long have I passed out?"

"Just a few hours. Are you okay? Do you still feel the pain?"

"Uh... a bit, but I'm okay..."

Normally, he never seemed to run out of things to talk about with you. This was too obvious. You were uncomfortable with him, and he noticed it.

You also seemed acutely aware of this immensely awkward situation. Having spent the majority of your life with him, you used to be open and at ease around him. But now, it wasn't the same. All because of your reckless confession before.

You spent the first few hours with occasional silence. Eventually, Gojo stepped away for a while, leaving behind a lingering sense of discomfort instilled within you.

You remembered the feeling of being in his arms. Once again, he saved you. The least you could do is to express your gratitude.

I don’t like this. It had been two months already. You had to put an end to this unbearable tension. You couldn't force him to return your feelings—you understood that now. And to make it to the way it used to be, you had to make it clear to Gojo too.

And so when he was back to your room, you braved yourself again. For the second and last time.

"Gojo-sensei," you breathed out, willing your shaky hands at bay. "I'm sorry to make you uncomfortable. Please forget what I said before."

What is this now? Gojo blinked, stopping right in his tracks, somehow hearing how you started with a "sorry" didn't sit well with him.

You continued. "Maybe you are right. I'm grateful for you, I look up to you... for the longest time, I might even have idolized you."

Wait...

"But it isn't love," you said with finality, looking away. "This is me admiring you, for all things you have done for me. And even if it is, I still can't force you to look at me in that way."

Gojo could only gaze at you in silence, a storm raging inside his chest. This was what he had hoped you would realize when you confessed your feelings back then, but now—

"I don't like how... we are now," you gulped. "And it's my fault. So I'm taking it back—"

“No, just—” This wasn’t right. Gojo knows it, but why is he saying this? “Just wait for a minute.”

You started as someone he wanted to protect, along with Megumi and Tsumiki. And then you grew up right in front of his eyes. Someone like you, who had gone through many horrors in life ever since young should have someone dependable and strong who could make you happy.

But then Gojo thought, he didn’t like how others looked at you. Heck, in his eyes, they were inadequate for you, if anything.

“Sensei?” you looked up to him with that doe eyes of yours, and Gojo Satoru felt like this was enough.

To hell with you finding someone your age.

He was strong—the strongest, and if it’s him, he most definitely could protect you far better than anyone.

He could make you laugh—had been for years already, and nothing would stop him now.

He would be damned should you somehow go to the grubby hands of the Zen’in.

“Keep your eyes on me,” his somber voice said then, causing your heart to skip a beat in response.

In short, he was better-suited for you more than anyone else ever could, in every possible aspect.

Apparently he was right. Your place was by his side, after all.

“…because from now, I might start looking at you too.”

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thankskenpenders · 4 months

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Sonic Prime Season 3: Final episodes, final thoughts

Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.

This did not happen.

Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.

...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.

(This post will contain full spoilers for Sonic Prime.)

The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow

Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.

The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.

That's pretty much the whole season.

I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.

While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.

I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.

By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.

The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.

Nine as a villain

It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!

So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.

Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.

This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.

A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback

Yeah that sure happened huh

The ending

Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.

The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.

So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?

Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.

I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.

(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)

This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:

The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.

The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.

The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.

Do I even need to explain why these are all unsatisfying?

Misc. thoughts

I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.

We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.

I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?

Sonic saying "help a brother up" to Shadow was funny

Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show

Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute

Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever

The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess

To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away

So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.

The canon conundrum

More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:

How can this be canon? Why is it canon?

I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.

Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.

But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.

And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.

Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:

"I cannot answer because I know the answer, and you haven't finished watching the show yet."

A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:

"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."

I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.

And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.

As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.

I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?

The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:

It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.

* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes

Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!

I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.

For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.

The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.

"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.

And finally, to close out...

Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.

Sonic Boom

Sonic SatAM

Sonic X

The Adventures of Sonic the Hedgehog

Sonic Prime

Sonic Underground

Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.

So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?

#tkp post #other media

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captainmera · 7 months

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i never realised just how much tgb had changed how i thought about the characters (mostly vee) until yesterday when i was re-looking over my toh fan-art. You wrote them so well that i forgot that it wasnt all in the show. like how vee and gus weren't shown to being best friends, vee never got to be angry/shocked by hunter or just willow still holding a little grudge against amity. They are just cool details and im so clad they were added! ps your great

Thank you! Wow that's very flattering! I'm glad you are enjoying it!

I really like Vee, and the more I think about the gang's time in the human-realm, the more I sit back in my chair and think "Ah man, these arcs are really necessary and interesting though.."

Vee also holds a lot of plot, as a basilisk. We can speculate what the reason is that they were extinct, for example (grimwalkers were extinct too).

Wat I really enjoy about TOH's characters are how easily and smoothly they weave into each other's themes and arcs. Their personalities and histories makes them all perfect friends to both build them up and break them down. It's a chefs kiss.

Vee is no different! The set-up for her character was perfectly slotted in to what the other characters needed for their time in the human-realm. And the theme I think the human-realm was supposed to embody.

The demon-realm arc for Luz was a hero's journey, but because of the foil of the trope, and that the point was that: there is no hero/chosen one actually, and the rebels didn't make it in time like in the books, and just because it's a different realm it didn't mean Luz could escape - escapism is temporary.

Dana has said grief and hope are core elements of the story, and she chose to tell it through a foiled trope of being chosen/hero's journey, layered with a religious trauma lens.

To me, looking at Luz as the main character, means looking at her as a nerdy girl in need of escapism, wanting to find purpose, and avoiding her emotions about her dad's passing.

The return to human-realm would be, for Luz, a turning point where TOH turns from being about a hero's journey and a journey about the steps of grief and healing - at the end of it, she will find the light.

Vee, to me, is kind of like a new take on the guide character. She is not a guide, in the sense that she has all the answers, but rather all the truths.

She was right when she told Luz she had everything and still chose to run away. They're not the same. Vee is also a lot better than Luz at being normal and fitting in, something Luz has been playing off and avoiding facing. Luz sees herself as being different as a bad thing, she tried to run away to a place where "weird" was normal and that didn't work out. Now she's back home and feels that it's all her fault bad things happened, because she is herself. And the person she is is different. And different didn't mean special, just different. Of course she's depressed.

The same is true for all the other characters. Vee gets to reflect their truths too, simply by being crafted, narratively, into being the guide.

Hunter gets to face his actions as the GG, come to terms with the nuances of his bad actions, whatever reason he committed what he did. Find forgiveness not just from Vee but himself too. He gets to start over, just like her. She shows him it's possible.

Gus gets someone to share his dream with, his love and enthusiasm for the human realm. A place that Vee feels is more home than where she came from. Gus gets to grow as a person, both morally and intelligently. As does Vee, she gets somebody who shows her that she doesn't just have to be a refugee, she can have a purpose here. She can be an ambassador.

Willow was set up to have an arc where she mistook her newfound magical and physical strengths (she is working out a lot in canon after she changed track), for inner strengths. Willow is a sensitive girl, and a bit of a berserk (I mean she was willing to burn her own mind just to hurt Amity). Willow having to face Vee, who isn't physically stronger than her but is significantly further down the road of being internally strong, is something Willow can learn from. Perhaps even have conflict with! (but more so a conflict with herself than with Vee, really.)

With Amity, Vee has a simpler role. I think to Amity it's more so showing that it's possible to live in the human realm, and giving her hope that going back and forth is a future for everyone who wishes to do so. Creatively speaking, I think Amity and Vee more so to bounce off one another for the plot, rather than character growth or decline.

