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#anyways back to doing actual writing
muffinlance · 3 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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thatpunnyperson · 10 months
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According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.
And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.
Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.
So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.
Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.
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estrellami-1 · 10 months
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If I Should Stay
Part 1 | Part 2 | Part 3 | Part 4
He’s staring at him.
Steve Harrington is staring at Eddie Munson.
The thing is, people don’t just stare at Eddie. Not for any reason that means anything good for Eddie. So when, completely unprompted, the fucking King of Hawkins High walks up to Eddie and says, “I need to talk to you,” Eddie thinks he’s entirely justified in the squeak he lets out.
“You? Talk? To me?” Wow. Great job, brain.
“Please,” Harrington whispers, and Eddie thinks desperately this must be some kind of joke, except he’s good at reading people, and he knows the desperation in Harrington’s eyes.
“Okay,” he says, stammers. “Um. There- there’s, behind the school, a, uh-”
“Table,” Harrington nods. “That works. Just…” he sighs, rakes a hand through his hair. “Leave the lunchbox at home.”
Eddie’s eyebrows hit his hairline. “Then what the fuck do you want with me, dude?”
“I can’t explain. Not here, not now. Just. Please. After school, okay?”
Eddie looks at him. Really looks, studies his face, understands the lines by his eyes, the tightness of his mouth. His heart thumps as he realizes. He’s scared. “Okay,” he says, and means it.
Eddie’s a man of his word, so after school he makes his way to the table, pausing when it comes into view. Harrington’s already there, sitting with his head in his hands. Eddie calls out from a couple of paces away. “You sure you don’t want anything from the lunchbox?”
Harrington jumps, hands up, eyes round. Relaxes a little when he sees Eddie. “No. I- I’m good. I can’t, actually.”
Eddie frowns. “What, like, a sports thing? No one’s gotta know, dude, I’ve never been busted, I can keep a secret.”
Steve gives him a half-smile. “No. It’s- it’s not a sports thing. Just… sit down? And promise to listen?”
“Okay,” Eddie says, because he knows how comforting it can be to just have someone there, and he’s not a dick; clearly Harrington’s going through something. Though why he approached Eddie, of all people, he doesn’t know.
“Okay,” Harrington repeats back, taking a breath before starting. “If I were to tell you I’m from the future, a future in which we know each other, how would you ask me to prove it?”
Eddie blinks. He was ready for a lot of things, but not time travel. “Um. I dunno, man, I haven’t really thought about it.”
He takes another deep breath. “Can I try?”
“To- to prove you’re from the future?”
“Yeah.”
Eddie laughs, a little hysterically. “Man, where the fuck do I get the strain you’re on?”
He blinks. “What?”
Eddie gestures at him. “Come on, man, you have to admit you’re not really making sense here.”
Harrington sighs. Takes another breath. Says, “You live with your uncle Wayne. Your father taught you to hot wire cars when you were nine. You listen to Dio and Metallica and Ozzy Osbourne but your favorite song is I Will Always Love You, by Dolly Parton, because it was your mom’s favorite. The guitar pick you wear around your neck was hers. She taught you guitar. You love The Hobbit. Stop me when I’ve said enough.”
Eddie’s never been more scared in his life. “Listen, man, I dunno where you heard all that-”
“Eddie,” he says, implores, and digs something out of his pocket. Opens his hand to reveal a ring.
A ring Eddie already has on his finger.
“What the fuck,” Eddie whispers. Grabs for the ring before he can tell himself it’s a bad idea. Examines it, sees the dent from where his finger had gotten smashed in a door.
His hands start shaking.
“I’m from 1987,” Steve Harrington says, sure as anything. “And I’m trying to stop something terrible.”
“And what would that be?” Eddie asks, feeling strangely detached from the whole thing.
“Your death,” Steve Harrington says, still sure as anything.
Permanent Taglist: @justforthedead89 @ilovecupcakesandtea @madigoround @bookbinderbitch @suddenlyinlove @nburkhardt @artiststarme @paintsplatteredandimperfect
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lauraneedstochill · 1 year
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Can't help falling in love
summary: 5 times Aemond was in love with you + 1 time he finally confessed his feelings
warnings: friends to lovers (at the age of 9, 10, 15, 17, 19), a pinch of angst (Aemond healing after losing his eye), but overall so fluffy and sweet you may want to skip dessert
words: ~ 5500 (I got reeeally carried away with that love confession)
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1.
Aemond is weeks away from his tenth birthday and he feels as miserable as ever. That feeling is an iron weight upon his heart, his mood irritated and face features grim more often than not. He is still without a dragon — and it’s the only thing he can think of, day and night, steadfast and stubborn in his obsession that most of his family finds to be blown out of proportion. It might have stang him less if only it wasn’t for the constant teasing and pitiful jokes that added to his distress and the never-ending heartache. He learns to keep a straight face and act as if he doesn’t really care, but deep down he does, way more than he’ll ever admit.
His training sessions are a way to channel his anger, and he lashes out at a straw man, again and again, clinging to the thought that, at least in these moments, he is not entirely powerless. He keeps his focus on the target, attentive to Ser Criston’s advice — “Soften your knees”, “Keep your feet light, your hands heavy”, and for a couple of hours he forgets about his misery.
It’s when the training comes to an end, the dreaded realization sinks in again, and Aemond is lost in his thoughts, mindlessly twirling the wooden sword in one hand, his gaze wandering around the yard.
And then his eyes fall on a bright green spot — and all of a sudden, he sees you. A girl of his age, the hem of your green dress a bit dusty, boots covered in dirt, a few strands of hair fallen loose, a coy smile on your face. You meet his gaze and wave at him excitedly.
Aemond looks dumbfounded. A girl in the training yard. Waving at him. He blinks once, twice — and in the next moment, you're standing merely a few steps away, glancing curiously at his sword.
"It looks so hefty! Is it heavy? What is it made of?" a string of questions, your voice sweet and joyful.
There’s a brief pause and maybe you mistake his stiffness for arrogance as you are quick to add:
“Oh, my manners!” gasping but showing no actual regret. “Forgive me,” you curtsy, your smile growing even wider. A timid smile appears on his face in return and he finally comes to his senses.
“It’s made out of red oak. It’s not very heavy, you get used to it,” Aemond raises the sword, letting you take a closer look. Within another blink of an eye he finds himself talking to you, your questions endless and maybe a bit naive but he genuinely enjoys it.
That’s until you both hear a loud cry:
“Lady Y/N!” your nanny comes running in, out of breath and scowling. “I told you not to wander around...,” she chokes on her words at the sight of the young prince. She curtsies, too, but it isn’t nearly as cute as when you do it.
She sprints decisively in your direction:
“It wasn’t very polite of you to interrupt the prince’s training, you little menace!”
And then Aemond, to his own surprise, moves to stand in her way.
”Y/N didn’t interrupt a thing,“ he disagrees, lips thinned into a tight line.
The nanny stops and looks at Aemond dubiously, switching her gaze from him to you.
Ser Criston is the one to resolve the conflict — he comes from behind, with a polite smile plastered on his face.
