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ura-writes · 3 years

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Trampolinist - Part Two

Part summary: You encounter a few strange teenagers, discover blown-up ruins, and find out about who caused them.

Warnings: mild anxiety, thoughts of murder, blood, threats, lots of swears

A/N - I got a good few requests asking for a taglist for Trampolinist, so here it is! Just ask and you shall be added!

@lemonmochitea

@dad-ee-drea

@victoria-a567

Also, this is non-canon compliant, but only by a bit. I may change a few small details.

Hope y’all enjoy!

(Also, if you can find the movie reference I put in here, then kudos to you!)

——

A lingering curiosity sits in the back of your head for the rest of the week, not quelled by any amount of Bedwars or Skywars, which leave you exhausted in the evenings.

Even your dreams hold inquisitiveness.

How lovely.

Eventually you have to go back to your home world to check on your animals, repair your tools and the like. It’s tedious work, but nothing you can’t handle.

Boredom eventually sets in.

It’s unnerving. You never get bored of combat, of competition between your fellow players and teammates, but here you are, eyeing the list of servers on your grid.

Only two people are on the server at the moment, their names not available for whatever reason. You’d prefer to pop on when there were no people online, mostly to scope out the server, but you’ll take only having to deal with two people.

Hopefully they’re adults and not kids that recently learned to use portals.

You stick your pointer finger out, curl it like you’re dragging it down a wall; a ripple starts where your finger lands, slowly following its path downwards. It rips a hole through the fabric of woven servers, creating a direct link to the Dream SMP. You just hope that no one attempts to close the portal, as opening one in the first place takes a good deal of energy and effort.

A sight of spruce trees and misplaced dirt greets your vision through the rip in reality.

An odd spawnpoint, but whatever. You’re not one to judge.

In the corner of your eye, where chat normally sits, a message pops up.

TommyInnit: who the fcuck

TommyInnit: what

TommyInnit: NEWY PERFHSAON

Ranboo: ah yes, perfhsaon

TommyInnit: shut the fuck n up

You chuckle at the messages rapidly crowding the chat, watching them fade idly while trying to find a way out of the really weird spawnpoint, which is, for some reason, walled off by a combination of dirt, wood and stone haphazardly placed down, as if in a hurry.

Your efforts do not go unrewarded as you spot a section of the wall that sits lower than the rest, low enough to climb over if you try hard enough.

Perfect.

Feet hit the ground rapidly as you get a running start towards the wall, scrambling upward after you jump. You fall almost immediately off the other side.

“Ouch.”

“That looked like that hurt.”

You glance upward to meet heterochromic eyes, red and green contrasting with the curious face split in half by its black and white sides. A tail flicks behind the person as their crown slips a bit down their head.

“Wh—the fuck?”

The figure laughs at your reaction, offering a gloved hand out to help you off the ground. Hesitantly, you accept, being pulled up easily, and that’s when you realize that he’s a lot taller than you thought.

“Jesus, you’re tall,” you comment idly, brushing yourself off. “Thanks, by the way.”

“No problem. I’m Ranboo.”

You introduce yourself with your tag, which elicits a hum of recognition from him, much to your pleasant shock and surprise.

“You’re the person that Dream invited, aren’t you?”

“In the flesh.”

He laughs at your quip at him, smiling with sharp fangs exposed to the midday sunlight. No point in judging a person on their (potentially, anyway) monstrous features.

“Well, you probably need a tour—“

He’s quickly interrupted by a loud “hey!”

“Oh great,” you mutter, crossing your arms. Ranboo looks a bit sheepish at your cocked eyebrow and slightly irritated expression, scratching his bi-colored hair.

“That’s Tommy. He’s uh… well, Tommy.”

A teenager wearing a red and white shirt and jeans with battered sneakers comes sprinting out of the nearby forest, coming to a halt just in front of you.

“New person!”

“Yeah, and what are you, the gremlin that got fed after midnight?”

The kid sputters out a few protests against being called a gremlin, sprinkling a good few swears in his jumbled sentences that mostly consist of rambles.

When Tommy gets his bearings, he eyes your tag, squinting at it suspiciously before his eyes widen in recognition.

“You’re the bastard that beat the shit out of me in Bedwars! Get ove’ here—“

One of Ranboo’s arms shoots out to grab the lanky teenager with ease to stop his potential assault on you. You just brush your nails off on your shirt.

“Oi! Lemme a’em!”

“No, Tommy, remember what Tubbo said?” Ranboo lectures, tail flicking in annoyance, eyes trained on him. “Remember?”

“You’re one to talk about rememberin’.”

Ranboo cocks an eyebrow.

“No punchin’ people we don’t know unless they’ve hurt us…” Tommy grumbles. “Can ya lemme go now?”

Ranboo agrees, letting go of his shirt and summoning a journal and quill to write something down in, muttering that he’s almost out of ink.

“Anyway, how about that tour now?”

You smile at him.

Maybe you’ll like this place.

——

“...and this is L’Manburg… or what’s left of it, anyway. It’s still being rebuilt.”

“How’d it get destroyed?” you ask him. “It takes a lot of TNT, Withers and dedication to destroy a city this big.”

I should know.

Tommy eyes Ranboo.

“Hey, it’s your city. I’m not explaining it,” Ranboo defends against the wordless accusation. Tommy exhales with a groan and begins his explanation.

“Wil-Wilbur, my brother, went a bit insane a few months back, blew it all up with Technoblade’s help. Wil’s… well, he’s dead.” Tommy sounds indifferent about the death, much to your surprise.

You nod absentmindedly, setting your eyes on a slightly obscured poster that flaps in the wind. When you get close enough to pin it down it reads:

Wanted: Dead or Alive. High Treason, Inciting Violence, Unlawful Use of Explosives, Extreme Terrorism.

Reward: See Authorities

Below that is a well-painted picture of a man you somewhat recognize, wearing a red cape, a crown, full enchanted Netherite armor and carrying an axe that seems to shimmer in the light.

Technoblade. You’ve had a few run-ins with him playing Bedwars and Skywars, even teaming up with him a few times. He always seemed nice enough, and certainly a damn good sword fighter. He always knew when to run and when to stand and fight, when to attack and when to defend.

“What did he do?”

Ranboo starts to speak, but Tommy interrupts him.

“Blew the rest o’ this place up. Bastard ran after that.” Tommy all but spits the words out of his mouth, like they’re acid or venom. “Fookin’ coward.”

Well, I wouldn’t call ‘knowing when to run’ cowardice, but we’ll pretend I agree, child.

“No one knows where he is now,” Ranboo adds. “Except Phil, of course. But he’s pretty much silent about it. Won’t give up a word of information.”

Shouldn’t be that hard to find one man, you muse to yourself. Bet I could.

“Well, I’ll let you know if I find anything out,” you lie with a smile plastered on your lips. “Y’know, as a sort of gift to you as the newest member of the server.”

Hah, as if.

“We’ll hold you to that.”

You nod and say your goodbyes, walking towards the central nether portal while keeping an eye out for an ender chest so you can get some of your stuff. You know the admin will take your elytra away if it so much as comes into contact with the server’s air, so you decide not to risk it.

Spotting one, you make a small noise of triumph and dart over there, grabbing the shulker with your stuff in it, transferring it to your inventory with a practiced ease.

Armor adorns your figure, enchanted Netherite striking an imposing silhouette against the blackstone beneath your feet. You twirl your sword with a grin.

Now to find Technoblade.

——

Turns out, finding a piglin hybrid is not easy.

You scoured the Nether for any sign of him, any trace of fabric, of a broken pickaxe, hell even a piece of iron he may have held. The ability you hold as a Jumper not only allows you to jump servers, but also allows you to find people if you have something of theirs.

Nothing. Zip. Nada. Zilch. Zero. Nil. Absolutely jack shit.

How can one man be so difficult to track down?

Just as you’re about to give up, a barrage of curses at the tip of your tongue, a glint of iron catches your eye.

Odd.

Hopping over a cluster of Netherrack and scaring off a few baby Striders, you see a small circle of iron sitting in a pile of red dust, looking dented and beat up.

You huff and brush the dust off of it, titling your head to the side when it reveals itself.

A compass, pointing in one direction, working even in the Nether.

Standing up, you pocket it and head to the nearest portal, jumping through to the other side only to grab the compass out of your pocket as you walk to who-knows-where. It still points in the same direction as before, only moving when you do.

An irregularity in the metal against your hand inspires you to flip the compass over to look at the back.

What lies there makes you smirk.

Technoblade’s cabin. Phil’s compass.

This might be easier than you initially thought.

#ura!#mcyt x you #mcyt x reader #technoblade x reader #dreamwastaken x reader #x reader #reader insert #Trampolinist: Series

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insane-mane · 3 years

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Did you see the new video of The Ink Tank's version of the Negative Ten?

I really enjoy this new take!

The lineup feels much more balanced, and adding a few characters that I never really considered returning was a neat creative decision that adds something extra to the ensemble, makes it feel larger.

The fact the circus freaks were originally added didn’t feel like a lot of variety was there, so an actual zombified Zombozo woulda been way more neat! Excluding Sublimino made sense, he was only good for about…two things, and half the time I forget he’s even there. Definitely more of a B villain. Kane North is an odd, yet way more effective substitute in comparison.

Viktor and Camille’s Ex’s inclusion were almost a shock, since the Forever Knights have a big anti-alien thing going on. But hey, they’re no strangers to taking alien tech and using it for themselves, why not throw in alien labor in there as well, viewing them as expendable (especially Logan since he ends up dying anyway).

Kevin seems like a no brainer, being one of Ben’s main big bads. The collar idea is very intriguing, and gives Kev a reason to follow Driscoll’s orders (aside from the insanity part). He prob could’ve stolen his own Null Void Projector, but then we wouldn’t have that brief moment between him and Gwen, adding to future events. Either way, really neat addition even if he’s not fully himself.

Reinventing others like Rojo is so simple yet changes things in such a neat way, explaining why she’s there and how she has new armor instead of just a throw away line, and acknowledging how she’s still semi-infused with alien tech! As much as I love the Forever Ninja, having her take the place of a non-speaking character with no personality makes sense. She def would’ve made an interesting foil for Cooper, with him overcoming her by using his abilities but still being limited before the climax.