Camila, I think, is the most interesting. Because she has now spent approximately a year with Vee, half of it thinking she was Luz and having feelings about her daughter having changed so much, the line "I'm glad youre still creative" comes to mind. As well as the terror of losing Luz again. But also, because she has had her own unseen arc and development with Vee, and them having bonded into a foster family that we never got to see glimpses of, it goes without saying that Camila has already done the internal work to take on more kids if that's necessary. I think she saw these kids by her door and thought "yep. They're mine now too." Vee, I think, is interesting to toss into the family dynamic between Luz and Camila, who seemingly are misunderstanding one another significantly. Vee sees them both, and can be a voice of reason when it comes to it. Or if it would come to it.

ANYWAY MY RANTS ARE LONG. IM DONE. THANKS FOR READING.

#TOH #the owl house #toh vee #vee noceda

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thisisnotkitty · 6 months

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more securitywaiter headcanons bc i can't stop thinking about them

part one here

-mike probably can't fall asleep unless he's playing the nature sounds at this point but one night they're chilling on the couch and ness notices mike starting to get sleepy so he starts to softly sing and mike is Schlumped. after that he much prefers falling asleep to ness's voice than the nature sounds

-ness grew up in the small town freddie's is in and probably grew up going to sparky's (and freddie's) a lot. most of the older folk who still go to the diner have known him since he was little. i think of his generation he's the only one who stayed bc most people his age moved out as soon as they could so he's kinda the towns kid in that sense??

-this one comes from the discord but he grew up going to freddie's and his favorite animatronic was always chica! i like to think he eventually gets to meet abby's friends and his parents probably never let him get to close to the animatronics for #safety reasons so he's incredibly excited to hang out with them

-ooh wait i have a hard time fitting vanessa anywhere in this canon divergence lmao but! i think her and ness originally had a hard time getting along but eventually they bond over their pasts with freddy's (and their shared names!) while mike is just like ??? in the background lmao (wlw and mlm solidarity?)

-abby absolutely LOVES ness (which is Very Important if you're going to be dating Mike) ness will sometimes babysit for mike but when the three of them are hanging out mike always makes jokes about how he feels like he's babysitting two kids instead of one

-speaking of abby, they don't really get a lot of one-on-one time with one another bc mike can't really afford another babysitter and vanessa has an actual job, so on their dates their joined by abby as the third wheel kinda lmao but ness always makes sure to give the schmidts an equal amount of attention and constantly reassures mike that he doesnt mind abby tagging along bc he's always liked kids and mike just heart eyes

-still the lack of alone time always makes mike nervous bc he doesn't think ness knows him entirely and doesn't think he'll still like him if he does but whenever vanessa can baby sit and they manage to go on a date, just the two of them, ness always lets mike knows that he likes him just as he is

im begging yall to send me any headcanons you have OR lowkey any prompts bc im already working on a fic but i wouldn't mind writing some oneshots in between...

next part

#securitywaiter #mike x ness #this is really just brainrot #im so desperate for more content so im just making it now #mike schmidt #ness the waiter #fnaf ness #dreamtheory #still a cute ship name <#fnaf #fnaf movie #abby schmidt #vanessa shelly #fnaf vanessa #vanessa afton #sparkys diner #kitty.twt

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queenofmalkier · 5 months

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Moiraine being 70 vs 40

(Alright this one took me a minute because corralling my thoughts is a challenge in the best of times.)

To begin with I will admit... I am one of the people who was indifferent towards the age change in the beginning. They're Aes Sedai, they live nice, long lives, and I wasn't like, emotionally attached to a younger, canon-aged Moiraine. It does make her early years more poignant, but I'll touch on that later.

Primed for older Moiraine, the show started and after two seasons I can safely say I am so gung-ho for 70 year old Moiraine I might actually be feral.

Here's why I, personally, think it was an excellent choice: Rosamund Pike is 44 as of writing this, so she visibly fits into the book age. As an audience nobody is really questioning her age - a few show-onlys I watched season 1 with actually remarked on how refreshing it was to see an older female character allowed to just exist and be part of the narrative without trying to sex up and/or grandma-ize the role.

Little Did They Know.

So you've got an audience that's mostly accepting of this character being in her 40s, and then you hit them with "Oh she's 70 and lets explore just how horrific that fact actually is together, it'll be fun!"

It was not fun, it was gutting.

One of my main critiques of the book has always been how we have these long-lived women, powerful women... but we never really take much of a look at the reality of that concept. Nor are we given POV characters who are really old enough to remark on it. Pevara at least thinks about her family, but Cadsuane doesn't give two figs about hers.

And here's the thing... they're Aes Sedai, but they're still human. What happens to them as they get older, but the people who fill their life are the ones aging? How does it feel to watch a mother, a sister, a child, friends, acquaintances, EVERYONE succumb to time in a way you won't for a very long time after?

That has to be impactful and I wanted to see those stories - and the show delivered. Seeing Moiraine with Anvaere? Chilling, horrifying, heartbreaking. Liandrin and her boy? A kick in the teeth. Even Alanna with her family, knowing very well she's probably the oldest one sitting at that table.

The point is, being an Aes Sedai means being powerful and respected, but it also means living through a very specific kind of suffering and trauma. They're basically vampires in terms of lifespan and we should see how that shapes them.

In regards to Moiraine being older and therefore not basically a child during the foretelling, it does change that particular hit... but by no means did the show let the viewers not understand how that moment altered Moiraine's life forever.

Instead of her being sort of an unformed girl hardened and honed by a lifetime of searching for Rand, one who never got much chance to be anything else, we get a woman who was already beginning to build her life, who had achieved the shawl, found love, and was exactly where she wanted to be.

And then all of that is taken from her.

It's devastating to watch the double-barreled whammy of Siuan and Moiraine giggling about being fishwives and walking into what was in many ways their deaths. Because the Moiraine and Siuan they were before walking into that room were gone forever. They would never be able to go back to the women they were before. They never even had a chance to mourn that loss. Moiraine went hunting and Siuan set her sights on the Amyrlin Seat.

I do understand for a lot of people her age is a sticking point, and that is completely fair and valid! It's a change that I fully agree did not need to be made... but by making that change we're given such a stark insight into the lives of older Aes Sedai who are just beginning to experience what it means to outlive everyone they know, watching one by one as cherished friends and family members pass on.

Soon all they have left are the children and grandchildren of those people, fractured mirrors that are just enough of a hint at the original that it must be painful to know them - which explains even further why so many Aes Sedai cut off contact entirely with their families. It's too painful to keep them in their lives.

#wheel of time #wheel of time tv series #wheel of time book spoilers #moiraine damodred #can i make it work responses

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haphazardlyannotated · 1 year

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Sometimes I think about an AU where Harrow's birth didn't require 200 child murders.

Gideon and Harrow probably wouldn't have grown up in each other's pockets the way they did in canon, with 200 other kids around. Still, having only about a hundred kids in their approximate age range (I'm assuming continued births with a similar frequency here) would mean that they'd know each other at least in passing.

Harrow without the crushing guilt of 200 lives on her shoulders would not attempt to open the Locked Tomb, and even if she wanted to, she would be much less likely to happen to have Gideon's blood conveniently on her hands in her attempt, plus Gideon would probably not be following her around to catch her in the act. Though somebody else might, to be fair.

