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#asthetic anime gifs
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Creators of Mullet Madjack really knocked it out of the park making her design!!!
Also the game is fantastic! Go wishlist it if you like FPS games!
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itschoahyuna · 17 days
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(≧▽≦) 。*⭐ 。*゚ 🌈゚(≧▽≦) 。*⭐ 。*゚ 🌈゚
🎀🎨 。*゚ Sanrio 。*゚ 🎀🎨
(≧▽≦) 。*⭐ 。*゚ 🌈゚(≧▽≦) 。*⭐ 。*゚ 🌈゚
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psykopaths · 4 months
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"Do not fear the darkness, but welcome it's embrace. My story is one of many thousands, and the world will not suffer if it ends too soon. When I was a young man, I had liberty, but I did not see it. I had time, but I did not know it."
- Ezio Auditore
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abueloretrowave · 1 year
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-Oh man!, late for christmas again..
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magsuckx · 1 year
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Akuma ♡⁠(⁠>�� ⁠ਊ⁠ ⁠<⁠)⁠♡. .⁠。⁠*⁠♡ 🍷
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why wait for the best when i could have you?//
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mebellad4 · 5 months
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-Misa Amane.🐲
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elizabugz · 8 months
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chifuy-u · 1 year
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𝗂'𝗆 𝗌𝗍𝗂𝗅𝗅 𝗍𝗋𝗒𝗂𝗇𝗀 𝖾𝗏𝖾𝗋𝗒𝗍𝗁𝗂𝗇𝗀 𝗍𝗈 𝗄𝖾𝖾𝗉 𝗒𝗈𝗎 𝗅𝗈𝗈𝗄𝗂𝗇𝗀 𝖺𝗍 𝗆𝖾 | gif by me, don't repost :)
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itschoahyuna · 19 days
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˚₊‧꒰ა 🎀 ໒꒱ ‧₊˚˚₊‧꒰ა 🎀 ໒꒱ ‧₊˚˚₊‧꒰ა 🎀 ໒꒱ ‧₊˚
⭐🌈🎀 リトルツインスターズ⭐🌈🎀
˚₊‧꒰ა 🎀 ໒꒱ ‧₊˚˚₊‧꒰ა 🎀 ໒꒱ ‧₊˚˚₊‧꒰ა 🎀 ໒꒱ ‧₊˚
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psykopaths · 4 months
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0-animelover-0 · 1 year
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Jealousy, Jealousy
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A/N: Fluff, innocent reader, softy fem!reader, Tsundere boy
Warnings: cursing, jealousy
Summary: After seeing you with the new kid, Liam gets jealous. And knowing him, he denies it.
The bell rang, signalling the last class of the day was over. You had met this nice boy earlier. He was new at the school and you felt bad for him every time you saw him get lost. So why not help him and show him around? You showed him his classes, the lunch room, the gym, etc. And you honestly liked hanging out with him. He seemed nice enough and you learned that you had things in common.
Liam rounded the corner of the school hallway and saw you, his girlfriend, laughing with a classmate of yours. A male classmate. He gritted his teeth together and his fist clenched. He should be the one making you laugh, smile. Not this guy.
When he saw how close the boy had gotten to you, (It was not THAT close), he snapped. He stalked towards you and the new student with a frown. “Oi, Y/n. Who’s the new meat?” He didn’t look pleased at all to see you socializing with someone else.
You jumped at the sudden voice but as you noticed it was Liam, a smile spread across your face. "Hey, babe! Oh, this is Ryan! He just moved here."
He huffed and stalked off, not even giving Ryan a second glance. “Whatever, have fun.”
He mumbled quietly as he walked away from you two and your conversation. Just from that simple interaction, it could be inferred that he was the jealous and possessive type. He didn't care that it showed, he was already known for his shorter fuse.
You blinked for a second at his dismissal and quickly apologized to the new student before running after Liam. You put your hand on his arm and looked up at him as you both walked. "Did I do something wrong?" Your doe eyes observed his angered expression.
He stopped and glared down at you, his frown growing into a scowl. "What? No, I'm... not mad. Do you think I'm mad?" He scoffed. He was obviously mad.
You smiled a little at that and slowly nodded. "Yes, I think you're mad. Are you?"
He paused for a moment, as if he was going to say something snarky but decided against it. You'd notice him tense up and his brown eyes narrow for a second. "Forget it."
You pouted and put your hands on both sides of his neck. Your eyes were soft with sincere apology and you peppered his face with kisses. "I'm sorry if I did anything."
He was obviously caught off-guard by the sudden affection from his girlfriend. A bit too caught off-guard, considering his face reddened significantly from embarrassment and he actually blushed a bit. His face also became softer and a bit more friendly, the frown gone and the usual frown-line between his eyes turned into a small smile.
"Eh? I-I wasn't mad." He said with a slightly flustered chuckle.
You raised an eyebrow at his statement and rubbed his cheek with your thumb lightly. "No? You weren't mad?"
“Of course not! What makes you think I was?”
