Tumgik
#being the first on the scene and having to see stuff like this
bekolxeram · 21 hours
Text
I'm late to the party I know, but I need to learn how to make gifs first. I actually find the Bucktommy dinner scene a bit awkward, but not because they "lack chemistry" or the "flirting is problematic". It's not supposed to be just a cute bonus scene, it's engineered to stuff as much information as possible into mere 55 seconds. Here is my read on it:
Tumblr media
The good old always at the hospital joke, probably just Tommy trying to lighten the mood after such a hectic day for the 118, but mainly a set up for the next part.
Tumblr media
Buck does not see the humor in it, he seems upset.
Tumblr media
Tommy has apparently gotten to know Buck enough at the stage to immediately clock it, and under all the dark humor and sarcasm, he does actually care about Buck's feelings.
Tumblr media
The scene of Buck and Eddie in the hospital room with Bobby ends up on the cutting room floor, we've only got that one shot of teary eyed Buck when he breaks the news to Eddie at his house, so this is the first time in the episode Buck gets to express his fear of losing Bobby, his father figure.
Tumblr media
And here we are, controversial moment number 1. There isn't much context attached to this line, so viewers interpret it differently. I'm in the minority camp that thinks Tommy is being serious here, Lou's delivery makes it seem like Tommy says this out of concern. I believe it's a call back to this line from the medal ceremony:
Tumblr media
Here Buck is talking about Phillip the same way Tommy and Chimney (possibly Hen too) talk about Gerrard: like he's dead. Tommy is probably wondering if Phillip is another Gerrard situation, and he invites Buck to talk about it if he wishes to.
Tumblr media Tumblr media
Buck gives a humorous but one word answer, so Tommy gets that he doesn't want to get too deep into it.
Tumblr media
From this line on, it's a set up for the Gerrard reign of terror in S8. Tommy reiterates the jealousy he mentioned in 7x04, that he wants to become a part of the 118 family, which he only had a little taste of before he left to become a pilot.
Tumblr media
Tommy backstory crumb. Buck and Phillip at least see each other at family functions, Tommy doesn't have a relationship with his dad at all. Judging by the medal ceremony, he doesn't seem to have any family left.
Tumblr media
It confirms Gerrard as the anti-Christ anti-Bobby. Buck becomes the person he is because of Bobby, while Tommy behaved the way he did in the 3 begin episodes because of Gerrard. It acknowledges Tommy's toxic ways back in the days, but as we can see by the time Bobby became captain of the 118, Tommy was already on friendly terms with Chimney and Hen, we might have a chance to see the transformation in between next season. I've heard that season 7 is supposed to be a soft relaunch of the entire series, so maybe Gerrard is a good plot device to make new viewers understand the positive influence Bobby has on the firefam.
Tumblr media
Classic deadpan humor from Tommy, Buck gets the message that he wants to keep the conversation lighthearted.
Tumblr media
Now Buck has the power to decide which direction he's leading the conversation into, and he gives us controversial moment number 2, he brings up daddy issues and makes it horny. Look at his smirky face, he's definitely not trying to have a serious chat about father complex. He's the one who starts flirting, not Tommy, and it shows us unlike the nervous fumbling at the beginning of their relationship, Buck is now comfortable enough to initiate flirting.
Tumblr media
Tommy can't say no to that face, so he flirts back, but it can also be interpreted as him being in denial of his obvious daddy issues. More conflict and angst for S8?
Tumblr media
More flirting. Boy's got rizz towards all genders. He basically admits he might have "daddy issues" in a sexual connotation.
Tumblr media
Now comes THE controversial moment of the scene, if not the episode. I've seen people online bashing Tommy for "making it sexual" (Buck did), "interrupting a meaningful conversation to satisfy his daddy kink" (no one is actually talking about any kink), or even "exploiting Buck's trauma to put him in an inferior role in a dom/sub relationship" (What? That's not what d/s is about).
I raise you the point that the word "daddy" is no longer some kind of kink exclusive lingo. This word has entered the popular zeitgeist the last couple years, and now it basically just means a sexy older man. I bet the daddy kink thing doesn't even cross the mind of most of the GA, they just take it as Tommy hoping Buck find this older man sexy. I think we might have collectively read too many smutty fanfics, that's why we all immediately jumped to the very extreme of the kinkiness spectrum when it comes to this scene.
Conclusion, the dialog in this scene may not sound natural, but that's not the point. This scene is in fact, an infodump. Kudos to the actors for making it cute.
160 notes · View notes
buddiebeginz · 2 days
Text
I know not everything the actors say in interviews is accurate but I’m pretty sure in the beginning of the season Oliver talked about how Buck was going to have to work for his next relationship. He talked very deliberately about how Buck has always had relationships come easy. In that he’ll like someone and then end up with them without having to really fight for them. He said Buck's next relationship was going to be different, yet things with T*mmy feel exactly the same as how it’s felt with most of the women Buck's been with. Where the relationship comes easy and it’s mostly based on sex and the person doesn’t really know who Buck is at his core.
I can’t help but wonder if Tim told Oliver that he was planning on making Buddie happen this season or at least moving them closer to happening and it got pushed into s8. In the beginning of this season we had a lot of joint Ryan and Oliver interviews more so than in previous years. Oliver also did a lot of posting/liking about Buddie and Ryan on insta. He also talked about Buddie in all his interviews more than in previous seasons. Given how Oliver has said multiple times in the past that he didn't want to lead people on about Buddie I can't help but feel like he thought things were going to play out differently.
If you watch the beginning of s7 it feels like we’re heading towards something important happening with Buddie. We had a lot of Buddie scenes including the locker room scene, the scene where Buddie talk about underlying sexual tension, the scene where Buck is showing how much he's like Chris' other dad, Buddie working together on multiple calls including rescuing Bobby together. Then of course there was 704 which was like a flashing neon sign saying Buck has feelings for Eddie and is scared Eddie is going to replace him.
Then in 705 it was Eddie who interrupts Buck's first date with a guy. It's Eddie that is the focus of the conversation where Buck comes out to Maddie, where she tells him that if he has something he needs to tell Eddie he will in his own time. Then we get a very intimate scene where Buck comes out to Eddie, including a lot of shared looks between them and a hug. Also of note that Buck only had two coming out scenes in the whole season and Eddie was chosen to be one of them. There was also the gym scene where they talked about Eddie's sex life.
To me it feels like Tim changed course around 706 when he cut a lot of Buddie stuff from the ep especially the karaoke scene. I know a lot of things were likely cut for time but still they shot a scene of Buddie being all touchy feely singing a karaoke love song for the Madney wedding ep. Karaoke was one of the first things Madney did when they were falling for one another it was too much of a parallel for it not to mean something.
I think 706 was really supposed to be a bigger Buddie episode than it turned out to be. This may also be why so much of the promo stuff was about Buddie. I think originally this was going to be the episode to start officially letting the audience know there was something there between them. You can also see parts of the original story where they had Buddie joined at the hip after the bachelor party (helping Maddie and looking for Chim) everything came off very coupley.
This may also explain why Abuela is at the wedding and Marisol isn't (more about Marisol later). I wonder if originally we were going to get some kind of scene with Abuela and Eddie where she says something about Buck. There's no way they brought her in to just stand in the background like an extra there had to have been a purpose for her character originally.
I think Tim changed course when he decided he wanted to do the Kim/Shannon Vertigo mess. Which I don’t get why someone didn’t step in and tell him how ridiculous this idea was especially in this short of a season. I feel like Tim wanted to do something artsy and also get Devin Kelley back on the show and this was how he chose to do that. Unfortunately though the story turned into a mess and worse I feel like parts of Eddie's emotional journey that deserved more focus were lost. Like even the general audience didn't know what to make of that scene where Kim was dressed up as Shannon.
The Vertigo story might also be a part of why there were rumours that Edy had finished filming prior to this storyline starting in 707. Maybe she thought she had but was brought back in for this storyline. Who knows? This season was basically being written almost as they were filming it and I'm pretty sure Tim was changing things left and right. You can see that more in some episodes vs others and definitely more the later the season goes on.
I also think that would explain why so little thought and time was put into both Eddie's relationship with Marisol and Buck's thing with T*mmy. I don't think either relationship was supposed to last the entire season. There was talk early on in s7 that Lou was only supposed to be around for something like four episodes definitely a short run. In interviews Oliver also made it seem like B/T wasn't going to last and that T*mmy eventually was going to be more of a mentor type figure for Buck.
Lou also used the word rom-com when referring to B/T. Although take that with a grain of salt because it may have been on one of his cameos and he said all kinds of stuff on there. But you can see rom-com love triangle type stuff being set up in 704/705/706 between Buck, Eddie, and T*mmy and then T*mmy just kind of disappears (until 709) and the Kim/Shannon thing happens.
This would explain why there is so little development in s7 for T*mmy and B/T's relationship to the point that they never even defined that relationship by the end of the season. They never even had Buck call him his boyfriend. Which I'm glad for that in a way but it just goes to show how bad the writing was this season. And as much as I want Buddie and as much as I dislike Lou and T*mmy I'm also really sad for Oliver because this is not the coming out storyline Buck deserved.
In 707 there was zero mention of T*mmy and this is also when the Kim/Shannon storyline started so I think this is when we see some significant changes to the storyline from wherever things were originally set to go. Though the scene with Buddie and Chris I think some of that was from whatever had been originally planned. It's too flirty to explain otherwise. Maybe originally it was going to be something where Eddie and Chris spend time at Buck's loft but because there was the Kim storyline they wrote it with Eddie leaving for the date.
The thing is Buck's feelings for Eddie throughout this whole season have been louder and more apparent than we've ever seen them be before. Oliver is clearly playing Buck as in love with Eddie. Go back and watch the scene in 704 where Eddie talks about clicking with T*mmy and see how Buck looks like his heart has broken into a million pieces. Or the way Buck watches Eddie in the coming out scene in 705. Or Buck's face in 709 after he said he was worried about Eddie. It's just so obvious that man loves Eddie and would do anything for him.
