Clark Kent is fucking terrifying as a reporter.
All he does is take an interview with the suspects, before throwing down some of the hardest questions that leaves them squirming in their seats.
They see this shy man who always hunches, wears dorky glasses and assume they’re the ones in charge. But the moment he timidly asks if they can record the session, lulled by their false sense of security they end up agreeing and the tables turn so fast none of them are left standing.
Question after question, of events that could not have possibly been made public, of deals and skeletons in the closet no one has dared open.
And the man is a bloodhound.
Clark uses his superhearing to help gather information. He knows drop locations, families, the plotting betrayals and plans. So all it takes is a little investigation, connecting the dots before blowing apart the criminals’ plans.
The villains, aware of his reputation, tell everyone to lie their ass off.
Most even pass the lie detector. But Clark never uses it.
He asks them questions that don’t seem related to the case, throwing them off their game asking about their health, the weather and so forth.
And there’s just something about him that makes them drop their guards without realising it. Something that even Batman has admitted to. The fact that despite his appearance, there’s an almost non existent aura, and you don’t even realise you’re saying something confidential or sliping up.
The villains lie about everything there is, avoiding every trap yet somehow from an interview about rabbits Clark Kent now publishes a plot of robbing Metropolis’ banks along with the details all laid out.
If Clark Kent comes for you, everyone knows it’s a death sentence.
This post can be summed up in this quote
Villain *to hunched back, averting gaze Clark Kent* : Do you know how to walk on your knees?
Clark *suddenly standing straight, looking them in the eyes while towering over them* : Do you?
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Au idea I'll probably never write:
Steve as seven au, BUT he escapes at the same time as El in season 1. They get separated after Benny's, when seven tells eleven to run and definitely kills a couple government agents to give her more time.
So the a plot of will being missing and Mike finding El? Standard canon except El is ALSO looking for her brother and is worried about him. She sees that he's mostly safe and tries to help find will but also insists she go to her brother soon.
B plot of barb and Nancy...idk I haven't really thought about how that'd work without Steve's kickback. Maybe they go to a party (like actual party not the five person hangout) together and get separated and no one notices barb disappear from the edge of the lawn. Idk
The C plot is seven, kinda bloody and definitely cold, wandering out into the middle of the street, and one Robin Buckley almost running him over with her bike. She immediately clocks "guy who seems pretty fucked up" about him, and offers him a ride to her house. But Robin has never been the most coordinated of people and biking with a(admittedly probably too skinny) teenage boy sitting in her package rack is hard, and combine that with a guy driving like the devil's after him, they end up swerving of the road.
Eddie steps out, apologizes profusely, and offers them a ride. seven is sceptical, especially when both of them pause when he tells them his name, but does end up in the van. He finally gets a chance to breathe once they get to the Buckleys', and Robin gets him some leftovers.
He sits in front of the tv set to a blank station, tucks his head into his shirt instead of blindfolds, and tries to see El.
He sees her older, with flowers braided through long hair, laughing. Too far. He sees her with short curls, a patterned button down, eating something in a cone beside a mustachioed man. Too far again. He sees her tiny, scared, holding his own small hand. Not far enough.
Finally, finally, he sees her as she knows her now, mostly, standing beside a group of children and in front of a monster in a large room.
Eddie and Robin have no idea why their new friend? Has turned the tv on to static and is hiding in his shirt, but figure he's had a rough day. He pops his head back out, blood dripping from his nose, and grins, telling them he knows where his sister will be.
Anyways blah blah blah El sees where people ARE Steve sees where people have been/will be (based on where/who they are right now. Futura is constantly in motion etc).
Idk season 2 would happen very similar as canon minus stancy break up (they never date and are just friends) (also Steve tells Robin and Eddie he and El are safe and they pass it on to the kids) El finds Kali, Steve fights demodogs, etc etc.
But I want a (pre?) season 3 scene where Robin and Steve are hanging out as soulmates do, door closed because they are discussing Sensitive Subjects (gay shit) and giggling like schoolgirls. Hopper, in all his disappointed dad glory, opens the door and starts in on a rant about keeping the door open three inches.
Steve, bitch that he is, just tilts his head to the side and says "but that is for when we are with people we date. I am not dating Robin."
Hopper, not yet picking up what's happening, sighs. "Kid. It's about propriety. You can't be alone with Robin, because what if you do start dating. Then it's. You have to set an example for El!"(it would be a nice move bringing up Older Brother Responsibility, except...well.)
"but we aren't. I am dating someone else?"
