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#but i do disagree with it.
theonlyadawong · 1 year
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and you know i think that makes his choice to keep the chip in infinite darkness so interesting, because that is HIS choice... yeah he's being blackmailed into working with the government so he's got that looming over him... but it is leons choice to keep that chip from claire, and frankly, it's the wrong choice made for the right reason.
because i get why he does it. he knows what the government is capable of, and he doesn't want anybody to get hurt, especially not claire, yadda, yadda, yadda... but if we ignore the fact that this is leon kennedy and claire redfield... here we have a situation where a united states government worker is knowingly withholding information regarding crimes the united states is committing against its own people all because said government worker is letting their personal feelings get in the way. is this a cold way to see it? yes. is this how people who actually live in the resident evil universe would see it? yes!
and he has that line after claire leaves that hints at him believing he can fix everything from the inside... but he failed! we know he failed! he kept this information to himself and he is fully complicit for any further harm that comes from HIS decision.
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spectral-honey · 2 years
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AU where Jason gets his revenge by becoming a lawyer and getting joker sentenced to the death penalty
Bruce is conflicted about it but any time he tries to say anything on the subject Alfred just talks over him like "oh we're so proud of you master Jason you finished college and you didn't even use your father's extensive resources that could've easily gotten someone in this family a degree aren't we so proud master Bruce that Jason got himself a respectable profession--"
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ajwahoocrowley · 4 months
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poorly-drawn-mdzs · 17 days
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Unsolved Mysteries.
[First] Prev <–-> Next
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trek-tracks · 1 year
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Spock and McCoy definitely have an agreement that, if Kirk shows up on the Bridge looking miserable or distant, they will start an absolutely meaningless argument about nothing in particular, which will coincidentally last exactly as long as it takes Kirk to start grinning at their antics.
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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holyvirgilscriptures · 7 months
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When a person belonging to a minority group says or does something bad, you are, of course, free to criticize them. But it still does not give you the right to be a bigot. Noah Schnapp sharing stupid, careless, and uninformed geopolitical opinions deserves to be called out, but it does not mean that you suddenly get to tell him that he should have been gassed by Hitler or killed by anti-Jewish hate groups or terrorists — both things I've read on Twitter and on Tumblr. It does not justify you calling him homophobic or antisemitic slurs.
"But he deserves it!" you argue. First of all, why do you think so? What makes it okay for any person to be given the green signal to get called slurs, or have people advocate for them to get hatecrimed? And more importantly, you are only signaling to your Jewish friends that you are actually capable of antisemitism. Same thing goes with your queer friends, or any friends belonging to a minority group. When you justify one form of bigotry, even to just one person — you justify all forms of bigotry.
So if you find yourself doing any of these, ask yourself why it's so easy to slip into bigoted rhetoric instead of simply focusing your criticism on what a person did/said.
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dungeonmechoui · 3 months
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Unprofessional yuri save me.. save me unprofessional yuri.. (image description in alt text)
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The fandom's bias and tendency to wanting to agressively associate EVERYTHING with Percy and getting upset when a character isn't associated with him really taints their view on actually significant relationships, and it ruins Percy's canon character tbh.
I came across a video edit appreciating Jason and Nico's friendship, and the comments were just filled with people raging on how Percy should've been included instead of Jason because he was "much closer friends" to Nico than Jason was. It's appalling how much ppl can turn to a blind eye when it comes to Jason.
People hate Jason SO much in this fandom that they literally refuse to admit that Nico canonically considered Jason as his first ever friend, not Percy (this is literally said in Tower of Nero, by the way)
You guys are seriously so hell bent on wanting to take away every little thing jason had that makes his character meaningful, simple to give it to percy when it isn't even necessary. Doesn't percy have enough good characterization already? Why deprive Nico of a genuinely good friendship? Jason spent time and effort to make Nico comfortable and succeeded in earning nicos trust. He taught nico to never push people away and not to be ashamed of being himself, Isn't that beautiful? Why do people get salty abt that so much? Because of course, it's about appreciating Jason for once, and not Percy, isn't that it?
My perspective on Percy and Nico is that, they were never really "close" to begin with and never ended up being close either, and that's okay. Percy tried his very best to be a brother to Nico, but they somehow always had tension with eachother because of Nico's internal turmoil of idolizing and crushing on Percy whilst simultaneously associating him with Bianca.