Having the story also give a better introduction to Cooper is a WAAAAY better subplot than…the typical Ben and Gwen bickering (over a movie ticket no less). Makes things feel more interesting. I really love the “hearing aid” aspect, and his eventual mastery of his technological abilities by making an amalgamated suit. Gives sooo much more to the character here and makes his return even more neat by seeing his progression w/o the use of the goggles.

Driscoll staying in the shadows til the final fight really adds more to his master planner vibe, orchestrating everything and waiting for the right moment to finally use the sub energy, adding to the grand feeling this special has and actually living up to Max’s talk about it. Having him similar to Servantis by viewing Ben as a threat than just a minor inconvenience really creates a better build up than what was sorta loosely put together. Hell, you could say Servantis, while not on the same side as Driscoll wholesale, was at least in agreement that Ben is still a major threat. Could help tie everything together that way idk I’m spitballing if anything. Side note: 100% agree it was weird how Driscoll showed up and Enoch left in the dust. Honestly would’ve just kept Enoch as the Forever King, myself.

Finally, having Ben cycle through his aliens in order to get a new one is great, and having them be Feedback would’ve blown me away as a kid! Love how you wanted to tie everything together into later canon with this, it definitely lead to what coulda been an even cooler special had they originally had the hindsight of the franchise to their knowledge. This would’ve been a masterful way to help things feel interwoven perfectly.

Whether you think it makes for a better ending to the show depends on where you put it, I personally think it’d fit before SOTO, as this would’ve be a *really* fun romp before getting into the higher stakes of universal destruction.

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unpopularly-opinionated · 3 years

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FINALLY FINISHED NARUTO AHHHHHHHHHHHH!!!!!!!!

Honestly, and this might sound harsh, but I think I give the series overall a 6/10. Being generous, I’d say it’s maybe a 7/10, but I’m deducting one point because I’m almost positive the only reason I’d rate it that high is because despite all it’s flaws, after watching 720 episodes across two series and 10 movies, you’re just going to be attached to the characters and show regardless of how you feel about it.

I know it’s super popular, or was anyways, and I can absolutely see why, but there were just too many issues that bothered me personally. It’s frustrating because I want to like it, I really do. There’s so many elements at work here that are so just perfectly me that it’s almost weird that I don’t like it, but I don’t. Obviously I liked it enough to spend hours upon hours watching it, but I think I just kept expecting it to get better at some point, and that point never happened.

More about my issues with it below...

I don’t know how to frame this (I never do) so it’s mostly just off the cuff.

I’ll start with the easily dismissible criticisms, the movies. Obviously all but one of the movies are non-canon (and I’ll get to the canon one shortly...), and they’re made by other studios so it’s not entirely fair to criticize the series based on them. I’m far too used to this weird format from Pokemon and their non-canon movies, so it wasn’t a huge deal to me. I will say that, much like the Pokemon films, almost all of the Naruto films followed the same exact format: Naruto goes to a location we’ve never heard of before and will never hear of again and is forced to protect someone abrasive and annoying until the enemy is defeated and they become BFFs that we’ll never see or hear from again.

I’d say, in order from best to worst:

Road to Ninja - Naruto the Movie

Naruto the Movie 2: Legend of the Stone of Gelel

Naruto Shippuden: The Movie 3: Inheritors of the Will of Fire

Naruto Shippuden: The Movie - Bonds

Naruto Shippuden: The Lost Tower

Naruto the Movie: Ninja Clash in the Land of Snow

Naruto Shippuden: The Movie

Naruto the Movie 3: Guardians of the Crescent Moon Kingdom

Naruto Shippuden the Movie: Blood Prison

The Last: Naruto the Movie

Yes, you read that right. The one canonical movie I put in dead last. Originally I thought that position was reserved for Blood Prison, which offended me because of just how utterly contrived the plot was and how out of character everyone needed to act to get it moving. But somehow, The Last took last place because of just how bad of a movie it was that for some reason has the audacity to be canon. And look, I know why it’s canon. It’s where Naruto and Hinata ‘officially’ get together and it ‘explains’ some missing plot elements from the series (more on that...), so of course it’s canon.

But come the fuck on, the last movie in the franchise, the one canonical movie, the one that may or may not take place after the Great Shinobi War, I.E. the big final battle of the series, has Naruto going into the fucking hollow earth through a cave portal that takes him to the moon, which is falling because the man on the moon is an incel and hates earth? What kind of methamphetamines were the writers on for that one. The Hinata and Naruto bits were fine, but holy fuck was that plot bad. They may as well have put Naruto in a spaceship and sent him to Mars to fight Martian Shinobi, I mean if we’ve already crossed the line, why not run a marathon beyond it.

The movie was meant to explain away a one-off line made in the series, that admittedly I did sit and ponder whether or not they’d ever explain it, about the Sage of Six Path’s brother, Homura, who went to go live on the moon after they defeated their mother Kaguya. It was mentioned so briefly and only once that I thought for sure it wasn’t ever going to be brought up again. I also wondered where Byakugan came from since we’d gotten an explanation for Sharingan and Rennigan during the series, but never for Byakugan. I actually don’t mind the explanation that it came from Homura’s bloodline, I think that tracks well enough. The man on the moon bit was...odd, but when I thought of how strong Homura was, I didn’t think much of it. I actually thought he somehow was going to still be alive and he’d come down to earth after they defeated Kaguya, but that never happened.

Here’s the rub though, and one of my issues with the series as a whole, which is that the show seemed to keep writing itself into these weird corners where they’d be forced to do something completely nonsensical, purely because they were the ones who wrote them into those corners. It would’ve been simpler to just say all visual jutsu was derived from Kaguya’s power, or the Homura died so there’s no man on the moon, or that Tsunade died so Kekashi needs to become Hokage, etc. They didn’t have to write themselves into these scenarios, but they did anyway and the end result was them having to write complete and utter nonsense to rationalize why they did it in the first place.

Kekashi becoming Hokage doesn’t really make any sense, like at all. They literally bisected Tsunade during the war but willed her back to life when they could’ve just as easily killed her then and there since she’s largely irrelevant to the rest of the series after the war, and then it would’ve made more sense why Kekashi, the man who on numerous occasions said he didn’t want to be Hokage, would then be forced to become Hokage as he’d be the next strongest (eligible) shinobi after Tsunade. I feel like it was all meant to be a payoff to Obito’s dying words to Kekashi which told him to become Hokage, which even then I found myself asking why the fuck would he say that? Kekashi almost was Hokage once before and was so relieved when Tsunade woke up from her coma so he wouldn’t have to.

Also can we talk about how bad that final episode was? I mean don’t get me wrong, it was cutesy as fuck and actually brought a tear to my eye (when Naruto asked Iruka to be his dad I fucking lost it, I won’t lie), but they cut it off before the wedding? Before the aftermath? Before he becomes Hokage? Like I understand Boruto exists, but I don’t feel like that’s a justifiable excuse for ending your long-running series on merely the assumption that he’ll become Hokage in the future. Maybe if the show was a whole 500 episodes shorter I’d be comfortable with it ending on a vague, yet hopeful ending, but when I’ve spent fuck knows how many hours on this series you bet your ass I’m expecting some mother fucking payoff.

Also do not even get me started on Sasuke. What. The. Fuck?!?!? My guy literally just sends a note via carrier pigeon to the wedding? That’s it? Did I just fucking hallucinate the last 720 episodes or wasn’t Sasuke supposed to be like the second main character??? The absolute absurdity.

This isn’t even much of a comparison because it’s so much shorter than Naruto, but it’s all I got in the moment, but imagine if at the end of Return of the Jedi, Han Solo just decides to fucking dip. He’s just not there. He and Chewie hopped into the Millennium Falcon the moment the Death Star was destroyed and just dipped. No longer in the movie, just gone. Didn’t say anything to Luke or Leia, just up and left. That would be insane.

It’s even more offensive knowing him and Sakura end of together. My. Fucking. Gods. This has been the relationship I’d been dreading since the start when it became abundantly clear they weren’t doing even the barest minimum to actually establish a relationship between them. As it is, when I watched The Last, I thought to myself: “Well, Naruto and Hinata’s relationship hasn’t been the most well-developed relationship I’ve seen, but it’s still leagues better than whatever hatchet job they’re going to pull to convince me Sasuke and Sakura end up together”. We didn’t even get the hatchet job. That’s just how little of a shit they gave. They did not even bother pretending to give any explanation as to how I’m supposed to believe they end up together. I’m quite literally just supposed to believe it because I know it will happen. There’s no rhyme or reason to it, it’s just something that is and therefor I must accept it. Absolutely ridiculous. As it stands, the show gave us more reasons why Sakura and Lee should end up together than they did for her and Sasuke. Fuck, I’d even buy Sakura and Inu before I’d buy Sakura and Sasuke.

I could go on, I really could, but it’s late and I’m just looking forward to putting this behind me. At some point, probably not too soon, I will watch Boruto. As it is, my watch schedule is pretty thoroughly booked up for a while. I can’t foresee myself ever watching this again. I know I sound harsh on it, but I wanna reemphasize that I want to like this show. It’s not a show I think is bad period, it’s a good show I think was just done rather poorly. It all felt very off-the-cuff, much like this shitty review. I don’t know what the manga-to-adaptation pipeline looked like when the show was live, but clearly something got fucked up somewhere. This really feels like the Fullmetal Alchemist to Fullmetal Alchemist Brotherhood, and I can’t help but want Naruto to get the Brotherhood treatment...if such a treatment even exists.

#random rant #random #anime #personal #review #pls don't scream at me for my bad opinions #I get that this show was obscenely popular #still is to an extent #it was as painful for me to write this as it was for you to read it #I feel so conflicted on this #like I want to say I loved the show #because many many parts of it I did #but so many more parts just completely failed for me

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grayintogreen · 3 years

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I was not technically tagged, but at least two people on my dash were like DO WHAT YOU WANT NO ONE IS YOUR GOD, and you know what? They’re right and valid.