”Young lady can watch from the balcony. The guests are very much welcomed,“ he calls for the maid to escort you and your nanny up there. While you’re away, he looks at Aemond with a grin:
”Already wooing the ladies, my prince? Let’s hope you are as good with your sword as she thinks you are.“
He does make Aemond work for it but the prince fights back, winning one bout after the other. He keeps glancing at you and you wave at him every single time.
Aemond is too young to know what love is, too shy and guarded to even entertain the thought of it. But when you look at him, with your childish grin and your eyes bright with mirth, he doesn't feel lonely anymore.
2.
It's been two weeks since Aemond lost his eye and he hasn't left the bed once. The pain is still blinding, burning and constantly making his only eye water. But what hurts even more is the humiliating disability. The triumph of claiming Vhagar died down, and now the prince was faced with the harsh reality he needed to adjust to and the process wasn't an easy one. The fever has only recently gone down, leaving his body weak and freezing from the lack of movement, but he couldn't bare the thought of stepping out of the room.
His mother wouldn't leave his side and even Aegon often came to visit, clearly blaming himself for not being there for his little brother. Yet their presence barely brought Aemond any comfort and most of the time he would pretend to be asleep to avoid any conversations. He knew they only meant well and he was being cruel but he couldn't help it as his pride was shattered and he gave in to sadness.
That is until one night he wakes up to a weird sound. He's only half-awake when he hears a vigorous tapping that clearly comes from the outside. Except it's not from the other side of the door — but rather outside his window.
He's startled by this guess and suspiciously walks closer. It takes him a few seconds to focus his gaze and discern a human's silhouette — and then another few to realize that it's you standing on the window sill. He feels like his heart will jump out of his chest as he rushes to open the window.
You climb through and clumsily drop to the floor. But before he can get worried, you are on your feet again, eyeing him with concern.
“Oh, Aemond,” your gaze and voice are both so soft, it makes his lower lip quiver. You carefully approach him and put your hand on his shoulder, gently sliding it on his back in a soothing motion and then cuddling him. He welcomes your company with a sigh of relief. You smell of oranges and you give the best hugs.
"They told me no one was allowed into your chambers," your hushed whisper burns his ear. "The silliest thing I've ever heard!" you pull away from him, still lightly panting, cheeks flushed and hair messy. "I knew I had to find a way to come see you."
You examine his face, frowning at the scar that's still healing.
"Does it hurt?"
He only nods, afraid that if he opens his mouth, he won't be able to hold back a sob. You move closer, resuming the gentle motion of rubbing his back.
Ever since that day in the training yard, you kept in touch, regularly sending each other letters, chatting about everything and nothing, sharing your little secrets and observations. You recently mentioned that your parents allowed you to come see him again, but with the tragic change of events, Aemond completely forgot about the preplanned visit. 
"I will take his eye," you say out of the blue, caressing the unharmed side of his face, your voice laced with anger. Aemond thinks he might've heard it wrong.
"...Whose eye?"
"Luke’s! I shall take his eye, as payment for yours," you tell him with zero hesitation. For a girl of your age, you’re way too eager to plan such a thing, yet he somehow has no doubts that you can actually do it.
Aemond shakes his head:
"You shouldn't," his voice quiet but firm. "The King was very adamant about that, no payment is needed."
"Well, maybe he is too old to think straight," you retort. "You are his son and you lost an eye! Justice must prevail," you tilt your head at him, clearly thinking that you’re in the right.
And he knows that you are but he also knows no justice will be served. It’s the last straw for Aemond — he looks away in shame as tears, hot and angry, start falling down his cheek. You waste no time hugging him again, letting him cry on your shoulder, and the two of you stay like that for what feels like an hour.
And then, in the comfortable silence of your embrace, he hears you asking, very seriously:
"Are you sure I can't take his eye?"
At that moment, he can't stop himself from letting out a laugh — a weak one and barely audible, but still, he laughs, for the first time in two weeks, and you are the sole reason for it. 
Your cheek is pressed to his, your fingers running through his hair, and Aemond realizes he can't lose you.
He begrudgingly persuades you that taking Luke's eye isn't worth the trouble.
3.
By the age of fifteen Aemond becomes quite accustomed to the eyepatch and it gives him a boost of confidence. Losing an eye only made him train harder and his persistence pays off when he’s the one to win, time after time, no matter who his opponent is. His hair grows longer, now silky smooth and with no sign of his boyish curled ends, his face features sharpen. He learns to walk with his head high and hands clasped behind his back, mastering the intimidating look that makes most people want to stay away from the one-eyed prince. 
His tricks could’ve never worked on you, though.
You come to visit him a few times a year, and he eagerly awaits your arrival. All the days in between, you keep talking through letters, them getting longer as you get closer. He keeps those letters locked in a hidden compartment of his table. And sometimes, for no specific reason — or maybe for the reason he can’t yet formulate — he is drawn to reach for them, which always ends with him rereading the letters for hours. Some of them he knows by heart and yet it never stops him from having the pleasure of seeing your handwritten stories and little jokes that were only meant for him.
Today is no exception and Aemond is so enthralled by reading, he almost misses the knock on the door. The sound brings him to reality but he is in no hurry to react. The knocking comes again, and the prince groans, annoyed at the maid's persistence. He carefully puts the letters back and goes to the door, armed with his cold gaze.
And then he opens it — and it's you standing in front of him. 
Aemond barely has time to register what's going on when you launch yourself at him, your arms immediately enveloping him in a tight hug, your laugh ringing in the air. He hugs you back and, while you can't see it, he's grinning from ear to ear.
“I swear you’re getting taller every time we meet!” you look up at him, beaming, and he lets you in. “I soon will need a ladder just to hug you properly".
"I’ll be sure to let my body know of your disapproval," he sneers and you stick out your tongue.
"While you are at it, shall you also work on your friendly face? I overheard the maids being frightened to go into your chambers," you try giving him a scolding look but end up giggling at his reddened cheeks.
"I am friendly enough!"
“Yes, nobody glowers quite like you,” you snicker and flop right on the floor, the move always making him smile. Aemond tried persuading you to sit on any other surface that’s actually meant for sitting but you insisted that his fluffy rug works just as well, so he eventually gave up, deciding to join you. He never complained since.
Before he knows it, he’s immersed in the conversation while you enthusiastically share the recent news and everything that’s happened to you on the road. Only about half an hour in, he notes a small bag you're clasping in your hands.
“You come bearing gifts?”
“Oh, I almost forgot I had it,” you laugh, abashed. “I decided I should bring you something to replace this crumpled-looking thing".
It takes Aemond a minute to realize that you're talking about his eyepatch. But he has no time to protest as you silence him with a gesture of your hand:
“I took it upon myself to count for how long you’ve been wearing this one already,” your tone gets serious. “I must say, that number is disturbing.”
There's a moment of silence and then he clears his throat, his voice unsure:
“Very kind of you to think of that, I shall replace it later on.”
He reaches his hand to take the bag but you quickly cover it with yours, fingers brushing over his, and he freezes.
“Are you still not convinced that I can take a look at it?” you try to make eye contact but he averts your gaze.
“Aemond, I was with you and I think I’ve seen enough back then — none of it scared me.”
“It is not a sight for the faint of heart,'” the prince mumbles, his bravado faltering.
“Well, I don’t remember fainting the first time. You should have more faith in me,” you try to reason, holding his hand.