This is why I really thought there was a good probability of us getting an oh moment feelings realization from Buck in the finale or at the very least a moment where they hugged and consoled each other over losing their son. But we didn't even get that.
I'm honestly not surprised that Oliver went quiet on social media during the back half of s7. Throughout the whole season Oliver wasn't really showing support for B/T and he talked very little about the ship in his interviews. I think this was originally because the plan was for B/T only to be a short term thing and Oliver didn't want to lead anyone on about that ship. I also personally think Oliver has wanted to see Buddie happen for years so he's not going to be rooting for another ship.
I also get the vibe Oliver's not crazy about working with Lou. Anytime you see behind the scenes video and pics of the cast Lou isn't in them or if he is no one is interacting with him. You can also see in the one interview Oliver did with Lou that the chemistry between them just isn't there. They feel more like coworkers just doing their job vs how Ryan and Oliver always appear like giggling besties in every interview and behind the scenes thing we see them in.
Like others have said I'm just sad for Oliver. I think once Tim told Oliver about them wanting to do the bi Buck storyline he must have been so excited. He's talked in interviews about how he's always seen Buck as bi so he must have been thrilled when they said they were finally taking his character there. And for all the issues this season Buck's coming out is still an incredibly important storyline and has meant a lot to so many people. Oliver has even talked about all the people that have messaged him and how deeply they've been affected by a character like Buck coming out.
Still I'm sure Oliver wants more for Buck's love life than the lackluster relationship that he's been stuck with. You can tell in how he talks about Buddie that he wants to see that relationship happen and that he wants to make sure it's done right and doesn't play into stereotypes.
I just hate that T*mmy is the first guy they've stuck Buck with. I hate that Tim and the show have done nothing with this relationship. We don't even really know by the end of s7 how Buck feels about T*mmy or how he feels having been dating a guy for months. Some of that should have been revisited maybe with a talk between Buck and Maddie. But it's like others have said they made Buck bi and then just kind of forgot about him. I think though that's because like I said Tim pushed everything to the side to focus on the Vertigo plot and also all the stuff with Bobby to the detriment of everything else. Buddie was the original plan and Tim didn't really have much else for Buck to do so they left him in this nothing relationship.
I really hope s8 is better all around not just for Buddie but for Buck and Eddie as characters. I hope that Tim plans to follow through and actually make Buddie a reality not just because so many people ship them because of how important for queer representation a ship like Buddie becoming canon could be. I also want to see Oliver actually get to play Buck in a relationship he's proud to talk about.
152 notes · View notes
flower-boi16 · 3 days
Text
I just finished watching The Full Moon, here are my thoughts.
Positives:
+The opening musical number is good & is admittely pretty catchy. I expected it to be some god awful love ballad between Stolas and Blitz, and thank god it didn't end up being that.
+The scenes of the Cherubs being horrified of the stuff at Blitz is buying are pretty funny I'll admit
+Nice to see the Dhorks and Cherubs back as well as a team up between the two. That's a fun idea
Negatives:
-The Dhorks just. Randomly appear out of nowhere to capture the Cherubs...? Where did they come from????
-The Cherubs for some reason try to lie about being excorists...? Why??? Why are they lying about this??? Why can't they just tell the Dhorks their beef with the Imps???
-So the Dhorks got more funding from the government because of the incident that happened the last time they met with the Imps, implying that they did send the footage they had, implying that the government now knows about the existance of demons. Ok so woulden't an incident as big as this get on the news...? Did this thing get on the news or no???
-The Cherubs are screaming right behind Blitz yet he NEVER hears them for some reason????
-Blitz being on completely good terms with Fizz still feels very weird to me. Like Fizz just instantly forgives Blitz for the sheer amount of physical and emotional truama he gave him in one episode and their back to being buddies again. It just doesn't feel earned is what I'm saying.
-So it's revealed that Loona and the others were following Blitz throughout the whole episode, which is how they were able to find the cherubs. Ok so if they were following Blitz around then woulden't they have seen the Cherubs? They were plainly hiding on the roof in the first scene, anyone could see them. Did they see the Cherubs at first? And if they did, why didn't they attack them earlier???
-The whole fight feels oddly very slow. Like I just felt bored while watching this fight scene unfold and that sucks because season 1 was able to create good fights, and even season 2's first half has some well-animated fight scenes. Why do the movements of the characters here feel so sluggish now???
-One of the Cherubs for some reason doesn't cut Millie's tail off and stabs her leg instead even though it's literally the thing that’s strangling her.
-Millie throws st. Cherub with her tail after that which she for some reason didn't do earlier.
-Moxxie makes quip in front of one of the Cherubs when he could’ve just instantly shot him in the face there. Seriously that was such an easy opportunity
-That fucking line where Stolass says "I thought so highly of you, I didn't know you felt so low of me" is PEAK Stolass victimization and Blitz being demonized. Plus it makes no fucking sense; like, BITCH YOU WERE SEXUALLY ABUSING HIM. OF COURSE HE WAS GOING TO HATE YOU FUCKING IDIOT.
-The whole finale scene is very confusing to me. It starts out good enough with the show actually ackgnowlegding Stolas' mistakes for once but then towards the end the framing begins to shift into Stolas victimizing and Blitz demonization, all culminating in that final line. "Oh no Blitz hurt Stolas' feelings he's such an asshole!!!". Like although the show sometimes acknowledges Stolas' mistakes it's rendered null by the show Still framming Blitz as an asshole for not understanding that Stolas has real feelings for him, even though all Stolas has been doing is SEXUALLY ABUSING HIM.
It all feels gaslighty to me. And the line where Stolas says that Blitz not realizing that Stolas has genuine feelings for him and thinks it's just for sleeping with him shows that the reletionship can't work makes it sound like Blitz is apart of the problem for not reconizing that Stolas loves him, even though, again, Stolas has been treating Blitz horribly throughout the first season so why WOULD Blitz think that Stolas loves him???? It's just more Stolas victimization painting him as the sympathetic one while Blitz is once again framed as the asshole by the narrative. I'm sorry. But I'm fucking TIRED of it. I'm tired of Stolas victimization. I'm tired of Blitz being demonized. And I'm TIRED OF THE FANDOM BLAMING BLITZ AS THE TOXIC ONE HERE WHEN HE'S NOT.
And sadly, the Blitz demonization is only going to get worse from here judging by the latest trailer.
This episode was just as awful as I was expecting it to be. 2.5/10.
103 notes · View notes
helluvapurf · 2 days
Text
*deep breathes* Sooo, those last couple mins from the latest "Full Moon" ep... lets talk about that🍵🍵
Welp, here it is folks... the ep that finally gave us that hyped up "Asmodeon crystal" exchange teased at in the S2 Pt. 2 trailer. And... hooooo boi, I have formed so. many. thoughts. upon rewatching that scene a few times. Some that are... kiiiinda on the rant-y spectrum the more I lingered on 'em, so how bout I share them here lmao
Fair warning in advance, this maaaaay not be particularly "nice" to Stolas in these rambling thoughts, so if anyone out there's a big Stolas(+itz) fan... yall might wanna skip reading ahead- lol .w.;;
*claps*
Okay, so to start things off on a (semi?) positive note, the animation & lighting here is quite beautiful to look at. The glittery curtains, the shine in Blitz's eyes throughout his shifting emotions, even the shots of that one broken chandelier (which I thiiink might've been the same one him & Stolas played under as kids?) was a neat bit of symbolism ngl.
Props to Brandon Rogers as well for his voice-performance on Blitz here cause... gawd did it hit me in the heart how much hurt you feel from his yelling ;-;💔
Curious to see more of the use of Blitz's new Asmodeon crystal in future adventures (esp from that one shot in the trailer w/ him using the portal effects against the DHORK crew), it looks cool~ ✨👍
....ummmm, ok I think that about covers my positives atm. Onto the problems I have with this exchange:
Stolas... okay, you were this close to actually doing a good job ending the Full Moon deal. Admitting to how "wrong" the transaction part of their dynamic was, allowing Blitz more "freedom" via-the crystal (that could also help avoid any legal issues that the Grimoire gave), even wishing him good luck with his I.M.P. business as the night drew to a close... ...buuuuut then Stolas just had to muddle everything up by his whole "even tho you don't have to be with me, I want you with me if you want it~🥺" ...which honestly came off selfish to me than anything else?? Like, dude... if you really ARE regretful of how long you let this deal go for, and truly DO want to let Blitz go... you CAN'T throw in such sappy, lovey-dovey words on top of that?? Otherwise, how can one blame Blitz for getting as confused & flustered as he was throughout that convo... you've basically just sent even more mixed-messages in the grand scheme of things, my dude-🤦‍♀️
"I have wanted you for SO long, the fact that you couldn't believe that I might have these feelings about you, that your first instinct is that its always about sex..." ...Ummmmm Stolas... did you seriously forget HOW this whole deal of yall's started?? 🤨 Waaaay back in the initial-series pilot, to the first official ep, and pretty much the majority of Season 1:
Tumblr media Tumblr media Tumblr media Tumblr media
As far as I checked, Blitz wasn't the one who kept making everything about sex... that. was all. YOU. 😒Heck, literally one of the first things you told Blitz upon reuniting as adults in "The Circus", was that you expected he wanted to "ravish" you-
Tumblr media
-so like, get outta here with the whole pushing-the-perv-responsibility-bs onto Blitz... you ain't helping your case >>
Finally... like, it was already getting bad enough by the point of Blitz begging & pleading out of fear he'd lose his livelihood without the book, AND not being allowed space to breathe after getting further pushed away (and thus, more pissed off-)... but THEN on top of all this, Stolas just haaaaad to throw in this lil gem: "Blitz... I think so very highly of you. I didn't realize you think so low of me..." ...Stolas, with all due respect... stfu with that lousy, last-minute uwu-ing self-pity party crap😑Just because you TRIED to show more attentive care & concern post-"Ozzie's", outside of the typical bedroom stuff... that ain't gonna prove shit if you're not gonna be consistent with it. Where was that "high opinion" of Blitz during the two of you getting stuck in the sitcom set during "Seeing Stars", when Blitz was having that panic attack performing live, where all you ended up doing was... just hitting on him/praising his bedroom skills again?? 🤦‍♀️🤦‍♀️
Tumblr media Tumblr media Tumblr media
Like... couldn't you have just, I dunno... TRY to actually cheer him up/comfort him like an actual friend, would? Encourage him on his jokes, "just be yourself", promising another way out of there on his own merit... literally, anything could've worked fine and it wouldn't have come off so skeezy imho >>;;
...*sighs* so, yeah... thats basically what I had to get off my chest regarding the ending of "Full Moon". Honestly, had the writers actually committed to Stolas cutting off Blitz (even if harsh), giving the crystal with no strings, then going about their separate ways afterwards, I would've been totally fine with the scene tbh. But all this... odd lowkey-blaming of Blitz thrown in, the sappy words, and Stolas not once actually-apologizing during all this (Like, literally I checked and the only utterance of "sorry" seemed to come from Blitz's end before he got kicked out... for what, I dunno- 🤷‍♀️). Sorry for the length btw, but hopefully that about covers my thoughts on the matter-
68 notes · View notes
Text
I'm writing this up for the second time since Tumblr ate my post :( so this probably won't be as much detail this time around.