Bottom line is, Harrow's parents are probably still alive. While I'm not sure about the psychological consequences of this, one change that does seem likely is that they might arrange a betrothal for Harrow. We already know from GtN that the only reason Harrow didn't end up engaged to Ortus is that they didn't want to mix up the Reverend Family's and their cavalier's bloodline. So this AU's Harrow is probably engaged to a man (or trans woman), since the Ninth doesn't seem to have the resources for whichever technological advancement on artificial insemnation gave Camilla two dads.

So considering that, in this AU Harrow might be the one with eighty-seven escape attempts.

As for Gideon, even with more potential friends around, chances are good she still wants to join the Cohort. She would probably not experience the same level of alienation and downright hatred as in canon, since Harrow's parents have no reason to freak out about her, but the general culture of the Ninth just isn't a good fit for her. Since Harrow wouldn't be as desperate to keep Gideon specifically on the Ninth, I expect she could just make her intentions to pay off her indentured servitude in the Cohort known, and that would be considered a perfectly fine choice for her career. I expect she'd still train under Aiglamene, but as part of a regular program for Ninth House children with stabby ambitions this time.

Which would be how she and Harrow end up stuck together this time.

When the summon for he house heirs arrives, everyone takes a look at Ortus and goes "...yeah, that won't do." So Aiglamene suggests replacing him with her star pupil, Gideon Nav, who was about to go join the Cohort, but could probably be persuaded to step in as Harrow's cavalier if you offered her a little improvement on the terms of her indentured servitude.

As expected, Gideon receives the offer and goes "Sure, I can swing around a toothpick while Harrow takes her employment test, sounds like a good gig to me. And besides, 'Cavalier Primary' would look good on my resumée for the Cohort."

When they reach Canaan House, Harrow still hopes to restore the Ninth House to its former glory, but more importantly, she is desperate to escape her arranged marriage, especially since her eighteenth birthday is alarmingly close and Ortus just stopped being her cavalier.

Gideon meanwhile enjoys sword fighting, actual flavour in her food, and looking at hot women.

Harrow: Are you taking this seriously?

Gideon: Of course I am! I get five years off my contract for this! I'm just saying, what's the harm in having some fun while we're here?

Harrow: If I fail to become a Lyctor, I will have to marry Ortus.

Gideon: *shudders* Fair enough.

Overall, the setting is more of a romantic comedy with the projected ending of the Reverend Daughter scandalously eloping with her cavalier- until the first murders, that is.

Due to Griddlehark not having seventeen years worth of reasons to go for the worst faith interpretation of each other's actions, and Harrow being at least a little less paranoid, they're able to work together with less conflict. However, Harrow doesn't have convenient puppet parents at home to help her realise that the Seventh cavalier is a beguiling corpse, so the net result could easily be the same. The biggest potential difference I can think of is that Harrow wouldn't try to send Gideon away with Jeannemary and Isaac. Since I like the Fourth House babies, I'm going to declare two murders less here.

Overall though, I don't see any clear options here that don't end with Gideon dead on a fence again.

The big difference would be her perception of HtN.

In this AU, Gideon's relationship with Harrow isn't tainted with obsessive hate-love masked as indifference on Harrow's side. This AU's Gideon sees her relationship with Harrow as a spicy forbidden romance, and therefore ironically interprets Harrow's lobotomy much more accurately than canon Gideon, who has been joined at the hip to her Harrow for as long as she can remember, and I'd love to see how that would change her character in HtN and NtN.

Canon Gideon gives us the beautiful, heartbreaking "I gave you my whole life and you didn't even want it" combined with "She can be in hell for all I care, I just need to know where" for the two hit kill.

This Gideon on the other hand knows that Harrow would have married her given the chance and 'only' has to think about how Harrow might have died to save her.

Which raises the question of where Harrow's soul ends up in a world where she never entered the Locked Tomb. My personal theory is that, with no link to Alecto's body, Harrow is pulled back into her own body after Gideon's soul leaves it. Then we get Harrow stuck on New Rho with Pyrrha, Camilla and Palamedes, and Gideon with Jod and Ianthe, both of them desperately trying to find each other.

When Harrow sees the broadcast, she immediately marches to the Compound, blasts open the door and demands to see her girlfriend.

A few days later, the Ninth House receives another letter from the First, informing them that their Reverend Daughter is not a Lyctor anymore, but will wed the Emperor's daughter as soon as he can stay sober through the ceremony.

The End.

#tlt #the locked tomb #gideon nav #harrowhark nonagesimus #griddlehark #my stuff #plot bunny up for adoption

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chocokayke · 3 days

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Here's Alkaloid for my Splatoon/Enstars AU! All weapons are referring to their Splatoon 3 kits, because that's what I'm most familiar with. I wanna give a shout out to @mdkm444 for making this fanart that inspired this whole AU in the first place. : )

More info on each character below the cut.⬇️

Hiiro

I'm giving him the highest honor I could bestow on a character... My main.

I think Splatana Deco fits him, and how he sees himself at the beginning. It's a very mobile weapon and aggro with a supportive kit. He can easily strife with opponents to draw fire from his teammates, while also setting up beacons, and setting of tentamissles to displace enemies.

The idea is that he mostly sees himself as his brother's "shield" at the beginning, and I feel like having a weapon that supports and takes fire suits that role.

As he grows and gets more comfortable with his place in Alkaloid, he would pick up more aggressive weapons. I just really like the idea of him with dualies. I think he has a lot of fun zipping around with dodge rolls. : )

He runs a lot of Quick Respawn abilities.

I think his backstory would stay mostly the same, actually.

Aira

He's 100% that guy who draws hearts in the enemy base.

He strikes me as the type of person who would play weapons that are meta without fully understanding WHY they're so good.

He started out playing vanilla Splash-o-matic, but he sucks so bad at Crab Tank. Mayoi thought something more mobile would suit Aira, so he recommended Inkbrush and Carbon Roller to him.

Hiyori wears his eye makeup the same way. This is a very important piece of Aira lore.

Mayoi

Mayoi has the biggest change to his backstory out of Alkaloid. He was originally an Octarian Soldier under DJ Octavio.

He was there for the Splat1 final boss and the Calamari Inkantation. He is NOT Agent 8, to be clear. He escaped after Marina, but before Agent 8. He wasn't in the subway. (But the idea of him in the subway is very fun, and that might be something to explore in an AU of this AU.)

He's a huge Squid Sisters fan.

He first escaped to Inkopolis, but it was too overwhelming for him, and he ended up traveling a lot before settling down in ES.

He plays a lot of weapons, and at knows a lot about the weapons he doesn't play. He's extremely skilled and knowledgeable. He's a fantastic coach, and everyone wants them to coach their teams! (Help him.)

Unfortunately, he is still Mayoi and still has severe anxiety! Despite how skilled he is, he's too scared to play alone and is pretty low ranked. That's why he got his status as an "underachiever."

Generally plays a lot of long ranged weapons to stay as far away from the action as he can. Snipewriter is his main, but E-Liter deserves an honorable mention.

Any closer ranged weapons he plays are more supportive than aggressive. This bad boy can pop out so many Inkstorms and Tacticoolers.

I probably should have added Hydra Splatling to his list instead of Heavy Edit tbh? But, eh, he can play both.

I think Snipewriter fits his main really well due to the fact that it has super long range, paints well, and has a supportive kit. At the time I'm writing this, it's also the best competitive weapon in Splatoon 3.

Tatsumi

His backstory is also similar to his canon one.

His leg got damaged and wouldn't repair itself when he respawned, so he had to get it removed it let it regrow naturally. Squids can do that, don't worry about it. : )

The guy who makes sure your base is 100% inked during Turf War.

Me and my friend both agreed it is extremely funny for Tatsumi to run around with his beginner weapon going like ^_^: so that's what he mains.