Aemond ponders for another minute — or maybe ten, he isn't sure, and you patiently wait, not wanting to press him any further. Then he finally makes a decision and, after taking a long, sad sigh, he removes the eyepatch and looks at you, the sight of him is the very definition of insecurity.
You stay silent for about five seconds before concluding:
“Oh, it healed so nicely!” with no hint of uncertainty in your voice. Your smile reassures him a little as you peer at the sapphire, looking very pleased.
"The gem compliments your eye very well," you give him your verdict, taking the new eyepatch out.
"We might have a different understanding of what a compliment is."
"This is me trying to say that I really like the way it looks," you chide him lightly. "And I consider myself to be quite understanding, thank you very much. Will you stop pouting and let me put it on?"
At this point he surrenders, giving you permission, and you move closer, giggling with excitement. You gently fix his hair, making sure it’s all combed back, and then lean to put the eyepatch on. You have a habit of biting your lower lip when you're too concentrated on something, and Aemond can't help but gaze at that part of your face while your teeth graze over the pillowy surface. 
He’s never let anyone this close — and not just in the sense of physical proximity. The moment is very intimate, and the softness of your movements tugs at his heart. He is suddenly very aware of the very short distance separating you two, and he holds his breath. You are oblivious to his stare and soon lean back, satisfied with the result and glaring at him with something akin to fondness.
He wishes he could paint a picture of you right at this moment, so tender and caring and sitting by his side.
He also wishes he could kiss you — and that thought scares him to death. And yet, once it appears, it never goes away.
4.
Aemond is seventeen and his life has been pure torture since you stopped visiting him. He hasn't seen you in over half a year (seven months and eleven days, not that anyone's counting). It's not your fault as your father has unexpectedly fallen ill and you couldn't leave his side. The prince exhausted the maester with questions, asking for advice to write back to you, worried sick that your separation would be stretched for way longer than he could handle.
Luckily, the Gods took pity on him, and he was glad to learn that your father got better, and you will come to the King's Landing soon. Your visit coincided with Aegon's birthday, but Aemond didn't care about the feast, his mind only occupied with the thought of seeing you. He was both nervous and excited to the point of not even hiding it, which led to Aegon teasing him relentlessly. Helaena, on the other hand, wholeheartedly supported Aemond's sympathy for you.
“She will be delighted to see you, too, I am sure of it,” his sister tells him the day before the event.
“But the reason for it might be of a different nature,” Aemond remarks, and Helaena gives him a compassionate look.
“You will never know her true feelings unless you ask,” she encourages. “The two of you are so close, I consider Y/N part of the family.”
Aemond knows that he’s of age and his mother hinted that, despite him showing no interest in courting, some ladies still found him attractive. He dismisses the idea but then finds himself thinking of it from time to time. When the realization forms in his head, it’s nerve-wracking but oh so compelling — he thinks he would’ve really wanted to marry you. He just doesn’t know how to tell you about it.
The day of your arrival comes, and Aemond wakes up at dawn in anticipation, determined to confess his feelings. He tries to come up with a speech, but it feels wrong and sounds weird, and he decides it will be better to improvise. He all but runs to the courtyard to be the first one to greet you. However, when you step out of the carriage, smoothing your dress, and your eyes meet, Aemond stops dead in his tracks and the world around him stands still.
His confidence might’ve blossomed — but not nearly as much as your beauty did. Somehow in those recent months, you’ve matured into a woman that takes his breath away.
It’s not a drastic change, it's all in the details: the contours of your face are more defined, the cheekbones prominent, your hair knotted up high in a perfect style and even your pace is much slower and gracious. You walk towards one another, both suddenly cautious. But when you are a couple of meters apart, a well-known smile appears on your face and you hold your arms out to him and he finally hugs you again, after all this time. Aemond relaxes, inhaling the familiar scent of fruits that you undoubtedly munched on your way here.
“You look exactly as I remembered you,” you say as you slip from his embrace.
“And you are a sight to behold,” he breathes out, taking you in, and your cheeks heat up at the compliment. You’ve never been shy with him before, so this is also new. He wonders what might’ve caused this change.
As the two of you walk around the castle, it feels a bit awkward at first, and you keep glancing at him with emotion he can’t read. But Aemond is too happy to see you to give it much thought, and within an hour you ease into the conversation, too. By the time the evening comes, the tension disappears, and you are laughing at his sarcastic remarks again, and he savors every second of it.
The feast in honor of Aegon is lush and crowded, but you stay by Aemond’s side, enjoying each other’s company, and he only has eye for you. When the music gets too loud, you sneak out and soon find yourselves in his chambers, just like in the good old days. Aemond is in the middle of telling you about Aegon’s recent foray to the Flea Bottom, when you say:
“It’s just the two of us,” your fingers sink into the fluffy rug. “You don’t have to wear it with me. You know it, right?”
He wears the eyepatch with everyone, only taking it off before going to sleep. Moreover, he actually cherishes it because it’s a gift from you. Aemond hesitates:
“I thought you quite liked it.”
“I only gave it to you because yours started to look like it was pulled off a dead man’s body!” you laugh.
Before he can think of an answer, you lean closer — your shoulder brushing his, your hand touching his face, the same gentle warmth he remembers so well, — and remove the eyepatch yourself. The sight doesn’t bother you in the slightest as you confess:
“I accept you the way you are, Aemond,” and then, a moment away from him opening his mouth and saying the thing that’s been on the tip of his tongue for the duration of the day, you add: “That’s what friends are for — and you are my best friend.”
And just like that, with this word alone, his plan goes out the window.
A friend. Aemond can’t even be upset at the reveal, because, honestly, being your friend feels like a blessing in itself and he wouldn’t trade it for the world. How could he be so selfish and foolish to even think about risking it all, risk losing you?
So he keeps his feelings to himself, locking them away deep in his heart, and doesn't argue with you.
Maybe he should have.
5.
By the age of nineteen Aemond reaches the conclusion that he wants to take the risk. Otherwise, he thinks he might actually die as his heart can not hold all his feelings anymore. In two years' time, there isn’t a single thing about you that he hasn’t come to love, and keeping it a secret becomes harder with each day.
Aemond is ridden with doubts to the point where he can't hide it any longer and he decides to seek advice — and the prince can't think of a better person to talk to than his mother. Unbeknownst to him, Alicent was the first one to notice. Years ago, when you were kids, she quickly sensed the effect you had on her son, and it brought her joy as she watched the two of you get closer with time.
So when Aemond bursts into her room, anxiety radiating off of him as he starts jabbering away, his pacing erratic and voice trembling, it takes her about a minute to realize what's going on.
“My dear, I think you must talk to Y/N,” she approaches him, an understanding look on her face.
Aemond cuts his speech short, eyeing her with wonder:
“You don't seem surprised.”
“Your affection for her is as bright as a fire blazing,” Alicent chuckles. “I believe Y/N is the only one who doesn’t see it.”
“Should I tell her...?” he doesn’t dare say it out loud, not yet.
Alicent briefly takes his hands in hers, squeezing them.
“You should tell her the truth.”
Her encouragement gives him a dash of hope, lifting a weight off his chest. Aemond knows in an instant that the letter won’t cut it, and you must have the conversation face-to-face. Fortunately, your next visit is in a month, so his suffering won’t last for much longer.