1) How many works do you have on AO3?

96! And 90% of them are from just this year. Can’t wait to find out what the big 100 is gonna be. Any one of my WIPS could be Disney’s next 100th fic.

2) What’s your total AO3 word count?

455,024 (also mostly from this year...)

3) How many fandoms have you written for and what are they?

In my entire life??? Since I was twelve??? I don’t even know, man. I wrote a lot of ooc crackfic and fic for cartoons when I was on FF.net, and then I was on LJ and wrote for a TON of different fandoms, but on AO3, I have written for Critical Role (so much CR), Yashahime/Inuyasha, Guardians of the Galaxy, His Dark Materials (TV), Steven Universe, Bleach, Alias, Supernatural, Dollhouse, Pushing Daisies (the last four were all transferred here from LJ, though)

4) What are your top five fics by kudos?

- turning wine back into water (Critical Role, de-aging fic with plot, 30457 words)

I STILL CANNOT BELIEVE HOW POPULAR THIS FIC IS. It beat out two of my super popular GotG fics that have been up since 2017 BY A LOT. Apparently, there was a market for the Mighty Nein being adorable cocktail brats and saving the world. Thanks, Liam’s Quest!

It is probably one of the most wholesome fics I will ever write too. I love it.

- Sunshine Came Softly (Guardians of the Galaxy, Rocket and Mantis friendship, 3188 words)

THIS FIC STILL GETS HITS EVEN TODAY. It was written right after I saw the movie so it hit hard and fast on the hype train.

- Mine Is Just a Slower Sacrifice (Guardians of the Galaxy, Rocket-centric, 2248 words)

BOY YOU CAN TELL THESE FICS ARE ANCIENT BECAUSE I HADN’T DEVELOPED MY TITLE NICHE YET. where are the lower caps and Seanan McGuire lyrics!!

Anyway, this was written probably IMMEDIATELY after I saw the movie and had to process Rocket’s emotions during the last moments, because of who I am as a person. For what’s mostly a character study, it got some mileage on it.

- they drink dreamers up like brandy (Critical Role, 1625 words)

Back to Critical Role! I wrote this one when I was in a fucking blind post-finale haze and producing massive amounts of Kingsley content and I wanted to write a silly fic about Caleb being tiefling catnip.

- if adversity breeds character (we’ve character enough for two) (Critical Role, Beau and Molly-centric, 1824 words)

I feel like most of my most kudos-ed CR fics are Beau-related, which is funny because I never really wrote her EVER. I guess I need to write her more often. ANYWAY, this one got jossed immediately after 141, but I needed to write Beau and Molly bantering and I couldn’t get her flipping him off after revealing her card is Rumor out of my head.

(Incidentally my sixth most kudos-ed fic is my Fjorester next gen fic, WHICH I WAS NOT EXPECTING AT ALL. IT’S A FIC BASED ON MY OC FANCHILDREN!! I’M VERY EMOTIONAL ABOUT THAT!!)

5) Do you respond to comments, why or why not?

Usually!! There are times when I forget and then it’s been so long that I never go back, but I like responding to comments. They make me so happy and I want to make sure the people who take the time to comment know that I see them and appreciate them. Especially if they give me long comments. You long commenters know who you are and I value you and also flail incoherently in your direction.

6) What’s the fic you’ve written with the angstiest ending?

God, probably this church takes no conversions simply because, like, the whole ending scenes are MISERABLE AND FULL OF ANGST and then it has the hopeful ending that is actually a bullshit lie.

But second place probably goes to what couldn’t i offer, what couldn’t i give, which is just misery porn in disguise as a character study. Sorry, Cree.

7) Do you write crossovers? If so what is the craziest one you’ve written?

Okay, so back in the day when I was a tineh fanbrat I wrote a lot of self-indulgent crossovers featuring my friends and I in true Mary Sue format being ~saviors of the world~ alongside our favorite fictional characters and after I grew out of that, I very rarely did it again, because as someone who can only write AUs if they’re high concept and can only write crossovers if the canon welding is pristine, it’s difficult.

I have ideas for some! I just haven’t written them yet. Or they’re sitting in Google Docs partially written.

8) Have you ever received hate on a fic?

Not to my recollection, which is insane, because I’ve written some things in my youth that deserved it, but also I was a kid, so maybe I definitely did not deserve it. Don’t send hate to kids!!

9) Do you write smut? If so what kind?

The first smut I ever posted on AO3 involved some fucking American Gods flesh horror shit, so that answers your second question.

Basically, yes, but I write smut to facilitate character development in a way that regular story beats can’t, mainly with characters who are in some way deeply fucked up and have unbalanced dynamics.

So basically chances of me writing smut that isn’t Creecien or Lucigast? Very low. (I haven’t written Lucigast smut yet but I will. Inevitably.)

10) Have you ever had a fic stolen?

Not that anyone’s told me, but one time when I was a teenager someone ripped off an entire group messageboard RP I was in and tried to pass it off as a fic they wrote.

11) Have you ever had a fic translated?

Not that anyone’s told me!

12) Have you ever co-written a fic before?

I tried and it did not work out, because of (non-wanky) reasons, but it’s just not something I’d be very good at. I was the kid who wanted to work alone on group projects. I’m bad at group work.

13) What’s your all time favourite ship?

That I’ve WRITTEN??? Because that at least narrows it down significantly. Sesshoumaru/Rin hands down. It’s a good dynamic and they’re fun and sad at the same time.

My self-indulgent ass does also enjoy writing Creecien though. I’m putting it out there because I want it.

14) What’s a WIP you want to finish but don’t think you ever will?

GOD POOR SUPERNOVAS OF ALL SOUND AND LIGHT. THAT FIC COULD’VE BEEN A CONTENDER, but I unfortunately posted it RIGHT BEFORE the White Diamond episodes aired and it became so jossed by canon so fast that I gave up on life with chapter two half finished. I need to delete it but I can’t bring myself to bury my shame.

15) What are your writing strengths?

Dialogue and meta-narrative and character-specific stuff. I go into every story with CHARACTER FIRST mentality, which is how I end up writing so many damn character studies or why my word counts explode. I’m just out here naval gazing because I love character stuff SO MUCH.

I’ve been told I’m good at fight/action scenes too, which... Shocks me, but I think watching and playing a lot of D&D stuff has really improved how I write fighting and action sequences.

16) What are your writing weaknesses?

[whispers] too much naval gaze. dial it back, bitch.

I get really caught up in character stuff and forget to do important things like ADVANCE THE SCENE OR DESCRIBE THE SCENE OR LITERALLY ANYTHING. I also don’t think my prose is all that great, but I’m pretty sure every writer feels that imposter syndrome bullshit, so /waves hands. All I’m saying is I have seen some writers on AO3 who are writing some fucking vivid imagery and stringing flawless sentences together and weaving introspection and description together like beautiful baskets and they are stronger than any US Marine and I salute them and wish to be them.

17) What are your thoughts on writing dialogue in other languages in a fic?

Iiii try not to. There’s times where I want to throw in, like, a little Zemnian for Caleb flair, but I try to stick to things that are either untranslatable (like German compound words), common phrases (like please or come here), or insults/curses/ pet names. Things that I don’t think Google will fucking lie to me about.

18) What was the first fandom you wrote for?

I think it was a Sailor Moon crackfic about Haruka being forced to enter a beauty pageant which was just a blatant rip-off of Ms Congeniality and oh my god was it awful. I don’t even wanna talk about it.

19) What’s your favourite fic you’ve written?

this church takes no conversions, probably BECAUSE it’s my little red-headed stepchild of a fic involving so many things that are just never going to make it popular (backstory fic, fic that is almost 85% headcanon, doesn’t involve popular characters, etc.), but godDAMMIT I love that fic so much. It was fun and I use every bit of that headcanon in almost everything like it’s my job.

shattered stage is a close second, because it was such a crazy concept for a fic that I PULLED OFF SOMEHOW and is this wonderful mix of crazy plot and character and lore and my three favorite tieflings having to work together. And also Jayne Merriweather as the main villain.

A lot of love went into both of those fics and they are my babies. this time next year we’ll see if I add Creedemption and shoot at fate to this list- probably. All of my epic long fics resolve to be my babies because I spent so much time on them, and I have to love them and cherish them because I raised them into gigantic wordy attempts to write a doorstopper.

#writing meme #my writing #shattered stage #this church takes no conversions

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pateldevs · 4 years

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don’t be shy; share those cho chang headcanons 👀 (thank you for blessing us with that cho chang gifset btw, i love her)

ok literally thank you for giving me the opportunity to talk about how much i love cho chang and she got done so dirty in the books AND the movies and i also have this elaborate backstory for her parents bc i love her so much aaaaa anyway there’s a lot so under the cut! ~~

i have fully adopted it into canon in my head lol but her chinese name is 張秋 (which means the pinyin i’m more familiar w would be ‘zhang qiu’ which i guess is close enough to cho), 張 meaning hunter/archer and 秋 meaning harvest/autumn

the fact that her anglicized surname is ‘chang’ and not ‘zhang’ makes me think her dad’s family is taiwanese

her mom’s family used to be involved in international affairs for the british ministry of magic office in hong kong (as it was still a colony) and that’s how her mom’s family came to the uk

her parents fully embodied the enemies-to-lovers trope when they were at hogwarts b/c her dad captained the ravenclaw quidditch team and her mom captained the gryffindor team and they were both seekers

hence cho totally grew up on quidditch and played around trying to catch an old snitch with her parents from a young age

she almost ended up in hufflepuff. look at the way she stuck by marietta in ootp?? she’s so fiercely loyal!! wtf!!!

the kinds of traits that ultimately put her in ravenclaw make her a good athlete and vice versa. look at how she plays quidditch: she relies on a number of strategies besides just outright skill, usually distraction/diversion and turning the opposing seeker’s skills against them

that said i fully think her father is muggle-born or half-blood and grew up fencing, so he teaches her how to fence, and so she’s also a great épée fencer

she’s not great with offensive spells - hence her trouble in when they’re in DA in ootp - but she’s excellent with defensive charms, predicting what her opponent’s going to do, moving fast. it’s what makes her one of flitwick’s favorite students.