The darker side of Darkwick
There's been a lot of allusions to shady stuff and harsh punishments at Darkwick since the very beginning, and it was so satisfying to see it come together this chapter. Quick recap of what's happened so far—
Haku gives some omimous warnings about harsh punishments when MC is trying to run away. He mentions Articles 77 and 78 (which are more fully explained in the Hotarubi chapter) and that ghouls can be punished for taking any actions outside of their missions.
This is constantly backed up since the very beginning. MC not being allowed to go home even briefly. Permits are required to leave campus and it's not unusual for recreational permits to be denied. Even with a permit, you can't be out at night unless it's for a mission. Stopping to get a snack while on a mission is potentially grounds for punishment. Entire Houses get punished for the misbehavior of a few people, and a House can be blanket banned from leaving campus.
When MC returns after that escape attempt, Kaito is upset as he's just now realized that he could be punished as an accomplice. Up until this point, he's been sympathetic to MC wanting to go home.
Haku also reminds Rui of the dangers of deviating from the mission and it seems that Rui is subject to particular restriction and surveillance. He says that a punishment would be particularly bad if Rui was involved.
Haku makes an odd comment like "since there's a chance we'll go home after graduation." Combined with Ritsu's comment about the Laurel Crown being the best way to get independence from Darkwick... I have a lot of thoughts about this and will write up a separate post later.
Budgets are fucked up, with Haru personally responsible for funding repairs to Jabberwock. (I'm also gonna write a separate post about this later.)
On to the new stuff from Hotarubi chapter—
We learn that Darkwick has a secret prison which was run by Ultio, one of the defunct houses. Lyca is being held there due to prejudice about him being part werewolf. He was imprisoned while being investigated for murder, but despite the discovery that he is innocent, he is still locked up because he could potentially be dangerous.
Articles 77 and 78 are explained. They allow for the imprisonment of ghouls who deviate from their missions and anomalies that are deemed too dangerous to society. Lyca is being held as a dangerous anomaly because he is part werewolf.
Subaru's first mission at Darkwick was to kill Lyca. He apparently decided to investigate instead and attempt to prove Lyca's innocence. He has been petitioning for Lyca's release, to no effect.
(This makes me wonder if Subaru was always in Hotarubi? The facility was being run by Ultio at the time, and why would they bring in someone from another house to kill a prisoner? If the initial mission was investigation using Subaru's unique stigma, it would make sense to bring him in from outside. But Lyca says that he knew Subaru had been sent to kill him from their first meeting. Related, Subaru also says that he and Zenji have been in the same house since first year, but he does not say that they were always in Hotarubi.)
We also get confirmation that there were multiple fatalities during the Clash. Zenji, who was killed by a rogue anomaly and is now back as a ghost, wasn't the only one who went "past the point of no return."
Finally, when MC and Haku go to the Chancellor and Moby to ask for Lyca's release, they are both very against it. The Chancellor starts to say, "What if we have another case of a ghoul—" but is silenced by Moby. Moby also seems like he's kinda threatening Haku in this scene.
65 notes · View notes
lovecolibri · 2 days
Text
The only thing I'm going to say about this (<- probably lying) is that it doesn't matter how Buck felt in that scene. Because Buck isn't real and doesn't actually have feelings. What DOES matter is how it comes across to the audience. And if the vast majority of the audience had an "what the fuck is this and why is it happening like this?" reaction and that was NOT the intention of the scene? Then it wasn't done well.
You should not have to come out after the episode and explain what the scene was supposed to do. If you have to, then you have failed in your job to get across to the writers, directors, and actors what the point and purpose is. And maybe you have failed to take into account what the characters are like, their trauma histories, and how the audience might react given their knowledge of the characters involved.
A lot of people never forgave tay kay for what she did to Bobby in s2, and then having Buck Begins give us this raw, vulnerable version of Buck and his childhood only to have her lash out a couple of eps later calling him "needy" and a bad friend because he asked something of her instead of just being there to give her whatever she wanted? It's no surprise fans and the general audience never got on board with that relationship. Because it wasn't good to BUCK and that's what the audience wants.
I am personally continually BAFFLED that this show gives these moments of gentle teasing and support and validation of Buck's feelings (even when he can overreact a little out of trauma response) to Eddie, and then continually put Buck in romantic relationships with people that don't even seem to LIKE him, much less adore all his quirks and the things that make him BUCK, and most importantly, the things the AUDIENCE loves about him.
It's.....it's almost like Tim isn't even trying. Because the audience isn't SUPPOSED to like these relationships for Buck. Because they aren't the right ones for him. Because we all know who is.
But also, at some point it starts getting questionable as to why the people that love him don't speak up to express concern about him staying in long term relationships with people that are not nice to him. We all know the bait-and-switch of tay kay in s4 being a FOX network call to shut down what Tim wanted to do, and then he left the show with someone who doesn't like, see, or care about Buddie (or really any of the main characters that aren't Angela to live out some revenge fantasy or Buck to live out...other fantasies). So they couldn't very well have all of the firefam desperately asking Buck if he was even happy as he wasted away in that loft all season, or even allow them to be kinda pissed he would choose to be with someone like that who nearly got Bobby killed by not telling someone immediately and interviewing him without consent, but it never sat right with me that it was all just never addressed and they had them breakup on good terms (sorry not sorry but if you think T*mmy isn't nice to Buck, tay kay was worse in every way and thats canon fact).
So I don't have super high hopes that they will address this clear and obvious disconnect with Buck and T*mmy, but considering they made a point to have nearly all their screentime revolve around Eddie, and them not meshing as a couple it would be weird NOT to. Then again, *gestures to all that rambling above*
ANYWAY
The point it, at SOME point the audience does have to be a consideration because without an audience you do not have a show. So Tim needs to shake off the last of the Lone Star cobwebs, get KR the fuck out of the writers room, and make sure his intentions for scenes are ACTUALLY what make it onto the screen, and that what is on screen is stuff that will resonate positively with the audience. Maybe he should rewatch the first 3 seasons of the show himself to get back into the groove.
57 notes · View notes
unclaimed-garbage · 2 days
Text
My First Impression Rant on S2E8: “The Full Moon.”
SPOILERS FOR S2E8 “THE FULL MOON” OF HELLUVA BOSS
[Things that I liked about the newest episode]
The Art/animation:
The art/animation was super good as always. The fight scene were choreographed rather well and it was just awesome. (Shoutout to the effects team as well).
The music and voice acting:
The music and voice acting were also really good (though at some points, certain characters didn’t sound right??? Like there was one scene where Moxxie confronted the Cherubs and his voice sounded COMPLETELY different. Aside from that though, the emotion in Blitzø’s voice for example where absolutely STELLAR.
Unfortunately, I don’t have many good things to say about this episode because tbh, it was a HUGE let down for me.
[Things I didn’t like]
The goddamn plot:
The pacing here was fucking atrocious and especially bad this episode. The goddamn cherubs and Dhorks got more screen time than Stolas and Blitzø, which shouldn’t be the case given that the episode is titled “The Full Moon” and should’ve been about Blitzø and Stolas’ “deal.”
It was also incredibly strange because why in the world would Vivziepop hype up this episode only to have it barely feature the main storyline. Sure, it was nice to see less of Stolitz, but when you market an episode as being a Stolitz-centric episode that’s supposed to be where they break up, you should expect more focus.
Instead though, we got more of Dhorks’ and Cherubs’ rushed Alliance that went nowhere and was the A plot, while the most important part of the series was shafted as the B plot.
Speaking of shafting the B plot, the pacing was another issue:
The pacing was (once again) another huge issue for me. Blitzø and Stolas’ talk about their “deal” was EXTREMELY quick. Though it was incredibly well done both voice acting wise, mood wise, etc, the pacing just went too fast and it would’ve been nice to see more buildup.
Not only that, but with The Cherubs’ and Dhorks’ situation, the fight went on way too long when it didn’t even affect the actual plot or story. It just meant nothing narrative wise and just felt like a waste of time tbh.