Aemond almost reaches the door but then sharply turns to his mother again, his cheeks flushed:
“Will you give me your approval?” and this time, he looks straight at her as he wants to see her genuine reaction.
Alicent smiles, quick to reassure him:
“Yes, Aemond. Your betrothal would only make me happy.”
The prince feels elated, almost euphoric, as he finally goes to meet you and runs the remaining distance from his chambers to the yard. But when he sees you, the smile disappears from his face because he notices that something is wrong.
You look visibly upset, your eyes watering and fingers fumbling with the dress, even though you try to force a smile in return. The hug you give him is weak and you keep looking at your feet.
“What is the matter?” he’s never seen you this sad, but you brush him off.
“It’s just a headache, no need to worry.”
Yet that’s exactly what he does, offering to call for the maester, or to prepare you a warm bath, or bring you some tea...
“A cup of water would be nice, thank you,” he leaves you in the hallway to go and get it himself, the task only takes a couple of minutes. When he returns, you stand with your back to him, your shoulders are shaking — and he hears quiet, muffled sobs. If it wasn’t for the nearby table, he would’ve thrown the cup away, his focus on you alone. As he rushes to envelop you in a hug, you don’t fight it, instead nestling your face against his chest, not hiding your tears anymore.
Aemond gives you some time before asking again:
“This doesn’t look like just a headache. What is the cause of your anguish?” now he’s the one running his fingers up and down your back.
You let out a sound that’s a mix between a groan and a whine.
“My father says I am to be betrothed soon. He says I am of age already and... and he wants me to meet some of my cousins,” you sniffle. “I told him I have no wish to get married but he refuses to listen,” you bite your lip, not wanting to cry again.
Surely, that’s not how Aemond wanted to ask you. But he decides to take his chance.
“Mayhaps there is another way out that could make you feel better.”
“Please don’t tell me Vhagar will burn them down,” you jest but the smile doesn’t reach your eyes. Aemond thinks your idea isn’t that bad — but he has to try his first.
“If he insists you should marry but doesn’t have a particular candidate, maybe you can pick one yourself?”
“I’ve met all my cousins — and half of them are imbeciles, the others are too old to survive a wedding,” you scoff.
“Then pick someone you are not related to,” Aemond suggests.
“Do you have a particular candidate in mind?” when you ask with a tinge of annoyance, you don’t think he will answer. And then you look at him — and see him grinning before he says:
“Me”.
You glare at Aemond with eyes wide and mouth agape, the expression frozen on your face for a good minute. 
“Are you laughing at me?” you manage to say.
“I wouldn’t dare,” his nerves are as tight as a wound-up string.
In the blink of a moment, your face lights up. You're looking at him indecisively, searching for words, agitated. But Aemond mistakes your confusion for rejection.
“At the very least you will marry someone you know,” he tries to reason — but it backfires, wiping the joyfulness off your face. Taken aback, you inquire:
“You pity me?”
He doesn’t grasp the poor choice of his words yet.
 “You pity me and that’s why you want to marry me?” you give him a look of disbelief, your eyes glossy, and he can't get his head around what just happened.
“Oh, it was so silly of me to think that...,” you choke back a sob, putting your hand over your mouth.
Never in his life he thought he would be the reason for you looking so heartbroken. Aemond covers your hand with his palm — and you let him, as he tries to gather his courage.
“Y/N, I only meant to say that I —”
And then you recoil, snapping your hand back.
“Aemond, don’t,” you take a step back from him, then another one. “You have said enough. Please, let me be,” you turn away and leave the hall in a hurry before he can utter another word.
... 1.
He finds you at your usual spot, under the blossoming cherry tree. You’ve always said you liked the color of it, little white flowers reminding you of early spring, your favorite time of the year. You don’t know that Aemond insisted on planting that tree specifically for you. Just so he can sit nearby and, as you were basking in the sunlight with your eyes closed, he would get a chance to look at you with all his unconditional love and have those moments engraved in his memory.
Come to think of it, he had so many memories of you — and every single one of them was bliss, and he can recall them so easily like it was yesterday.
And so he does.
“When we first met, you wore a green dress,” his voice startles you, but you don’t turn to face him, sniffling with your arms folded. “It was the color of forest trees. Black lace around the hem of it, the matching hair ribbon that you kept losing,“ he keeps his distance, his hands shaking.
"Yes, I remember it pretty well," you sigh, avoiding his gaze, baffled by his sudden outburst.
"The second time was when you climbed through my window, almost gave me a heart attack," there’s a hint of a smile in his voice that you catch even without looking. "Blue dress, you tore a huge piece of it and couldn’t care less. You were the first person to make me laugh in two weeks even though it seemed impossible. But not with you."
He sees your eyebrows furrowing, hands sliding down to rest on your knees.
"Helaena’s name day came next, your dress was bright pink. Luke tried to make fun of it and you threw a cup full of water in his face. To this day, it’s one of my fondest memories."
You dare to look up at him, perplexed, your eyes wet from crying. 
"Three months after was the light-blue dress, then the peach one and the brown one. Then the white one which didn’t survive the horse riding lesson, and Helaena gave you one of hers. Light green, too long for your liking, even though you pretended otherwise to please her," the corners of your lips tremble, your face softening.
"Then for a year you only wore violet, much to your nanny’s dismay as she thought it made you look ill. And I thought you were the prettiest girl I’ve ever seen, no matter what dress you were in," he can’t take his eye off you.
Your face expression melts into a stunned one.
"I didn’t realize it back then. Or maybe I didn’t know how to call it. I just knew that your visits only brought me happiness," he takes a step toward you, uncertain, but you don’t move from your spot.
"When you were fourteen, you picked the autumn colors — orange, dark yellow, deep red. Your started braiding your hair, tried to braid mine," you can’t hold back a smile. He was fussy when you first voiced the idea but he ended up loving the process so much, he would allow it just to feel your fingers flowing through his hair.
"I think you actually enjoyed it", you mumble, and Aemond smiles, too.
"I did. I enjoyed every minute that I got to spend with you."
You stand up then, feeling your pulse quickening.
"The day you brought me the eyepatch, you wore emerald green. I was terrified to show you the scar," he pauses, catching his breath. "You assuaged my fears with your kindness. But then I was terrified to learn that I wanted to kiss you". 
You think you are dreaming. Is it possible that you fell asleep under the tree? You don’t want to get your hopes too high, but when he looks at you like this, your own fears start melting away.
“Then was the black dress, the grey one, another white one. The golden one you wore to meet Vhagar,” when he saw you that day, he almost forgot how to breathe. You showed no sigh of apprehension as you fearlessly approached the dragon. He was absolutely besotted.
“And then came the agony of not seeing you for over seven months,” he closes his eye for a second, overwhelmed. He almost misses it when you speak:
“Seven months and twenty-five days. Not that I was counting,” his eye snaps open, instantly on you again.
You gravitate toward each other without even noticing. Aemond’s heart skips a beat when you’re at arm's length, your eyes shining and lips slightly parted. Even in the state you're in, you look so beautiful, it's mesmerizing, and the words are stuck in his throat. You are the one to break the silence:
"Aemond, please don't give me false hope," your heartbeat is too loud, you don't hear your own voice. He does.
