Imagine Law finding you asleep and wrapped in his coat…

Part 1 | Part 2

The temperature plummeted. A valve had gotten loose and Shachi was working with Bepo to remedy the sudden shift. Given that the crew spent most of their time underwater, it didn't bother them too much.

Law was walking through the corridor when he noticed a sleeping figure pressed uncomfortably against some pipes. But what surprised him was what they were wearing - it was his blue feather-coloured coat.

He thought he had left that particular piece in his quarters. Apparently not.

Taking a step closer, his heart fell into his stomach when he realised that it was wrapped up around the shoulders of his temporary guest.

Clicking his tongue, sudden temperature change in the Polar Tang was exactly why he insisted on his crew wearing the boiler suits.

You refused and were now suffering quietly.

Law was about to wake your sleeping form with a small fright - his form of punishment for your disobedience - but he held back when he saw a shiver ghost over your skin.

An odd feeling bloomed in his chest. It wasn’t unwelcome, just strange.

The doctor in him noted that your sleeping position was awful at its current angle. He contemplated just shifting you but the way you were leaning against the metal beams, you were bound to wake bruised.

With another soft click of his tongue, Law made a quick decision to remedy the situation - and to not receive an angry call from the Strawhats' raccoon-dog, Chopper.

Law moved quietly and very carefully swept you into his arms with the coat. He was also accurately aware of the warmth you were radiating from being wrapped up.

Unconsciously, you hummed and nestled into his chest in an attempt to be closer.

Law stilled for a few seconds. The blooming in his chest exploded and forced him to feel emotions that he had otherwise cut out.

Thankful that the space was empty, Law summoned a ‘room’ and spoke ‘shambles’, easily transporting both into his personal quarters. It was the only place that he figured wouldn’t raise questions as the crew weren’t about and it was his private space.

He walked you to the edge of the made up bed and paused. With every intention to set you down, Law made the mistake of glancing at your sleeping form in his arms.

Fuck. You were perfect despite all the attempts to rile and defy him. And now, you were so peaceful in his embrace, silently clutching the man - wanting him and nothing else.

Gently, Law squeezed you against his chest. Not enough to wake you but just enough for him to get lost in this feeling. Then he bent down and placed you on the relatively-soft mattress. It was an improvement to the metal pipes from moments ago.

He absentmindedly pushed a stray hair from your face. Then you stirred which made him freeze entirely. Luck was on his side when you merely curled against yourself and let his coat do its work. Law watched your breathing even out and then returned to standing.

If this is how it would play out when you got cold and refused the uniforms during your stay, he didn’t mind.

Part 1 | Part 2

~ More imagines here ~ (for more One Piece)

Tags: @metonimia-de-bellota @i5didi @turtletaubwrites @isabeauwolf

As for Shuro/Toshiro... lemme see if I can put this coherently. The long and short of it is, this is Ryoko Kui doing the thing she does in which she uses the dungeon as a neutral background in which characters with different ideas can clash and come to terms with each other. We're not supposed to side with Toshiro, but we are not supposed to side with Laios, really, mostly because there is no "right" and "wrong" here.

A character who is heavily coded as autistic and comes from a northern europe coded culture (low-context - information is supposed to be conveyed in the most straightforward and clear way possible, even when said way is considered rude) meets another character who is extremely shy and comes from a japan coded culture (high context - info is supposed to be inferred by a mix of behaviour and conversational allusion, maintaining peaceful interpersonal relationships takes precedent over efficiency).

Neither of them are inherently wrong in the way they approach the other. Yes, Toshiro shouldve said something, but he doesn't know how. He was not taught how to handle someone like Laios. Conversely, Laios was not taught how to read between the lines and understand what a person is trying to convey if they are not speaking directly.

