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#racism cw
lizardsfromspace · 4 days
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Was there ever a news event in our lifetimes that the media fumbled more aggressively than Columbine. They genuinely got every single detail wrong
From reporting that they killed someone for saying she believed in God (a different girl who said she did survived) to not reporting that they sought out students of color while yelling racial slurs - on Hitler's birthday & a day after the anniversary of OKC and Waco - while promoting the idea that you have to watch out for loner bullied nerds. Even though later research shows that the shooters were, in fact, bullies themselves, who had a wide social circle, and they were, you know, Nazis motivated by racism and not the video game Doom (1993).
It's a generational fuck-up, the GOAT of bad reporting bc it's still with us. The narrative of persecution after "she said yes" is a huge reason the evangelical right is like how it is today (they made a biopic that uncritically repeated it just a couple years ago!) & they still push the idea that it's primarily victims who do that sort of thing and not aggressors & people still shared that stupid video of Marilyn Manson saying he'd "listen" until a couple years ago (though the shooters being abusive Nazi creeps would uh, not diminish Marilyn Manson's desire to befriend them, I feel)
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heritageposts · 6 months
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if you're subscribed to the washington post, it's time to cancel your subscription
as if their coverage of the genocide in gaza wasn't bad enough, this is now the kind of vile racist shit they're apparently okay with publishing in their editorial cartoons
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and if you're unfamiliar with the artist, michael ramirez, here are some of the cartoons he's made for other publications:
(putting them under a read more because there are so many of them and they're all disgustingly racist and/or islamophobic)
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probablybadrpgideas · 28 days
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Ok, just thinking out loud, but maybe we should let the Great Old Ones out.
I'm just saying. Lovecraft wasn't exactly an unbiased source. Maybe they're perfectly nice. Maybe they just want to stop people saying slurs. Maybe they're just Welsh.
I'm not saying I want the world to end, but I think that it would be a decent compromise to maybe unseal one or two of the smaller ones, just to see what happens. I bet we could put them back if there's a problem. And maybe they'll give us candy!
If it's just one of them, and maybe just for the weekend, it'll be fine. Come on, guys. What's life without a little risk?
Ritual! Ritual! Ritual!
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gendercriminals · 1 year
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Anyways, I cannot fucking understate the psychic damage that is done by transitioning as a trans- masc while being a person of color.
People already didn’t listen to my opinion and boundaries before my voice and body started passing as somewhat male. But as I’ve started to pass, more and more often, my voice and opinions and boundaries are not only ignored; I’m treated as hyper-aggressive/hostile/mean, inagreeable, and stubborn.
Even by my loved ones and friends, they way they treat the words that come out of my mouth or words through text has changed.
When I cannot say “What you said/did hurt me and I need you to own up to that in some actually active way, or at least apologize.”without invoking white tears - when I cannot get upset over boundary crossing and being ignored without invoking anger about my “attitude”… How am I meant to exist safely?
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“You see, Tintin, Londoners are a particularly miserable subspecies of Englishman. Subterranean, anti-social, you could kill one with eye contact alone-”
“Captain, now is really not the time.”
It’s 1940. London is getting firebombed by Nazis. For the past few years Tintin and Chang have been out of work, having been outed as a couple by the press. They have spent some time travelling around with an ageing Captain Haddock to foil various fascist plots. Upon hearing about the bombing runs on London they go up to check on Chang’s uncle, who has an antique shop in Limehouse.
More story details under the Read More. Let me know if there’s anything you wish for me to tag, cw for mentions of racism:
Chang’s London cousins have since been evacuated to Kent. While trying to get what remains of Mr Wong’s possessions together they run into one of them, the boisterous Wendy Wong. She ran away from her countryside guardians back to London, revealing to have suffered a lot of racial abuse. Being the bravest of her siblings, she and her siblings planned for her to go back to London to find their dad. She’s distraught at her home’s destruction and feels frustrated and powerless. Her father is less than thrilled, and demands Chang take her back up to Kent. 
Tintin is really trying his best to help Mr Wong and get on his good side, knowing full well he doesn’t approve of him and Chang. While searching through rubble Haddock gets talking to some community organisers and learns about locals planning on using the local Underground stations as shelters and agrees to help. One evening he stumbles across a disused service tunnel and overhears some German spies discussing suspicious plans.
Tintin offers to escort Wendy to Kent. A worried Captain Haddock informs Tintin of what he witnessed last night. Wendy overhears and wants to help, wishing to be a hero like Tintin and Chang, and emboldened by a sense of responsibility for her home. Chang, having previously lost family members to war, is sympathetic to her and believes she should be allowed to help. Tintin is reluctant to let Mr Wong down. Haddock feels like he’s herding cats.
TL;DR: Trains! Anti fascism! A story about finding common ground to fight back against nazis.