That leads to my next issue, the stakes:
The stakes of this episode were meant to be incredibly high. This was the episode where Stolas and Blitzø were theorized (and confirmed) to break up. Despite this high-stakes moment that’s been forever in the making, with the Cherubs portion of the episode (that took up more screen time than the supposed main focus), the stakes were incredibly non-existent most of the episode and then quickly hit you like a brick in the final five minutes where the most important part comes to play.
Like sure, some may argue that the stakes and tension hitting you was supposed to be like that, but it just felt like bad writing to me.
This leads into the next issue which is tone/tonal whiplash:
This episode suffers from pretty bad tonal whiplash imo. While a good portion of the episode was used to bring Dhorks and Cherubs back into relevancy, there were moments where Blitzø went out (and met Fizzeroli later on) to buy new stuff for their monthly fucking.
Despite the audience heavily suspecting this episode would be Stolitz’s breakup episode, there was little to no buildup. In the beginning of the episode, we get Stolas and Blitzø’s duet talking about the full moon and whatnot. We know that Stolas will give the asmodean crystal to Blitzø, but we don’t know how he’ll react.
We see everything on Blitzø’s side going wonderfully, he’s buying stuff for their “deal” and whatnot making sure it’s perfect (because it’s heavily implied Blitzø is worried that Stolas is getting sick of him). On the other hand, we see no buildup on Stolas’ side. No buildup whatsoever. After the duet, he’s completely gone until Blitzø meets up with Stolas. I think that works against the episode and it’s intentions. So, it went from Blitzø being happy, to things all going to shit with little buildup imo.
The Episode’s intentions:
Honestly, this episode really rubbed me the wrong way, especially when Blitzø finally confronts Stolas about everything. It truly seems that they’re trying to paint Blitzø as the villain, when that’s furthest from the truth.
In scene one (which I’d previously screen recorded, but you can only upload 1 video from camera roll), we see Stolas asking for the book back. Permanently so he can give Blitzø the Asmodean crystal. Blitzø’s reaction here is VERY telling, as he automatically assumes he isn’t doing good enough in their “deal” and thus is jeopardizing his business and his employee’s livelihoods. This is just one example of the gross power imbalance in their “relationship” and like it or not, this scene alone proves that Stolas has created and upheld a gross power imbalance.
Scene/video two ALSO showcases the gross power imbalance in this situation. Blitzø is literally CRYING and BEGGING to keep the book because (as of this point in the episode), he is unaware of Stolas’ intentions and truly believes that the deal is being revoked and he’ll lose his business, job, and cost his employees’ jobs and livelihoods.
Scene/video three truly bothers me in more ways than one because STOLAS was the one who suggested the “deal”. STOLAS was the one who suggested they meet up on the full moon for sex. So WHY is he acting so surprised that Blitzø expected it to be about sex when that was the standard STOLAS set? It really does feel like the narrative is trying to sympathize and make Stolas seem like the victim when Blitzø is merely upholding the arrangement hess. been confined to.
Scene/video four REALLY REALLY grinds my gears after Blitzø rightfully goes off for being blindsided and given no chance to process what the hell Stolas has told him, Stolas is yet again treated like the victim while Blitzø is made to be the villain. Blitzø literally mentioned in the scene before this that he needed time to think things over and couldn’t have this thrown at him like that (and also rightfully goes off on him for seeing him as lesser and being toyed with).
Not only that, but it’s just misguided at best and downright malicious at worst that Blitzø’s trauma and abuse from Stolas is either completely swept under the rug or spun to make Blitzø be the villain in the situation when he’s merely fighting back against the abuse he’s faced.
The final part, The Hype:
Honestly, this episode was REALLY disappointing. It didn’t even reach the 30 minute mark and was the same/similar length as every normal episode, yet it was supposed to be so much more important. We were promised a good episode where Stolas and Blitzø would discuss their “deal,” yet it was shafted to the last five minutes and felt incredibly rushed and victim-blamey tbh. The hype for the episode didn’t really match what we got imo and I’m more disappointed with this episode than I’ve been with the other episodes in season 2.
Overall, I really hate Stolitz as a ship because of portrayal in the series and the episode heavily suffered because of it and also suffers from the usual issues due to the lack of proper pacing and the fact that it wasn’t even longer to allow for more time.
Rating: Tilts between a three and a negative infinity tbh
Maybe I’ll make a much more in depth/thought out say since this one was kinda a heat in the moment one I made while on my way home from Walmart. 💀
50 notes · View notes
Text
PLL OS Summer School 2x06-2x08 Trailer Breakdown
*Spoilers for PLL Summer School 2x01-2x05 + the 2x06-2x08 trailer
Okay, well I've been assured that I am not talking only to myself, so let's do this.
So, while the timeline of events isn't 100% clear, I have been able to group together stuff that I think is related and/or stuff that I think will happen in the same episode.
First up, we see the girl's discussing the tests. Based on their outfits, this is at the top of 2x06. This is the convo where they acknowledge Imogen & Tabby are 'next'.
Tumblr media
Chronologically, I think the next few things we've got (but I'm not 100% sure on the order) are- The girls compiling their suspect list, Imogen accusing Dr. Sullivan of being Bloody Rose, Imogen & Tabby staying over at their love interests, Imogen & Tabby's summer school "walk of shame," and Redemption House being put together. While Imogen wears the same outfit in all of these scenes (presumably over the course of two days), Tabby's outfit changes, which is why I think the list of suspects scene is before the others, since she's wearing the blue shirt for her date and the morning after. I think Imogen accuses Dr. Sullivan either directly before or after they compile their list, as she has lipstick on in both those scenes, but does not in the scenes the following morning. (Also the shot of them building Redemption House could come whenever, I just think it's generally in this time).
Tumblr media Tumblr media
Their list is - Dr. Sullivan, Kelly Beasley, Mrs. Beasley, Mrs. Langsberry, Deputy Maroon, and Rose Waters (you can't see her name in these screencaps, but you can at another angle). These are all characters the viewers are pretty suspicious of (except Deputy Maroon. I didn't even remember who that was).
Tumblr media Tumblr media
Here's Imogen accusing Dr. Sullivan of being Bloody Rose. We don't have a lot to anchor when this happens, just Imogen's outfit and lipstick.
Tumblr media Tumblr media
These are the outfits we see them in for the "walk of shame," so definitely the night before the following shots.
Tumblr media Tumblr media Tumblr media
^^this shot of Redemption House is cut with other shots when it seems to be open, but I don't believe they're from the same scene. I think this is earlier.
Next we have Kelly announcing Redemption House to the class. The way the trailer is cut, it implies this happens during the morning after the "walk of shame" scene, but it's definitely a different day, because the teacher is dressed differently.
Tumblr media
This is also a difficult shot to anchor in time, but I think it must be pretty early 2x06, since so much of the trailer focuses on Redemption House. I think this may actually be the day before the shots it's cut with, but I'm not sure.
Next up, we've got the girls with Redemption House (in Imogen's house). We see them standing outside during the day, and lines of people going in. We also see them inside the house, and then outside at night, all in the same outfits.
Tumblr media
Since there's a limit to how many photos I can add to a post, I'm only going to show a little bit of the house, but I'll talk about the rest.
Tumblr media Tumblr media
There are a lot of shots from inside the house, but I don't want to waste all my image space on it. The house appears to be specifically themed after the girls season 1 storylines, implying someone has a lot of access to the details of what happened to each girl. I think we get glimpses of scenes based on several of the girls- Mouse on her laptop with Steve, a party where a girl (I think representing Tabby or Imogen) appears to be drinking/dancing, what looks like a drug den (for Noa), two shirtless football players (played by Henry and (I think) Greg) and I'm not sure if this is related to one of the girls or if this is more a sexuality shaming thing. It appears that the girls walk through the house, then an enraged Imogen blows out the power.
Tumblr media
Okay, so the next "group" of scenes are- Noa suggesting Christian and Johnny be added to the suspect list, Tabby frightened and falling down Christian's basement stairs, all the girls (and Christian) except Tabby at the Orpheum, seemingly being chased by a mob (that appears to be the online version of the Bloody Rose cult). Again, I've grouped and ordered these in this way based on clothing and context. I assume Tabby is not with the other girls because she has possibly been injured earlier in the episode.
Tumblr media Tumblr media
Noa suggests Christian and Johnny as suspects. This shot of Tabby is not 100% guaranteed to be from this scene (though they imply it with the editing), but I think it probably is. We also see Mouse in this scene sitting in front of Noa.
Tumblr media
Tabby is wearing this same outfit when she falls down the stairs to Christian's basement.
Tumblr media Tumblr media
There are quite a few shots of this sequence where The Orpheum appears to be under siege, which I believe happens later the same day as the previous two scenes. Noa is dressed differently from the scene where she mentions Christian and Johnny, but Mouse is definitely wearing the same top in this sequence as she is when she's sitting in front of Noa, so I think this is that evening. These scenes being in this order would also explain Tabby's absence from the chase sequence.
So I feel reasonably confident about the chronology of the stuff before this point. The rest of this, not so much. I have compiled some shots that are scattered through the trailer that appear to be from the same scene, but where exactly they fall in the timeline is difficult to say.
First, Kelly with Bloody Rose at the pool. I think these shots of Faran might go with this scene (or she may find Kelly after this scene?), because she is at the pool at night.
Tumblr media Tumblr media
Not pictured- a shot of what looks like Kelly floating facedown in the pool, Kelly looking back over her shoulder, and another similar shot of Faran. These shots are not shown together in the trailer, but the Kelly shots are definitely connected & I also believe these Faran shots are related. There is also a shot of Bloody Rose standing outside a chainlink fence, which may be here, but I'm not sure.
Next up, Imogen's "test" and a scuffle with Rose. These shots are also split up throughout the trailer, but all appear to be from the same scene. Imogen enters a bedroom (her mother's?) filled with candles. We get a glimpse of her "final girl" letter. She is then attacked by Bloody Rose.