Since Laios is the main protagonist and we see most of the story from his POV, and also since most people on this website are American (low context culture), its easy for people to assume we are supposed to side with him. But I don't think that's the author's intention at all. Remember - Kui is Japanese writing for a primarily Japanese audience. From THEIR POV Toshiro's behaviour is perfectly understandable. It's also worth noting that there is a lot of extra material that gives further context to the Toshiro/Laios relationship.

One of the main points, for example, is how Laios gets Toshiro's name wrong. When they first met, Toshiro is immediately an object of curiosity to Laios BECAUSE he is a foreigner from a faraway land. Laios immediately invites himself to become his friend and starts asking question after question. When he finally remembers he's supposed to ask for Toshiro's name, he misunderstands it as Shuro, and Toshiro is too shy to correct him. "Renaming" the foreign side character for the benefit of the Western main character is an extremely loaded symbolic choice from Robinson Crusoe's Friday onward. I am not aware of the particular history of this trope in Japanese literature, but other elements of Toshiro's story suggest that renaming in his culture is something that is often done to slaves. Ryoko Kui is generally very deliberate about details like these. I highly doubt this is a random choice.

Of course Laios does not do it on purpose and Toshiro understands this and decides to let it slide, but its still something hurtful that Laios does to another person without even realising that hes doing it. This is a type of mistake he does often and he will do again across the story.

Again. Not saying Toshiro is perfectly right either, but there is a reason why they finish the meeting on relatively decent terms - because they BOTH recognise how they went wrong.

Toshiro realises that he needs to be more direct and determined about what he wants, but this is a reality check for Laios as well. He has been able to coast by so far in the dungeon without giving much thought to other people's wants and needs, thanks to the help of friends who care for him and are willing to follow him, but the story is changing pace and scale. Soon he might have to make some difficult decisions that involve the life and death of others. He needs to learn to listen.

This is why the Toshiro confrontation happens in the same span where we see Chimera!Falin going on a rampage, and Kabru trying to establish a friendship with Laios to assess what kind of person he is. Several narrative threads are coming to a head - the conflict with Toshiro is the tangible result of the tensions we saw around Laios' uncaring attitude from the beginning.

Second part of my translation comments (and half meta) for Gray Shelter [Episode 5], you can find the first post here!

"You gave the choice/decision to me, didn't you? (reference to the earlier scene)" "So your decision is to give me some money and tell me to get out of your sight?"

꺼져 is quite a rude word, like 'get the hell away from me', Yoondae is clearly pissed rephrasing/interpreting Soohyuk's intentions, he's using informal tone too

"Because I live like this? Because I idle/fool around here and there without doing anything, not able to get myself together (cannot get a grip on myself and my life)? Because you still see me as a child?!" "Yes. That's why I'm confused. Because it doesn't matter who is by your side (anyone will do), right?" "And (what's the problem)? You can be by my side. Why is everything so complicated for you? Just... (in softest pleading voice) ...Watch me. I will live like all the other people. Then it'll all be good (it's solved), no? You can watch over me while being by my side. Mmhm? Don't care about the situation, once again I'm telling you, just look only right at me."

I actually really like the usage of 'focus on me' in all the sentences because the translator keeps the leitmotif and it works in all contexts, the entire conversation was translated nicely. Even "- What's the most difficult thing about me and this situation for you? - That I'm your home (the place you return to now)."

I just gave you more literal translation... idk, for fun xD Maybe you'll catch more nuances that I tried to put in here. It's just devastating. Soohyuk sees and feels that Yoondae is clinging to him like to a lifeline, and he doesn't want to be one, he's got enough of people burdening him, his life is hard enough.

He tried to think simply like Yoondae and just live in the moment, give in to his impulses as well, but he just can't. He's sinking on his own and he can't chain himself to another person because even if he's a safe place for Yoondae, he won't be able to save him in this situation, it means they'll both drown. Yoondae has to find his own ground to stand on, he has to get a grip and find a new home on his own so he won't circle his entire life and attention on Soohyuk. Only then it'll work.

"If I find another home, can I call you? You won't avoid me then?"

