i’ll always find (see) you (n.s)
summary ⇾ after a training gone sour, lo’ak knows who to find in order to keep his brother in check.
details ⇾ 2,299 words / neteyam sully x na’vi!reader / 🌸 comfort fluff / established relationship / gn!reader
notes ⇾ i know i’ve been m.i.a lately but... i’ve been inspired to write for avatar so... here it is! ✨
the flora and fauna that surrounds you is what makes you think this–the mixes of pink, blue and green–must be heaven on earth. the fireflies that float about, sounds of kiri’s fascination as she occasionally lures one or two butterflies over your wandering eyes; the two of you laying side by side on the grass, staring ahead at the cocooning trees.
until a branch snapping cues the two of you to be on alert. you sit up, leaning partially to shield kiri as your hands fetch the dagger slotted by your ankle; kiri baring her fangs with a hand on your shoulder, squeezing it out of instinct.
the both of you visibly relax when–”couldn’t you just announce your presence like any normal being?” you scoff a laugh, putting your dagger away as kiri sighs, shaking her head, hand slipping from your shoulder, “lo’ak, where’s neteyam?”
“i’m here to ask y/n that.”
based on how lo’ak’s eyes lower to the ground, hands behind his back, it makes your heart clench at the implication. he’s gone... again. you glance to kiri, who nods, a silent and understanding of go, it’s okay. i’ll see you later. rising to your feet, you align your gazes with lo’ak, the younger boy offering you a small smile.
“you okay?”
he chuckles, nodding with gratitude; familiar to your warmth and care, “i’m not the one you should be checking up on,” he shakes his head, “not this time, at least.”
“again?” you warm up your ankles and shake your wrists, prepping your body for the way you’d need to climb because–”we can see everything from up here...” your voice comes out in a mere whisper, yet only one can hear you. neteyam circles his arm around your waist, leaning in close as he presses his forehead to the side of your face, “and yet, all i see is you.”–where you’re about to go is a place only you and neteyam know.
somewhere only we know–how foolish. how childish. how... safe and happy you two were at a location that provided you privacy to be whoever you wanted to be. there, you are only known as yourself and neteyam was only known to be neteyam. no labels. no warrior. nothing. just you and him. him and you. together.
“training didn’t go well today, that’s all i can say,” lo’ak mumbles under his breath. before he can get another coherent sentence out, he’s left breathless when you take off past the trees and soon he notices you’re climbing and swinging on the branches.
“be back by dinner!” kiri calls out, well-aware it would reach you despite it looking otherwise.
//
neteyam feels the wind brushing against his skin; calm, tranquil, the coos of the birds soaring above and the low murmurs of leaves clashing below. normally, his senses would be heightened at the sound of branches creaking but this... here–his safe place–is no ordinary place.
it’s one of the highest points that grants him the view of his home; his people. sometimes... once in a while, that gets suffocating. being the eldest, being the one who’s supposed to fit in the role-model mould... it got suffocating, overwhelming.
one day, you brought him here. past the groans and moaning of how much higher?! he’s grateful this became the place he frequented when things got hard to process; when it got hard to breathe. you were here with him, hand-in-hand, his head on your shoulder, arms hugging your waist; his safe place, his person.
here, he was not neteyam te suli tsyeyk’itan; he was just neteyam... and yours.
“you know,” your voice echoes into his ears, then his eyes are blessed with the sight of you climbing up the last branch to reach the one he’s sitting on, “if i knew this would be the place we’d come often, i would’ve chosen somewhere easier to access...”
“you’re such a baby,” he scoffs a laugh, rubbing his nose with the back of his hand, a quiet sniff entering your ears–he’s not crying.
“you’re the one to talk,” you quip back, just as you take your seat next to him. that gets him to quiet down and you’re half-regretting what you’ve said. “sorry... too soon?” you try to make up for it but he only shakes his head, moving to lean against you with a soft not soon enough...
his body grows towards you automatically. like you’re the source of light and he’s the receiver. taking in as much as he possibly can; for when things get heavy, for when things get dark. all he has to think about is his family and what’s at stake; you, you, you–all of you. his eyes flutter shut and he puts his arms around you, scooting you closer until one of your legs nearly go over his due to how close he’s pulling you.
you sigh and allow him to bury himself in your embrace. his face soon meeting your neck, arms tightening around your frame, tail lightly caressing your lower back out of habit. it reminds him that this is what home feels like; what home was meant to be. past the fighting and defending one’s honour, he was meant to be your lover.
you place a hand on his thigh, now noticing the marks of scratches that are on his skin. it doesn’t make him flinch when your fingers brush over it, but what makes him shudder is the way you turn your body so you can cocoon him in. one arm slithering around his shoulders, pulling him in and he inhales deeply against your pulse; your scent.
“you wanna talk about it?” you pry gently, lips to his temple.
initially, he shakes his head.
but a couple of gentle strokes to the back of his head, he relents. details of how strict his father was, the pressure to please and succeed, the role of the oldest sibling weighs heavy on his shoulders and... well... he may or may not have raised his voice back in retaliation for the first time in months. it was normal, even if he thinks otherwise. for every insecurity or dark thought he has, you’ve always combatted with the opposite he longs to be true (it is, he just stubbornly refuses to admit now).
“what if i’ll never live up to him?” good, you’re not supposed to be a copy of your father. you’re meant to be your own person.
“what if i can’t protect them?” as much as you feel responsible to protect everyone else, you should protect yourself first. that’s what your parents would want before you help others.