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txttletale · 5 months
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blasted, sarah kane / serious weakness, porpentine charity heartscape
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papasmoke · 2 years
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I’m having fun imagining this miserable white south african expat in a red faced blind rage hunched over their computer still furiously ranting about the glory days of apartheid south africa 30 years later, barely able to type a sentence they’re so mad lol.
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roundearthsociety · 7 months
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Pro tip: when Zionists on this website say "Not all Zionism is support for the Israeli government", they mean this guy and his friends specifically
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thenugking · 5 months
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doctor who spoilers/critical below cut
It's not even that I necessarily object to that regeneration storyline from an in-universe perspective (even if RTD pulled pretty much the same plot in Journey's End. Even if Moffat's Doctors stayed still in one place for Decades, on multiple occasions).
Out of universe though, were there not enough fans who considered David Tennant the "proper" Doctor?? Were there not enough racists looking for any excuse they could find not to accept that a black man was going to be the Doctor?? And now DT's going to just continue, (and I don't believe for a second that this is the last we're going to see of his Doctor) and Ncuti Gatwa's just... the other Doctor. Not the next Doctor following on from David Tennant or Jodie Whitaker, the Doctor who's also there next to David Tennant, the most amazing wonderfullest specialest Doctor we've ever fucking had, who not only the fandom but the fucking showrunner refuses to let go of.
And RTD's been giggling about "oooh Doctor Who fans aren't going to like this one, I've messed with the Lore, that makes those Serious Old Doctor Who fans who are so certain they're Right so angry!!" so any criticism of That can just be dismissed as whovians taking the show too seriously. Literally any other pair of Doctors would have been better to do this with, except maybe Tom and Jodie. Just. Why would you do this with the first black Doctor? Does the BBC not have a single sensitivity reader? Can you not see a single Unfortunate Implication with this????
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sokkastyles · 2 months
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what's your opinion about the take "pocahontas zutara"? I'm so tired of this
My take is that comparing indigenous women who choose to be in interracial relationships to the actual tragedy of what was done to Matoaka and her legacy is unconscionably racist and tone deaf and people should not do it. Full stop.
You don't have a right to look at a woman's relationship and say "wow, she must be being abused" because she makes a choice you don't agree with.
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petrichorvoices · 2 years
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non-Natives cannot be w/nd/go/g. non-Natives cannot be w/nd/gokin, nor w/nd/go extranths, nor any other sort of w/nd/go identity. i don’t say this to be exclusionary, i say this as a Native person who’s tired of our culture and religion being bastardized, appropriated, and stolen by colonizers. i say this as someone who’s tired of plain old racism being excused by those who straight-up don’t care about Native voices
a w/nd/go is not just some cannibal ice monster, nor is it some deer cryptid, nor is it merely a Native personification of evil. it is far, far more than that, and it requires cultural knowledge and experience to really understand. this is knowledge and experience that non-Natives are not let into because of centuries of us sharing our culture with people who take it, misunderstand it, silence us when we try to correct them about it, and then continue to oppress Natives while enjoying cherrypicked parts of our culture
if you, as a non-Native, believe that you may be a w/nd/go; no, you are not. i’d recommend looking into monsters and such that aren’t from closed cultures, as well as potentially taking a look at invented species from things such as the furry culture, and then proceeding to uplift Native voices on this topic
non-Natives are encouraged to reblog this, and please, don’t uncensor the word unless you have to. i don’t want anything coming after me that i’m not prepared for
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blackbackedjackal · 25 days
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You know I've been feeling a little anxious bc Captain's werewolf form and June's shadowy version of her werewolf form look a lot a like and I always hope no one accuses either of us of design theft like it happened to me with one of my old characters, though I made his werewolf form in like 2020. June is cool as hell (if not cooler) I wouldn't want someone to be a jerk about it. Maybe I should draw them together shaking hands as a preventive measure lol
Heya! I hope this is ok to post but please don't worry about it! June's design is based off of other (mostly animated) werewolf designs I liked, but was given meaning through her story and the reason as to /why/ her form looks a certain way.
It's not that she's just shadowy, it's an intentional visual representation of black trauma. There's are cultural and social stigmas of Black people being systematically denied access to mental health resources or being told that they're just "lazy" or "crazy" or "faking it". June's form is altered by her mental/emotional state, it's what she /believes/ she is due to her past trauma and her story is, in part, learning deal with her trauma in a healthy way.
June's form is also based on the lesser known theories that The Beast of Gévaudan (which June is related to via her lycan lineage) was either a product of mass hysteria from the high number of wolf attacks in the region or was potentially a serial killer. The way the beast is often described (black fur, red lips, white/yellowed eyes and teeth) is similar to racist depictions of Black people in the past. I used this as a basis for designing her form. It's the intention and her story that's important, followed by visuals that are found within the werewolf genre and outside of it.