They don't kiss here – they can't. It won't work. But such short distance is a promise, it's a possible future happy ending hanging between them both like a life vest and a heavy rock.

I'm not sure he means it as 'we get together again'. More like

"If we meet again, will we become okay?"

Like, they agreed it won't work out now, they need some time, and Yoondae now will be holding onto that hope that Soohyuk might accept him and his feelings once Yoondae finds his own home, his own meaning in life. But he's still afraid it won't happen, that's why he needs to hear some affirmation. Will things between them become alright (and the fact that he doesn't really say 'better' or 'good', he uses 괜찮다 - fine, alright, okay and asks if they will be able to even reach that). Which means they both know their relationship is less than 'okay' now.

And in a very Gray Shelter melancholic satisfying-unsatisfying way, Soohyuk only replies: "It'd at least be better than now."

That's the only thing Yoondae is left with. This, and a daring request to pretend he didn't steal that goodbye kiss.

And we're getting a time skip which starts on a sound of a ringing telephone. ("If I find another home, can I call you? ) And surprisingly, it doesn't seem that Yoondae is the one calling this time, as he wanted to. It seems like Yoondae accepted the call but he wasn't holding it or answering, yet Soohyuk called him and invited him for a dinner and is waiting for the answer. Now, the decision is up to Yoondae.

There is a calendar on the wall but I honestly didn't track if there were any other calendars in the show so we can tell how long was the time skip.

"Alright. I'll be waiting."

To be honest, in the ending I wished they showed at least one scene of Yoongdae coming home in a work-like uniform or doing something to indicate he started sorting his life out before that call came through. Because even though the ending is hopeful – they lived separately for some time, Yoondae has his own place, Soohyuk is reaching out to spend time with him now and they both agreed their next meeting will be more hopeful – but will it be enough? Was the problem actually solved?

We all should think that yes, but I wish the ending supported it a little bit more confidently. After such a rollercoaster of emotions and complicated situation, I want to see them heading towards the truly happy ending Т_т (give me the second season!)

In any case, the acting is great and the melancholic atmosphere for a BL was so unusual, I loved the edgy dialogues and emotionally raw writing. For such a short story, Gray Shelter certainly will go under many people's radar but it still touched my soul.

And, well, now I understand the title. Soohyuk is a shelter, he shouldn't be a home. Shelter is a place they seek temporarily comfort in when they have nowhere else to go. And it's not a bright happy couple place, and it's not an abusive family house either, gray is neither black nor white. It's something in between, and it's up to Soohyuk and Yoondae to try and build an actual equal bond, have a place to return to and person to eat dinner with.

James Armistead Lafayette

James Armistead Lafayette (l. c. 1748-1832) was an African American Patriot who served the Continental Army as a spy during the American Revolutionary War (1775-1783). During the Siege of Yorktown, he infiltrated the British camp to bring crucial intelligence to the Americans. After the war, he was freed from slavery with the help of the Marquis de Lafayette, whose name he adopted.

Early Life

James Armistead Lafayette was born into slavery around the year 1748 in New Kent County, Virginia (some sources give his birth year as 1760). He was born on the property of Colonel John Armistead, and became the colonel's slave; although later writers and historians would refer to him as James 'Armistead', he never adopted his master's surname during his lifetime and was instead simply referred to as 'James'. James was raised alongside Colonel Armistead's son, William, with the intention that James would eventually serve as William's personal manservant. For this purpose, James was given a basic education and was taught how to read and write, skills unusual for enslaved persons in Colonial America, but which James needed to know to be an effective servant. When William Armistead came of age, the colonel gifted him James as his manservant, with William inheriting the rest of his father's slaves and lands when the colonel died in 1779.

