Every time someone says "sanya" (promise) in Thai I still have to think about him
I mean how badass tragic is it for a literal grim reaper to be named 'Promise' (at least his human name) but on top of it the Thai word just sounds even prettier than the english one.
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i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”
many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well
metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.
it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)
so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way
aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.
but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on
and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun
like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience
aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.
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ed is absolutely panicking in 2x7 bc he’s seeing stede having the time of his life being a famous pirate and he’s genuinely happy for stede but also he wants out of this life and he’s afraid stede will choose piracy over him and so he’s leaving first before stede can leave him again, all of which is bc deep down ed still thinks he’s unlovable and he’s scared to get hurt by stede again and he’s handling everything very badly
all that being said
the fact that ed has already decided that he can’t choose piracy for stede’s sake is so important to me
piracy was slowly killing ed long before stede entered the picture. and now that ed’s decided that he wants warmth and food and orgasms and he wants to live he’s not going to force himself to do a job that makes him fucking miserable. he still might not think he’s worth love and not worth choosing, but he’s at least moved past thinking he deserves to die. he’s past making himself so miserable that he wants to die. ed still has a lot of work to do but he’s making good progress and i’m proud of him.
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how each of the BG3 companions gained their combat expertise
wyll: i was trained as to be a formidable and honorable combatant since i was young, i've protected the frontiers for years, and i have magic devil powers
karlach: i was forced to serve on the front line of the blood wars in hell for the past decade
lae'zel: i was brought up in a strict, militaristic warrior society that emphasized martial prowess even in its youngest members
shadowheart: i spent most of my life being prepared in the ways of subterfuge and magic by a brutal cult
gale: i've spent decades obsessively studying magic and even studied under the goddess of magic herself to perfect my craft
astarion: i've got a lot of repressed rage and a dagger i found on the ground 15 minutes ago. let's go turn someone inside out :)
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I fully agree, he belongs in the "oops, all trauma!" box. But who's gonna have the courage to put him there.
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jokes aside like ok im about to go on a rant about Cat Walker
we joke about chat blanc being the scariest one and all but i actually think Cat Walker is easily the most disturbing persona of Adrien. To me personally
like sure Chat Blanc represents a lot of his anger and rage and abandonment. and Claw Noir does that too only in color and lipstick. but Cat Walker being the literal representation of Adriens ability to just, repress himself on command. to just shut off a huge part of his identity (Chat Noir) for what he fully believed to be forever. and easily start acting like a completely different person (Cat Walker) is so. incredibly disturbing to me.
like yeah the episode frames it lightheartedly but the IMPLICATIONS ARE THERE.
cat walker stares at the fact Adrien is so willing to abandon himself, to replace himself in people's lives, to stand by ladybug as a completely different person because thats what he believes she wants from him, to easily live behind layers and layers of masks, and he simply goes "i choose to not perceive that" and i think thats fucking wild man.
so yes, he does entirely belong in the box, but he sure as hell aint gonna admit it, because his whole thing is being the representation of Adrien's repression and covering up his problems. He's not gonna admit he has a problem. So if you try to stage a coup, YOU'RE going in the box, bucko.
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Did did did did did did you see the apple core backstory
I was so excited I got here as fast as I could
IT WAS SUPPOSED TO BE A JOKE
oh my god. at least it wasn't an actual, literal apple core. but they really did give us a whole lengthy explanation about the ✨meaning of the apple core✨, didn't they. (though to be fair, it also came along with Jade being a weird little mofo, so I count it as a win.)
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