I LOVE BEING ARO SO MUCH!!!!!! I WILL NEVER FEEL ROMANTIC ATTRACTION AND THATS BEAUTIFUL AND NATURAL AND SOMETHING I WILL WIELD AS A WEAPON AND A SHIELD AGAINST ANYONE WHO WOULD CHANGE ME OR ERASE ME!!!!!! REALIZING I AM ARO WAS ONE OF THE MOST JOYFUL AND FREEING AND ILLUMINATING EXPERIENCES OF MY LIFE!!!!!!!!!!!!!!!! MY EXUBERANCE AT LIVING WITHOUT THE NARROW SOCIETAL IDEA OF "LOVE" KNOWS NO BOUNDS AND I SEE BEAUTY IN EVERYTHING!!!!!!!!! MY LIFE OVERFLOWS WITH JOYFUL ABUNDANCE!!!!!!!! I AM BURSTING FOR AFFECTION WITH EVERYTHING!!!!!!!!!!!!!!! I WILL NEVER BE "ALONE" (I WILL NEVER BE LONELY) BECAUSE I WILL MAKE FOR MYSELF A LIFE THAT SINGS AND SHINES!!!!!!!!!!!!! I LOVE LIVING A LOVELESS LIFE!!!!!!!!!!!!!!!!!!!!!! I LOVE THE SELF RELIANCE OF MY HAPPINESS!!!!!!!!!!!!!! I AM INFINITE AND BOUNDLESS AND DEFY DESCRIPTION OR CATEGORIZATION!!!!!!!!!!!!!!! I AM AROMANTIC!!!!!!!! ALL IS JOY!!!!!!!!!!!!!!!! ALL IS LIFE!!!!!!!!!!!!!!!!!!!!!

hey autistic people who get overwhelmed by large groups or noise or conversation or etc etc etc you’re not evil for wanting to leave a family gathering. just so you know.

God dude these two scenes and how roxie moves hurt my heart so so bad 🥹

it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.

it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.

roxie baby ur gonna be okay u deserve better :[

Considering wwx's canonical breeding kink and his general fondness for dubiously safe scientific experiments it is technically within the realm of possibility that a few years post-canon he just invents cultivation hrt and transition surgery by accident.

He just rocks up to a cultivation conference one day 5 months pregnant like "I turned my body into that of a woman! Yeah the boobs too we travel a lot and don't want a wetnurse. I'll reverse it in two years or so." And every single trans person and egg in the culivation world simultaneously sits up and goes "wait what?"

Imperical to understand that wwx still fully identifies as a cis man and does not know trans people exist. He did not know he was gay while actively being in gay love, this man is very smart but he doesn't know shit. Just a few weeks after the conference people start coming over like "hey... that thing you did... can you do that to me?" and he's like damn sure are a lot of dudes who wanna get pregnant. One day a "female" cultivator comes and is like "so you said you're going to reverse it... you think you can do that on a body that's already female? Turn my body into a man's body?" And he just goes well probably, let's find out!! It's so great all these people wanna help him perfect his techniques, isn't it lan zhan?

Years later they run into one of the trans women he first helped and doesn't even recognise her as she's thanking him and after the clarification just goes "wow! haha damn you're even wearing women's clothes! Should I start calling you guniang?" sort of as a joke but she's like yes please and he just says alright nice to see you again ma'am (still doesn't get it)

not only should any autistic character who’s ever been infantilized by their fanbase kill and maim more people, but they should also fuck as nasty as possible too. as a treat

Not to be all “I listen to Taylor Swift in a deeper and intellectual way” meme but I am seeing some people just not getting this album at all and I am a bit surprised by it.

Have you considered:

Zelda but she comes back a little fucked up

The princess can have horns

as a treat

She was forced to eat cement when she was a worm

i cant even describe how upset the alex kister situation makes me. not because i had an attachment to the thing he made, not in the slightest, but its because it is a direct parallel to what i went through like a year ago. down to the manipulation disguised as playful banter so you cant pick up that hes coaxing someone into something at first glance and everything. it was all just so deeply real to me and it hurt to read. seriously. its completely fucking terrifying to see this shit happen over and over and over again with no end in sight, for kids to look up to creatives in a field they admire only to be completely churned out and crushed by those creatives as nothing but perverse objects they can manipulate. if youre a fan of what kister makes and youre upset that you cant like his stuff anymore, you are the lucky one in the scenario. i mean this sincerely when i say you have lost nothing. this dude had unimaginable amounts of power and pressure over the hopeful young kids he manipulated. his victims are getting death threats for speaking out about this shit because of how big his platform is. the children he manipulated? that he abused and took advantage of? they are the ones who are risking losing everything by speaking out about this. the first priority shouldnt be mourning the fact that "my favorite analog horror series is tainted forever now :(" it should be supporting the victims of this. always. and if you dont believe them just because your favorite little analog horror boy makes suuuch good content and could never do such a thing? from the bottom of my heart, as someone whos gone through the same ordeal and all the consequences that come with speaking out about it, fuck you.