"I do not wish to marry you out of pity," Aemond takes the last step. "I want you to be my wife because I'm in love with you," he wipes away the remaining tears off your face, his fingers linger, making you shiver. "I've been in love with you for quite some time. For a few years, actually," his voice gets low. "For what feels like an eternity," Aemond murmurs.
"Why haven't you told me?" you pout, nervously toying with the collar of his shirt.
"I was afraid you didn't feel the same. I still am but maybe... Maybe I am wrong?" his gaze is fixed on you, one of his hands following the contour of your waist, your body warming at the touch.
"Tell me that I am wrong," he whispers, begging.
You look at his lips, the soft curve of them that you’ve dreamt of for so long.
Aemond always thought yours were the most kissable he’s ever seen.
You don’t know who closes the distance first — but his mouth is suddenly on yours and the sensation leaves you disarmed. Kissing him is like being swept with a wave of tenderness, and you’re floating in it, his lips so fervid and supple — truly perfect — your head is spinning. The kiss is not awkward nor modest as you hastily cling to each other, his hands gripping your waist, your chest pressed into his.
Aemond feels like he’s drowning, and he wants more of you — all of you, and then your fingers tug at his locks, eliciting a groan from him, and it is simply a miracle that his heart doesn’t explode. You move in impeccable sync, in the passionate harmony that erupts from years worth of mutual pining. His lungs burn but he resists the urge to break the kiss and stretches it out the best he can until you are breathless, too.
"Never knew that you were so fascinated by my wardrobe choices," you tease, and his hum turns into a chuckle.
“You know what my favorite memory is?” you ask, your forehead resting against his.
“When we were thirteen, and you were teaching me how to hold a sword. I tackled you to the ground and scraped my knee,” you both smile at your then enthusiasm. “And you set everything aside to spend the rest of the day with me even though it was hardly a wound. And I remember thinking,” you hook your finger under his chin, “that there’s nowhere else I would rather be than with you, with this favorite boy of mine.”
The air around you tense, and you are enchanted by each other.
“Did that help to prove you wrong?”
“I may need some convincing,” his breath fanning over your lips.
“You can take your time,” you laugh — and then the sound of it is muffled by his athirst mouth.
His favorite memory will be this.
And every other moment with you that's to come.
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author's note: I'm sorry if this came out messy and rushed. I tried my best to write a shorter fic (this is short for me lmao) and idk how I feel about it. I much rather prefer them longer because I'm a sucker for stories about two people getting to know each other and falling in love BUT I get it that others don't want to read long ass fics (which kinda breaks my heart but I'm being so very brave about it) anyways, I hope this was bearable, thank you for reading!
💙 the longer version of this fic might have looked like this (yes, this is a shameless plug! because I adore this one to pieces!! bite me) 💞 my masterlist 🎵 the title is a quote from Elvis Presley's song (duh). there are quite a few covers of it but one of my favorites is by Twenty One Pilots. there's also a female version — by Ingrid Michaelson — and I think both of them fit the story really well. P.S. I'm also on AO3 (lol, who isn't), in case you prefer to read fics there.
English is not my first language, so feel free to message me if you spot any major mistakes!
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Time limits and being late for dinner
Danny, pinned down by gunfire on top of a wounded red hood who caught him in his territory and chased him into a rivals warehouse:
"Hey hood, soo... hypothetically, if I was to remove your helmet how long is the detonation trigger?"
Jason starting to lose conciousness and slur from blood loss:
"Like half a second after it triggers, it'll blow before you can clear my head, why?"
"Cool, that gives me half a second to see why my sister is obsessed with your ugly ass!"
"What? Wait... who's your sis-"
*grabs Jason's head by the helmet and phases it straight off and through his body using the momentum to throw it towards a group of shooters in a single move*
[There's a loud bang and the shooters duck for cover as two go down screaming from the shrapnel]
"-ter... hey! How'd you do that?"
"Ugh, I was right, you remind me of Johnnie. Oh well, c'mon man, well be late. Not something you want to experience when jazz is waiting"
"Jazz... Wait! Are you kidding me, the bookworm Jazz, is your sister?"
Danny braced his arms across hoods chest under the arms like they were floating in water and leaned backwards, red hood and himself suddenly unburdened by gravity slid through the wall covering their backs and disappeared from sight (if not sound as Jason dazedly kept commenting on the cute girl he'd mistaken for babs and if she actually liked him back)
They were late, jazz was definately gonna be mad!
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robinfollies · 4 months
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KEEP THE DANGER OUT // KEEP THE DANGER IN
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#billie bust up#bbu billie#bbu fantoccio#robin’s art#2024 art#COMPANION PIECES BABY!!! started these last year (month) and finally finished em!!! :33#i could write an ENTIRE essay abt billie and fanto and their parallels and stuff#which actually i love tumblr tags. lets do some of that here!#okAY IM NOT GONNA GO INTO EVERYTHING BUT HERES A BASIC RUNDOWN OF SOME OF MY THOUGHTS#let’s start by looking at goatshire + the lost city of magic !!#both places have some kind of border around them keeping SOMETHING in/out#goatshire’s wall keeping the trolls/other danger out; keeping the villagers inside safe#and the city’s barrier keeping the curse inside; while keeping everyone outside safe from it#but in turn it’s also keeping billie and fanto trapped in their respective places#one moreso than the other i guess but ahahaha. haha. heh. OKAY MOVING FORTH#unrelated but how sick would it be if the barrier broke and let the curse out. just sayiiin.. a lil theory thats been on my mind recently#anyways back to THE POINT#okay this parts gonna sound insane BUT JUST HEAR ME OUT HERE#goatshire citizens / the cursed city citizens.#billie and fanto both kinda stick out in their respecitve homes; fanto being the only uncursed guy and billie with their magic#so theres like. a real disconnect between them and others there. u get what i mean.#theyre both outliers and like something something allegory for neurodivergence and struggling to connect with others probably#SORRY GETTING AHEAD OF MYSELF. idk how to explain it BUT DO U GET IT!!! DO U UNDERSTAND!!!!#also they were both abandoned by SOMEone stares at arthur#okay specifically whoever fanto’s cretaor was left him behind but u know me im such a fanto elmtwig jak#something something loneliness and being left behind and having ppl around you who kinds understand u but also not totally. kicks rock#someone get these siblings some THERAPY!!!!!!!#this was a very disjointed explanation bUT HOPEFULLY I GOT MOST OF MY THOUGHTS ACROSS GOOD. IM BAD AT EXPLAINING THINGS SORRY#someone order me a yappuccino!!!!! BYE!!!!
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sergle · 6 months
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
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turtleblogatlast · 4 months
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[ cw: risk taking behavior / circumstantial self harm kinda / ignoring of injuries / self-depreciation / slight ooc-ness but for a reason! / ]
Post invasion, Leo is fine.
More than fine! He’s better than before, even. That is, if you don’t count the slightly cracked shell and still healing bones, but those are only a problem when the weather wants them to be!
Leo really is better in the ways that matter.
He’s not as cocky, not as self-centered, and overall just more heroic in general if he does say so himself.
Raph even said he was proud of Leo!
So obviously things are going well.
But.
It’s not enough.
Leo’s better, sure, but he’s still got work to do.