There was something so… sweet about you. Almost… tempting, as if you could get away with anything because of your innocence. It was cute, and almost enough to melt his icy exterior into a puddle of goo.
Giggling softly, you pecked his lips. "I guess it was just my imagination then."
“Yes, yes it was.” He couldn’t help but smile when you kissed him. He liked your kisses, liked it when you showed him affection, because it melted his heart and made his heart ache with love. He sighed and pulled you into a tight hug, pressing a kiss to your forehead. “You’re adorable.”
With a tilt of your head, you smiled up at him with amusement twinkling in your eyes. "I am huh?"
“You’re also beautiful..” He said quietly, blushing harder as there was a bit of a pause before he muttered, “And kind..”
You smiled and poked his cheek. "Keep going..."
He scoffed and swatted your hand away from his face. "That's enough lovey dovey shit. Now come on, I'll get you ice cream."
A joyous look flashed on your face and you smiled brightly. "Wait, really? Why would you do that?"
He rolled his eyes but you swore you saw a ghost of a smile on his face. "You've done your homework so I'll give you something for being good."
A giggle left your lips as your joy spiked. You liked ice cream and he knew it. You were happy that he remembered that. "Can I get a teddy bear too?"
"Don't push it."
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abueloretrowave · 2 years
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A post to open my account :)
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poz-patrol · 8 months
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motionpandey · 3 months
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Unlocking the Power of Animation: A Guide to the 12 Principles of Animation
The 12 Principles of Animation: Bringing Life to Art
Animation is a captivating and ever-evolving art form that has the power to transport audiences to fantastical worlds and stir deep emotions.
Behind the magic of animated films and videos lie the "12 Principles of Animation" a set of guidelines that have been the cornerstone of animation since their introduction by Disney animators Frank Thomas and Ollie Johnston in their 1981 book, "The Illusion of Life" These principles are the building blocks of animation, allowing artists to breathe life into characters and create fluid, engaging motion.
Here are the 12 principles, along with explanations for each:
1. Squash and Stretch (Flexibility and Elasticity)
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This principle emphasizes the need to give volume and weight to objects and characters by distorting them when they move. It adds a sense of realism and exaggeration to the animation.
2. Anticipation (Preparing for Action)
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Before a character makes a significant movement or action, there should be a brief moment where they prepare for it. This helps the audience understand what's about to happen and adds depth to the animation.
3. Staging (Presentation and Clarity)
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Staging involves arranging elements in the scene to convey the story clearly. Proper framing, camera angles, and composition guide the viewer's focus to the most important elements.
4. Straight Ahead and Pose to Pose (Two Approaches to Animation)
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These are two different methods of animating. Straight ahead involves creating each frame in sequence, while pose to pose focuses on defining key poses and then filling in the gaps. Both methods have their uses, depending on the desired effect.
5. Follow Through and Overlapping Action (Secondary Motion)
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Objects and characters should continue moving slightly after their primary action has stopped (follow through) and some parts of the character may move at different rates or in different directions (overlapping action). This adds realism to motion.
6. slow in and out (Easing In and Out)
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To make movements look more natural, objects should start and end their actions gradually, with acceleration and deceleration. This principle prevents abrupt and robotic motion.
7. Arcs (Natural Paths of Action)
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Most natural movements follow an arcing path rather than straight lines. Animators should ensure that characters and objects move in arcs to mimic real-world physics.
8. Secondary Action (Supporting Actions)
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Secondary actions complement the primary action and add depth to the character or scene. These actions can be facial expressions, gestures, or any other movement that enhances the animation.
9. Timing (Pacing and Rhythm)
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Timing is crucial to establish the mood and rhythm of the animation. It determines how fast or slow actions occur and can evoke different emotions in the audience.
10. Exaggeration (Accentuating Reality)
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Exaggeration is used to amplify the actions and emotions of characters, making them more expressive and engaging. However, it should be used judiciously to maintain believability.
11. Solid Drawing (Three-Dimensional Forms)
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Animators must understand the principles of traditional drawing, including anatomy, perspective, and form, to create characters and objects that appear three-dimensional and solid in a 2D space.
12. Appeal (Attractiveness and Personality)
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Appeal refers to the likability and charisma of characters. It involves designing characters with unique and interesting traits that draw the audience's attention and empathy.
Mastering Animation: 12 Essential Principles Explained These principles serve as a foundation for animators to craft compelling stories and characters.
While they were developed in the realm of traditional hand-drawn animation, they continue to be relevant in today's digital animation techniques.
Aspiring animators and seasoned professionals alike still rely on these principles to captivate audiences and breathe life into their creations, reminding us that the magic of animation lies in its ability to make the impossible seem real.
As i conclude this journey through the intricate world of animation, extend our heartfelt gratitude to each reader.
Thank You for Reading ♥
Follow Motion Pandey for more such as amazing animation tips and tricks content
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FUN FACT FOR ANIME ONLY'S
I just realized after Shibuya arc we won't see gojo for atleast another season. We'll miss you bbg.
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