charms is her best class. don’t ask me for justification here it just is.

flitwick obviously sees her potential and totally invites her to dueling club even though she’s quite young for it

she’s a harpist. don’t ask me where this came from i just think if she played an instrument it would be harp

she’s a younger sibling, she’s so sensitive like fr the eldest daughter in an asian family would just internalize their emotions (this one was developed jointly with my older sister lmao)

she and cedric didn’t start out as a couple. they started as friends when both of them were out on the quidditch pitch early one morning, just practicing flying.

she and cedric tell each other EVERYTHING. absolutely everything. like fr this girl was almost a hufflepuff ok don’t tell me they wouldn’t have the most emotionally invested relationship

cedric asks her to the yule ball and quickly says it’s a really lowkey thing, they’re just friends

they’re not just friends though, she thinks she’s starting to like him because when he looks at her she feels like she can do anything, and when he looks at her it’s her, not her sister, not anyone else.

she’s secretly glad that she has a reason to turn down harry when he asks her to the yule ball. marietta thinks she’s crazy - who would willingly turn down a chance to be harry potter’s date?? - but cho just can’t bear the thought of just being ‘harry potter’s date.’ with cedric, at least she has a chance to be herself.

when cedric dies she’s absolutely devastated:

she can’t stop thinking about how they snuck out of their houses to sit on top of the astronomy tower and look at the stars the night before the last task

she can’t stop thinking about how he confessed that he was scared but he knew he’s so close to winning, and how he joked that it would be impossible for her to not fall in love with him if he won

she can’t stop thinking about how she said don’t be scared, just pretend i’m there with you, i’ve got your back (because obviously they’ve been to dueling club together and he knows how good she is at defensive spells)

she can’t stop thinking about how he waved to her before he entered the maze at the start of the third task

she feels so insanely guilty that maybe she’s the reason he died, he said he wanted to do well to impress her that night on the astronomy tower, didn’t he?

she loses sleep over it, she has dreams about that last night all the time, she has dreams about seeing harry coming back with cedric’s body, she has these dreams where she’s watching him get killed and she can’t do anything to defend him

she wants to ask harry about it at the end of the year but she doesn’t, because she doesn’t think she can handle hearing about it, but somehow it’s worse hearing rumors from everyone else

she finds herself drawn to harry because he makes her feel closer to cedric, because the loss of cedric is something they both share and surely harry must know how it feels

honestly this is what really pisses me off about how she’s written in the books, is that her emotions are so one-dimensional that they become a caricature of asian women as meek and weepy. the most her emotions ever got developed was when hermione explained how cho must be feeling after she kissed harry

like, you’re allowed to have female characters whose arcs are largely tied to and/or driven by other characters, but you gotta actually go into those relationships yk? in the books she’s only ever someone’s girlfriend and she just cries all the time but we don’t actually talk about why

she’s not just crying all the time because she incapable of moving on (which is more or less what harry thinks). she’s crying because she didn’t just lose her boyfriend, she lost one of her best friends. she stops going to dueling club because she’s lost her partner. her flying starts suffering because she thinks about all those early morning 1v1 games she and cedric used to have.

(marietta only goes to DA meetings with her because she feels like it’s the ‘good friend’ thing to do. if going to DA helps her cope with cedric’s death then sure. she goes.)

i’ve already said she was almost a hufflepuff but i have to say it again, cho loves and cares so deeply. she’s a sucker for sentimentalism. she skips dumbledore’s funeral to stand up on the astronomy tower and think about the war that’s coming.

on the last day of her seventh year, she finds the room of requirement again and spends hours walking through it, remembering everything she learnt in DA

when the war really starts up after dumbledore’s death, her parents want to move away, they want her and her sister to have as non-magical a life as they can, so she does, but she keeps the DA galleon and her wand instead of snapping it like her sister. her parents have absolutely no idea that she goes off to the battle of hogwarts.

when she fights she’s a team player. she partners up with katie bell for most of the final battle

at one point she and katie are separated and she comes face to face with a death eater. she almost kills him. she wants to so badly. she hates what the man stands for. but she thinks about two of the most important people in this war, harry and cedric, and she thinks, they never would. so she doesn’t.

^ she doesn’t think of harry and cedric because of her relationship with them. in fact it’s thinking about her relationship with cedric that makes her want to kill the death eater. but she thinks of harry and cedric, and what they would want and do, because they are the ones who had/have the most to lose in this war.

when are we going to get a series that delves into how visceral her emotions were?! how her grief tore her to pieces! how her trauma ate away at her! how disarming a death eater and pinning him to the ground and holding the tip of her wand to his throat made her feel like a totally different person, how close she came to ending his life! how, in the days after the battle, she feels disgusted by the idea that she even thought about using an unforgivable curse. how she learns to recover and rebuild and heal!

she plays seeker for the holyhead harpies for a while. she learns to love flying again. she learns to love the stars again.

she doesn’t really start a family because she has little interest in being associated with others as ‘so-and-so’s wife’ or ‘so-and-so’s mother.’

she always visits cedric’s grave on june 24 every year.

eventually when flitwick retires she takes his place as charms professor and head of house because if anyone deserves a happy ending it’s cho chang!!

#she has so many emotions to be explored!!#also i saw ur tags on my post and i was like big heart eyes lmao #thank u for giving me the opportunity to think about my Queen #i'm sorry i just think about her a lot #she was so brilliant and smart and had so much to her!!!#and every time she showed up it was just so harry could be like 'she was pretty owo'#answered #deifiliaa #cho chang #txt #hp

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frasier-crane-style · 4 years

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oKAY, I got a few Redbox rental for my birthday, so I decided to pick up Spider-Man: Far From Home, skip all the Disney Channel Original Movie stuff, and see how it stacks up as a pure Spider-Man movie. Which is not easy, because they’re in full Marvel movie mode, and every two minutes there’s a wacky aside or a sight gag or something. It’s not even Peter making jokes, which would be in-character. It’s just banter about Happy’s password being Password and stuff. There’s not one wholly dramatic scene in this movie, it has this Epic Movie sense of humor where something ‘hilarious’ is always defusing the tension. Like, all that’s missing is Leslie Nielsen being the tour guide.

1. Mexico. Mysterio has used ‘Sandman’ (confusingly referred to as a ‘cyclone with a face’--and then Spider-Man never even fights him) to destroy a town. I gotta say--if Mysterio has the ability to pull off no-bullshit terror attacks... yeah, the Sandman is fake, but the damage is real... why not just do that? It seems like there are a ton of evil organizations who would pay him loads of money.

2. Also, Mysterio is really not shy about lowering the dome and showing his face. Wouldn’t a quick facial recognition scan, of the kind that you’d think Nick Fury would run all the time, ID him as Quentin Beck? And even if he’s going “hey, that’s my double, I’m from an alternate universe,” shouldn’t Nick Fury be a bit suspicious that the double of this mysterious new superhero is a disgruntled and unstable Stark employee?

3. By the way, I know the twist is that Nick Fury is really a Skrull and that’s why he’s so incompetent--telling Peter to take his mask off in front of fucking Mysterio--but Nick Fury left a Skrull playing him, so... who’s that on? You’d think any given Agent of SHIELD would do better.

4. First action scene. Hydroman attacks Venice and is defeated by Mysterio, with Spider-Man slightly assisting. He’s left his costume back at the hotel, so he does this while using a Venetian mask to disguise himself. Hilariously, he quickly takes this off to, yes, show us his face. (Also, I guess no one notices that Not!Spider-Man is wearing the exact same clothes and has the exact same body type as Peter.) He also doesn’t make any quips besides referring to himself as “really strong and sticky.” Being awkward is not a one-liner, movie.

5. Also, others have pointed out that this Spider-Man seems more concerned about saving property than saving lives, and it must be said that for much of this fight, Peter is trying to stop a belltower from collapsing, with no sign that he’s buying time for people to evacuate it or anything. Sure, it’s a worthy goal and all, but I have to ask how much good patching a belltower up with webbing is going to do? It’ll dissolve in an hour and then where are you? Does he really think the authorities will be able to fix it up before then? Seems like he would be better served letting it collapse and attacking Hydroman to keep him from doing more damage.

6. You ever notice how movie characters always refer to sleeping pills and such as ‘a mild sedative’? Naut Fury shoots Ned/Ganke with a dart that instantly knocks him out, then calls it “a mild tranquilizer.” Christ, what would a strong tranquilizer do, put him in a coma for ten years?

7. Man, it’s weird how inconsistent this movie is with basic characterization. Peter turns down saving the world because Spider-Man being seen in Europe might give away his identity, but he’s also blase about taking off his mask in front of Nick Fury and co. And Tom Holland walking around unmasked really makes it obvious that his suit is a CGI effect that his head is awkwardly hovering on top of. I guess just putting someone in a costume is a lost art.

And I’m not even watching this on Blu-Ray. This is a DVD, because Redbox is shit and, even though their e-mail said the promo code was good for a Blu-Ray, apparently I can only use it for a DVD. Thanks, thanks for ruining my special day. Prats.

8. I know the whole EDITH thing has been meta’d elsewhere, but I just want to point out that Stark Enterprises has a ‘global defense network’. With drones and backdoors into every telecommunications company. Imagine if Microsoft announced that, oh, hey, we have a Panzer division. I guess Stark Enterprises is a PMC now? I thought they went into clean energy. Apparently they still make weapons, but now they... hoard them to use for their own purposes? Not creepy at all. Like, Marvel does realize they are writing an evil megacorporation here, right?

9. Oh, now we’re just getting aggressively stupid. Peter is met by a SHIELD agent who insists that he strip to change into an alternate, non-Spider-Man suit (so I guess, after an action scene where he’s in civilian clothes, now we’re going to get one where he’s in this spy costume. Yeah, I hate seeing Spider-Man in a Spider-Man movie.) I’m not sure why he has to do this now instead of simply putting the suit in his backpack. I’m also not sure why he has to strip in front of her. He doesn’t even try to go somewhere private to change and she doesn’t say anything like “Why are you taking off your clothes in front of me like a retard? Go around the corner or something, fuckwit.” It’s all to set up a scene where Peter gets seen by his (sigh) rival for MJ’s heart, who takes a cell phone picture, leading us to... well, leading me to wonder why they couldn’t have put a little more thought into staging this scene so it was slightly believable? Like he could have trouble putting it on in private, the female agent could go to check on him, and Random Non-canon Character could stumble in on them that way. But anyway.