So - and here’s something that will probably make his brothers faint on the spot - he needs to train.
_____
His brothers do not faint, but it’s a near thing for Raph. Mikey has to fan the snapper’s face and Donnie almost brings out the smelling salts before Raph shoots back to his feet with an excited grin.
Leo’s big brother gets teary eyed soon after and envelops him in a bear hug, saying once again how proud he is that Leo is growing up.
Leo lets himself be hugged, even hugs back as fiercely as he can, because unbeknownst to Raph, this marks the end of Leo’s childhood.
He lets himself be hugged like a kid one last time, looking through the hole in Raph’s shell all the while.
_____
Leo only trains the regular way with his brothers and occasionally April and the Caseys, but most especially Raph.
But of course that’s not enough, it was never going to be.
So he goes through the motions of the stretches, the spars, the meditation, and then he leaves.
He makes sure to have his excuses ready, usually defaulting to Hueso as his go to since his brothers are easily bought off with the promise of pizza. Leo hasn’t yet found the tracker Donnie installed in him, but when he does that’ll be dealt with too! But for now, this should be good.
See, the invasion made him realize something.
It’s not about him, but it was his shortcomings that led to everything going to hell.
So he just…needs to get rid of those shortcomings.
He’s working on it, gaining fighting skill in training, but there’s more he needs to do, more skills he needs to train.
Leo watches intently as Repo Mantis swindles someone, he memorizes the sleight of hand that Hypno performs, he sneaks back into the Mystic Library and is so quiet the hush bats forget he’s there, he talks Big Mama into honing his manipulation, and he even sneaks into human hospitals and reptile veterinary clinics to get a clue on more serious injuries.
And after any of these, he heads to Run of the Mill to compete in the Maze of Death.
_____
This is his twelfth time going through the (newly remodeled and even more deadly) Maze of Death, and would be his fifth time winning. The first three times had him waking up in Hueso’s office, and each time he wakes his old persona shines through.
He always waves off Hueso’s annoyance and questions and insists on trying again next time before he steals some pizza and bails.
The skeleton actively tries to stop him from entering the Maze after the first time, but hey- mystics are allowed before you enter.
It’s easy enough to teleport on by.
Harder to meet Hueso’s - and later his brothers’ - eyes when he fails again.
When he first actually won, Hueso congratulates him in that typical deadpan tone of his.
“Ah, felicidades, Pepino. Now you can move on, sí?”
“Hm? Nah, boneman! That run was sloppy!”
And then Leo runs off before Hueso can stop him.
He doesn’t even look at his picture on the champion wall when he next comes around. It’s not much to look at anyway.
_____
His second win is much like the first, and only his third win is actually acceptable.
But he knows the field too much now. He needs a challenge.
When he attempts to go through it blindfolded, he’s quickly shown how much he doesn’t know the Maze. So, obviously, he loses again.
He got a bit more banged up that time around.
“Pepino, basta ya, you’ve already won. Where are your brothers?”
“I can’t stop yet, señor! This is for my brothers - no les digas, please.”
Even if Hueso wanted to tell Leo’s brothers, they haven’t been in enough for him to get to, and it’s not like Hueso has their number since Leo’s the one Hueso usually contacts. For now, Leo’s safe to continue as is.
Though his injuries are getting harder to hide, and there’s only so much his shell in particular can take.
So to speed things up, he incorporates the blindfold into his regular training.
His brothers question it, of course, but hey, he initially got the idea from seeing Lou Jitsu do it in the third best Lou Jitsu movie, so it comes as a great excuse now.
He’s only a little put off by how fast Mikey adapts to it when the others try.
“I dunno-“ Mikey shrugs when asked, “You guys shine so brightly anyway, a mask doesn’t do much.”
Seeing their mystic energies is pretty cool, Leo can admit.
He just wishes he could grasp that himself - and that it was useful for a death maze.
_____
Leo’s training pulls off eventually, and soon, after a few more losses, he wins a forth time. But it’s a near loss, and a near loss is the difference between someone living and dying.
He’s gotta go again.
Hueso’s more insistent than ever, though.
“You must stop, Pepino.”
“But I can do better-“
“You don’t have to! Your shell is bleeding - ¡por tu propio bien, poner fin a esto!”
“I told you, this is for their own good! For everyone’s own good!”
He forgets the pizzas when he leaves. He claims sickness when he hides under his covers.
He ignores how childish the act makes him feel.
_____
Leo’s getting better, and his reflexes and tact in training shows this. His other training of his subterfuge and medical skills also prove to be useful.
He’s pretty good at hiding injuries, now! Though not so good at hiding a pained shell. Even Donnie looks at him with blatant concern (and understanding) when Leo can’t help but take a sharp breath whenever he lands on his back.
It’s hard not to go right back into waving everything off with jokes like he used to. Deflections are easier when they’re annoying!
But- this is just another reason that he needs to get better, right? So his brothers won’t worry. He doesn’t need the spotlight anymore - he’s over that, thanks.
He squashes down the part of him that perks up when Splinter says he’s growing up. He actively kills the part of himself that cries at the same phrase.
_____
So. Yeah. This’ll be his twelfth time running the Maze. And, hopefully, his fifth win. Maybe he really will move on after this.
The Hidden City is pretty big! There’s probably a bigger challenge somewhere.
Maybe Big Mama has a more secret Nexus hidden away, out of the public eye.
Well, whatever. That’s a future problem for him to figure out, yeah? For now, he carries on like usual, teleporting to the entrance of the Maze and diving right in.
Even blindfolded, he works his way through, dodging and weaving and feeling as he goes. He even tries to evoke his inner Mikey and calls on his mystic energy. Not enough to cheat, but enough to feel.
Usually, when Leo teleports, he swears he feels every part of himself disperse into particles. Now, with energy thrumming under his scales, he can feel particles everywhere.
It’s not refined enough to tell him everything, and he gets a fun new burn and a nice whack to the back by getting distracted. Still, it gives him more than he had before. It makes him more aware of everything, like he licked a finger and held it in the air to feel the direction of wind, but every direction blew wind, all in different ways.
He makes it to the end with minimal injuries after that, and sure, his shell is screaming at him now, but he thinks he did a shell of a good job.
…Ah, he needs to cut that out, huh? Man. Maybe Donnie’s collar idea was a good call after all.
Leo needs to be a hero. Not a face man. Not a failure.
Not a kid.
_____
Leo doesn’t smile when the Minotaur takes his picture again for the champion wall, and he doesn’t listen when she tells him to “go home and never come back.”
He doesn’t plan to, anyway, yeesh.
He’s tired as he trudges out of the exit, and Hueso catches him when he stumbles.
Hueso doesn’t say anything. Leo doesn’t either.
Or, he doesn’t, until he feels a familiar large hand helping him up as well.
Leo’s face whips up as he flinches back, eyes wide as they meet with a worried (so, so worried) Raph’s.
“You told them?” Leo asks Hueso in betrayal, heart thudding wildly in his chest.
“Pepino…”
“Told us what?” Mikey pipes up from behind Raph, coming closer to get a better look at Leo, “Leo, what’s going on?”
“Your shell has been having pretty big setbacks on its healing, is this why?” Donnie demands, glaring fiercely as he motions toward the Maze.