“what if i’m a failure?” now you’re just talking a load of nonsense.
then, it always, always end with: “thank you,” he lifts his head up, eyes closed as he leans his forehead against yours. his eyes gently open, the moment seemingly soft, serene, pure but you–”for nearly breaking a muscle climbing up to find you? i think i should start claiming a price to this.”
“you dense baboon,” he hisses. the tone of his voice only makes you laugh. giddily, knowing very well by the sound of his voice, it seems like you’ve breathed life back into his lungs.
“i mean, if you call me a dense baboon, what about you? you’re the one who–and i quote–will never love another–dense baboon.”
he gives up with a sigh, eyes fluttering back shut that it makes you give in. after all, he did have a bad day. might as well let him win.
“ah, okay, okay,” you coo, easing the hand that was once on his thigh, then crawling up on his neck, now reaching his cheek where you cup it tenderly. it beckons him to open his eyes, briefly, before it instinctively closes when he feels your breath over his lips; then, the fleeting moment of your kiss that makes his body tense and relax at the same time.
“just one?” he murmurs, a hand of his now meeting the nape of your neck to keep you there as he leans against you.
“how bad of a day did you have?”
“might need a few more to forget about it,”
“you do know this ends with me dragging you back to your father, right?”
“...then give me all the kisses now.”
//
maybe it was thirty minutes, maybe an hour, but all neteyam knows is that he’s calm and at ease as he walks along the path back home with you; his hand in yours, step by step mimicking one another. neteyam succumbed to your wishes of heading back, an hour or two before dinner would take place.
neteyam’s lost in the moment, merely following your hand dragging him like a compass.
it’s not until he nearly loses his footing by staring at you instead of where he’s walking. he tightens his hold on your hand, a soft gasp leaving his lips as you tug him up. it happens so fast; so sudden. his other hand now meets your waist for stability as you come face to face with him–so close he can count the lashes lining your eyes, the smile that twirls up on your lips.
“if you wanted another kiss, all you had to do was ask,”
he scoffs with the roll of his eyes but his hands, his body betrays him. it always does. always weak when it comes to you.
you let go of his hand to circle them behind his neck as he lures you towards him. one hand securing you by the hip, the other reaching up to pillow against your cheek as he lightly noses along yours.
“thank you,” he says, in a mere whisper.
“you said that earlier,” you try to joke, only to get ignored when he gazes into your eyes, making whatever thought you had in your mind fade away; replaced with just the one looking back at you. you lean into his touch as his thumb brushes the under of your eye and as cheesy as it sounds, you feel your heart swelling at such tender moment you two were sharing.
“for seeing me,” his voice blends with the gust of wind that envelopes the pair of you. his words, so seemingly simple but it held much more than that. for coming to me whenever you know something is wrong. for loving me; thank you for loving me.
“i’ll always see you,” i’ll always find you; love you.
he cracks a smile, “even when i’m way up too high in the trees?”
“especially then.”
//
((“i’m sorry, sir,” neteyam has his head lowered, “for how i acted, for the way i behaved. i will do better.”
he swallows, hands locked behind his back as he waits for a response. half-anticipating for a reprimanding, half-afraid of what’s to come. he peeks up at the lack of response, now noticing the soft look in his father’s eyes.
“good,” is all jake says, then motioning him away with the movement of his chin pointing to the side, “dismissed.”
neteyam swallows, as you gape; having stood by his side since the second you’ve dragged him back. neteyam glances to you, then back to his father who remains unmoving.
“d-dad–”
“dismissed,” jake repeats himself, now looking to you with a small nod. you’re able to give a smile, understanding jake’s intentions. he may look stern and he certainly in hell is strict, but he loves his family and it shows. you can see it in the way jake strives to protect those he loves and that comes with a price of being too harsh sometimes. it’s the mutual understanding you have that got jake to warm up just a bit to you (compared to how neytiri awed over the way she noticed her son adoring you).
it was your cue to bow in respect before you wrap your fingers on one of the wrists behind neteyam’s back to tug him away. he doesn’t object, already stumbling to follow you but just as he glances over his shoulder, he could’ve sworn he saw his father crack a smile before he turned his back.
//
”if i knew getting him to date someone would get him to return quicker, i’d thrown him off the edge earlier,” jake comments, snorting at his own remark as he tidies up the equipment. he lets out a soft augh when he feels a nudge to his head, knowing very well of who it might–”you promised you’d go easier on him.”
“i am!” he sighs, looking up to neytiri who has her hands on her hips, raising a brow, “i’ll... have a chat with him, down by the river later.”
she somehow raises her brow higher and he extends his arm out, pointing right at–”you sure we won’t fall?” neteyam squints his eyes at you, watching as you effortlessly hook your knees over the branch, dangling your body upside down with a grin, “do not tell me that the great warrior neteyam, son of jake sully is afraid?”
neteyam scoffs a laugh and threatens to bite your ankle when he grips onto it, only to yelp when you nudge him forward and he has to rely on his reflexes to follow your lead. when he’s securely hanging next to you, he’s able to smile widely at you, finding your hand on the branch between your bodies. it makes you laugh this time, tail lining up the side of his body as he swirls his along your legs. it was playful, childish... it was happiness.
neytiri’s eyes soften at the sight, a smile crawling to her face. she directs her gaze back to jake, who has this shit-eating-grin on his face.
“get to him before dark. i want a nice, peaceful dinner as a family tonight.”
“roger that.”))
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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