"still need the door open three inches, pal. When El is home, at least"(El is almost always home)
"we do! And you complain about the loud music!"
"wait. Who are you dating? I thought Nancy was dating Jonathan still. She barely comes over." Hopper please pick up what Steve is putting down oh my god.
(hop has forgotten Robin is there and she is trying very hard not to make noise but Steve keeps meeting her eye sometimes because dear god. truly an iconic moment in friendship history.)
"yeah obviously. Eddie comes over all the time, though."
"what does Ed- oooh. Ah. I see. That's why you keep the door open even though he complains."
Steve nods like Hopper is the dumbest man on the planet. He might just be. "Yes. Because you said El had to and she asked why I didn't have to so then I started to leave it open when Eddie was over. At least Eddie doesn't laugh at you to your face"
"Eddie laughs behind my back?"
"he said you didn't know we were dating but I told him of course you knew, the door is open three inches."
Hopper clasps Steve's shoulders and looks him in the eye. "Steve, I need you to keep telling him that. And not mention this very awkward conversation we had."
"because he was right."
"he doesn't need to know that."
That's all I got lmao (also check the tag ramble I added lol)
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11. Blood at the corner of your mouth.
It is not your blood at the edge of your mouth. Not your blood that your tongue swipes from the corner of your lips. Not your blood whose coppery tastes lingers between your teeth.
But he fucking deserved it.
Sister Kindness has you tucked under her arm as she, to use her words, books it. Something she must not do often because she huffs and puffs her way through the crowded Shaded Bower. And though some call out ‘Sister’ to her with warm recognition she does not stop ‘booking’ it.
(Sister Kindness would have you know that she is perfectly in shape for a woman of her age. She was ‘huffing and puffing’ from the extra weight of carrying you, thank you very much.)
She slows when the westshore pier appears around the corner and then she steps off the main path and sets you down. Kneeling to be something more like eye-level, she pulls a Roegadyn-sized handkerchief from the depths of her habit. Wetting a corner with a flask pulled from a separate, equally confusing pocket she begins to clean the blood from your face.
Sister Kindness’ hand is firm where it grips your chin, holding as little of you as possible. For once the contact does not send you recoiling. Perhaps it is the way your rage has left you as quickly as it had flooded you, leaving you feeling drained of everything else as well. Now that the moment has passed you tremble and, to your horror, you can feel a well of tears rising to fill that empty space.
“Was a helluva bite, darling girl,” Sister Kindness’s voice is quiet as she tilts your head to the light, searching for any blood she may have missed. You focus on her creek colored eyes and swear you feel their waters lapping at your ankles. Her smile is sudden but woozy around the edges; she is just as shaken. "Reckon he'll have a scar, too. Bet he lies about who gave it to him."
‘He’ was an elezen man -- maybe a merchant but likely not, as Sister Kindness did not know him -- with a face as sharp as his ears and a smile that spoke of too much confidence. And you had hated him on sight. His crime was making Sister Kindness uncomfortable and his mistake was not being aware of his surroundings.
It does not take much pressure to break skin.
Pleased with her work, Sister Kindness rises and disappears the handkerchief away. Handing you the flask, she instructs you to take a sip, swirl it around your mouth, and spit it out. There is some confusion about what 'swirl' means but, eventually, she is satisfied with this too.
“Well, we didn’t get what I came for but we’ll be headed home all the same. Come now, before the ferry leaves without us. We will, ah, not be telling the abbess about this.”
You don’t know if she means the bite or the trip to the city.
You don’t ask.
Thank you for the ask, Anon!
][ Sensory Prompts ][
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also a good way to go into fantasy society worldbuilding or just worldbuilding in general is just to remember "no animal is inheritly evil, no human is inheritly cruel and deserving of punishment for being alive, and no species is deserving of a death penalty simply for how they look. no matter what."
like. if you have a species that say. is being ruled by an evil overlord and as such rules under a very violent society. however if person of that species is taken outside of this society, they can become a better person and learn from their misdeeds. if a member of the species isn't raised inside the walls of this violent society, they'll turn out just how their parents raise them, not how the society expects them to act.
but if you have a society where the species inside of it is "inheritly" seen as evil or stupid, where even raising a child out of this environment they are still mean no matter what. stop. that does not make sense. that gives off a very weird message. it's way more compelling and thoughtful if you state that its an upbringing, or a society, that makes someone who they are, not that its "inherit." holds up hands. back away from the stage a little. no one is inherently evil no matter what even if you dont like them. and especially even if you dont find them pretty or "cool."
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