"...because she’d just been slapping a band-aid over whatever she thought the wound might be, instead of letting herself bleed so that she could see clearly what needed to heal."

-Cherished Affliction, Chapter 31.

Thinking about how maybe not only does Andrew get Abram comfortable in water/bathing situations again post-Evermore, but Abram trusts him so much he dozes off TT they're gonna get all pruney in there but I guess that's the price we pay

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

LET’S MOTHERFUCKING GOOOOOOOOO

FRECKLING CONTINUES.

I'd love more exploration of Rex perhaps feeling like he got kind-of the short end of the stick in terms of Jedi. He LIKES Ahsoka, for sure, she's got a spirit he admires and she's tenacious and it's hard not to care for her. And Anakin is, well, powerful for sure and friendly enough, so for a while Rex thinks he came out pretty well with his Jedi.

But then he starts meeting other Jedi or working alongside other Jedi and he realizes how much more competent other Jedi often are, especially the more experienced ones. And while Anakin is friendly enough, he's seen a lot of the other clones have MUCH closer relationships to their Jedi and certainly none of THEM ask their captains or commanders to lie to superior officers about secret relationships or unsanctioned missions. He's a little surprised once when he notices pretty much every other Jedi remembers that the clones can't always keep up with the Jedi and will unhesitatingly adjust their battle strategy to accommodate it. He sees the way other young Padawans are being taught to do something similar, to really consider the lives of the clones when they're in battle as the higher priority rather than the success of the mission.

And Rex starts wondering what his life might be like if he had ended up with a different Jedi. He loves his men, he's proud of the work they do most of the time, and he doesn't DISLIKE the Jedi he ended up with, but sometimes he's kind-of jealous of some of his brothers and wishes he'd gotten their Jedi instead.

“queer spaces should be inclusive of people who don’t enjoy sex and who have “strange”, negative or repulsed relationships with sex” and “sex is an important aspect of lgbt community, history, and activism and queer people should be allowed and able to talk freely about sex without stigma or shame” are ideas that can and should coexist.

Teenage Bonnie headcanons..... world's tallest and coolest chef cooker ever

Listen so we know that Sebastian didn't have many human skills like cooking etc at the start of the contract right? so maybe at the very beginning, when he first meets Nina, she teaches him the very basics of sewing, just in case he needs them..

Just imagining like,,, a few days after Ciel returns from the cult with Sebastian, Angelina contacts Nina and asks her to go and check on Ciel, make him some clothes etc bc obvs the mansion burned down with everything inside of it.

She takes all Ciel's measurements, (notices all the scratches and the brand and everything else), and then says she'll stay for a day or two to throw together a few outfits and essentials for him. So Ciel goes to take a nap and she sits down and starts working on his clothes, some shorts, some socks, a nightshirt and a few coats, just enough to last him until she can get him a proper wardrobe. She drags Sebastian along with her thinking 'well hes a butler, he has to have SOME kind of sewing knowledge, he could at least cut some cloth pieces out' but NOPE hes completely useless.

So she sits him down and starts showing him some basic stitches, just in case something happens and he needs to fix something, while asking him about everything that's happened.

i cannot believe i forgot to whip this old screenshot out during the ivan raid debacle

Line deliveries that play on repeat in my brain.

Season 1, episode 1 - Pilot

🐈‍⬛❤️‍🩹🍆💦🏴‍☠️ [ep 1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

ghrhgrhhh..h.h...hrhhghh...... lego

Thinking about that mural from DE

You know which one

TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS

The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.

But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...

It's Harry's own fucking love story in a way, isn't it?

Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.

They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.

And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).

And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even

And from what we can see in the game she was the only person he's ever really, truly loved.

But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.

So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.

On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?

After life - death. After death - life again.

i just met a guy so randomly

It’s just that “Better Than Revenge” is messy and angry, but also so very human and that’s okay. It’s disappointing to me that she felt the need to rewrite her own history on an album about saying exactly what you feel and water down her very human feelings she once had as a teenager. Her anger should be allowed to exist even though the target of it was misplaced, which was purely a product of society seeing that women were led to see each other as competition when it came to romance. She’s clearly shown that she’s changed her thinking from when she originally penned the song over a decade ago with what she said about “august” during the Long Pond Sessions and all of her work since Speak Now.

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now