10. With literally insane ease, Peter designates Brad a target and EDITH launches a drone strike on him. For various ridiculous reasons, Peter can’t just say abort, so he eventually distracts EVERYONE by saying there are baby mountain goats, webs the drone while no one is looking, and--that works. No one notices.

Man, that’s some fucking weaksauce.

11. I’m fast-forwarding a bunch, but we seem to spend a lot of time on Peter trying to get his friends out of harm’s way for the upcoming fight scene in Prague, only for them to end up in harm’s way. For the second action sequence in a row. It seems like he could’ve succeeded and then just been trying to rescue normal civilians instead of people he knows personally, but then I guess we couldn’t have Ned and Betty/Gwen providing odious comic relief every other moment. Like, shit, Marvel, if you like dumb jokes so much, why don’t you just get Mike and the Bots to riff your movie? That’s pretty much what you’re doing anyway.

12. Peter’s new costume has no fingers on the gloves, so he’s leaving his prints everywhere. And then after the fight is over, the first thing he does is unmask and go out to get a drink with an also unmasked Mysterio in a crowded bar (hilariously, it literally turns out to be full of enemies who mean him harm). Jesus, movie, does he care about his secret identity or not?

13. Also, again, no quips from Spider-Man. And I thought the watchword for this corner of the MCU was that he was a friendly neighborhood Spider-Man. Now he’s fighting giant monsters? Yeah, even if it’s a con job, it’s a con job that could potentially kill millions of people. Doesn’t that seem like absurdly high stakes, considering? Remember the first Spider-Man movie, when the only stakes at the climax were Peter saving a bus full of kids and MJ? Would that really have been better if there’d been another five million buses the Green Goblin was threatening to drop?

14. We’re doing the whole “does Peter want to be Spider-Man or not?” story again. It’s weird how markedly inferior this take on that is to Spider-Man 2. This Spider-Man has a whole spy network and AI satellites backing him up (which doesn’t stop him from remarking that Mysterio is “the only one he can talk to about superhero stuff,” as if fifty people don’t know who he is). Maguire’s Spider-Man’s life was genuinely shitty because of his superheroing; he couldn’t be with the woman he loved! This Spider-Man... can’t mack on the girl that he inexplicably has a crush on out of nowhere. Not exactly the stuff of great drama.

15. Pause to point out what a naked plot device Tony giving Peter EDITH is. He couldn’t give it to Pepper? Rhodey? Steve? Like... anyone who’s more emotionally mature and experienced? It’s just a ridiculous conceit. Supervillains literally target Peter specifically because he possesses EDITH. Way to put the crosshairs on a sixteen-year-old boy, Tony ‘Depraved Indifference’ Stark.

16. “To my very wealthy crew!” Okay, so I guess Beck isn’t just doing this for the satisfaction of being a fake superhero, he sees this as enriching him and his henchmen somehow? How? It’s not like Captain America or Scarlet Witch are fabulously wealthy. I could see Stark as paying for their room and board and giving them an expense account, but that doesn’t seem worth going to the trouble of this whole Mysterio business for. Like I said, once you have the power to pull off fake/not-fake terror attacks, that’s a golden ticket already. Why couldn’t he do shit like Le Chiffre was doing in Casino Royale, playing the stock market with his fake catastrophes?

16a. And okay, so you say the whole Mysterio thing was just to con EDITH off of Peter. If they’re already able to pull off these terror attacks, how much more can EDITH do for them? It’s like, you already have essentially unlimited resources as far as the story’s concerned--why do you need EVEN MORE unlimited resources?

16b. And is Mysterio going to be a real superhero or fake? Like, is he potentially going to fight Thanos or someone? Because if he is, the whole Elemental thing seems like an unnecessary risk. Just find some HYDRA guys, go to town on them, bang, you’re a superhero. And if you’re going to be a fake Avenger--well, what do you do when Thanos shows up? Call in sick?

17. So in his new, definitely Miles Morales suit, Peter has the ability to send out a destructive electric charge. A venom blast. He has a venom blast. Man, they’re not even trying to hide that this is white Miles Morales, are they?

18. To damn with faint praise, I thought the drone swarm was a good ‘real-world’ explanation of Mysterio’s power set and the ‘nightmare’ sequence was a good use of them, although it’s just the usual hallucinatory imagery you’d expect from someone with an illusion gimmick, not something as groundbreaking as the Raimi movies offered. Coincidentally, this is also the one action sequence in the movie where Peter’s in his classic costume, and that’s only an illusion Mysterio puts over his dumb Night Monkey suit.

I also think Peter being able to survive being hit by a train more or less uninjured--he just needs a few stitches!--is a bit much, but then, that happened in Spider-Man 2.5 as well. And there they made a big deal of Peter and Ock trying to avoid getting hit by trains, so arguably that was more egregious.

And it’s weird to have such a self-aware, genre-savvy villain just assume Peter is dead. It seems like he could’ve at least sent someone to the next station to confirm his death, or even had someone waiting there, if his plan all along was to hit Peter with a train. (Also, I’m pretty sure train conductors stop the train when they hit someone, but maybe that’s only an American thing.)

19. By the end, Mysterio decides to drop the whole illusion thing to frame Spider-Man for the drones (Peter’s friends are also put in danger yet again. Three times in one movie! That’s basically every action sequence that really happens!). I’d think disorienting people with invisible drones would be an advantage you wouldn’t want to just get rid of, but he’s the supervillain, not me. Noticeably, this plan hinges on him dying and posthumously ruining Spider-Man’s life, so...

20. Also, I complained about this with Captain Marvel, but if you’re doing a two-hour movie with a supposed character arc for Peter, shouldn’t that have something to do with him winning? He pretty much only wins because the power of spider-sense which he arbitrarily received arbitrarily works for him after arbitrarily not working for a while... and if this is some kind of confidence-powered superpowers, I should note that Spider-Man 2 already did Peter losing his powers because of losing confidence and it depicted him getting them back much more effectively. This Peter I guess only needs a pep talk from Happy Hogan.

21. I mean, couldn’t they bullshit something about hacking EDITH--you know, Peter using his wits since that’s what supposedly makes him ‘the next Iron Man’--maybe turning the tables on Mysterio with a con job of his own, instead of just winning because he happens to have an illusion-proof superpower on top of a billion-dollar supersuit and a literal global defense network? Spider-Man has a global defense network, y’all. How can you lambaste Man of Steel for making Superman dark and broody and then think Iron Man Peter Parker is a good take on the character? Geez.

#spider-man

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jq37 · 5 years

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The Report Card – Fantasy High Sophomore Year Ep 2

Boggy the Froggy!

Welcome back, ya’ll! We jump back in with our Bad Kids (or 4/6 of them anyway) the very next day. Fabian sends Gilear out on a coffee run on the threat of bodily harm. His mom–who, if you remember is low-key a total badass–tells Fabian that if Gilear doesn’t come back from the quest alive, she’s going to duel him to the death on top of the house. Yikes. At Chez Thistlespring, Gorgug’s parents give him another very detailed sex talk and then remind him that he lives in a world where magic is very real so any and all dreams he remembers should be treated as omens.

At the haunted house, Adaine wakes up having had portentous dreams like everyone else which is doubly concerning I have to imagine considering (1) she is the eleven oracle and (2) as a full elf she’s supposed to trance, not sleep and dream. Luckily for her nerves, she cast Find Familiar the night before and summoned an emotional support familiar which she gave the amazing name Bogariel Frogariel aka: Boggy the Froggy.

Meanwhile (and I needed to switch paragraphs because Kristen is doing the D&D equivalent of playing Twister while everyone else is playing Checkers as she is wont to do) Kristen is talking to Tracker about changing Yes? again because she is filled with doubt about her god of doubt but the one thing she clearly doesn’t have doubt about is her relationship with Tracker because it’s been less than a year and she already sees wedding bells in their future. Wild. She also invites Tracker on the quest, rectifying what I thought was a wild oversight last week.

Everyone meets up and they realize Fig and Riz are missing. They (specifically Fabian) can’t get Riz on the phone (which has never happened before) and all of Fig’s stuff is missing. They head over to Riz’s office to see if they can find him but, before that, Tracker cancels the church of Yes? because, sure.

There are signs of a struggle at Riz’s office, but no blood. They find a picture of Riz’s super-spy dad (Pok) with his arm around someone who appears invisible to them (though the spot is circled in red). They also find claw marks going up to a mirror. Adaine stops Gorgug from touching the mirror which would have driven him insane and had him attack the group. She sees a twisted version of Riz in the mirror which no one else can see until she describes it (suspicious). Then, she dispels magic and the Riz appears in the room…and attacks them (roll for initiative baybee)!

Fabian is flipped the F out. Kristen decides to chill out and drink Riz’s coffee–much to the incredulousness of everyone else (she’s on those chill existential dread vibes). Adaine and Gorgug are stricken by fear but they’re able to snap out of it quickly. Once they’re sure it’s not Riz (the doppelganger is going full creepy horror movie monster with the head twisting and biting and junk), they start going full throttle but Kristen gets a clutch roll and lands a banishment on Nightmare Riz (who was invisible at the time). Also, Adaine finds a gun but no one is down with her packing heat without proper firearms training so she reluctantly puts it back. They confer with Sandra-Lynn and they find out Fig has, for some reason, gone to Bastion City (the capital) and Gorthalax is missing. Also, because Emily is Emily whether she’s present or not, they find out that Fig has decided to multiclass and she is now a bard/warlock with her demon dad as her patron. Those might be connected because, as her patron, Gorthalax can now find Fig at all times.