Do you really like liminal spaces because they make you nostalgic for your childhood or do you like them because you're in love with the idea of being the only living thing in existence so you can enjoy the world without the constant input of other people haunting your every step

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

Okay inspired by this post by @irispurpurea and this post by @ouidamforeman (both of which are excellent, please read) I wanted to add some thoughts about the structural weirdness of season 2.

The reason season 2 feels so structurally WEIRD is that it's the second beat what is now a three act story, but that wasn't written as one in the first place.

Season 1 was a complete, self-contained story arc with completed character development, based on a complete, self-contained novel. The story of Good Omens is about an angel and a demon going from opposite sides to their own side, aligned with earth and its humans. And at the end of season one this story has been told! It's done!

If you want to keep the story going, then, you have two options -- either you find a completely new story to tell with these characters, or you do what Neil Gaiman et al have chosen to do and you complicate and unresolve the conclusion from the first story in order to tell the same story but in an even bigger and more nuanced way.

The challenge of season two, then, is to reframe the events of season one not as a completed story but as the first act of a three-act arc.

And genuinely I think this is just not the way that most TV shows tasked with writing their second season go about doing it. Not that this is a bad choice! But the reason it feels weird on first glance is because it's taking its structure from like... half of the sequel to a novel, not a TV show that gets a second season.

This is the point of all of the historical flashbacks in season 2-- to make us understand that Crowley and Aziraphale are not on the same page and haven't been for 6000 years, despite appearing to be by the end of the first season.

The other thing I think season 2 does is make the whole story about Crowley and Aziraphale's relationship in a way it just wasn't in season 1. Taken on its own, season one's A-plot is the apocalypse, and the B-plot is relationship between this angel and demon.

What season two does then is literally FLIP the importance of those two things structurally. Season one's apocalypse and various side characters now occupy the same place as the Gabriel mystery in season 2. Which is also why it feels so weird to be like "wait this thing that felt like The Big Important Thing before is now suddenly the background of something else."

All this to say, this season is SO structurally interesting because it's just straight up not like other TV shows in structure, and because of the way everything now has to be marketed and framed in trailers as one, more typical kind of story, AND because the first season was a complete story that has now been reframed as an incomplete story, Good Omens season two feels very weird but imo much less weird upon rewatching, and will again feel less weird once we have season 3 and the story gets to complete its arc.

the only thing that could have improved SVSSS is if shen jiu was in the background providing scathing hateful commentary the entire time. i want to see him and shen yuan eat each other alive <3

I don’t like when people ask how many books you plan to read/have read this year one because I think that’s a weird relationship to have to books and two because I think even reading a chapter or a portion of something is valuable. this is especially true with non-fiction but even with fiction I think any amount you read, even if you don’t read the entire thing, is not a failure or ‘incomplete’

youre not allowed to b a freak loser loner anymore or at least youre not allowed to mention it lol. even like five years ago you could talk about being awkward and socially weird around meeting new people but now if you do that eveeryones like "ok edgelord you are deliberately cutting yourself off from community why are you so obsessed with being alone. you all need to go outside and make real friends you are too online." which like yes obviously but why is eveyrone acting like the only two options are you either a) have a load of friends or b) you don't want them??? it is so weird. to be seen trying & failing has become so taboo that people assume if you're alone it's because you want to be and youre trying to be cool & aloof or else you see things like small talk or reaching out to people as "emotional labour" and choose not to do them. like i am not fucking choosing not to do them i literally try to do them every day and find it very hard and then you tell me i can't even joke about that struggle or being a lonely friendless loser to maybe for one second make light of the bottomless pit of disconnect + loneliness i experience every day without someone blaming me for not putting myself out there. idk

You cannot tell me that Simon 'twisted samurai' Blackquill, LA's resident vaguely british man and total weeb with a special interest in swords, would not recognize Karuma on sight. I just imagine that Phoenix has it displayed in his office because of its historical and specifically lawyer-related significance and Blackquill comes in because he lost the rock-paper-scissors match against the other prosecutors to run their errands for the day and he sees that katana and has an autism moment.

There's also the lore behind the von Karma name that makes the idea that Phoenix ends up with the Asogi clan's heirloom very funny to me.