James likely would have remained a manservant for the rest of his life, fading into historical obscurity in much the same way that most of the other 450,000 enslaved individuals living in the Thirteen Colonies at the time did. However, in 1779, the same year that Colonel Armistead died, something happened that would change the course of James' life forever: the American War of Independence came to the south. By this point, the war was well into its fourth year; the United States of America had declared its independence, the decisive Battles of Saratoga had been fought in New York, the Continental Army had reorganized itself at Valley Forge, and the Kingdom of France had entered the war on the American side. But up until now, most of the fighting had taken place in the north, particularly in New York, New Jersey, Massachusetts, and Pennsylvania; the British had been focused on seizing key American cities like Philadelphia and New York City, while simultaneously isolating New England, believed to be the heart of the American rebellion.

But after the failure of several northern campaigns, the British turned their focus to the southern states, which were rumored to be replete with Loyalists eagerly awaiting the return of royal authority. The British implemented their southern strategy, capturing Savannah, Georgia, in December 1778 and laying siege to Charleston, South Carolina, in early 1780. With the arrival of the redcoats on their shores, southern colonists were forced to choose where their loyalties lie; this included the tens of thousands of African Americans, such as James, who had to decide whether the Patriots or the Tories (Loyalists) offered the better chance at freedom.

Continue reading...

(Ch. 336)

You know, this panel has always made me a little curious. Every other time we saw Izuku sparring with Katsuki (before the war started at least), he’d use blackwhip to defend himself, hence ‘catch-a-kacchan’ so I found it weird how Izuku didn’t even try to grab Katsuki. For like 100 chapters prior to this, he used blackwhip for everything and would eventually just leave it out incase he needed it quickly kinda like how Hawks utilized his feathers (when he had them) so I kinda just made a mental note about how weird it was that Izuku chose to evade instead of defend when he easily could’ve.

I also found it weird how quickly Izuku wanted to change the topic along with the distress on his face. I thought it was just a cheap and ooc way of explaining Todoroki’s new power quickly but, since it’s now confirmed that Izuku has PTSD about Katsuki’s sacrifice, what if Katsuki’s cluster move triggers that trauma response too?

The next time we see cluster used with Izuku present, Izuku actually does respond with blackwhip.

(Ch. 404)

He doesn’t use it in defense though, he uses it in almost possessive way by securing their hands together with it. But also, he doesn’t speak for this entire chapter. It could be explained away by the side effect of using gearshift and him not being able to breath but before now, he’s been more focused while in distress and was also speaking just fine before. Though, in these panels, and through the entire chapter, he seems almost delirious and in shock. He’s not even reacting to the lack of oxygen anymore.

He even starts ignoring Shigaraki in these moments. He’s stunned and mesmerized but now I’m starting to question whether he’s amazed or scared out of his mind for what might happen. With that uncertainty, all that I can say confidently is that he’s distracted.

(Season 7 ep. 4)

Arguably after chapter 404, he stops thinking straight and, honestly, gets a little sloppy. A few chapters after this, is when gets danger sense stolen and starts getting truly injured. He makes the decision to give away OFA and loses his arms. He reverts right back into his “I don’t care what happens to me” mentality that his class has been trying to get him to grow out of for a while.

He wasn’t mentally prepared for something to go wrong in this fight. He wasn’t mentally prepared to be pulled away, leaving Katsuki with Shigaraki. I thought it was just iffy writing that he’d mentally regress after Katsuki woke up instead of before but, it honestly makes a lot more sense now. He cared about what happened to himself because he needed to stay alive to ensure Katsuki’s revival. Once Katsuki woke up and he watched him fight AFO, he started being reckless again. He went back to viewing himself as nothing but a vessel for OFA because he believes OFA is the only thing that can beat AFO, hence why he trusted the vestiges when they said “we can fight him from the inside” (which I think was a silly decision. It’s noble in theory but it amounted to nothing because Izuku can’t win in this regressive state of self sacrifice anymore. Or at least, he shouldn’t since it’s such a big part of his arc.).