Sklonda, in the meantime, has been investigating a robbery at the mall. They end up there too because Gilear (who is back from his coffee run) said he saw Fig’s bus in the area. They tell Ragh to meet them there and then head over (Gorgug in the old family car which he buys from them for 30 gold (the cost of a pony)–the amount Adaine suggests after the Thistlesprings reject his insane offer of 1000 gold). Also, Kristen leaves her brothers some gold secretly which is sad and also I think not the best way to handle that, but the intention is good. The robbery was of a gem–non-magical I believe–called the Devil’s Heart. [Edit: And apparently Fig’s doing.] Fabian shows up, tries to be helpful, and then eats glass. Normal stuff.

The group tries to figure out what’s going on with Fig by calling the hotel she’s at and basically doing a straight improv comedy routine, each passing the phone around with a bad story until Adaine just hangs the phone up. Then, they find out from Sklonda that Pok’s partner is a tabaxi (cat person) named Kalina and she is in the empty space in the photo. Sklonda and Sandra-Lynn can see it even though the Bad Kids can’t.

With that information gathered, the group leaves Elmville for the first time on the way to the Hotel Cavalier in Bastion City and, hopefully, Fig.

Detention

Fabian for Intern Abuse

Poor Gilear. Fabian solicits increasingly complicated coffee orders from his friends to make Gilear’s job harder and tries to get them to threaten Gilear on their behalf. Even Sandra-Lynn was like, bro. Lay off the guy. Bad form, sir. (Hilarious, but bad).

Honor Roll

Adaine for Rocking Her Portent Rolls

Adaine had a 19 and a 4 for her portent rolls this session and she used them very judiciously. The first was her 19 which she gave to Gorgug who was about to fail his saving throw and touch the mirror which would have led to him attacking everyone (she has a vision of his beheading her in a rage–sidenote love that Brennan makes her portent rolls actual visions instead of just having the mechanical effect of changing the roll happen). The second was a 4 which she gave to Brennan who was rolling for concentration on Nightmare Riz’s fear spell. What a power move to stare your DM in the face and say, “You roll a 4.” Amazing. Portent rolls are so good you guys. Also, bonus points for coming up with the name Bogariel Frogariel.

Random Thoughts

Fabian’s response to his mom’s ultimatum that she will fight him if Gilear doesn’t return alive? “Damn, guess I have to fight my mom.”

“MAGIC IS REAL AND SO IS MY FROG.”

Brennan describes Boggy as just the most archetypal looking, round, squishy frog and I want a plush of his yesterday. Or a stress ball! It would go with his whole emotional support thing in game. I love that Siobhan picked not the potentially “useful” or “cool” animal. She went full Marie Kondo and was like, “What’s gonna spark some joy?” Boggy also can give her the help action, which is great!

The episode was great even 2 cast members down, but they were missed. On more than one occasion, I was like, “This is more quiet than usual. I wonder why–ah Emily.” We better get her reaction to Boggy as soon as she’s back.

Kristen brings up the concept of patenting a god which is wild. We also get an answer to the question I had last week about Tracker’s cleric status–she still is a cleric of the moon goddess. The moon goddess is just chill with her followers not being exclusive.

Fabian sans Riz is a hilarious mess. For anyone who likes them together as friends and/or romantically there was a lot of Content. Fabian being like, “Idk about Fig but something is def wrong with the Ball because he always answers on the first ring when I call him.” Him canonically forgetting that he has a name other than The Ball (that’s the name in his phone, obv). And, the coup de grace, him investigating RIz’s office, but only for signs of his name. Him trying to Investigate like Riz, rolling a nat 1, and literally eating glass (“I thought I could taste fingerprints!”).

“Coffee’s ordered, is the Ball dead?”

Adaine as everyone is clowning on Fabian for possibly making out with the Hangman: The Hangman is much more human than my bitch sister.

Nightmare Riz, who they still think is actual Riz at this point, pops out of the mirror and Fabian and Adaine’s reactions respectively are, “You can’t do these things!” and, “It’s like 60% of our grade.”

The idea of Gorgug going from a terrified scream into a barbarian rage scream is very funny. Where are the animatics people?

Oh, speaking of people, Fantasy High was trending on tumblr the morning after this stream. Nice job, guys!

The talk that Gorgug’s parents give him about all dreams being significant is something I always say in movies/books/shows like this. You have protagonists who *know* they live in a magic world and they have weird dreams and it’s not until 2/3rds of the way into the story that they’re like, “Wait. My dreams…mean something?” Bitch, what?

Gorgug’s initial coffee order is Hot Chocolate with a shot of decaf.

Everyone is very chill with Tracker coming onto the quest. Adaine just has one rule: No sex in the tent while they’re also in the tent. Kristen asks like she’s offended Adaine would feel the need to say that but like…come on.

At first, I thought the invisibility in the photo was similar to the non-Adaine bad kids not being able to see Nightmare Riz until she described him but they still couldn’t see the woman in the photo after Sklonda described her so not sure what was going on with the mirror.

I went back to the episode where Riz finds the photo of his dad (First Kisses and Last Words at around 1 hour, 27 mins in) and in that photo it’s of his dad and his mom. So either (1) it’s a different photo, (2) Brennan forgot/retconned something, or (3) something seriously screwy is going on. I will also note two observations here. Sklonda mentioned that Kalina doesn’t drink but was holding up her hand in a toast like she was drinking in the photo. That seems too specific a detail to not mean anything. And the second thing is, last ep, we did learn about a servant of the Nightmare King called the Shadow Cat and Kalina (if that is her real name) is a tabaxi so that’s something to think about.

With all the complicated coffee orders flying around, Adaine just changes hers to a black coffee to try and make Gilear’s life a little easier (her original order was a Peppermint Mocha–sans the threat of violence to Gilear Fabian was offering). I do really love that Adaine seems genuinely concerned about the guy. SOMEONE should be. And it’s consistent with her characterization of just being generally well mannered and empathetic.

Kristen getting the banishment on Nightmare Riz is something she did after Ally asked for it and Brennan was like, “lol, sure on a 19 or 20.” Boom. Rolled a 19. Just like in the prom fight. So the lesson here folks is don’t give your players a conditional yes and then expect the dice to bail you out.

Kristen’s existential crisis is so crazy to me because she’s having, like, a prototypical Crisis of Faith™ (and pretty realistically) except, unlike in real life, she has certain knowledge about the existence of gods, life after death, and the means to communicate with those deities in the present day like…I feel like you’re crisis-ing wrong, girl. She’s crisis-ing like she just deconverted from Christianity when I feel like what actually happened is closer to, like, quitting a sorority or realizing you hate your major or changing political parties.

the nature of humanity is just that every so often someone accidentally invents homestuck helioism again

Ragh had a dream matching up with Gorgug’s (but he didn’t realize it was Gorgug in his dream) which means something and I’m sure we’ll figure out what soon enough.

The Fabian eating glass scene is another one where you truly need to see it to understand how great it is. Lou is equally game to have Fabian be the coolest person who ever lived or a huge baby and Fabian running away crying because he has glass shards in his tongue is incredible. Hilariously, he runs into Ragh in the food court who has also eaten glass in the past (“Glass is literally invisible.”) and they bro bond over it so hard (“That’s my boy!”) that Tracker and Kristen are like…are they a thing?

The other crazy scene is the gang passing around the phone trying to convince the hotel receptionist to give them info about Fig. Kristen comes up with the name Teddy Guyger (and Zac and I at the same time are like, “Did you get the name Teddy because you have a teddy bear in your inventory rn?”). Fabian tries to drop his dad’s name. Their first move for some reason isn’t to give the phone to Gorgug who is also a part of the band. Adaine just hangs up the phone like Peppa Pig. Exquisite comic timing.

“I cast bane on Gilear.”

I love the running joke of Adaine having visions throughout the day of her friends in the process of doing dumb BS.

Nightmare Riz going after Fabian’s good eye was big gross. Thanks Brennan, I hate it.

I wonder if what’s going on with Fig is completely different than what’s going on with Riz. Just because they’re gone for the same reason irl, doesn’t mean they’re gone for the same reason in game. Nightmare Fig could be a fun fight though.

As someone whose fave thing in D&D is not combat, I thought the fight in this episode was great. Interesting concept, good chance for in-character reactions, not too long .

Ragh upon meeting Tracker: Check it out: I’m gay. (Tracker: Tight.)

Fabian, who has known Cathilda his entire life: Do maids dream?

In this ep, Kristen and Adaine rolled 2 nat 20s each (Kristen rolled one for initiative also but it was lowered by her modifier), and Gorgug and Fabian each rolled 1. Fabian also rolled a nat 1 (which, again, led to him Eating Glass).

#fantasy high #fantasy high spoilers #dimension 20 #dimension 20 spoilers #report card #the report card

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michael-radi-the-glamorous-life · 5 years

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There Must Be More

“…than this Provincial life!”

Sorry, I just needed to have my Belle moment. That’s totally not what this post is about. I just adore that score.

Onward!

Over the past week I saw 3 shows - 2 Broadway and 1 Off-Broadway.

These shows were (in the order I saw them):

Scotland, PA

The Inheritance Part 1

Tootsie

Now, regardless of how I felt about each of these shows, or how much I did or did not enjoy them individually, they all had something in common per my experience in watching them.

At one point (at least) in every one of these shows I had the thought: “…But must we? This again? Isn’t there more out there? There must be more.”

Allow me to explain.

Enjoyment vs Analysis

Just a quick side note before I dive in.

I think it’s important here to know that I do not think that enjoyment and criticism are mutually exclusive. In fact, I personally believe they go hand in hand.

When someone asks why you didn’t enjoy something, most people are ready with their criticisms handy to defend their positions. But when someone asks me why I did enjoy something, I feel the same way. I like to know why I enjoyed it and be able to explain that to people.

And nothing is perfect. Nor is it a requirement to explain your likes and dislikes. But for me, enjoying something - or even loving something - does not mean that I find it to be perfect or above criticism.

I adore Back To The Future. One of my favorites growing up. But the movie’s got issues, both artistically and socially issues (ie soooo, we’re saying a white man invented rock’n’roll???).