Tumblr media Tumblr media
You cannot see it in these shots, but there is a crucifix hanging over the bed, which definitely felt very Mrs. Beasley-ish, but I think this is Imogen's house.
Now on to the stuff that is even more disconnected. I think we might be getting more nightmares from Imogen. There is a very incriminating shot of Dr. Sullivan that I don't believe they would ever show us in a trailer if it were real, where she has the Bloody Rose mask. Everything about this particular shot feels fake, so I think Imogen (who we know is suspicious of Dr. Sullivan) dreams this.
Tumblr media
Additionally, I'm wondering if Imogen has a dream about murdering Johnny. There is a shot of the creamery floor, and someone wearing the creamery uniform (that we've only seen Johnny in) being dragged as dead weight (I think being dragged by Imogen). This could be real, but I wonder if it's not related to the shot from the earlier trailer where Imogen and Johnny are hugging and she looks very upset (perhaps she dreams that she stabs him, then wakes up upset?)
Tumblr media
If this is real, things are not looking good for Johnny.
Then we have a shot of Noa through a hole (the eye hole in the Bloody Rose mask?)
Tumblr media
I really don't think there's much in the trailer that links with this shot of Noa, so who knows.
There's a shot of Mrs. Beasley saying, "I pray those girls suffer and burn."
Tumblr media
No idea when this is, but Faran also says Mrs. Beasley is her top suspect. The more they point at people, the less I think they did it.
There's a shot of Tabby waking up (looks a lot like the shot of Mouse from the last episode) in what I assume is Christian's bedroom. It's not a location we're familiar with.
Tumblr media
Tabby is wearing a different top here from any of the other scenes, and I'm not sure what to make of that. This could be Christian's shirt that she wears after their date shown earlier (Imogen appears to be wearing one of Johnny's shirts in his bed earlier in the trailer, so that would track), or it could be an entirely different day/night.
Here we have a scene where Mouse & Ash seem to be talking about Redemption House. He calls it, "an apocalyptic level of hate." I think this is likely in 2x06 and pretty early in 2x06, but Mouse's outfit doesn't match anything else she wears and Ash does not appear anywhere else in the trailer, so I have no way to confirm this.
Tumblr media
Weirdly, Mouse actually seems to be wearing an outfit we saw her in earlier in the season (when she finds the rose), so I don't know if this was originally supposed to be in an earlier episode and it's gotten moved, or what. I do wonder if it's a re-ordered scene, because Kelly was passing out those flyers several episodes ago.
There's a few shots I want to note that I couldn't fit into this post because of the tumblr limits.
A shot of Christian (he's just wearing his Orpheum uniform, so nothing new to discuss there)
A shot of Johnny (also just wearing his uniform)
A shot of Mouse looking out of her window at night. It's a little difficult to see anything, so I didn't use one of my image slots on it.
The only stuff from the original "Weeks Ahead" trailer that we haven't seen yet are the shots from the Pride event at the pool, Imogen and Johnny hugging at work, and the girls walking into a location that I do not recognize at all.
So that's what is in the trailer, here's my takeaways.
If everyone is getting a test this season, I think Tabby's will be next and Imogen's will be last. Imogen and Rose in her mother's bedroom feels a bit like Archie chasing Imogen in season 1.
This trailer points so hard at Dr. Sullivan and Mrs. Beasley, that makes me feel they are likely red herrings. I've liked the Mrs. Beasley theory for a long time, but Faran directly calling it out in the trailer is pretty blunt.
No sign of several characters that presumably do have scenes, since their arcs are completely unresolved. No Jen or Shawn. No Wes. No Rebecca or Imogen's dad. No Mrs. Langsberry (unless her name being written down counts). No Mouse's grandmother. Obviously they have to deal with the Jen/Noa/Shawn stuff, so interesting that we see none of it. I also don't know why they would introduce Rebecca and then never have her reappear, so that would be weird. I definitely expect to see more of Wes, but that's also because he is one of my top suspects.
I'm wondering if Jen is a big part of the online Bloody Rose Cult. Out of the new love interests, we've spent the most time on her outside of her romance from Noa (her stealing, her mom being an addict, her dad being a "rich pharma bro," the bail money, etc.) and regardless of how honest (or not) that she's being, it would be weird for none of that to be plot relevant. The way she asked Noa about the Millwood Massacre in her first episode raised some red flags (it felt like she was pretending not to really know what that was about), and we know she's not from Millwood, but has come here for summer school (which could easily be on purpose), so I'm wondering how that could fit in. The shot of Noa (that looks like it's maybe through Rose's mask) could be her finding a BR mask in Jen's things. The Bloody Rose Cult people seem to be wearing various versions of the mask when they are chasing the girls. Jen also has a similar fashion sense to a lot of the online cult members we've seen.
I haven't forgotten about Chip's mom. I understand why a lot of people are suspicious of her (and she fits some major horror tropes), I just don't like that we haven't seen her like at all this season. So I don't know how to feel about that. But Tabby's arc surrounding Chip doesn't feel totally complete (the way she experienced flashbacks of him when working on her short and how she's still feeling the consequences of his betrayal in a way that Imogen doesn't appear to be), so I do acknowledge that.
We get very little Ash, Henry, or Greg in this trailer, so I have taken note of that as well. It doesn't specifically make me any more suspicious of any of these characters than I already was, because they don't really have a lot going on outside of the girls. Henry not having much left to do this season wouldn't surprise me. Greg will be around, I think, but he does still feel like a background character. I've mentioned my mental tug of war around Ash and his screen time several times, but considering how background Mouse has felt for a lot of this season, it's not entirely weird.
Probably not important, but based off of his bedroom, Johnny is really into music & I'm still holding out hope they might let him sing at some point. I don't see where that fits, but let me dream.
Also, speaking of his room- Johnny's room is absolutely packed with album covers, posters of bands and musicians, musical instruments, etc. and the set design is pretty maximalist in general in this show, so it can be hard to know what matters, so this probably doesn't. But he also has a giant ass poster of Edgar Allen Poe on his wall?? which like... is probably just a set design choice, but feels weirdly out of step with the rest of his room.
I don't think this trailer has vastly shifted any of my opinions, but I will be excited to see how correct I am about my timeline and guesses.
As always, if you have any thoughts opinions you'd like to share, let me know!
25 notes · View notes
hogwartshotel · 3 days
Text
putting on my trauma therapist hat
Full Moon spoilers under the cut.
Okay so if people are mad at Blitzø after that episode, send them here!
I am, in real life, a licensed therapist who works with PTSD, so I feel like I have some hopefully helpful perspective to offer here.
I've started to see a some "I get it, Blitzø has issues, but he fucked that whole thing up", and I want to talk a bit more about how PTSD works. If any of this resonates with you personally, I recommend seeking a therapist who specializes in trauma!
There are five categories in which we expect trauma to effect people's beliefs about themselves, others and the world, long-term: trust, safety, power and control, intimacy, and self-esteem. So let's take a look at those in this scene. They do overlap.
Trust. That heartbreaking line where Stolas says "I didn't realize you thought so lowly of me" is a result of Blitzø expressing that he's never had complete trust in Stolas's intentions. Hard to blame him -- trust is something we first learn in early childhood. Imagine trying to learn trust from someone like Blitzø's dad. People often have difficulty trusting not only others, but also themselves and their own judgment.
Safety. This really ties into power and control below. Imagine that Blitzø's whole personality has come from a desire to keep himself safe -- he's good with guns, he's his own boss, he doesn't have close relationships so he can't be rejected, he puts on an air of over confidence. Having any of that challenged can shake his whole set of beliefs about himself and the world.
Power and control. When something traumatic happens to us, we can often feel ourselves. We often try to limit our experiences to ones we feel we have control over, because our brains convince ourselves this will keep us safe. We've seen Stolas come to realize that their arrangement gives him more power over Blitzø than he's comfortable with. We've also seen Blitzø attempting to exert his own power -- by keeping Stolas at arm's length, by being the one to direct their sexual encounters (not saying that you need to have trauma in order to be dominant), by doing everything he can to keep the sex interesting so that Stolas won't end the deal. Stolas is doing the right thing by giving Blitzø the crystal, but it freaks him the fuck out. He's already figured out how to have power in the situation, and he's been operating under the assumption that Stolas also likes having this power over him (that part is more theoretical, but I see Blitzø as someone who assumes that everyone thinks the way he does about this shit). So having that dynamic suddenly changed makes him panic. It triggers a fear response. He reacts in a way that assumes it's a game or a trick. The idea that someone would willingly give up power sets of alarm bells in his mind.
Intimacy. Obviously, this is a big one in their dynamic, and it's going to tie in a lot to esteem. It is very common for folks with trauma histories to have difficulties forming intimate connections -- if you've read the above stuff about trust, it's probably easy to see why. In his part of the duet, we hear Blitzø acknowledging that the situation is feeling a little complicated, but that he's going to avoid that by focusing on the sex aspect. The idea of emotional intimacy is terrifying to him.
Esteem. Blitzø does not believe that he is capable of being loved, or that anyone who gets to know him will want to stay with him. We see a lot of that in the "bad trip" scene back in season 1. Hearing Stolas express feelings for him is terrifying. I'm not sure exactly what goes through his head, but it might be something like "I'm going to fuck this up," "he's lying," or "he doesn't know what he's talking about."
So. Imagine all of that getting triggered at once. I'm not saying that Blitzø handled it well or that he isn't responsible for his actions, I'm just saying it's really understandable that he didn't handle it perfectly. Quite frankly, I thought it was going to go a lot worse -- he does get angry and say hurtful things, but we immediately see him regret it and reach out to Stolas, and I was expecting him to need a lot longer to stop being angry. I am curious to see if he's going to go to a self-destructive spiral ("I always do this, I fucked it up again, why bother even trying") or if he's going to break the pattern and figure out a way to make it right. Seeing as the next episode is called "apology tour," I'm guessing we're going to see the latter -- but that is honestly huge character growth.