Then my other friend recommended me what they call "noob trap" weapons, which is mostly short ranged shooters (Sploosh and Aerospray) so I immediately added those to the list. I feel like they suit Tatsumi, and kind of mirror how inept he is with technology in canon.

Despite that, he's actually quite skilled! He does pretty well with short ranged shooters and has fun playing with them. They're his go to choice, but he's experienced in a lot of different weapon classes.

Anyway, you know how the Sunken Scrolls in Splatoon 3 introduced Squid Jesus--

#splatoon #enstars #ensemble stars #alkaloid #mayoi ayase #hiiro amagi #aira shiratori #tatsumi kazehaya #2024 art #au #splatstars au

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plutoslvr · 3 months

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so i'm rereading trc with my friend and we're currently on bllb and i just read chapter 30 and in it blue's asking malory what gansey used to be like before he moved to henrietta and the gansey that malory describes to blue is so different from the gansey she currently knows and i just cant stop thinking about it.

first off, malory describes gansey as "small" as in not just his height but as in gansey was young and it makes sense because at the time gansey was 15 but it just kind of does something to my heart when i think about young, small gansey trying to figure out why he's still alive.

malory then goes on to say, "He was still trying to prove that he hadn't just hallucinated. He was still quite obsessed with the event [his death] itself." gansey first died when he was 10 and to be obsessing over your death for FIVE years trying to convince others but mostly yourself that you didn't make it up that you actually died and not some part of a childs imagination it must've fucked with him so bad???

then malory tells blue exactly how obsessed gansey was with his death and was to the extent that he was always drawing bees and hornets and "Got screaming nightmares over it- he had to get his own place since I couldn't sleep with it [...] Sometimes these fits would happen in the day, too. We'd just be toddling through some riding path in Leicestershire and next thing I knew he'd be on the ground clawing his face like a mental patient." the gansey that blue currently knows doesnt act like that but this was only two years prior its fucking INSANE and it's here blue starts to think about the facade gansey had learned to throw up since he was a kid.

AND IT GETS WORSE SOMEHOW?? earlier in bllb in chapter 3, gansey talks about how he felt like running and how it had been a long time since he had felt that way. at the time it didn't make sense like wdym by that gansey but then back in chapter 30 malory tells blue how gansey just disappeared one day. left most of his bags and left without a word to anyone not even his family who then called malory to ask for gasneys whereabouts. "He picked himself up and moved on so easily, so quickly. He had done it so many times before England, Jane, and it was old hat to him."

it makes blue rethink every conversation she had with gansey previously, similarly to when adam heard gansey's voice of fear in the cave in chapter one where gansey had the panic attack because its around this book where the gangsey start to figure, as blue puts it, "It was more like the Gansey she'd seen was a partial truth."

it's so very easy to pass off ganseys insecurities and his feelings about how he should comfort other people but they shouldn't do the same for him because he's had it the easiest (his words not mine) because he himself skips over it so fast. like he'll mention something and then act like he's never thought or said it, like its something normal which really isnt and then it slowly makes sense that gansey throughout the series, starts to lose that mask (there's multiple masks but thats a conversation for another time) and the readers and the gangsey get to see what the real gansey is like instead of the bulletproof, untouchable gansey they're used to seeing.

the idea of gansey running is insane in a good way because its nothing like the gansey we know, plus paired with the fact about how young gansey has me clawing at the walls because he's just this kid desperate to prove he wasn't hallucinating, trying to find some purpose to his life before he finds it in henrietta. a kid who was still terrified of his death who relived it, screaming every night who still had panic attacks anywhere and everywhere and would end up clawing at himself because there's hornets everywhere. a kid who doesn't stay in one place too long who learns to put on an easy smile to convince everyone okay and gets so good at it that it works and people think that hes normal and okay when he's anything but.

idk pre canon gansey is something that i need to inject into my bloodstream and analyse in a lab.

#thinking about the different masks gansey has is so crazy like gansey on fire the gansey his family sees the gansey aglionby sees #SORRY LONG POST #FUCKKKK GO TO THERAPY GANSEY #chapter 30 bllb has changed my life in insane ways #i dont think i can ever be the same #richard gansey #trc #the raven cycle #bllb #adam parrish #blue sargent #idk malorys last name sorry

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jackdaw-sprite · 4 months

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Hi, @ep-10 ! I was your truce gifter this year for @phandomholidaytruce and I decided to use your prompts for a Japanese ghost--kinda, but mostly for a biopunk fantasy au. You're getting some character designs for a biopunk fantasy AU set in a world suspiciously similar to Sengoku era Japan! And also backstory. Mostly backstory, really.

Warning for someone getting baked alive in a kiln.

I mean, we all know who.

Jack and Maddie Fenton are a married pair of researcher/alchemists who've been brought into the country with the influence of an old friend of theirs, Vlad. He wants them to figure out the secret to producing porcelain, an expensive and magically versatile ceramic with a production process that's a closely guarded secret in a nearby, much more economically powerful country.

To this end, Vlad has supplied the Fentons with enough wealth and resources to not ask things like "where did you get this?" and "what exactly is going to happen when it gets out that we're trying to make porcelain?"

As it turns out, this is a very important question, because together the pair piece together how to build a kiln that burns hotter than any they've ever seen before and for the very first time make the coveted porcelain.

The victory is short lived: their son Daniel goes missing that very day, and then their search for him is waylaid by another discovery: some of the porcelain is coming to life, animated by a horrific amalgam of flesh and vitriol. They must find Danny, but first they must make sure the monsters they've made are destroyed…

So! The three big players in our cast of characters here are Jack, Maddie, and poor, poor Danny. They are coincidentally the only ones I had time to do a character design for, so let's look at Jack first, who is holding an experimental porcelain vase:

That's quite an outfit. It's, uh. Not quite standard in the Sengoku: while he's wearing a hitatare, it's been modified, and he's chosen not to wear pants because it's technically not, like, a crime. I chose this for him because Jack:

a) Does not care about what everyone thinks of what he's wearing, or he wouldn't wear a jumpsuit all the time in canon b) Hates the feel of most clothes

Hitatare were growing in popularity during the Sengoku because of how comfortable they were, so it seemed a good fit for Jack. They didn't necessarily need to be worn with hakama if you were of a lower class, but it would be frowned upon to go without if you were off a higher class.

The modifications he and Maddie have made to it make it even less restrictive than a standard hitatare, and a bit more suited to their work of experimenting with kilns and clay.

The obi is stitched into place, so it doesn't actually act like a belt and put a line of pressure across Jack's stomach, and they've added a button to the side to hold the hitatare closed, instead. The stitching around the sleeve openings is pretty archaic by this point, but they've kept (or added) it so he can draw the openings closed when he wants, and a second draw string runs along his sleeve to let him draw the sleeves away from his hands when needed, while still letting him let them extend to their full length to act as a barrier between his skin and unpleasant textures.

He's got some leather gloves and a pair of very early goggles to protect his hands and eyes from the heat of the kilns.

The geta act as an additional layer of protection against bad textures, since they should keep him above mud.

Maddie, here holding a shattered fragment of porcelain, is dressed far less eccentrically, because this (left) is before the porcelain came to life. She's just wearing a kosode with hakama and a leather apron. (She has gloves too, they're just tucked away at her back) The smaller sleeves stay out of the way while she works, and the hakama are roomy. She's wearing waraji, because she prefers what I assume is more stable footing and a lower center of gravity.