Anywho. Onward!

Blindingly White

Okay. I know. I’m aware.

Most of the writing spaces and head artistic positions for Broadway and Off-Broadway shows are occupied by men. Generally white men. Generally cis, white men. Often even straight, cis, white men.

But in the world we are living in today, does that fact need to translate directly into the stories being told on the stage? At the very least, does it need to feature as prominently across the shows listed in the back of the Playbill as it currently does?

All three shows I just saw focused on cis, white men. And for two of them it was straight, cis, white men.

Now, is this necessarily a problem? No, not necessaaaaarily. But it says something. Actually, it says a lot of things.

Especially considering that the 2 shows featuring straight men were specifically about under-achieving straight, cis, white men who learned relatively shallow lessons and didn’t really end up changing - a genre that has filled our canons of literature, theatre, film, and TV for a very very long time.

Let’s be more specific.

Scotland, PA

A musical parody adapted from a movie parody of Macbeth.

Main character - Straight, cis, white man.

The guy is an under-achiever according to his wife, even though he’s happy with the life they have and it’s also clear he has aspirations for more, if the opportunity were to present itself.

The wife is played by a black woman and, similar to the Shakespeare play, she exists mostly to prop up the ambitions (or lack thereof) of her husband - even though she is the one who actually wants more and has the stomach to chase after it.

And then she’s scapegoated.

And goes insane. And regrets everything, but isn’t given the capacity to fulfill that character arc. So she must die instead. Of course.

“Classic women, am I right?!”

No. You are not.

So, as this man rises and takes more we are meant to root for him, even though we know he’s doing terrible things. But why? Why this story? Why this story again? Why this story again now without some sizable changes for more relevance? Is it really that interesting today?

It’s not a bad story - it wouldn’t endure otherwise - but there must be more.

The Inheritance Part 1

Full disclaimer: I loved it. I wept. I think it’s doing great work for this generation.

Main characters - All gay, cis, white men. And there are up to 6 main characters in this first part, depending on how you classify the term main character, and all of them fall into this category.

Now, this show is really about interpersonal struggles and relationships, and how that echoes across generations - particularly for the marginalized group that is gay men. It’s also a story about growth, change, hardship, and love. I really do think this play is doing beautiful work.

The remainder of the non-main character cast is mostly non-white, which is really awesome to see. However, so far in this play, the conversation amongst all of these people and characters is about the lives, stories, and struggles of the gay community as seen through white gay male eyes and experiences.

There are black and Latino characters on that stage, but we aren’t even touching their extra layers of struggle and experience. Meanwhile, the play is discussing the future of gay men and where they are potentially headed, as a group with its own vibrant culture. A culture that they even acknowledge to come from appropriations from the drag community, which appropriated from the ballroom community, which consists almost entirely of queer men of color.

This seems like a pretty sizable issue.

The play is focused on worries of continued and intensified marginalization, but it simultaneously has left out a gigantic piece of the conversation about marginalization by leaving out the additional layers of struggle for non-white gay men.

And this is not even to mention that - although other letter of the LGBTQ+ world are mentioned - the focus is entirely on gay men. What about the rest of the community? Isn’t it all the same history? The same inheritance?

Gay men can claim Stonewall all they want (and they do), but transwomen of color threw those bricks.

Gay men can claim the AIDS epidemic, but the affects of that disease were highly striated amongst sub-groups and especially men of color.

I loved this play. I cannot wait for Part 2. But I just kept thinking, “there’s more here.”

There must be more.

Tootsie

Okay, let’s do it. Let’s talk Tootsie.

I’m not going to go too in-depth here, mostly because there is a lot about this show that is well-crafted and plenty of people are enjoying it. And perhaps, for some people in these audiences, this show really does push the envelop in their minds. But we do have to say it…

This show probably should not exist. Not today, anyway.

Main character - Straight, cis, white man who pretends to be a straight, cis, white woman to book a job.

This man is apparently (objectively) talented too, which means he has many a leg-up in the world in comparison to the majority of people around him.

So, what’s keeping him from getting work?

He’s an angry and uncontrolled human who acts out and gets fired, which means he doesn’t retain contacts from his jobs since he burns bridges. And…

He’s getting older. (Like, 40? Is this one really a problem for men in the business? I remain unconvinced.)

Now, here are some merits about this story (stick with me):

A story of a straight, cis, white man who ruins his own chances at a steady and productive life because of his anger…this is relevant. This is extremely relevant. And if the show were about that particular person, their growth, and their personal journey to leave that toxicity behind, well, then we might have a good story here that is relevant to today.

His alter ego - for she does seem to be a character unto herself and completely disassociated from her male counterpart - Dorothy is actually quite a badass woman. She fights against sexism and ageism in a world rampant with it. And if this were a story about an actual woman fighting for these things in this world, this would be an excellent and relevant story.

But alas, this show is ultimately neither of these things.

Here’s what it actually contains:

The man learns lessons - but not enough.

He changes - but does he?

His alter ego is wonderful - but she doesn’t exist.

There’s a fight for and positive messages for women and feminism - but it’s led entirely by a man in a dress.

There’s a fight against ageism - but led by a man, and men don’t seem affected by this in the capacity that women are.

And not to mention the fact that there are some really cringy moments in this show that parade as feminism, ageism, and trans-positive moments, which really aren’t any of those things. Instead, they are part of a plot for this out-of-work man to get - and then retain - his job.

Is this show moving us backward? I don’t think it is. It could have become that, but it didn’t. And for that fact - adapting from a source material “of a different time” - I will tip my hat.

But is it moving us forward? Nope. Not at all. Not in the least.

So, I again ask: “Why this story? Why now? Is there really not more???”

There must be more.

There Is More

Okay, there is. So much more.

But it’s not being put out there into the commercial consciousness. And when it is, it’s not happening fast enough or as prevalently as it needs to.

And I don’t mean to rail against these particular shows - they had the bad luck of being the 3 newer shows that I happened to see within the same 4 days.

There are plenty of positives for them as well:

Scotland, PA had some awesome music.

The Inheritance Part 1 is beautiful and saying some very important things.

Tootsie made me laugh more than most musicals ever do.

But there is still more.

And we need to find it and put it out there. We need to continue moving forward and stop treading water. Let’s celebrate more people - other people.

There are countless good stories to tell, so let’s find them and tell them to the world with the prevalence that has been given to white men. We can, we should, and we will.

#glamorous life blog #glamorous life #theatre #theater #theatre artist #more #Broadway #Off-Broadway #Scotland PA #The Inheritance #Tootsie #cis white men #straight #gay #criticism

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oopsabird · 6 years

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1; & 3, 5, 10 for take my heart &/so much like stars

1. Of the fics you’ve written, which is your favourite and why?

Of all of my fics, that award I think would have to go to “I have loved the stars too fondly” (my Hamlet fic). Partly because I’m exceptionally pleased with how the prose and story/visuals execution turned out (in the most recent edited edition, which I think was last spruced up in 2016), and partly because since Hamlet is public domain, it technically sits on a sort of par with The Lion King in terms of canon-ness (or at least that’s what I say to boost my own ego lol). Of my WW fics (completed ones), I like “And In The Morning” best - it executes exactly the imagery and mood I intended it to, and I like it so much that I actually frequently forget that the hug it adds to the airfield aftermath scene isn’t actually canon, despite me carrying it over to all my other fics (it happened off-screen and I will take that headcanon to my grave). gambit, that wonderful whumpy collection of historical anachronisms, medical bullshitting, and tropes, is a very close second there, purely because I designed it to be a collection of things I enjoy in fic so of course I love it.

3. Which part of [title] was hardest to write?

take my heart clean apart if it helps yours beat: Trying to convey exactly the physical positions and body language I was picturing in my head while maintaining prose and mood was probably the toughest. I tend to picture my fics like films in my head beforehand, complete with camera angles and cuts and mood lighting and a lot of minute physical/action detail, so trying to cram all that information into a sentence that still reads nicely and gets the intended feeling across is my most frequent struggle in writing. This was a fic that to me carried just as much of its mood and angst in things like the touch of a shoulder or the intonation of a word as it did in the prose, so it was tough, but I think I struck a pretty good balance.

so much like stars: I know the answer to this instantly, and you may know it too since I mention it in the end note of the fic: the undressing scene. Like, I basically worship Lindy Hemming for her costume design work in this movie and legitimately think she deserved to at least be nominated for an Oscar for it (product placement: the Wonder Woman Artbook is well worth its $50 price tag for the incredible insight into the crazy amount of craftmanship and work that went into making this movie. Must-have if you are fascinated by film-making and Wonder Woman. Hence why I have it.) All that being said, the (truly excellent) costumes for Sameer and Charlie have an INSANE amount of layers and pieces, and because I am a stickler for prop continuity I took it upon myself to keep track of each and every one. Except for a few I omitted because I knew nobody else is enough of a nerd about this movie to know the difference lol. It was a nightmare of my own making but in the end also a good writing exercise for managing prop pieces in a scene. But still. SO. MANY. JACKETS.

I really do go on in the rest of these answers, so please find them tucked under the cut!

5. Did you make an outline for [title], and if so did you stick to it?

I have what I would call a very ADHD writing technique, in which I will generally impulsively write the scenes I have visualized most clearly first, regardless of their place in the fic; then I spend possibly weeks jumping around and filling in the patches between scenes whenever inspiration strikes, generally working either from a vague “it will go like this overall” plan stored in my brain, or a placeholder in-text like “[they leave the bar and travel home. Charlie falls asleep in the cab]”. I almost always write my openings last, after having built the rest of the fic together bit-by-bit and now needing a way to segue the reader into it. That’s process is basically how I wrote both of these, except these were essentially written as a moment of hyperfocus rather than over a long period of time - each of them developed very quickly from initial idea to publication in a short period because I didn’t do literally anything else during that time (take my heart over a period of 12 hours, so much like stars over a period of three days). The only fic I have that really has a concretely written formal outline is The Big Fic (that mythological creature from my WIP list), and that’s because I’ve spent months actively workshopping the shit out of it and treating the damn thing like a novel (which is probably why finishing it escapes me).