And now, with the most recent chapter with most of his classmates present it seems like he’s regretting that decision because he’s being reminded that people care about him. They showed up to support him regardless of already being hurt because he can’t win on his own. Eri mutilated herself to help him and if that doesn’t tell him that fighting without the intent of not dying is stupid, idk what will.

(Ch. 421)

He was about to just throw himself back into the fight with the same mindset as before if Aizawa didn’t stop him. He looks frustrated because he realizes the weight of what he’s been doing and how looking up to AM and the previous vestiges shouldn’t be his role models right now considering all of their fates. He’d just be continuing OFAs curse like Katsuki’s been worried about for a hundred something chapters.

In conclusion, this post was very unfocused but I can’t wait to see Izuku kick ass and for Katsuki to show back up because with the impact he’s had on Izuku, I DESPERATELY need them to talk. Most of this post may have very well been a stretch but, let me be delusional please.

Thinking about that mural from DE

You know which one

TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS

The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.

But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...

It's Harry's own fucking love story in a way, isn't it?

Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.

They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.

And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).

And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even

And from what we can see in the game she was the only person he's ever really, truly loved.

But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.

So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.

On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?

After life - death. After death - life again.

Not to cringepost about problematic old man yaoi, but upon my rewatch of The Gang Inflates.... errrr I'm gonna cringepost about problematic old man yaoi, sorry:(

Dennis, after finding out that Charlie has been hiding a secret room in his apartment, goes "So you truly have no reason to be sleeping with Frank???" before, immediatley (like SO immediatley), throwing out all of his furniture for literally no reason to share an inflatable couch-bed with his roomate while he experiences anaphylaxis.  What is WRONG with you.  When will you be NORMAL.

How, in that man's mind, does it make sense to ridicule Charlie for his behavior, while at the same time consciously and willingly choosing to do something EQUALLY if not MORE unnecessary in order to share a bed with his short-distance high-commitment long-term homosexual roomate.  Truly words cannot express how unecessary throwing out their furniture was.  Not to mention the fact they clearly had more inflatable furniture they could have blown up in order to sleep separatley.  It was a choice and a decision and on purpose. because he felt like it?? he wants to?? for fun???

Buddy don't throw stones from your glass closet.  YOU are the problem

i just think a "friended/romanced + saved + trust aj" violet does such a good job rounding out the plot and characters of S4 and i dont say that lightly

she walls people off out of fear just like S3 clem did and learned to grow out of through the compassion of others. feeling like she could have done more to save minnie being what initially makes her step up to lead, but her accepting her love for clem (and clem choosing to save her) is what leads to her Truly accepting the school and everyone inside it as her Home and gives her something to fight for ("i tried my damnedest not to care about either of you. and i still couldnt tell you why." "i know where youre coming from. after losing so many people, sometimes its easier to keep everyone at arms length." "and then you wonder why you fight so hard to stay alive. i dont wonder anymore."). this being the reasoning behind violets detachment from the school, as well as a negative home life impacting her idea of what a home even was. but together they turn ericson from a prison into the home theyve BOTH been looking for, renaming it together, and envisioning it for the future together. the two of them understand each other deeply, from what theyve lost to how its affected them and the poor ways theyve decided to react to it. but through their support of the other, they BOTH get to evolve into more relaxed and confident versions of themselves, who know Exactly what theyre fighting for

her troubled relationship with brody and getting to learn more about what happened with the twins/violets reaction to it and how she ultimately blames herself/brodys guilt about her part in it and how she misses violet. getting the chance to mend that relationship before its too late. the 3 of them becoming closer because of it. and getting to develop clems friendship with brody leads to a more impactful moment later in the basement

her relationship with tenn reflecting clems relationship with aj, in the way they both made the decision to look after their respective boys after their primary guardians died (ajs parents, tenns sisters). both of them can understand the responsibilities they have taken upon themselves, and how hard it can be to do right. the 4 of them become a tight knit group quickly. especially in EP2 as vi supports clem while tenn supports aj through the marlon fiasco