30 notes · View notes
nellie-elizabeth · 18 hours
Text
Doctor Who: Dot and Bubble (14x05)
Wow, holy shit. This season keeps getting better and better.
Cons:
I really only have one tiny complaint, and it's that I wish the walking thing had been done a little differently? I think, allegorically, the idea that they all need arrows and instruction to be able to walk around when they have their bubbles up all the time is a good idea. Like, often when I'm driving somewhere I should know how to get to on my own, I still pull up the map on my phone just as an extra sense of security, or because I never bothered to fully memorize which side street to turn down or what have you. So it makes sense on that level. But the part where Lindy is literally running into poles and desks and stuff read as a little too ridiculous. I wish it had been a little less literal? Like what if instead of running into stuff, it's that Lindy is overwhelmed by the variety of things she's looking at around her, constantly distracted and overwhelmed, and she needs to mutter instructions to herself in order to force herself to walk, and she still takes the sharp 90 degree turns everywhere because that's what she's used to. And then when faced with a monster right in front of her that's blocking her most natural path towards the exit, she freezes up and can't figure out how to make herself find an alternative route right away. That would work better than the scene where she's literally just running into a pole multiple times.
Pros:
But honestly! What a fucking stunning episode, with one of the best... I guess you could say, "twists", of any Doctor Who episode I can ever remember seeing. I'm not talking about the computers turning on the citizens of Finetime, I'm not talking about the home-world being taken over and not coming back to save everyone. I'm talking about Lindy and the others rejecting the Doctor's help at the end of the episode. That scene is an all time classic, instantly, I just know it.
But first let's back up and talk about Lindy as a character. I think this episode hinges on the way she toes the line the whole episode - you don't understand at first if Lindy is an example of her society, the same as everyone else, or if there's something special about her. Is she an exception to some rule, or just a coincidental POV character? She's terrified, but she tries her best - I was moved by the moments when she realizes how truly helpless she is without the bubble and cries out "I'm so stupid!" You feel a certain sense of connection with her utter helplessness and fear. She's so coddled, so trapped in her bubble, literally, that everything new and scary seems hostile to her.
So... she can be forgiven for not instantly trusting the Doctor and Ruby, right? Right? I mean, they're strangers who came out of nowhere, and she has no idea what's going on. She's just a girl in a socially dystopian scenario where everyone's so addicted to their phones that they've shut out the rest of the world, and she needs help!
That's layer one to what's going on here.
But underneath that layer, you start to notice other things pretty early on. We learn about Finetime, we learn that it's a place that only the most elite people send their children to work. We learn eventually that the very computer program running their lives has started to get sick of them and has decided to exterminate them due to the... inanity, the intolerable repetitiveness, of their pointless, vapid lives. This isn't a situation where everyone in the world is like these people. This is a situation where the wealthiest and most privileged have literally cut themselves off from experiencing anything outside of what they know, and it's a look at the reinforcement of certain beliefs that exist in that society, due to the extreme level of shelter these people are subjected to.
The way that privilege operates within the episode is also subtly and effectively condemnatory to the viewer, or at least to this viewer, in a way that really worked. I did note the whiteness of this world, specifically the white, blonde, stereotypically attractive, thin, able-bodied woman serving as our protagonist. She seemed to represent a type of person; she stands in for a type of ignorance and privilege that we recognize in our own world. But when that moment came at the end where Lindy and the other survivors reject the Doctor's help? You bet your ass I was scouring the background of the scene, searching for any people of color in the shot. I didn't find any. And yeah, it hadn't occurred to me that all the faces we see in Lindy's friend group, all the people we see in this whole world, were white - a white majority is burned into our brains as a default, it's what I, a white person myself, am accustomed to seeing on the screen.
I think the reason the scene at the end is going to stick in people's heads is because it's not a metaphorical bigotry the Doctor suffers in this moment. It's actual, it's in your face. These people aren't "symbolically" bigoted of the Doctor's otherness, they're literally just racists. They're fucking racists. And Lindy never was special - she only lasted as long as she did because her last name starts with a letter later on in the alphabet. She is utterly typical of the people in this world, and this world is a world of white supremacy, and that's all there is to it.
Ncuti Gatwa's performance of outrage and grief was absolutely stunning. I saw one reviewer talk about how it makes sense that the Doctor being Black hasn't been addressed on screen yet, as it would be a pretty wretched look for the show to cast this actor in the role and then have the character immediately suffer racism because of it. But at the same time, it should be addressed in some way, and here's the way in which it finally is. I was also moved by Ruby's silent grief. For the treatment of her friend, but also for the way in which something so evil and stupid and pointless is going to result in all these young people probably dying in the forest, all because they couldn't look past their ingrained prejudices to accept help from someone they deemed their inferior. Gatwa screams and laughs and it's clear that he's feeling so many things, such helplessness and bewilderment and frustration. I don't know how much the show will go into this, but it would be so interesting to have the character reflect on this moment where he realizes something completely arbitrary and out of his control actually has an impact on his ability to do his job well. The character has been a white man a bunch of times in a row, then a white woman, and now a Black man. The mind fuck of having direct evidence of how the world's prejudices work in all ways big and small... what an interesting avenue for the show to explore.
I should also bring up Ricky September, legend, gone too soon from this world, shoulda joined the Doctor and Ruby in the TARDIS and had a threesome with them, tbh. I love what this character represents. At first, he seems like the ultimate symbol of this vapid, image-obsessed, bubbled society, as he's shown mugging the camera singing twinkly little songs and being a sex object for his followers. But then we meet him, and he's a genuinely nice, thoughtful person who does his best to help Lindy. We learn that it's possible to live a life using the bubble for work and then logging off, learning more about the world through history instead of constantly partying and getting caught up in the moment. This story isn't really one about "kids these days on their phones with the TikToks and the blah blah blah." It's more about being entrenched in a loop, stuck with your head in the sand. And Ricky is someone who proves that there is a way to operate outside of that system. He's not necessarily a paragon of anti-racist virtue, but he's a dude who at least has taken some steps to push back against that automatic entrenchment, proving that such a thing can be done, even given the social pressures to sink into the reinforced bubble of prejudice. I also loved Ruby and the Doctor both having a crush on him.
And I love how his character winds up, a turning point where we're starting to realize that Lindy might not actually be redeemable as someone we need to be rooting for. Her sacrifice of her celebrity crush to the killer Dot was brutal, and it feels like such a good appetizer for the final scene of the episode, as the twist comes fully into play.
I think that without that final reveal at the end, this would still have been a good episode of Doctor Who. But with it, it's an all-time great episode. God, I already feel like I want to do a re-watch just to catch more of the build to that moment. I hope that next week we get more time with the Doctor, as we've had two Doctor-lite episodes in a row. But seriously - this season just keeps getting better and better as it goes.
10/10
22 notes · View notes
glorious-spoon · 1 hour
Text
9-1-1 Season 7 Post-Mortem
Mostly because I want to put my thoughts in order. Full disclosure: I'm really not thrilled with a lot of the choices this season made, but I'm also not at the 'fuck this show I hate it now' level either. The primary, overarching issue, IMO, is that they tried to stuff a full season's worth of plot into ten episodes, and the pacing and emotional continuity suffered badly. And also there were some writing choices that were simply deranged (and hopefully would have been reworked had they not been laying down the tracks in front of the speeding train, so to speak).
(Cut for me rambling at length)
So: Bobby and Athena were largely really solidly written. The cruise ship disaster was great: campy and OTT, but in a fun way. Their marital issues and the eventual resolution felt like a natural continuation of issues they've had in the past. Bobby Begins 3.0 was a great episode other than the cartel element, which was some ill-considered racial stereotyping (I've said it before and I'll say it again: you could have had the antagonists in that episode be a bunch of angry locals threatening people for tresspassing on their property, and the whole thing would have been 100% less gross without actually changing much of the plot. Really felt like Tim was cribbing from the similar Lone Star arc, which was also lazy and racist). Amir was a fantastic character, and while I could have done without that last scene of him offering Bobby absolution, I feel like he was generally allowed to be both gracious and rightfully angry. The cop Athena stuff in the finale was... less great, but also to be expected. I would have liked much less of that and much more time spent at Bobby's bedside.
(I'm really sad about the house fire mostly because that was one of my favorite sets, but I do appreciate the poetry of the parallel, with Bobby actually managing to get his wife out this time. Though I do wonder where Harry was that night, lmao.)
Hen was similarly wonderful. I really liked getting to see her wrestle with the responsibility of being captain, and the fallout of the car accident scene. In a vacuum, I actually like Ortiz as a villain - a complicated one, with sympathetic motivations, but still ostentatiously cruel. Were it not for the fact that there are basically NO latine characters other than Eddie who aren't villains this season, it would have been great. ALAS.
Did not love the rescue dog/foster child parallel with Mara. Otherwise really loved getting to see her settle in with the Wilsons, and I'm really glad that we got to see Chim and Maddie take her in instead of leaving her at the group home by the end of the season. Really leaned into the found family element, and Chim taking care of his best friend's child in the same way that Mrs. Lee did for him.
CHIM! Chim my beloved. 'There Goes The Groom' is the one episode that I have basically no issues with at all. The hallucinatory trip through Los Angeles, wrestling with Doug's ghost, was gorgeous. Bringing back Kevin - also gorgeous. I loved that we see the Lees explicitly framed as his real family (and am spitefully glad that his bio dad was nowhere to be found. Fuck that guy.) Kenny continues to be, IMO, the best actor on this show. He killed it. We need so many more Chim-centric episodes, because they're always SO good. He can make both humor and pathos feel so natural and human. Give us more Chim!