Sure, they talked it out a little in the end, but I'd like to think that some tension would always be there, because they started off at the wrong foot, and there was too much bitterness and resentment to come in their dynamic. And them never actually being close "brothers" makes their dynamic very significant and authentic. In the end, Nico acknowledged that Percy was a good person, and I like to think that's the farthest they've ever gone in their dynamic. They both are on amicable terms but the awkwardness still being there is very realistic, the weight of Bianca's death would always be associated with Percy to Nico, and it's neither of their faults. That adds SO much to their angsty dynamic, why get so upset about it when it's such an integral, and meaningful part of the story? Nico and Percy not being close friends shows how complex character relationships can be.
Percy doesn't have to be close with everyone just because he's the main character, it really deprives him of actually meaningful connections. The fandom forcing him to be buddy buddy with everyone simply because they HAVE to associate Percy with anyone and everyone, and getting angry that Jason is closer to Nico than Percy is, is just really weird.
Why do people feel SO threatened about Jason all the time that they have to get all defensive and suppress his connections by dragging Percy into videos that doesn't even have to do anything with him? I swear y'all are creating this whole Jason/Percy rivalry thing because you cannot bear to see someone rival Percy, and you want Percy to be the only powerful/good person in the books.
Let other characters befriend eachother without trying to insert Percy in there all the time.
Percy and Nico would never be like Reyna and Nico, or Jason and Nico, and that's completely fine. I like them better that way. You can't be best friends with everyone. That's just how life works.
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zukosdualdao · 2 months
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bryke: “people only shipped zutara because it was dark and intriguing”
me:
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bixels · 29 days
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I'm glad nobody's questioned why Sunset's personality is so different in the AU, but I'll explained anyways. AU Sunset basically has Tempest Shadow's personality. I decided not to adapt Tempest because too many redeemed villains, she doesn't play an important role in the overall story, and her broken horn is so cool and unique to her as a unicorn that any adaptation wouldn't do it justice. So I fused the two together. Sunset's backstory and hotheadedness with Tempest's tired, jaded, anti-social disposition and fighting skills.
Anyways, I hope it's not too jarring of a change. The more I develop Sunset, the more you'll probably notice how OOC she seems. I'll probably end up adopting Sunset into an OC once I'm done with the AU, since she's basically a completely different character.
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communistkenobi · 3 months
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saw someone on here describe reading as a passive activity. and like no judgement on this person but I think we have fundamentally different relationships to reading
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naetles · 8 months
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happy international lesbian day
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bet-on-me-13 · 8 months
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The one where Bruce is the asshole (again)
So! We have a typical story where the JLA finds out about the Situation in Amity.
Whichever way they find out doesn't matter, but either way they end up sending Batman to do a threat analysis and review of whether this requires their attention.
And while there, he runs into a Kid who obviously needs to be saved from his Abusive Home. Look at him, he's far too thin, his grades are horrible, he has many unexcused absences, and he has bruises hidden under his clothes.
Even after figuring out that Danny is Phantom the local Hero, he thinks Danny needs to be saved from his Parents.
I mean, it's plain to see! They Hates Ghosts with a Passion, negelct their son very often, shoot at him nearly every day, and are probably the ones who killed him in the first place!
So, with no input from Danny himself, Bruce calls CPS on the Fentons and uses his Wealth to expedite the process and avoid the actual Investigation. (I mean, why would you even need one? It's so obviously a bad home!)
The Fenton's are arrested, and Bruce reveals that Danny is Phantom to convince the Courts that they are horrible people for shooting at their own son, and that they should be locked up (ignoring the horrified looks on their faces, probably cause they were living with a Ghost for so long, thats probably why).
He immediately offers to adopt Danny, even when Danny vehemently refuses his offer. He knows that Danny will come around to it, he's doing this for his own good. He still thinks his Parents were good people, and not thr Villains they really were.
Meanwhile Danny's life has been completely uprooted thanks to the self-righteous machinations of an Adoption Crazed Fruitloop! And not even the usual one!
Sure his parents were often busy with their work, but they Always set aside time to hang out with their kids and make sure they were okay. They never abused him, the neglect was only for like a month or two when the portal before they got their act together and apologized for it, and (most importantly) THEY DIDN'T KNOW he was a Halfa when they shot at him! They only found out when the ASSHOLE revealed his Identity in Court!