This is especially true after they start fighting the porcelain. Pictured here, you can see she keeps her hair out of her face with a standard low ponytail, and the Fenton Anti-Creep stick manages to still exist in this world, despite all odds.

This Anti-Creep stick is a bokken with embedded teeth of broken porcelain for a better shattering potential--metal, especially enough metal of sufficient quality for a sword, is expensive, and they're dealing with something that's only a stronger ceramic…

Which brings us to the kiln. And, to his great misfortune, to Danny.

This is a multi-chambered climbing kiln. While I don't think it's the first kiln that allowed firing temperatures to reach that required for porcelain in Japan in our world, it's the most common and appeared around the same time as that first one. The design of it encourages airflow in a way that traps and directs heat to build it on itself and distribute it reasonably evenly.

The kiln chambers would get filled with the pots to be fired, then they would set a fire in the little step down in each chamber. Then they would seal the kiln chambers entrances with fire bricks, except for a small stoking hole to keep the fires fed.

Then they'd light the main fire at the mouth to the first, lowest chamber called the stoke hole and the fire box respectively.

And then they would keep the fires lit, and feed them, wood upon wood upon wood…

Until eventually, the kiln warmed, grew sweltering, grew hot, hot like fire, like iron in a forge and then hotter still, until the whole of the inside glows.

Like the center of the earth.

…

At the lowest, porcelain requires a firing temperature of 1000 degrees. Celsius.

Brass melts, at that temperature. Porcelain itself gets its strength from melting.

And Danny…

Danny tripped. Danny was loading one of the chambers, and he tripped and he hit his head and by the time he woke he was sweating.

He tried to crawl away from where he knew the fires were. The flue, where the spent air left the kiln, has charred finger marks where his burnt away after the carbon dioxide and heat drove him unconscious a second time.

It was a mercy.

By the time he woke again, his body was cooling.

You see, the Fentons enchanted the kiln to make it try to repair pieces that were falling apart during the firing process. And, if one piece was destroyed in the firing anyway, to use the fragments to reinforce the other pieces in the kiln.

Danny was in the kiln. Danny's body failed.

Bone ash is not a critical ingredient in porcelain, but its presence makes it much, much stronger.

Danny woke up made of porcelain.

His sandals left black on the soles of his feet and the fingers on one hand that had burned looked skeletal. But he woke up.

And he ran.

Later, he'll find help. Later, he'll find a way to fight the other things in the kiln that day, and the results of later firings. Later, he'll meet a boy who loves puzzles and information and who teaches him how to use a bow and arrow to keep his fragile body intact. He'll meet a girl who loves foraging (partly because it gets her away from her parents) but loves justice more.

(Whether he'll stop wearing his clothes like a corpse is another question.)

Danny here is wearing something hitatare adjacent and hakama, along with a yugake.

Happy truce!

#danny phantom #jack fenton dp #maddie fenton dp #danny fenton dp #jackdraw-spwrite #jackdraw-sprite

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chubs-deuce · 2 months

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Hello!!! Love love LOVE your Charlastor and Hazbin artwork; your art is amazing!!

I have a feww questions if you’re comfortable with answering them (no worries if not) :D

I love hearing people’s music recommendations, so I was wondering if you listen to music whilst you draw and if there’s any songs in particular that make you think of the characters and/or the ship?

Also, I get a bit nervous posting about Charlastor because of some of the hate it gets in the fandom and because some of my irl classmates who follow me don’t like the ship (and don’t know I like it), so I was wondering what your general mindset is when you post your art online, but also what your mindset is like when posting Charlastor art, knowing what the fandom can be like?

Finallyy, I wanted to ask if you’ve read Under My Skin by whamagram on AO3 and if you have, what are your thoughts on it? It’s a mature slowburn Radiobelle fic and only has a few chapters out so far, but it’s updated pretty regularly and has become my new favourite at the moment! I highly highly recommend it because it’s super well-written, really witty, and really understands the characters. It’s all about Charlie nursing Alastor back to health after the final battle in season 1 and it’s just so well done!!

Again, just want to say that I really really love your work and thank you for sharing it! I especially love how you draw expressions and the way you draw characters and their emotions feels so real. Seeing your illustrations inspires me to keep practicing with my own art!

Omg thank you so much for this lovely ask?!!

I'd be more than happy to answer all of these actually! :D

I am, in fact, the kind of person who looooves finding songs that fit certain characters or ships and make whole playlists over time if I find enough of them, so here's some that made me think of Charlastor (links are all spotify):

- Glass Piano, by Kathleen

- Daisy Bell, and specifically this scuffed computer sung version bc it hits better

- bored like me, by dodie

- Ended with the Night, by Caravan Palace

- I Don't Want To Set The World On Fire, by The Ink Spots

- I Can't Decide, by Scissor Sisters

I have yet to really find more songs specific to the characters as individuals tho lol

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As for your next question...

This isn't my first rodeo in the unpopular non-canon het presenting ship club, so there's a few things I like to remind myself of when I feel that people pleaser anxiety sneaking up on me:

if people truly wanted to avoid content of the ship, they'd block the tags. Maybe kindly ask your friend to block the charlastor and radiobelle tags bc you want to post about them? This way they're not forced to see what they dislike and you get to have your harmless fun. If they're opposed to this, question why. It's not your job to curate *their* online experience, they do have all the necessary tools at their disposal.

I consider the source material like a toy box. You can play with the dolls in it like the packaging intended for you to, but there's no rules dictating that you can't play *your* way if that's more fun to you.

Canon is in my eyes the preferred suggestion, but not the law - don't we all just smush the heads of dolls together making kissy noises in our minds at the end of the day?

A lot of people sadly treat shipping like it's a battle for author validation, when in reality it was always just a way to playing with hypotheticals and exploring the world and characters canon offered us in new and interesting ways... I hate the attitude some people have about canonicity. Imo, as long as you're not acting like your non-canon ship should be canon and shit on other ships in the process, you're not doing any harm.

Now... Canon sexualities and having contrary headcanons are a tricky road to travel because there's so much emotional investment in the canon representation of often overlooked or mishandled minority groups, and this is the biggest anti argument I've seen get thrown around, since Charlastor as a ship not only splits up the canon lesbian pairing, but also alters Alastor's canon sexuality to make the ship work.

What's important here is that you handle it respectfully - i.e. don't be a dick and go around acting like your preferred ideas are better and should be canon or whatever. Attitude is important, respect canon for what it is and embrace the fact that your ship is not. It's not a detriment! It just means we have to make all of our own content lol.

I personally headcanon Alastor as demisexual/demiromantic not only because it still fits under the aspec umbrella, but also because I myself am both of those things and enjoy messing with the characters and narrative using a dynamic I have a lot of personal experience with! It's fun to hit someone as haughty and stubbornly emotionally detached as Alastor with a flurry of unexpected, unwanted feelings and struggling to navigate them.

Do I want that to be canon? Absolutely not! I'm just having fun with my imaginative toys in my own corner of the internet lol.

Also for the record, I think Chaggie is cute and they should absolutely stay together, I just don't find them interesting enough to explore further in the realm of fanfiction and art :'D

Ultimately I'm a strong believer of "I can post whatever I want forever", if anyone has an issue with it and the given tools at their disposal aren't enough to deal with it, they're free to unfollow and/or block me! I don't need anyone's approval to have harmless fun with my artistic and writing skills where I don't bother anyone, and that's imo always what should be at the core of creating just about anything.

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OH ALSO I KNOW THAT FIC AND IT'S SOO GOOODDDD I DROP EVERYTHING TO GO READ IT WHENEVER A NEW CHAPTER DROPS

I try my best to leave comments under it wherever I can too bc it genuinely scratches like every itch I have about this ship so well-

The comedy is on point, the dialogue feels so solidly in-character and the pacing and the overall concept just work perfectly!!