her confused relationship with minerva introducing interesting conflict both within her relationship with clem (who has her own personal conflict with minerva, which vi still ties into through her relationship with both minnie and tenn) and the over arching plot, which has themes of learning when to let someone go because they are no longer who they once were (clem and lilly "we were family once", mitch about ms martin "you get all caught up in who people used to be, and you cant deal with whats in front of you", violet about minnie "the real minnie? shes been gone this whole time and i have to stop mourning her")

having a saved violet on the boat expanding the conversation with minerva about her motivations with the delta. violet apologizing for never looking for her, minnie saying she knows she would have but that its too late now, so sure this is just the way things have to be. getting to hear minnie say "you can be rewarded, just like i am", giving us insight into her character. and clem getting the last word before she rams the door down, her and violet fighting minnie Together. and violet saves clems life, making the Choice to shoot minerva, which in and of itself is a huge moment for violets character in regards to her relationship with both minnie And clem

and aj shooting tenn on the bridge brings things full circle, by putting violet in the same position louis was in EP2, where aj has killed the most important person to her, in an effort to save her life, and now she must reckon with those feelings the same way louis had to about marlon. not so easy now is it violet? ("so youre mad, but sad" "can i be that for a while?" "yeah, its ok")

just... ough... violets whole character just fits into Everything so well, but in a way that elevates the characters and plots around her, while also developing her into her own

dorcas meadowes and sirius black are the anti hero marauder characters.

im definitely not ignoring my wips. why would you think that

(based on tags ideas by Licantropa in the original godswap post I saw em again and I was like. wait lemme see how I could design it for fun)

Anons ✨

my main issue with pill is that she can't decide either.

it is either "i am her" or she'll listen to me blather on and on and on and say "have you considered it's not true?"

so what is it? would you accept you are Her, and that telling me that made me so much worse on topic of Her? (better in some ways, but still utterly helpless)

or are you going to give me a reality check and try and fix my brain because it's hurting you too?

if you genuinely do not want me in that way, then stop agreeing with my delusions? are you Her? are you not?

why would you spend time and effort convincing me you are, just to flip-flop endlessly?? i am not sane. i need clear conclusions.

the time we genuinely tore each other to shreds was when i spoke about what i Feel and what i Think. because there are things that Feel right to me, logical, clear as day. but when i Think about it for long enough, it's really nothing besides schizophrenic delusions. i can still differentiate. but that's what hurts. i want to succumb fully or cut it all away. i can't be ambivalent HERE.

i will be happier if i succumb. i will be healthier if i cut away. i am neither currently. it all hurts so much.

"it really can't be possible", tells me my logic. "but it all perfectly lines up and makes so much sense", tells me my insanity. i am not the one to decide.

we talked about dissociation and voices too. and we're both unusual in that regard. so she must know how this feels. to be forever suspended in unknowing. to rely on others to show you a way to live.

Storming of Bristol

The storming of Bristol, a port then second only in importance to London, on 26 July 1643 by Royalist forces led by Prince Rupert (1619-1682) was a major coup against the Parliamentarians during the English Civil Wars (1642-1651). The Royalists were able to break through the long perimeter fortifications, which were manned by a defensive force spread too thinly. Taken in a day but with many casualties on both sides, Bristol became a vital Royalist centre until its fall to the Parliamentarians after the siege of 1645.

From Edgehill to Bristol

King Charles I of England (r. 1625-1649) considered himself an absolute monarch with absolute power and a divine right to rule, but his unwillingness to compromise with Parliament, particularly over money and religious reforms, led to a civil war from 1642 to 1651. Fought between the 'Roundheads' (Parliamentarians) and 'Cavaliers' (Royalists) in over 600 battles and sieges, the war was a long and bloody conflict. The northern and western parts of England largely remained loyal to the monarchy but the southeast, including London, was controlled by Parliament. The Parliamentarians also controlled the Royal Navy, a significant impediment to Charles receiving reinforcements from the Continent and Ireland. The king would need a port if the war dragged on, but if he could capture London in a decisive engagement, perhaps the war would be quickly over. Charles made his intent clear and raised the royal colours at Nottingham on 22 August 1642.