Leo feels unmoored. “I-“
“Leo.” Raph interrupts, and no Leo doesn’t want to hear it- “Are you okay?”
And Leo wants to say “it’s not about me”. He wants to say anything that proved he learned his lesson, that he’s not a liability or worse, an active danger to his own family.
He wants Raph to continue being proud of him. He wants his brothers to trust him.
Instead, he passes out.
_____
The next time his eyes open, Leo’s on his side, staring at his blue lava lamp.
He knows without looking that his shell is re-bandaged. He knows his other injuries have been dealt with too.
And unless Leo learned how to do some pretty impressive medical sleepwalking, he knows he’s not getting away this time.
All three of his brothers being in his room prove that.
“What’s been going on, Leo?” Mikey asks, and his voice cracks partway through.
He’s looking at Leo like he’s searching for something, but Leo doesn’t have anything to show. Nothing’s hidden, he just did some light spring cleaning is all, throwing out all the parts he didn’t need.
All the parts they didn’t need.
And yet despite everything, he can feel himself falling back into old ways, a grin tugging at his beak and lackadaisical deflection on the tip of his tongue.
Maybe he should let that part of him show, just for once. It wouldn’t seem like too much of a setback would it? And he could really use a fun pun right about now-
No.
No it’s not about him. He needs to remember why he did all this in the first place.
“Okay- sorry, guys.” He smiles, softly, quietly, “I guess I got too caught up in training. I’ll work at it some more, don’t worry.”
“Oh, I see. Training. That’s all it was, huh? Training.” Donnie hisses more than says, nearly vibrating in anger.
“…yeah?” Leo nods slowly, because, uh, that’s literally the most honest thing he said. It was training.
“If it’s just “training” then why the secrecy, hm? Why in Curie’s good name did you prefer to sneak around rather than, oh, I don’t know, tell your family?”
Leo feels his shoulders rise at Donnie’s aggression, defensiveness welling up in him, “It was my training! Nothing went wrong, I’m getting better!”
“Better?” Raph asks incredulously, “Leo, you’re wasting away. A tap to the shell stuns you for minutes, you lost weight, and your dark circles are worse than Raph’s ever seen them! You aren’t getting better-!”
“YES I AM!”
The words rip out of Leo before he can stop them.
The room is silent as his brother look at him, all wearing expressions of hurt that Leo put there again.
“Yes I am.” Leo reiterates, shaking, “Because- if I’m not-“ He squeezes his eyes shut. “If I’m not-“
Then what was all this for?
Arms slowly wrap around him, and he knows now from the feel of the mystic that it’s Mikey.
“You’ve gotten faster, and sneakier.” Mikey says quietly. “When I accidentally cut my hand, you knew exactly how to take care of it.” His voice grows firm, and he backs out of the hug, “But those are your skills. You, though, you’ve been…you’ve been…”
“You’ve been dilapidating before our very eyes, and trying to hide it.” Donnie finishes, jaw tight. “You think we wouldn’t notice? After everything?” To Leo’s horror, Donnie’s voice is hoarse with tears, “You absolute dumb dumb.”
“I- but I need to train. The Maze is-“
“Leo, we don’t care that you ran through the Maze. We care you did it alone.” Raph says quietly. “We could have joined you, any time.”
“But- but I’m doing this for you-“
“Listen to your brothers, Blue.” They jump as a new voice joins the fray, heads turning to see Splinter make his way into the - frankly crowded - room.
“Dad, I-“ Leo begins, but trails off, suddenly more unsure than ever in the face of his father.
“It’s good you’re finally picking up training! Especially for your brothers’ sakes! But there’s such a thing as going overboard, you know.” Splinter pokes a sharp claw into Leo’s plastron, “Just because you’re dragging it out this time, doesn’t make this any less of a sacrifice. My son, you’ve taken after Karai an awful lot, haven’t you?”
Leo just looks at his father. At his brothers. Then, he looks down at his calloused hands, bandaged and scarred from overuse.
He swallows dryly. “Is that a bad thing?”
He feels his family crowd in around him, feels his father’s hand on his shoulder.
“It’s not wrong to want to be better, Leonardo.” Splinter says, softly and with so much grief and guilt that Leo can never begin to understand, “But you were never bad to begin with.”
Leo’s breath hitches.
“And-” Splinter’s hands rise up to frame Leo’s face. “You are much too young to ever consider sacrifice the best answer.”
“You got me to relax, Leo. So I’ll do the same for you.” Raph grins, eyes wet, “We’re still kids, right?”
And-
Leo smiles, watery but genuine. “Yeah, Raph. We are.”
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ghostly-cabbage · 20 days
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We need to talk about the worst thing about making AUs....
The fact that then when you inevitably think about crossovers you don't want the crossover with the canon you want it with your specific AU. Your brain worms, your circus, but THEN WHAT?
Oh, yeah, to understand this crossover you need to go read this entirely different fic/series? Girl help 😭 you can't do that
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pa-pa-plasma · 8 months
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hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor
Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.
#Danny Phantom#i think this ties into my other post i made a long time ago about Danny siccing the GIW on Vlad#like we KNOW in CANON that if Danny was even a tiny bit more like Vlad he would literally become a supervillain#villain is such a stupid word i hate how it's spelled. why is it like that#anyways i need to like. rewatch DP cuz i remember shit & then i'm like#did that actually happen. because that sounds too insane#but like. he Did That. didnt he#i think that's what i love about this character. but a lot of people ignore it#Danny is like. gritting his teeth going ''do good do good'' it isnt effortless it isnt easy he doesnt even want to do it half the time#& sometimes yeah he WILL do crimes or get back at people who've been assholes to him or whatever#he WILL use his powers for bad sometimes#he'll be like ''dont do that it's bad'' but like. he WILL do it himself#the whole ''i'm a hero'' thing he's got going on is like. more of a. how do i put this#it's like when you're drawing or writing & saying ''it doesnt have to be perfect it just has to BE''#like Danny isn't a hero sometimes. he's got morals & has a general understanding of good & bad#but also he's 14 & being attacked every day#i would start saying bad words & threatening people that annoy me too man#okay i glanced over the scene again for the first time in years & Danny was literally in the middle of outing Vlad to the whole town???#hello?? are we really ignoring this?????#VLAD TORNADO VLAD TORNADO VLAD TORNADO#this show is so stupid i love it#love how Sam & Tucker immediately backed him up yeah fuck Vlad all my homies hate Vlad#okay you know what. maybe i will do a DP liveblog. i think it would be fun#on daddyplasmius. only posting this on pa-pa-plasma cuz it's kind of just a. weird rant post? kind of? idk
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iersei · 5 months
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you were created as a joke.
you were never meant to be more than that.
and yet, a boy took the hand you offered. and he kept holding on.
you were never meant to have a personality.
so you put on different masks. different roles. were any of them really you? did you ever know who you were? did you ever know what you still meant to them?
you were never meant to be someone people got upset over.
so why does he cry so loudly over your body when you are gone?
you were never meant to be someone who was loved like this.
so why were your last words all about how you liked him too?
you were never meant for more than high school.
that's how you were made, weren't you? you've only lived as that. are you allowed to grow into something more? are you allowed to grow up at all?
you were never meant to have a soul.
and yet, they all took your hand. and you all became one soul before the infinite cosmos.
that saved your life once.
could it save you again?
you were never meant to be here.
but your absence leaves a gaping hole where your heart used to be.
they miss you.
you were a joke.
you were a joke that turned into something more. you were someone who was loved. even if you never knew how to reciprocate that until you were at death's door.
where did you go when you left the stage?
is the love you never thought you could have enough to bring you back?