10/10 concur as a great recommendation lol

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QWQ again, thank you so much for taking the time to type out this lovely ask, I really do appreciate it and the compliments also absolutely made my day!!

I hope you keep having as much fun with this ship as I am, take care!! <3

#chubs answers #charlastor #radiobelle #long post

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antianakin · 10 months

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So I recently rewatched Clone Wars, and season 7 was complex for me (mostly because it felt like too much Ahsoka away from the actual Clone Wars). The "Jedi don't care about the common people idea" coming from the sisters wasn't a bad worldbuilding thing since we know canonically Palpatine was trying to build dislike of the Jedi.

But the Mandalore arc where Ahsoka throws a fit because Obi-Wan and Anakin don't have time to go on a side quest for a planet that's not even part of the Republic when the literal Capital and Head Of State are being attacked? "This is why people don't trust the Jedi you only care about the core worlds." Girl took that to heart in the worst way possible.

Yeah, I think my feelings on the season 7 underlying theme is that it went too far in the direction of "the Jedi have lost their way, but Ahsoka realizes that instead of just abandoning the Jedi ways, she should re-discover the TRUE meaning of being a Jedi, unlike those OTHER Jedi who are being too political."

We all know that Filoni likes to try to promote Ahsoka as "better than the other Jedi," it's a reoccurring theme at this point and one that shows up for the first time in season 7 (chronologically at least, it would've shown up first in Rebels actually but it was slightly more subtle then. Slightly). So when Trace and Rafa bring out their sob story and then seem to blame the Jedi for what happened to their family more than, you know, the CRIMINAL WHO BROKE OUT OF PRISON IN THE FIRST PLACE, and the moral of the story at the end of both this arc and continuing into the Siege of Mandalore seems to be that the Jedi have "lost their way" because they no longer really care about the little people in the face of the war.

I think you're right that there's a germ of a good storyline here about how Palpatine's manipulations are working on the regular citizens, but the issue with this is that in order for that to be the story, the story needs to reinforce that what Trace and Rafa feel about the Jedi is WRONG, that the information they think they have is WRONG. But what we really get by the end of the arc is that they're RIGHT, the Jedi HAVE lost their way, and it's ONLY Ahsoka who realizes that and understands the true meaning of being a Jedi.

This continues into the Siege of Mandalore arc when she accuses Obi-Wan (and the Council and the rest of the Order through him) of being too political when they refuse to supply her with an army on a whim. She claims she's "not being fair" which should be an indictment against her entire argument, but it doesn't really feel like it is. It feels like we're supposed to be cheering her on, like "yeah, that's right, Ahsoka, you don't HAVE to be fair because the Jedi aren't being fair!" The Jedi no longer care about the little people and THAT'S why they won't help Bo-Katan take back Mandalore, they ONLY care about the elite in the Core and THAT'S why they prioritize Coruscant.

The issue with this entire theme is how contradictory it is across all of season 7. They claim that the Jedi only care about the elite of Coruscant when they choose to prioritize it except that the entire last arc was about the little people of Coruscant being abandoned by the Jedi in favor of going out to help other planets affected by the war. And the claim is also made in this episode that the Jedi SPECIFICALLY only care about the Chancellor's life, but then Ahsoka advocates for prioritizing Palpatine later because he's Anakin's friend or something like that. So what are we supposed to understand? That protecting Coruscant is only about helping the little people who live there when it's Ahsoka doing it? That defending and protecting Palpatine is only righteous and not about politics when it's Ahsoka doing it?

And THIS is where we get back to Filoni lifting Ahsoka up as better than all of the other Jedi. Ahsoka gets to get away with shit that no other Jedi is ever allowed to get away with. Ahsoka can be contradictory and hypocritical because she has to be right all the time no matter what the situation is because she's Ahsoka and better than everyone else. Specifically, obviously, better than all those other dumb Jedi in the Prequels Jedi Order.

I've seen people try to give benefit of the doubt to this season and claim that Ahsoka being contradictory and hypocritical is the point, that Ahsoka is still young and struggling with her feelings about the Wrong Jedi arc and figuring out who to trust, how to trust herself, and so she's being unfair on purpose and making mistakes, etc etc. And I understand that theory, but I just can't share it because at no point in either arc does it feel like I'm supposed to understand that Ahsoka is WRONG. I'd love for that to have been the story, because honestly I think there's a lot of merit to finally giving Ahsoka flaws again via the Wrong Jedi arc, showing how it's really impacted her and how much she still struggles with it and how it makes her unfair and unkind and lacking in compassion and understanding sometimes when it comes to the Jedi. That it's not necessarily the JEDI who've lost their way, but AHSOKA. If we stayed with the path that the Wrong Jedi left us on of Ahsoka saying that the person she no longer trusts is actually HERSELF, not the Jedi, that could've been great! But season 7 turns around and says "actually no, she just straight-up no longer trusts the Jedi completely but totally trusts herself just fine."

I don't HATE season 7, there's plenty I like about it, and I honestly do like Trace and Rafa and their arc (which seems to be a minority position), but it's also got a lot of things I dislike about it and it'll NEVER be within my most favorite seasons of TCW, honestly.

#tcw #the clone wars #star wars #sw tcw #ahsoka tano #ahsoka critical #ahsoka tano critical #pro jedi #jedi #jedi order #jedi council #pro jedi order #pro jedi council

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crescentfool · 23 days

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What are your ryomina headcanons? I've loved these two since I played P3 FES, and I'm so excited to get back into the fandom^^

hi!! thank you so much for the ask, welcome back to the p3 fandom, it's always a delight to see new and old ryomina fans alike! 🥺💛💙

as for headcanons, here's a "few" i that i tend to come back to a lot! my interpretations of them are influenced from both the source material and other's fanworks, so i've linked to them as i saw fit! hcs in no particular order under the cut because oops this got long (900 word bullet point list, mentions of reload content up to 1/1)

minato's hair is dyed blue (hair originally brown, you can see it in his roots!) and he has a beauty mark on under his left eye. i like mirror imagery and there's definitely a few arts i've rb'd that portray them this way :) (e.g. this one by feliichu and this one by marasschino)

as far as i'm concerned the bathhouse scene from the manga where ryoji's hair down = similar shape to minato? that is canon to me. this art from xierru is a fun depiction of hair down ryoji :D

ryoji is homeless. everyone say thank you foxmulder_whereartthou for this awesome fic it's why i have the headcanon! but like seriously. we have no idea where ryoji lives and i could believe this.

minato dying at the end of the game is sad to an outsider's POV BUT!!! ryomina gets to be together in death for the rest of their lives (this illustration from mafuwara is a gorgeous representation of them as nyx avatar + the seal)!

speaking of the seal, they are like telepathically communicating to me in the great seal together. (mymp3 had a comic wip with this. give it a looksie :D)

ryoji likes cuddling with minato because he's warm :) (something something orpheus has fire affinity, minato is warm by extension and ryoji is cold because he's death)

ryoji's camera roll is filled with pictures of minato! ryoji... loves life, to me. and i feel that photography and journaling are perfect ways of expressing gratitude and capturing the moments in life that are most important to you :3

my other favorite activity for these two is stargazing- i feel like it's something they could appreciate either in life or death (looking at the stars from the great seal...)! they do a bit of this in the fic eurydice's vow by crescentmoontea (P5R spoilers, takes place in third sem it's a very fun fic concept).

between ryoji and minato i feel like ryoji was the one who fell in love first- and it doesn't really click in place for minato that he loves ryoji until december hits (appriser reveal + ryoji transforming into thanatos). its about the realization that ryoji was with him for his whole life and that he gets him like no one else does.

ryoji is like a sad and wet puppy who is so scared minato won't like him back. he is so scared of being rejected by minato to me like. this boy straight up deflates after he does his "i know i said i wanted us to be friends, but... i actually want to be something more." / "what about you?" on 12/1 ???