And Danny is Extra enraged by that part. The Adoption Crazed Fruitloop had revealed his secret identity for the ENTIRE WORLD TO HEAR!
He would never be able to live a normal life anymore, even if he managed to get away from the Moron who caused all this!
Bruce Wayne was a Villain in his eyes.
He ripped him from his home and from his family (basically kidnapped), revealed his identity to the world so he was forced to stay with him for fear of the GIW, and spun the whole story so that it looked like he was the Good Guy in this!?
It was official. Danny Hates Bruce Wayne, possibly more than anyone else in the World.
And that's a High Bar.
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actual-changeling · 9 months
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this one is thanks to a post by @thegroovyfool because she is very much correct - we do not talk about aziraphale's "i need you" enough.
so once again, with a deep breath and a sigh, welcome back to alex's unhinged meta corner, where i tear apart the confession scene frame by frame. i'm gonna say, watching this particular clip over and over and focusing on aziraphale's face almost took me out.
let's get into it.
first, how about a little look at our starting point. (any blurry screencaps are due to a LOT of movement on michael's part rip)
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crowley is very pointedly facing away from him, he turned after aziraphale said "we can be together - angels!", presumably because being offered exactly what he wants in the one way he cannot have it fried his brain, cause besties it surely fried mine.
aziraphale on the other hand looks openly desperate, which is why he says "i need you." more on that later. let's have a look at how he says it, because michael "microexpressions" sheen is putting in the work.
to me, he seems close to tears, his eyes are glistening in that specific "i'm about to cry my eyes out" way i know from looking in the mirror while crying
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he is trying to get crowley to listen to him and to turn around. he wants crowley to face him, which is something most people tend to want during an argument. talking to someone who is not looking at you tends to make someone frustrated and like they're not hearing you/do not care about what you have to say.
aziraphale looks close to despair, his i need you is a plea to crowley to come with him. he is opening himself up not just emotionally but physically, too.
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he slightly leans forward, his arms are raised and seem to both slightly grasp for crowley and point towards his chest/heart for emphasis. the pure pain visible on his face knocks the air out of me every single time i look at it.
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aziraphale is admitting to needing him, something he has never done before, hell, he has told him the exact opposite on numerous occasions. i don't need you. and while they both knew it was a) a lie and b) a way for him to deal with his conflicting emotional standpoints and cognitive dissonance, it still hurt crowley every. single time.
crowley was there for him no matter what, he knows aziraphale needs him but he came back and remained at his side even when he was pushed away and more or less openly insulted. he endured it all.
aziraphale saying i need you now is pretty much a slap in the face but also what crowley needs to hear. as with everything that happens during the entire conversation, the timing is fucked up and they're talking past each other.
in my opinion, that is why crowley does not react.
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only when aziraphale turns spiteful and starts questioning his understanding (aka calling him stupid without outright saying it) does he re-enter the conversation.
aziraphale, however, is upset. now, i will put on my tinhat for just a second and turn up the insanity because there are two more things i want to talk about.
first, the little stutter at the beginning.
"i ngk - i need you."
my question is - why? why does he stumble over these words in particular when it does not happen with any other sentence? the only other time is right after crowley walks away with his "good luck", he stumbles over crowley's name.
so, in short, it happens when he is either caught off-guard or saying something incredible emotional.
and this, everyone, is where i go unhinged in my interpretation.
what if he initially did not want to say "i need you?" what if he was so caught up in getting crowley to stay/come with him that he did not think and almost confessed another three word sentence?
what if he was about to say "i love you" but stopped himself because no, that's too direct, they don't do that, they can't do that. it goes against EVERYTHING they have silently build over the last six thousand years. so he chokes on it. he chokes on it and instead he says "i need you" because it means the same thing.
i need you. don't leave me. come with me. be an us. go off together.
i forgive you. i love you.
they say it over and over again because that's the only way they can say it.
that is why aziraphale is so angry and upset after saying it. he told crowley he loves him, he needs him, and all he got in return was silence.
the funny part is that this code may have worked before, but it no longer does. crowley is too hurt to listen to what aziraphale is trying to tell him, and aziraphale is equally as hurt and also not listening anymore.
the funny part is that it stopped being about love and started being about sides again. my side, your side, our side. choose a side, choose our side, choose me.
the funny part is that beelzebub and gabriel told them what they need to do, i found something that mattered more to me than choosing sides.
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gammija · 2 years
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he would not say that, podcast/book edition:
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