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skitskatdacat63 · 5 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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tei-to-tei · 5 months
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December 14 - Spare Time
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | ...
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jamietwat · 5 months
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Time loop fic set during season 2 when Jamie’s back around but Roy isn’t coaching yet where it takes Jamie and Roy an embarrassing amount of do-overs before they finally realize they’re both caught in it because for days Jamie goes over to Keeley’s place and antagonizes Roy in basically the exact same way because he thinks making the same stupid old man jokes all the time is funny anyway and any slight changes in conversation he just assumes is because he showed up at a different time or worded his own end of the conversation a little differently but Roy’s still basically saying the same grumpy old man shit anyway
And Roy makes basically the same retorts every time because he stands by it and he assumes Jamie shows up at slightly different times looking for Keeley as a butterfly effect of his morning with Keeley being different but that there’s no escaping him showing up to be a little bitch at some point
And like they both sometimes tell people but not the same people on the same version of the day so Keeley individually thinks that both of them are losing it on different versions of the day before eventually they both mention it
And then on like day 5 of the same day over and over Jamie doesn’t show up and Roy is irrationally angry about it but thinks it must be somehow connected to the fact that he was acting absolutely insane with Keeley trying to explain what’s happening while she thought he was fucking with her and somehow that made her brush off Jamie and him not show up or something?
And it takes Jamie showing up at 100 and just tearing Roy apart and going on about what a dick he is (which isn’t unusual but isn’t how this routine goes) and weirdly fixating on how he was excited to meet Roy but then he ended up just being an old washed up prick that never even gave him a chance because Jamie figures he can just show up, yell at Roy for all the reasons he’s so fixated on being a little asshole with a grudge against Roy in particular to get it out of his system, and then never have to deal with any consequences of Roy finding out about the whole embarrassing having been a big fan and expecting it to be so cool to play on a team with him just to immediately get offended that Roy didn’t give a shit about him and his bullshit and so Jamie ended up hating him thing
But instead Roy just scowls at him and is like “that’s not what you’re supposed to say” and Jamie’s like “…what.” And Roy’s like I’ve done this day like ten times already and either I make Keeley think I’m certifiable first thing in the morning and you don’t show up or else you show up looking for her and then make the same completely uncreative old man jokes at me and Jamie’s like what the fuck I’ve been doing this same day over and over and you’ve been making the same shitty jokes that weren’t funny the first time over and over again
And Keeley’s just sitting there watching this like “Are you two fucking with me? I can’t believe you two got along long enough to plan whatever the fuck this is.” And honestly, the fact that she couldn’t imagine them ever getting along to plan this stupid joke and agree on it is the main reason she actually starts to believe them that time in an okay either I’ve completely lost it or you two are stuck in a time loop kind of way and when she starts going on about how every time loop movie there’s like a moral the person has to learn and maybe they’re both caught in it because they’re supposed to learn how to get along and be friends and Roy’s supposed to take Ted’s offer and that’s how Jamie finds out about the Ted trying to convince Roy to coach thing
But they’re both like fuck no absolutely not, that’s not it and I’d rather be stuck in this stupid fucking loop forever than voluntarily spend time with him let alone get along (as if Jamie hasn’t shown up to annoy him practically every version of the day and Roy hasn’t just been sitting there waiting for him every time) and then they actively avoid each other for like a week’s worth of versions of the same day before they start considering that Keeley might have been on to something but it still takes three more days of pointedly not seeking the other out and waiting for the other to give in first before they run into each other at Ted’s place anyway and finally start actually swapping information they’ve picked up from their loops and what they’ve tried changing to try to get out and discussing ways to try to get out of it while Ted’s just sitting there cracking jokes and making annoyingly similar to what Keeley said comments about how in time loop and body switch things it’s always that you have to learn to see things from another perspective and be nicer to someone you don’t usually see eye to eye with before you can get out (Ted doesn’t actually believe they’re stuck in a time loop though, he’s just going well weird hypothetical but I’ll play along if this almost certainly made up scenario is what it takes for them to have an actual conversation with each other)
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puppyeared · 5 months
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its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously
#I have an assignment that was due a week ago and I really really dont want to do it. I have to but i dont want to#im probably making it worse because my brain has built a wall around it so now i can’t do literally anything else until thats done. but#because I don’t want to do it I’m just kinda stuck. turns out this is what they meant when they said emotional regulation is part of#exec dysfunction.. I’ll have a thought like if I get a little bit of it done now i can get it over with. I can just submit something#and then not even 5 minutes later itll be like ugh but I have to draw all the assets out. I have to write things and make spreads ugh#and its just flopping between those two things. i hate it when ppl are like well how much time do you need to work on one thing#because BOY id love to know too. I’d love to know exactly when my brain wants to cooperate with me and work around that but I cant#even my period can’t decide when it wants to punch me in the stomach. which is kinda funny in the grand scheme of things but still#its so weird im just lying on my bed thinking abt all this like damn.. the time will pass anyways no matter what I decide to do.. damn….#if I submit that assignment now and take the L I literally won’t die. it’ll just be a deduction on an assignment nobody will ask me about#I know this but I’m still stressing myself about it so my thoughts aren’t really connecting to my body. weird#maybe its because Im having a hard time looking forward to things. theres definitely a lot I should be living for but I don’t really feel#a strong attachment to it I guess? it’s been like this for a while with holidays and meeting with friends so I just don’t#I kinda figured its because im pretty passionless and its more like passing interest. but it’s not very fun when it feels like I’m going to#be living distraction to distraction for the next 70 years or so lol#idk it kind of feels like slowly bleeding out. which is funny because I actually did experience blood loss this week#had a 30 minute nosebleed and literally could not stand. also it felt like someone was pinching the back of my brain which was interesting#yapping#does this count as vent#vent#Ive just been making an oc carrd and contemplate changing my blog header for the past 3 days honestly
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mickeym4ndy · 11 days
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I can’t stop thinking about a fanfic idea where Mickey does 8 years in prison after season 5 as planned, and when he gets out he moves to whatever city Svetlana and Yev live in, determined to move on with his life.
And then 8 years later when Yev is like 17, they’re all back in Chicago for a few days because Yevs got a big soccer game or something for school. Anyway they lose the game. So afterwards, him & his friends sneak out of the hotel and end up getting into a fight with the other team and one of them gets injured so an ambulance is called.
And Yevgeny isn’t hurt or anything, just a black eye and bruised knuckles. So he can’t figure out why the red headed paramedic keeps looking at him like the guy has seen a ghost.
But then, his mom and dad arrive, ready to cuss him out for being so stupid. And Yev notices his dad and the paramedic look at each other with that same stricken expression that the red head was wearing earlier, and he starts to piece it together.
And so 16 years after Ian and Mickey’s break-up, Yevgeny meets his dad’s first love and gets to witness their long road back to each other.
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