AND SPEAKING of wet puppy ryoji. ryoji is like. every animal in the world to me. he's a bird. he's a cat. etc. and also ryoji knows every language in the world ever and uses it to express his love for minato. see this fic from superheroics to see what i mean.

both of them are lactose intolerant. "this isn't lactose, it's milk!" i definitely think ryoji would make himself sick eating ice cream and milk he doesn't know what lactose is. (i made a silly poll about this once and the tags were very entertaining.)

i see minato as transmasc or nonbinary depending on the day (schrodinger's headcanons babey they're simultaneously true and not true at the same time!!). either way he's not cis to me and ryoji is like. His Gender. anyway go read this fic by nail_gun for t4t ryomina :D !

ryomina are WEIRD GUYS TO ME!!! they are so strange and they understand each other better than anyone else because of the circumstances of their relationship!!! if you asked them to do the "i wonder what i taste like" meme i think they'd start biting each other (affectionate) tbh but that's just me.

after ryoji gives minato the music box in 12/31 on reload, minato listens to the music box every night in january. this boy has insomnia and also chronic illness to me (things that housing death does to you). but i think he finds comfort in the melody and memories he made with ryoji.

in general, i think it's fun to imagine minato taking ryoji to places and show him things he's interested in! i feel that ryoji takes a lot of interest in minato's life, this isn't really a hc because in reload, minato DOES give ryoji a tour of the school (11/9) and possibly port island (11/12). but ITS CUTE OK! (tangentially related fanwork: this series of doodles from vinnigami: 1, 2, and 3)

not a hc but minato's kindness is like the backbone of their relationship and i think we would not have the ryomina we know and love today if minato wasn't such a kind soul. oh minato.... we can learn so much from you... like ryoji did!

anyway! that's all the hcs that i could think of, thank you for the ask! i had a lot of fun answering this, these two mean a lot to me 💛💙

i hope you don't mind the links to the fanart and fanfic as well, the fanwork people have made for ryomina have really made an imprint on me! if you want to see more of them, i definitely recommend looking through my tag for them because oh. i got a lot of them reblogged alright 😂 (<- SOOO NORMAL)

#UMMM hiiii #this was VERY fun to do thank you so much for the ask!! im very. well-adjusted about these two #this ended up turning into some art + fic suggests (they are like citations to my hcs)#but it was really fun! i love ryomina to bits and pieces i cannot provide a concise answer #this post nearly gave me a scare bc somehow the bullet point list doubled itself and wouldn't let me post #tumblr is a very functional website! but the posts intact so im happy!!! yippee!#i still need to finish reload but some of the hcs i wrote were partially backed by what i saw there #people are welcome to send asks btw! cant guarantee i'll answer them in a timely manner but i enjoy doing them #doing this reminded me of my early tumblr days when i'd get so many asks where ppl dropped their ryomina hcs it was cute...#im sure i will continue to recommend fanworks in the future i definitely want to start reading fic again after i finish reload! yahoo!#also this post is like the iceberg of my brain btw you have definitely not seen all of my thoughts im soo. (twirls hair) normal.#lizzy askbox #ryomina #<- why not i put effort into the post #anyway bye im going to go to the library to learn about my favorite new interest called html and css aren't websites cool :)

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zizz-asdf-re-r-o-u · 2 months

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Headcanon time: Who might be on the aroace spectrum in a sex game?

I missed arospec week by... a few weeks lol. And hey look i'm making a Nukani headcanon post instead of a questionable theorizing analysis for once! If you have contributions for characters I don't have enough info on (especially Quincy), please add on!

Disclaimer: I'm aromantic but allosexual. For me, this means I experience sexual attraction, but not romantic attraction. In my local kink scene, I actually personally know several community members + friends who are asexual or aromantic or both, and some engage in sex while some don't. And lastly for demographic proof only, I'm in an unofficial discord server where some unspecified members are asexual, but they still play this porn game, so yes not everyone who plays this game are into romance or sex.

TLDR: someone can be asexual or aromantic or on the aroace spectrum and still have sex but that varies for everyone!

Now that that's out of the way, here are my headcanon times! None of this is true or ever will be true due to the marketing of a porn harem game, but I think it's fun to headcanon! Feel free to disagree cause I know how people reacted to that "Is Aster trans" reddit post.

Speaking of Aster. I think he's also aroacespec! In his SR room 5, we got text narration ONE time that he gushed or orgasmed or something with a vague hot rod behind Eiden's back. But we've never seen Aster naked nor involve his genitals with another body in the 5 H scenes we have with him. And unlike EVERY other character, he’s only described to have orgasmed once. He also constantly talks down on morvay’s sexual habits, and while it’s a running gag that’s played for laughs, isn’t it possible Aster actually thinks this way? But is still willing to engage in sexy times with Morvay because they're essence creatures so that's how you exchange essence, and they’re basically an old married couple & deep down they do care about each other. And remember what I said about aromantic or asexual people who still engage in kink or sex.

Next, Karu my beloved chew toy. At the time I wrote Garu/Karu analysis part 1, I thought both of them were firmly allosexual but also presented some evidence someone could use to argue Karu might be demi or aroace or something else. But the more I think about it, the more I think yeah, he might be. Or he’s just a tsundere. I swear I'm not delusional and am a logical canon-based theory fan. (Btw, according to google searching, it is possible for different alters to have different sexualities, so this does not apply to Garu).

Quincy- I have never watched a Quincy intimacy room (including his SR & R cards that I have unlocked) but my vibes based off all the other story content with him makes me think he might be in the umbrella, so Grey-ace, Demi, etc. From what I’ve heard other people say, Quincy has had a lover in the past but currently only has sex if Eiden begs for it. This might fit into the definition of people who don't really care for sex themselves, but is interested in it for their partner. If anyone has Quincy cards and has more information, please let me know!

Huey: ok so we have almost no information on him. But he didn’t have sex with his clan members. He was definitely not romantically invested in any of his clan members nor do I recall him having hints of being sexually or romantically invested in anyone else, which does not equate aromantic or asexual but its still possible. And that’s all I got. Anyone got additional input?

Eiden: ah our beloved Eiden. Let’s ignore that in meta, he’s supposed to be the audience self insert (even though he’s the least self insert type MC ever) and therefore he is not going to “prioritize” one ship over another.

Anyways, so I am 100% sure he’s not asexual. BUUUUT he has not expressed romantic lovey dovey attraction to his clan members. More significantly, he does not seem to pick up MULTIPLE clan members’ romantic hints towards him. Yes in Fateful Aegis, Eiden says “I love you too” back to Yakumo, but it’s prefaced with something like Your grandparents love you and I love you too-ish, which to me indicates found family love. Kuya has said the Chinese/Japanese equivalent of “I love you” (“the moon is bright/the moonlight is beautiful tonight”) and that totally went over Eiden’s head. Dante & Edmond are also intensely crushing on Eiden… but they’re tsunderes so it’s probably gonna take forever to get across. The other members are different types of dedicated but open relationships rather than traditionally romantic relationships (except for Rei, who’s still getting there). And I think this is a great thing! All these varying relationship styles that are given the same weight & importance & Eiden has such appreciation & care for all of them, despite not providing traditionally romantic affection back.