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I'm a little too tired to go more in-depth but I'll leave this quote from the Jim Crow museum:
The mission of the Jim Crow Museum is straightforward: use items of intolerance to teach tolerance. We examine the historical patterns of race relations and the origins and consequences of racist depictions. The aim is to engage visitors in open and honest dialogues about this country's racial history...The Jim Crow Museum is founded on the belief that open, honest, even painful discussions about race are necessary to avoid yesterday's mistakes.
June's story is about racism. It's about intolerance towards black queer folk. It's about how Black people (especially black women) have to suffer under a system that denies them mental health resources, resulting in many Black people turning to unhealthy coping mechanisms. Her design was me intentionally marrying old werewolf motifs with a different perspective on the werewolf genre (since even today is it still mostly a white space). There's a stark difference to me when someone comes up with a similar design independently vs when someone is actively lifting direct inspiration from my work and twisting the meaning in the process.
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lestatslestits · 2 months
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“Should we start calling Anne racist?”
Yes! If you haven’t started already, you should do that now! Have you even read any of the books written by this dead white woman who you are defending soooooo hard from *checks notes* Black people on Tumblr trying to discuss racism during Black History Month?
Aren’t you tired? Don’t those fuckin’ clown shoes give you blisters?
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punkeropercyjackson · 16 days
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Saying kid characters of color can't be kids because 'They don't really act that age' is actual rethoric used to adultify irl traumatized younger poc as an excuse to make emotionally abusing or even sexualizing them look not bad.In addition to the racial aspects,this also plays into society's idea that kids can't be people because 'they're too young to comprehend feelings and thoughts' and it provides a safe haven for REAL child abusers both online and in person and it really shows with how often minors in fandom are cyberbullied by adults for speaking up for themselves even outside of this context
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hi! loving your art. I was watching your awesome stories/gifs and I was wondering: how did Chang develop his feelings for Tintin? Did he discover them before or after him? How did he react and why? (English is not my first language so if you see a grammatical mistake, I'm sorry. Also, sorry if so many questions made you feel like you were in a philosophy exam)
Thank you so much! As a contrast to the rest of the Marlinspike team I'm writing Chang as someone who makes friends and develops crushes pretty easily!
I imagine he's had a crush on Tintin for some time, possibly from when they first met. He's been at the mercy of his circumstances for most of his life until that point - Tintin basically makes him feel capable of doing stuff.
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He's pretty heartbroken after the Blue Lotus. Tintin doesn't contact him for years. Chang is struggling to adjust to his new family and is failing at school, having missed out on a good education for a few years prior. Until Tibet he feels pretty hopeless, he will never live up to the time when he took down a drug ring.
His near death experience in Tibet shakes him out of this rut. He starts to travel and take up hobbies like dance and photography. Didi trains him in some basic martial arts. Tintin makes an effort to actually stay in touch this time. Chang has some abandonment issues as he's frequently lost people throughout his life, so he's someone who's willing to give people second chances, even if they've hurt him badly. Chang thinks he's well over his crush on Tintin when he comes around to Belgium for his studies, but falls for him again very quickly!
Unlike Tintin, Chang is a lot more comfortable with who he is. He's used to being the odd one out and has generally low expectations for himself, so just goes with the flow.
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Below I talk a little with how I'm going about writing him and the historical context surrounding this, cw for mentions of racism (sinophobia) and queerphobia:
I'm writing Chang as bi, I thought it would be interesting to explore as Asian men were perceived differently in the 30s compared to today. While Asian men in the West are currently heavily desexualised in the early 20th century they were stereotyped as predatory and deviant. In London a lot of Chinese immigrants were male dockworkers, so when they married white women there was a lot of fearmongering about predatory and disloyal Chinese men.
A lot of depictions of Asian men in Western media reflected these stereotypes (and often used queercoding to push the idea of Asian men being animalistic seducers - General Henry Chang in Shanghai Express (1932) was written to be bisexual while posing as a threat to the white leads). Some examples off the top of my head include Hishuru Tori from The Cheat (1915) and The Mask of Fu Manchu (1932). Novels frequently depicted Chinese drug lords with borderline supernatural powers in manipulation.
On the other hand I've noticed how fans frequently depict Chang as someone who's submissive, demure and soft, which ignores how ridiculously brave and proactive he is in canon (stealing documents from police officers, charging into a man immediately after getting shot at by a machine gun, I could go on!). It's a common example of Fandom Racism (not accusing anyone specifically, it's just a trend I've noticed.)
When writing Chang I'm kinda reckoning with two different eras. From a contemporary angle I'm writing him as a love interest, which as an Asian guy I rarely see in media today. I also gotta consider his own time and context, how he would navigate being a queer Chinese guy, and how that would affect his relationship with others and himself.
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daloy-politsey · 4 months
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Some solidarity with anarchozionists would be nice. After it was Israeli Jews that were attacked by the Arabs who occupy Gaza.
Why are you so ugly?
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