I still think orange is the new black is one of the best pieces of lesbian/bisexual media by far, no matter what discourse or controversy exists around it (which I’m ignorant of anyway). in terms of depictions of lesbians who feel like real women you would actually meet I think it’s basically unparalleled. not to say older, campier, or more subtextual media isn’t very relevant to lesbian culture, but in terms of just showing loads of different kinds of gay women in very frank terms I think it’ll always be a really special show. regardless of if we always love every single plotline or character etc, no one did it for gay women quite like that show imo and they literally didn’t even have to
So, the time loop will immediately leave the narrative once we get inside the building.
I have to say Evil Wolverine REALLY is inefficient with his time magic. If one area is frozen in time but another area is in a constantly repeating timeloop for arbitrary reasons with no other obstacles to keep people from accessing it?
Like why BOTHER Evil Wolverine?
What was the timeloop even for if you could also just freeze time if you wanted?
The excess of this man!
Though if anything it is another signifier of the suffering he is happy and willing to put people through for literally NO REASON as long as he gets what he wants eventually. These people lived out the same fraction of a day WHO KNOWS how many times, living a cursed existence that wasn't really living, for... no apparent reason! And yet he was thrilled when he saw Lava Lamp do something he percieved as being the same level of ruthlessness that he applies to every other living organism in existence, as if anyone else has any level of choice at all in the matter.
But I DO love Lava Lamp with his hood up! I don’t think we ever saw this in Syaoran's original outfit! And Hoods + Desert is a nice visual callback to Acid Tokyo, which is exactly when the Lava Lamp/Syaoran plotpoint kicked off in the first place, so it’s a nice little note to tie it all together again here at the end.
Also that last side panel on the left there? Where we see Lava Lamp’s hand, but the shadow it casts is being distorted by the angle of the building? GREAT imagery. They didn’t NEED to do that, but it’s a fantastic way to bring back all the distorted shadow imagery that haunted Syaoran from the very beginning of the manga - an imagery that in itself was hinting at Lava Lamp, his presence in the plot, and how Syaoran was created as an imperfect and twisted version of who Lava Lamp originally was. And NOW it’s a reminder that Syaoran (who WAS imperfect and out of balance, haunting the plot like Lava Lamp did) is still lurking ahead somewhere in the plotline, and we don’t know how that will resolve just yet.
Bringing it all back together as subtly as possible!
You know, when someone asks if it’s alright to bring their dogs into the shop and I say no because another customer is allergic to dogs, I really expect the someone to not bring their dogs in.
the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
a man self immolated in front of the israeli embassy in washington dc yesterday. not just any man. an active member of the us air force. he live streamed his death, and said that he refused to be complicit in a genocide any longer. he said that compared to what palestinians were facing every day, setting himself alight was nothing.
let me reiterate. an active duty air force member burned himself alive because he was so disgusted by what the us government was openly supporting. he live-streamed his own suicide, so the whole world could bear witness as a man in his military uniform set himself on fire to protest his government’s complicity in the horrors that we have all been forced to watch happen in real time. he became a new horror. footage of the immolation blurs him out the moment the fire catches, but you can hear him. it is over in seconds, really, but you can hear him screaming. he shouts “free palestine” until his body physically cannot make any sounds other than guttural screams of agony. and then he falls silent. a police officer arrives and points a gun at his still burning body, shouting at him to get down on the ground. and it is over.
his name was Aaron Bushnell. he was twenty five years old. and he isn’t here anymore because the political ruling class has decided that genocide is perfectly fine as long as it preserves imperialism. in the coming days, people will try to discredit him. to say that he was mentally unstable. they will try to bury his actions to save face and defend israel’s propaganda. do not let them. aaron knew what he was doing. he knew what he was doing when he put on his military uniform, set up his twitch stream, and made his final walk up to the embassy. he knew what would happen to him when he flicked that lighter. do not let them forget. aaron’s blood is on the hands of the political ruling class.