Aromantic people can still love their friends & family! We’re not heartless emotionless creatures. We just may not experience or be able to comprehend romantic attraction. And i don’t think that’s a defect nor a bad thing.* And I think it’s especially cool when we compare Eiden’s bad hookup habits in the real world with how he has multiple regular partners that truly value him and a new found family in Klein. If he was aromantic this whole time, it’s kind of a positive perspective, isn’t it? Some aromantic people do experience “squishes”, which is a term for when we feel emotional desire for a platonic relationship. Obviously none of Eiden’s relationships are truly platonic due to the sexual element, but they all lack the romantic element from Eiden’s side.

(Anyways, Eiden won’t ever “reciprocate” romantic love because it’s a harem game, but shhhhh. Also to anyone who says it’s an Asian game and the characters aren’t going to say “I love you”…. Well in their newest intimacy rooms, both Kuya and Yakumo literally just did. Heck one of Forest Night Kuya’s sprite dialogues repeats that!)

So yeah, I hope you enjoyed this pointless headcanons!

*Speaking from my personal experience, I’ve have several sexual partners over time, but I never had the desire to date them or be romantically invested in them. And a weirdly telltale sign, that Jaidenanimation pointed out quite nicely, is that when she listened to romance songs she was like “wait that’s what people experience when they’re in love???” I’ve read a TON of romance and have heard a TON of love songs, but I cannot relate to any one of them. I literally have not felt any of those feelings. And when I have sexual partners, the horniness is definitely the forefront compared to any “falling in love” feelings. I did have what I now realize were several “squishes” in high school/college. What squishes feel like to me, are like “I wanna be your friend & you’re really cool & I cherish you! Like a lot! And also I don’t mind if you fucked me!” which emotionally feels different from “I’m in love with you!!!” (Which yeah i still don’t know what “in love” feels like, and I’m fine with not knowing!).

#personal #headcanon #nu carnival

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the-director · 3 months

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My Tav Calder! He is a half drow bard.

Bonus info specifically: (contain spoilers for the endings and epilogues.)

Gale: when I started playing Calder (he is my second playthrough) I had the intention of romancing Gale. So I pursued him hard. And then... oh and then karlach came onto me. And I fell. Hard. Had to break up with gale. I think that. In the story of this playthrough, this breakup is the reason why I wasn't able to convince him to give up the crown.

Lae'zel: despite being a bard, Calder does enjoy a good fight as I picked college of swords for him. But that is not the reason why they are friends, they are friends because they relate to their pasts. Calder does have a noble background, but he was also sold into slavery (long story short he is in a bit of a zuko situation. But instead of finding the avatar, he got sold and is told to "work to earn his place among his family") so. They both understand the weight of high expectations. But also I like their dynamic due to what lae'zel says to you in the epilogue if she goes with Orpheus. That you taught her diplomacy, and I think that's very fitting for her and Calder (or rlly with her and a bard/high charisma/pacifist tav)

Shadowheart: honestly I feel like shadowheart is so... older sister? The way that she tries to be above everyone, the way she is so sparky to you, but also becomes loyal and trusting of you. Idk it reminds me of older sisters in like early 2000s movies. As a result, when I'm not romancing her. I tend to view her and my tav as feeling a kinship to eachother. I think this is also because of both of them being half elves.

Wyll: I actually have a lot of thoughts about Calder and wyll, specifically because of Calder growing up in this rich upperclass family, they probably met eachother while they were younger, or at least both of them are aware of their families (I'm still deciding how old I want Calder to be, and how long he was a slave) so there's like. Both of them know eachothers childhoods, but then both have to wonder "what happened to you for you to wind up here" I imagine they have a heart to heart with wyll talking about the pact and getting sent away by his father, and Calder talking about his wild magic that got him rejected by his family and then further being betrayed by them.

Another component of this relationship is the "karlach protection squad" I feel like it's basically canon that wyll and karlach, whether or not they romance eachother, will be very close and have a friendship together. And so especially with karlachs infernal engine, they both feel this need to protect her, to find a way to save her life. Which is just. So neat yknow? This strong durable character who is yet so vulnerable due to this replacement for a heart she has, something imposed against her. That she tried to make work for her, and it did, for a bit. Until when she finally thinks she can get her life back. She instead finds she's a dead girl walking.

Anyways. Both wyll and Calder are devoted to her in this way. And so even though they're kind of in that space of "so similar to eachother that we hate eachother since we can see every fault and flaw that we hate about ourselves in the other" they put aside their similarities and work towards this goal.

Astarion: Calder is, ngl, highly morally dubious. He is. Incredibly two-faced, or more precisely 6 faced. He's very much a people pleaser, a liar one may call him. He breaks every law for his own gain. Which astarion can get behind. Calder reads astarion like a book moreso than anyone else, which is why Calder trusts him. Astarion may be seen as "untrustworthy" but Calder trusts because he knows what he does, he can rely on that. I'm thinking this is especially in the early game. Where Calder might not have been too sure about the other ones and their true intentions.

I think, perhaps this trust is also due to their shared background. Of course I made calders backstory specifically so that it could parallel everyone else's and deal with the similar themes of "lack of autonomy" and "authority" and so on. But I think other than wyll, calders background is the most like astarions. And so since he is familiar to this. Desperation and fear for safety that astarion feels all the time. That is why he *knows*

Halsin: Remember how there was that glitch where gales approval was super easy to get, and as a result he would hit on every single tav regardless of how much you talked to him and as a result he came off as a huge creep and people hated him? That's how I feel about halsin.

Jaheira: similar to shadowheart, but in this one I JUST. LOOK AT JAHEIRA AND I HEAR MY MIND GO. "PLEASE ADOPT ME" if she adopted me everything would be right with the world (it wouldn't but) my mommy issues. Just. (I have three moms, which one would think would mean I have no mommy issues. No I just have three different types of mommy issues)

Anyways. Seriously. I think that at first Calder would kind of have the karlach fangirl moment, he wouldn't externalize it. But it would definitely happen. Overtime though they develop the bond of cub and crow. And I think. The definitive good ending for Calder is one where he joins the harpers. (I'm just now realizing that then he would be Chris pines character in dnd and karlach would be that one barbarian lady)

Karlach: she snuck into my heart, and I think she snuck her way into calders too. I think at first, it starts with passion, it starts with warmth and comfort in eeachothers arms. Then it evolves into late-night talks around the campfire. Of him singing her favorite songs, telling her favorite tales. Maybe they do it together. Him on his lute and just her singing. Or them acting scenes together. I imagine them fighting together, him inspiring her, healing her maybe, her defending him and beating anything that hurts him into a pulp. I imagine them entering the city together. He took the tadpole, she is so worried for him. She tries not to let it show. His ego is bruised. He's hurting inside. They open up though, they find solace in eachothers arms again. That one scene happens, they talk about the future they'll never get. The cabin, with the goat. Oh how he wished he could perform for her forever.

I finished the game before patch 5, before going to hell meant finding a cure. And even then, I think Calder wouldn't force her to go. I think Calder always gets wyll out of the contract and wyll decides to be Duke. And so she dies. On the docks.

And Calder is ruined.

But he develops a plan. Undo timeline.

#calder the bard #tav #bg3 #karlach #lae'zel #wyll ravengard #astarion #halsin #gale dekarios #jaheira #im including their names because. idk i feel like maybe the slight character analysis is interesting.

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