And of course on to Buck's bisexual arc, which was... so painfully Buck, lmao. Full disclosure: I have a lot of trouble rewatching 7x04 and 7x05 because the secondhand embarrassment is just too much for me, but objectively it feels very right and in character for him. LOVED the first kiss scene, with his dawning realization of what's about to happen and his softly stunned joy afterward. His coming out scenes with both Maddie and Eddie were lovely and perfectly appropriate to both relationships. I really liked him taking the initiative to reach out to Tommy to apologize and ask for a second chance after he fucked up their first date. Loved Tommy showing up at the hospital after what was clearly a long, miserable shift.
Their date in the finale didn't really land for me mostly because of where it was placed in the episode; if they did something with the two of them after Buck spent the entire day at Bobby's bedside waiting to see if he was going to live, it would have felt a lot more natural to me to have them exhaustedly eating takeout on the couch or something instead of having a formal sit-down date with wine and place settings. Intentionally or not, that made it feel like they're still on Date Behavior with each other and despite some gestures toward emotional vulnerability, they're not quite there yet - as seen by Buck steering the conversation back to flirting and innuendo. My overall feeling on the relationship at this point is that it's cute, but I'm not seeing any real depth of feeling between them yet.
Buck and Eddie on the other hand - look, despite my many MANY issues with Eddie's plot this season, I loved how his relationship with Buck was written. I love the intimacy and familiarity of how they are together, I loved the way Eddie let himself lean on Buck, I loved how Buck is clearly positioned as an integral part of the Diaz family.
Unfortunately, that's really the only thing I loved about Eddie's plot this season. His relationship with Marisol was ultimately pointless; she was never fleshed out enough to feel like a real character, and we never even see the fallout of Eddie's cheating with regard to her; it's all Chris. The Kim stuff strained credulity, and also I never felt like he got any kind of emotional catharsis or resolution through it; he still hasn't really confronted any of his issues about Shannon, about their marriage and how it ended. That whole arc felt really wobbly in terms of tone, as well: using plot elements of a very famous psychological thriller without actually acknowledging any of the creepiness of it. I would have liked it to lean into that more especially with the scene where Kim dresses up as Shannon, an objectively creepy and unhinged thing to do.
The Diaz parents handled the Chris thing in a selfish and opportunistic way that felt both disappointing and inevitable. Hopefully that's going to be a hook for the next season and Eddie actually confronting them, but overall Eddie's plot this season really felt like they just tossed a bunch of balls up in the air and mostly failed to catch them.
Gerrard - look, I'm not that worried about Gerrard. I could have done without him, but ultimately he's going to stick around just long enough to make his inevitable defeat satisfying. At least, that's my hope.
30 notes · View notes
Text
I wanted to share thoughts and analysis on Full Moon (the last scene, at least).
I'll start with saying at the end of the day, I'm gonna be partial to Stolas in this since Blitzø hurt him pretty bad, but I will defend them both. Because the situation is complicated, and Blitzø is also hurting.
Blitzø obviously did and said extremely hurtful things, but I want to break down his actions since he's the one who's not upfront with how he feels.
(Please no discourse on my post. I'm just sharing my personal opinions and interpretation.)
I'll start at when Stolas asked for the grimoire back.
Blitzø is confused and unhappy about the situation. He's clearly uneasy with how Stolas is acting. Understandable. However, he doesn't exactly handle the situation in the best way.
The first thing he does is question if it's because he's skipped the past few nights. The tone he uses feels kind of manipulative (a trait he does possess), especially how he talks about being busy (which assuredly isn't the full truth even if true. With some of the stuff he says earlier in the episode, I'm pretty sure he's been avoiding having to talk to him. He seems to feel like there's maybe something wrong, and doesn't want to face it or make things more complicated).
Blitzø is scared to lose the book, obviously, but I think it becomes pretty clear that it's not the book that is his main worry, but Stolas. Sure, it's a big part of the initial panic but I feel like his reaction would've been more angry than scared and worried if that was the main thing.
The second thing he does after Stolas tells him to hand it back is offer to fuck him. Telling him how good it'll be. How he doesn't disappoint. Because that's how he deals with this stuff. Seduction to get what he wants (like he did the night he stole the book). Because he thinks that's what Stolas wants. Because if he fucks him real good, then Stolas will still want him here. But Stolas makes it clear that sex isn't want he's after.
Once Blitzø has the stone, that scared and upset feeling goes away. He's genuinely happy and thankful that Stolas did such a kind and considerate thing. At least for a moment.
When Stolas tells him that they are no longer bound to an agreement, he starts to panic. He's worried that he's not good enough. He's scared that Stolas is done with him. He says he can do better. You can hear the desperation in his voice.
Stolas assures him that he's not doing anything wrong and thats not why he was doing this. That he was doing it because wanted him to be able to make his own choice to stay. To make it right and fair. Because he cares so deeply for him.
I'm very happy at how upfront he was about it all. He told him he was under no obligation to stay, and you can see the fear in Blitzø's eyes when he says this. He thinks Stolas doesnt want him around anymore. But Stolas almost immediately clarified that he still wanted him to stay.
And you can see it on Blitzø's face how much Stolas's words do mean. You can see it's something he wants to hear, his expression goes so soft. He so desperately wants it to be true but absolutely refuses to believe that it is.
So he turns it back to what he's comfortable with. The thing he admittedly focuses on when he feels like he's getting in his own head. Sex.
Obviously Stolas must be trying to roleplay, because how could he have feelings like that toward him? That must be it. He's so in denial of the reality of it, he will not allow himself to see it.
Until it hurts Stolas. Until Stolas makes it very clear that he was being serious and honest.
What Blitzø did is awful and hurtful. It seems almost mocking knowing that what he's 'roleplaying' is real to Stolas. The "I love you" is especially devastating. He most definitely was not trying to hurt Stolas here. You can see on his face that he's unsure in what he's doing when he starts to talk. And when Stolas stops him, you can see the disappointment and sadness as realized he did the wrong thing.
But he was convincing himself that what Stolas said wasn't true. Because any thought otherwise seems impossible to him.
He's wrong, though. And I completely understand why Stolas kind of just shut down here. That's like a knife to the heart.
And Stolas explains why. Explains that even though he's wanted him for so long, for Blitzø to only see sex in what he says and does was pretty telling to how he viewed their relationship. And that crushed him.
The moment Blitzø realizes that he was serious, his whole view shifts. He gets upset. Very upset.
The one thing I will wholeheartedly stand by Blitzø saying is when he asks if he could give him a fucking minute (Now I disagree with what follows, but I'll get back to that.). Stolas did drop kind of a big thing on him, something that shattered everything he had told himself. And then walked away, which isn't exactly fair.
Again, I don't fault Stolas for walking off, not wanting to hear more, saying he had his answer. Blitzø was unintentionally hurtful, and he's upset and devastated. But at the same time, he really didn't give Blitzø any time to process what was happening and what he was telling him.
He probably didn't think he needed to because interpreting what Blitzø did at face value would be exactly how he interpreted it. And he's not fully wrong that Blitzø sees things as sexual. He purposely sees them that way. But what happened shouldn't be taken at face value. Though Stolas had no way of knowing that.
Now back to what follows that. He says some pretty shit things to Stolas. He's upset and lashes out at him.
The things he says aren't fair nor are they correct. He's projecting his issues with royals in general onto Stolas. He has a dislike for nobility, one that stems from feeling like they step on the little people and don't care about how their 'lessers' feel. That they don't give a shit about imps like himself. The image he's built of Stolas is completely warped by his view on royalty. Fizz has even called him out on it ("It sounds like you just hate him for being a prince").
One of the things that stood out was his line about how he can't treat him like one of his imp butlers and just dismiss him away. He feels like Stolas is throwing him away. Stolas is very clearly leaving because he's hurt, but Blitzø takes it as a kind of rejection. (Like at Ozzie's, he can't see clearly what's going on.)
As I mentioned before, I think the main fault Stolas's has in this situation is not giving Blitzø any time to process and understand everything that was currently happening. He shouldn't have sent him away. He should've at least listened to what Blitzø was trying to say. Tried to understand what he might be feeling.
Because Blitzø was trying to apologize. Once he saw how much his words affected Stolas, saw him crying because of the things he did and said, he realized he fucked up. And honestly, he needed to see that. He needed to know that his actions and words can and do hurt Stolas.
But I don't blame Stolas for teleporting him away, even though I think he was wrong in doing so. Blitzø basically twisted the knife that had already pierced his heart. It broke him. Hearing how lowly Blitzø (incorrectly and through his own convincing of himself) thought of him shattered him. Because how could a relationship be any kind of possible if the other person thinks you're shitty and awful? And to hear that from someone you respect and care so deeply for is so incredibly heartbreaking.
It's why I'm on Stolas's side (not that there even needs to be sides). He was trying to do the right thing. He was being kind and caring. He didn't really do anything wrong, but still got so deeply hurt.
But I can't really blame Blitzø, even though I think he's in the wrong here. Even though he caused a lot of pain to someone who only wanted good for them both. He's hurting too. He's a very broken person with a lot of issues he hasn't worked through. His actions and words were awful and mean. But he's struggling. This isn't an easy situation for him. He couldn't even comprehend someone loving him because he hates himself so much.
It's why he lied to himself about Stolas. Because how can that be true? And because you can't get hurt if you don't actually get close to someone. If you pretend that it's nothing and doesn't matter, it can't hurt you when it inevitably falls apart.
But they aren't true, the things he's been telling himself. And that sends him reeling. The realization comes crashing down, and feelings just come pouring out.
The situation is messy and complicated. And I feel for them both.