The first major engagement of the war had been the Battle of Edgehill in Warwickshire on 23 October 1642, which ended in a draw. Charles then delayed and captured Oxford before turning on London, where he was rebuffed by the presence of a 20,000-strong Parliamentarian army at Turnham Green. The king decided to fight another day and retreated to Oxford, which became the Royalist capital. A series of skirmishes and small-scale battles followed over the next year as neither side sought to commit all of their troops in a single field engagement. Rather, both sides concentrated on capturing what strategically valuable towns and cities they could. There were, too, half-hearted negotiations to bring peace through the winter and spring of 1643, but it seems that both sides were confident that they could press their advantage better on the battlefield when warmer weather arrived.

The indecisive nature of the war so far had not helped the Royalists in their predicament concerning sea power. In the summer of 1643, Prince Rupert, Count Palatine of the Rhine and Duke of Bavaria, Charles' nephew and commander of the Royal cavalry, was tasked with capturing Bristol, second only to London as the kingdom's most important port and an important regional military stronghold. Bristol was a major commercial centre, exporting such regional goods as cheese from the Wessex vales and importing many vital raw materials. It was a naval base and so could control the Irish Sea, and it was a major regional administrative centre. At the time, Bristol had a civilian population of around 15,000, making it the second-largest city in England after the capital.

Rupert, who was still only 23, had gained invaluable experience during the Thirty Years' War (1618-1648) in Central Europe. Rupert had been involved in the siege of Breda in 1637 and had fought well, if a little impetuously, in the Civil War so far, notably at Edgehill. Bristol was his next important target, but he would have to overcome the city's defences which he knew the value of, having himself advised the king (and been ignored) that Royalist cities should be heavily fortified.

Continue reading...

Fantastic chapter like always and absolutely adorable.

I love how you expand so much on the characters even the dead ones in this fic in a way that makes them so present in the narrative. The way this makes Frank just completely absorbed by his family constantly while still building them as real people independent to him is great. Just the little details about Maria this chapter and how they relate to Matt is absolutely fantastic

The situation between Peter and Frank needed to blow up spectacularly before getting resolved I should have known that something would actually blow up.

The way you showed the Spidey sense in action through Franks pov was really good it's my favorite Spidey power and really fun to see in action.

Poor Peter though. I hope that once the situation gets resolved he can have a good cry about everything ever.

Also I really want Tony to get punched in the face. Just a small punch! Just once! But Jesus Christ the way he handled this situation has been so bad for Peter I am so angry at him. I know he's dealing with something behind the scenes bit still he needs to think about the impact this all has on Peter it's so bleak and isolating

i simply love explosions and add them in to everything i can. they're the spice of life. do not have the police investigate me i am so so normal about fire

Maria Castle is alive in my head and I love her. the version that lives in my head simply loves Matt. He's the dumbass little brother she's always wanted. He enchants her with his poor decision making and emotional unavailability. When he comes over she insists on throwing herself in his arms and he twirls her around because it annoys frank and they're inherently both assholes. The Maria in my head will never be showcased unless i end up pushing my Castle Family Agenda in earnest, but I will reference her as she exists in my head in works where she's still dead. I love her your honor.

The reaction to tony in kintsugi continues to be hilarious to me because kintsugi partially exists because I didn't see this reaction post-CW. Like the reaction I saw was mostly hardcore Iron Dad and i just didn't really see or hear a lot of commentary about how he handled the time between CW and Homecoming. And in kintsugi I changed literally nothing about how Tony treated Peter in that time and people are soooo mad at him. It's kind of funny

Okay but since when Fitzgerald is back being a villain in Atsushi's head?