I once again have to go out of town, this time to an entirely different time zone and for much longer than normal; about a week and a half. I don’t normally do well being away from home for very long (or at all, really) and my anxiety/germaphobia has literally convinced me that when I am going to catch COVID from someone on the airplane and die. So. This probably isn’t going to be very much fun.

Anyway if I’m not online very much and posts/chapter updates are slow, that’s why. Please feel free to still send me asks and messages, just know it may take me a bit longer than usual to get to them. Also if I’m posting or responding at weird times, I’m gonna be in a completely different time zone than normal, so that’s why.  

not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

lore accurate teen soukoku. the worsties ever

these two are so interesting to me

characters belong to @canisalbus

you motherfuckers have no concept of what "land back" or "decolonize" even mean. you're too busy demonizing entire groups of people, terrified, shitting yourselves, that they'll do even half of the horrors to you that you've done to them for decades or centuries. this shit comes off as hella racist for real. you hate arabs so much. you hate first nations people so much. you hate black people so much. even if you sympathize with them, you can't fucking bear the idea of them gaining freedom, independence, autonomy, safety, because you're so, so scared they'll hurt you back and cause chaos in the streets. these same people who just want to rebuild. who just want to go home. who just want to see their families again. who just want food. who just want medical care. who just want dry, warm shelter. you're so focused on the ideas of colonization, of "us vs. them", of one people displacing the other for a state to exist, that you cannot comprehend coexistence, and your only idea of peace is if an entire group of people were just gone and dead.

grow the fuck up. for the love of GOD, grow the fuck up.

Stede and Izzy scenes cause it's actually a wholesome experience watching these two do their shit without Ed for the moment

Stede facing the crew after finding out about their (attempted) murder of Ed

Bowser junior doodles

If Luigi is mama Luigi, then its Uncle Mario and Auntie Peachy to you! :]

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Very much inspired by this !!

—

Phantasm crashed into the side of a building, the rest of his team- the TeenTitans- stayed back. They were otherwise occupied, with the rest of the H.I.V.E. five attacking them.

They'd gotten a new member, one with a similar, nearly identical power set of their own new member.

Phantom.

Phantasm and Phantom, two mirror look alikes, they went absolutely feral whenever one was in sight. It was driving Robin mad, Beast Boy had joked about cloning but after they started to actually consider that option.

"Well, well, well." Phantom mocks, glowing green to Phantasm's red.

"Shut. The fuck. Up." Phantasm charges again, throwing the other into windows with a growl.

They kept bickering, hitting and injuring each other, until—

"Stop being so annoying!" Phantasm shouts, baring his fangs. Phantom, in return, stuck his tongue out.

"You're just jealous I got the Villain role!!"

At this point, their respective teams had called a draw and watched them fighting.

"You're a lousy villain!"

"I'm having the time of my life beating the shit out of you actually."

"I'm calling jazz."

At that, Phantom starts glaring. "I thought we agreed on not bringing this up to our sister?"

headcanon that percy and annabeth routinely swap weapons in battle. it's not a concious feat. it's just that they consider themselves a single unit when fighting for their lives. so their partner's weapon is also their weapon.

they are so in love and disgusting and also sarcastic bitches. follow for more / prev comic / next comic

more of the dapper lad! i Cannot get him out of my brain

I think there's something to be said for fanfiction that loves canon in a way that’s rude. Like thank you for this wonderful thematic tragedy made out of this character’s entire arc ending in death, it was emotionally and intellectually moving, but also fuck you fuck you fuck you they live, this time and every time they live, they never died, their flaws are not their undoing, actually they have no flaws, actually they save everyone, actually who cares about a story, any story, where this one dies, actually i cared about that story so much i made a new one, actually i cared so much i unmade the old one, you gave me morals and i left them for the mortal, but they’re mine now and i will never let them die, actually thank you, actually fuck you, strongly worded letter to follow

A kiss for canon and spit in its face all at once, it’s great

there are, of course, so many reasons to love gideon as a person. but her taking a moment to -- in the middle of a life or death situation -- mentally give 'a private prayer of thanksgiving for service rendered' to her rapier and knuckleknives as she's dropping them even though they've all this time kept her from her beloved longsword that she's finally about to pick up again... is one of the Most reasons for me personally

always by your side