21 notes · View notes
Text
something I've been thinking about recently do you think the pop trolls are okay with the idea of killing animals in the movies?
or do you think they only eat stuff like cakes and other foods that don't involve killing animals?
basically do you think given the pop Trolls somewhat Hippie like attitudes that they'd also sorta be Vegans? at least in the movie cannon I think in the Tv shows we see Poppy kill some fish to serve on pizza to the Bergens at Bridget's Birthday party lol.
but yeah I can't recall us seeing them kill any animals in the movies or eating any meat unless I'm forgetting a scene? Branch kinda killed those spiders when he saved Poppy by Hair whipping them into that Giant creatures mouth.
but that's the only time I can think of and lets be honest given his survivalist nature I can easily imagine Branch being cool with Hunting animals for food During his Bunker years or killing them simply for survival like if they attacked him first.
but with other Pop Trolls? I'm not too sure like I could imagine them as seeing all life as sacred and maybe having a more sympathetic attitude to animals.
given their own species used to be killed for Food and was likely seen by the Bergens as lesser life forms and maybe even seen as just Dumb unfeeling animals.
so yeah IDK what do you think?
also like imagine if this is the case and we did see a little scenario in the future where Branch and Poppy were lost out in the woods and they needed food desperately.
so Branch gets out a weapon and is prepared to go Hunt and kill an animal only for Poppy to be Horrified by the idea and by the fact that given his casual attitude about it he's clearly Hunted animals before.
and Poppy is a little mad at Branch maybe giving him a comedic cold shoulder while Branch eye Rolls because he's always been of the mindset Hunting is perfectly natural.
given he's lived out in the woods for most of his life lol.
18 notes · View notes
softquietsteadylove · 10 months
Note
This one for the Doctor AU:
We had Thena loosing a patient but what if Gil looses patients as well?
"DAMMIT!"
Heads lift and turn and spring up all over the floor at the sound. It's one many of them have never heard before, even if the voice is familiar to them. It just doesn't happen like this.
Thena puts her charts down, not even looking behind her as she starts to move.
"Fuck!!"
"Gil," Kingo says gently, trying to reach for his partner and pull him up off the ground--away from the stretchers with the two patients they were trying to save. "Come on-"
"Shit!" Gil continues to curse up a storm, a far cry from his usually cheery and jovial self. He stands and stumbles back into Kingo after his exhaustive efforts to continue chest compressions even after they exceeded the voltage safe to exercise on such a young life.
Kingo looks back at Thena as she walks down the hallway towards them. She takes one look at things and he shakes his head. The closer she gets the more she can see what has Gilgamesh so beside himself.
"Gil-"
He rushes off, careful not to knock into her on his war path. A few interns snooping around do not get the same courtesy, all but sent flying as he seeks the refuge of an on-call room before he starts really laying waste to something.
Everyone but Kingo and Thena are left reeling in the wake of the display from who is usually the gentlest and lightest of heart among them. Thena kneels down, pressing her fingers to skin and using her stethoscope. She looks at her watch and then up at Kingo who nods. "Time of death, 11:47 am."
A car crash involving a family of four. Parents dead on scene. Daughters - age 6 and 9 - rushed to hospital via ambulance. Eldest suffers internal injuries (DOA). Youngest arrives at hospital and codes en route.
Thena closes the door to the on-call room behind her. The place is a disaster, only safe from Gil actually picking things up and throwing them. He's not really the type to throw punches when he's upset, but she can't blame him for his strife.
He runs his hand through his hair, faced away from her. "You can't be here, honey. I just...I need to..."
There's no end to the statement. She knows that he doesn't want her to witness his hurricane--to risk suffering getting caught up in it. She comes up behind him though, running her hand over his arm as she moves to sit on the oncall bed in front of him. "Gil."
He shakes his head, eyes completely full of tears. "They're just kids."
"I know," she whispers, pulling ever so gently on him. Gravity does the rest and he collapses into her, arms around her waist, his face pressed into the front of her scrubs. He's still covered in blood from the other girl.
Gil lets out a scream that rattles the room and probably outside of it too. It's agonised and raw and sounds like an animal in pain. His tears accompany it. "They're so young."
Thena listens to him get out his grief (a mere drop in an ocean to come). She rubs his back and his shoulders as he cilngs to her, sobbing into her lap.
"Th-They're-" he gasps, his whole body shuddering and trying to force him forward as a means of getting rid of what's wreaking havoc on his nervous system. "Six--she's six! She didn't...she's hasn't..."
"Sh, love," Thena whispers and coos to him as another scream tears out of him. She continues to hold him as best she can, wishing she could take even a drop of this pain from him.
"They didn't see anything," he whimpers, pressing his cheek to her thigh, "they didn't do anything. They were too young."
They're always too young.
"We could have-"
"No, Gil," she whispers, moving her hand to run through the dark feathery hair at the top of his head.
"If we had-"
"No," she shakes her head, running her hands over him gently. "There was nothing you could have done differently for those kids."
As much as they always wish there was.
His body finally loses some of its momentum and he truly slumps into her, devoid of strength. His hand clutches a fistful of the back of her scrubs, "it's not fair."
"It's not," she agrees, leaning forward and pressing a kiss to the top of his head.
"Why," he whimpers, snivelling more than wailing from deep within his chest.
"I don't know, baby," she whispers to him, pressing her lips to wherever she can reach. "I'm sorry."
"Not fair," he sighs again, now that his steam has run out. He loosens his hold on her.
Thena looks up at him as he pulls himself back to his feet. This is what really makes Gil the strongest one in the hospital. It's not that massive frame or any of his muscles; Gil has never had to leave a run early, even on the worst of worst days. She holds his hand delicately as she stands with him. "Hey."
He looks at her, and he looks just as bad as he must feel. She presses her - always a little cold - hand to his cheek, around his flushed and puffy eyes. "You okay?"
"No," he tells her truthfully, nuzzling into her touch like that's what's going to help him get back out there again.
Thena just nods. She would work the next 48 hours straight if it meant she could send Gil home right now. But he's not one of her doctors, or nurses, or interns. He's only the most important person in the world to her.
Gil sighs through his nose and holds her palm still so he can kiss it. "Thanks, sweetheart. I'll be okay."
"Will you?" she asks, desperate to make sure that, even if he's lying, that she can see for herself the severity of it.
"No," he smiles and shakes his head, and at least he's not lying about that. He pulls his hand back to himself as he prepares to leave their little haven and be separated from her again.
"Hey," she rushes to catch him before he opens that door--before they're plunged into the cold waters of their work life again. She moves swiftly, barely stopping her momentum enough to lean up and kiss him softly.
He leans into her like he's aching for it. After they're both off and out of this godforsaken hospital he can have all the kisses he likes--anything he needs to put this day a little further behind him.
She runs her hand down his chest, hoping that he knows just how much she wants to take this on for him--how much she loves him and how much she would be willing to endure in the name of that.
He nods. He knows--he always knows, when it comes to her. He leans down for one more kiss before turning and leaving before either of them lose what self-control they're clinging to and just stay in here for the rest of the night.
Kingo is hovering at a concerned but respectful distance. He nods at Gil, "yeah?"
"Yeah," Gil confirms, not at all concerned about the obvious evidence of his crying. He sighs heavily and looks at Thena again, "the family-"
"I'll call them, Gil," Thena assures him, her hands hovering at her sides, dying to reach out for him again, even under the unforgiving fluorescents of the hallway. "I'll do it personally."
His eyes are so, so sad. "You sure, hon?"
She nods, needing no fake smiles with him. "It's okay, Gil. I'll take care of them."
In his place, she'll take the best care she can of anyone left reeling after such a loss. Because if he were here to do it, he wouldn't rest until he had done everything he could for them.
He gives her another unapologetically sad smile before falling in step with Kingo, who glances at her behind him.
"Take care of him for me," she whispers, assured as Kingo gives between Gil's shoulders a pat, heading towards the next call and hoping it goes better.
11 notes · View notes
aroaceleovaldez · 3 months
Text
emo Nico x scene Will Solace...
#pjo#riordanverse#nico di angelo#will solace#solangelo#i need them to be cringe (affectionate) teenagers okay#give me Will with a hardcore homestuck phase and streaks in his hair dyed with kool-aid and striped armsocks#date night is Will teaching Nico how to make kandi bracelets#if youve been here awhile you may know i am a scene Jason believer and the same concepts apply here#listen i just think. emphasizing Nico being emo and giving him a scene boyfriend#its very important though that only certain riordanverse chars fit the vibe to be scene kids#like i dont think Percy would be as much as i want him to be#its antithetical to his character (internalized ableism/bad self-loathing/keeps his head down)#Will and Jason on the other hand would use XD unironically and have a total ball making sparkledog fursonas#Alex Fierro. DEFINITE scene kid. Magnus is already just kind of a little emo. Sadie is a definite yes. Carter. maybe.#i think he'd be adverse at first but kinda get into it casually yknow. he'd dig kandi bracelets at least.#probably get really into linguistic breakdown of xD rAnDoM speech just for fun#Walt no but he could. like. i think he'd be open to trying it. but its not his default state.#Zia. doesnt have the energy but i kinda wanna see it regardless. i think itd be fun for her but on her own she'd lean more goth#Leo? maybe. depends. he's more into doing stuff ironically. Piper. yes. but specifically as an f-you to conventional fashion#Reyna no. Frank maybe. Hazel yes. Thalia maybe. Annabeth hmm. maybe#i think thats all the main casts. Alabaster? YES and i wanna see it.#anyways thank you for coming to my emo x scene ted talk and character evaluations in the tags
122 notes · View notes
requiemforthestars · 3 months
Text
I'm a NATLA defender now, tbh. I think more people will grow to appreciate its good parts more as time goes on. I'm of course waiting to see how they wrap everything up and I'm not immune to its flaws, but I think people are so blinded by everything not being The Exact Same as the original cartoon than they're not appreciating its good parts. It's an adaptation, a companion, it's not a replacement to the original.
57 notes · View notes