10. What are some facts that readers may not know about [title]?

Ooooooo this is a delightful question, because as you can probably tell from my lengthy author’s notes on AO3, I looooove giving “director’s commentary” and spilling extra-textual info about my fics!

take my heart:

I don’t like that this is yet another WW fic I’ve done where Diana appears but doesn’t speak, but couldn’t (yet) find a way to give her even a passing line that didn’t feel shoehorned.

The choice to use present tense was made on a whim.

Though the fic doesn’t actually mention it explicitly (the one that I borrowed my own headcanon from does), the injury Charlie received to his shoulder and was put on leave for is that he “froze up” during their last mission and got shot (it was a graze), fell off his sniper perch and hit his head (a version of this incident is detailed in To Burn And Keep Quiet).

I worry that I write too many fics where Sameer is just a lens for processing Charlie’s trauma and emotional arcs in the text, and want to do more pieces that give Sami other plots and motivations and have him operating as a character more independently from his relationship to and feelings for Charlie.

Originally the idea was going to be Sami saying “I love you” knowing it will be forgotten in the morning, but then when I was writing it I was like “wait, I’ve thought of something worse! how delightful!”.

The “over breakfasts and newspapers” line is intended as a reference to Steve’s in-movie explanation to Diana of what people do when there are no wars to fight.

I decided to have it rain at one point because in the movie when Diana enters the pub with Steve the pavement is shown to be wet so I figure it must have been that kind of day, and also because it was raining all day while I wrote so I was really feeling it.

so much like stars:

I went to painstaking googling lengths to find a French-language song for the opening that was both period-accurate and suitable to the mood.

I actually omitted at least one costume piece: Sami wears these absurd-looking knit legwarmer-looking things over his boots and the bottom of his pants (these can be glimpsed in some scenes), and not only do they really look strange with just the suit (less so with all his coats and everything on), but I have no idea what they’re called and was sick of writing costume pieces, so I left them out knowing nobody else is enough of a nerd about it to notice.

I originally wanted to give this fic a fade-to-black/”soft focus” They Done Fucked romantic get-together conclusion (hence the setup with the windowless room, the creaky bed, the washbasin), but as the fic progressed I decided against it because it didn’t feel right for the tone/situation or the fact that that’s not my actual headcanon for how that night would’ve gone (and I was shooting for canon-compliant). An unfinished draft of that alternate ending does exist, but it’s not as of yet in any shape to be shown to anybody. Yet.

I worried while writing (still do, a bit) that this fic wouldn’t be liked/read by other fans because I know that the version of Charlie I have developed/analyzed out of my repeated close readings of the film and headcanons is a much more likable character than the impression of him you get after just one or two viewings of the film, so I worried that more casual/less obsessed fans reading this (and indeed, several of my other fics) wouldn’t be able to suspend their disbelief enough to accept me saying “yeah, Sameer is very in love with him. attacted to him, even.” without having been along for the ride on my entire crazy obsession with this movie and these characters. Luckily the way Sameer’s interactions with him in the film are acted and shot do the vast majority of the heavy lifting in-canon for this ship already, so readers are more likely to take “Sami is in love with Charlie, secretly” as read without me having to do too much extra stuff to back it up or make it plausible. “Charlie is in love with Sami” doesn’t require nearly as much work to “justify” because Sami is extremely handsome and charming and much of the fandom seems to adore him anyway, so its more like “yeah obviously, who WOULDN’T be in love with him in some way or another?”

I watched the entire “Night In Veld” set of scenes (through from Sami bringing Diana and Steve drinks to that wonderful Wondertrev fade-to-black scene) probably about 8+ times during the process of writing this fic, just to keep myself in the right frame of mind/mood; at this point I could recite it word-for-word.

Sami’s list of “Reasons Not To Tell Him” is pretty much my favourite part of the fic.

The “Sami wears undershirts with sleeves, Charlie wears sleeveless ones” distinction is my own little bit of costume design and also a headcanon that I carry through almost all of my fics.

I had a lot of trouble trying to balance my dedication to the principle “write non-English dialogue in the correct language” with “you can’t subtitle this, there is a LOT of French, and it needs to be comprehensible for an English audience”. What you see in the fic is my version of a happy medium, which I think works rather well.

Thank you for asking this!!!! And thank you to anybody who stuck it out to read this whole damn thing and indulge my infodumping!

#asks #long post #fanfic #charliexsameer #ww 2017

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cookinguptales · 7 years

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update: lmao I am so fucking doped up right now. sorry to the world that I got behind on shimamatsu translations, but have you ever tried to translate while on muscle relaxants? it’s a bad scene. god, I’m in a lot of pain rn.

gonna talk about some of the movies from the film festival below the cut. doped up af but I’ve seen like 14 movies so far, hella. tomorrow I probably have to skip bc I just took two cyclos and that is gonna fuck me the hell up.

movies I’d recommend:

thelma a norwegian film which is basically a coming-of-age story for a fundie christian girl who goes to college and realizes she’s a lesbian. oh, and that she has insane supernatural powers. (it’s kind of carrie-ish but with canon f/f, but imo a lot better than carrie.) the love story is really interesting, if incredibly dark. like if you’re in the mood for dark, kind of mindfuck-y f/f, this is your film. despite the very long upcoming list of potential triggers, it’s not as scary or brutal as it sounds. lmao. highly recommended, probably the film I’ve enjoyed most so far. (tw: violence, nudity, drug use, death, [spoilers] child abuse, possible mind control, child death)

custody a french film based on a short film that I saw a few years ago, and it’s fantastic and gut-wrenching. the short film was about a woman running away from her abusive husband with her children; this feature-length film is about what happens when a stupid judge ignores what both the wife and children have to say and gives him joint custody. (spoilers: it doesn’t end well.) interestingly, it has all the same cast as the original short film, though the kids are markedly older. idk if it’s meant to be a straight sequel or if one just inspired the other. really well done, tho, I was fuckin white-knuckling it in the theater. people were like. yelling. the climax of that film is INTENSE. probably the best quality film we’ve seen so far, though I think the plot could’ve been tightened up a little. (tw: very explicit depictions of physical and emotional abuse, very terrifying moments. [spoilers] but no child death.)

I, Tonya tonya harding biopic. I’m not really a big one for biopics, but this was a good one. it tried to explain how harding’s life led her to where she got, but didn’t necessarily paint her as some innocent victim. it was sympathetic where it needed to be, empathetic where it needed to be, but rarely let her get away with bullshit. lot of good performances here, but Margot Robbie (even though she looked way too old for the part) did a great job. (tw: explicit child/spousal abuse)

the villainess Korean lady-gets-revenge-on-shitty-men bloody action flick. not really my genre, admittedly, but I feel like anyone who likes this kind of movie would really enjoy this one. very Kill Bill-esque. it’s the story of this girl who basically gets passed around between illicit assassination organizations, in-fighting, revenge on all those who wronged her, etc. it is Very Bloody and many people die. the action scenes are HQ if you are into that kind of thing. I was mostly invested in the huge amounts of f/f potential. like at one point she joins an assassin organization where all the operatives are female and that whole part of the movie!! was very gay!! the actual canon relationships are het, but there is a strong potential for dark f/f murderwives here. (tw: haha oh boy if it’s a problem it’s probably here. implied CSA, child abuse, creepy relationships, violence, gore, nudity, child death, everyone else death, non-con facial surgery...like it’s bloody af okay...)

love means zero this is a documentary about nick bollettieri, who’s this super famous tennis coach. (apparently.) I knew next to nothing about the world of professional tennis going into this documentary, but I still enjoyed it bc wtf this guy is a piece of work. it’s basically all about how he fucked over a ton of people (especially kids) when he was trying to make tennis champions. and how he succeeded! by fucking over a ton of people! the interviews with him are honestly kind of wild bc he’s just such a crazy narcissist. this was especially weird for me to watch bc I grew up in the sarasota/bradenton area and never even knew all this shit was going on there. it was weird seeing my hometown on the screen like that, but also interesting. (tw: child abuse, just generally being a fuckboi)

MOVIES THAT WERE OKAY but like I had Issues

brimstone and glory I feel like I really recommend going out to see this one if you can see it on the big screen. it’s a documentary about a fireworks festival in Mexico and honestly the cinematography is stunning. it’s just so, so, so cool. but the actual documentary part is kind of boring sometimes, and you gotta have a strong stomach bc it also shows some of the injuries people get at this insane festival. like I don’t think showing that is a bad thing; I think it’s the only responsible way to make a documentary about this festival. like it’s amazing, it’s so cool, but also these people are like. going blind, losing hands, dying. and taking their kids!! like if you cannot handle watching kids in dangerous situations, don’t go!! dad was freaking out, lmao. (tw: graphic depiction of real-life injuries)

radiance a Japanese film about a woman who writes audio description for blind movie-goers. the same director made An (Sweet Bean Paste) a couple years ago, which was notable for its depiction of what Japan does to its citizens who have Hansen’s Disease. (leprosy.) it was weird to me when that movie came out that none of the reviewers really talked about that aspect of the movie; they were all like “UGH IT WAS SO POINTLESS AND CLOYING” and I’m like “did you miss the point of the movie?? which was critiquing the social ostracization of these people in Japanese society??? did that completely go over your heads????” anyway, I appreciated the depiction of PWD in Japan bc having lived there while disabled, I know that shit isn’t easy. that’s why I went to go see radiance. it was...okay? I think the most interesting part was when they let the blind characters talk. the movie was otherwise pretty pretentious and self-indulgent. lmao. like... it’s a rent, don’t buy situation.

marlina the murderer in four acts this movie was not bad! it’s an indonesian film about a woman whose home is invaded and she kills all the invaders. it’s definitely a film that critiques misogyny in indonesian culture, but I feel like it undercut its own message by showing such incredibly graphic rapes. like honestly, I don’t really ever recommend movies that have very graphic rape scenes, but I guess she does end up killing her rapists during the rape scenes. I just. I feel like it could have been done in a way that won’t get people all sexually excited while watching a violent rape. : / y’know? other than that, though, I really liked the female characters in the movie and sympathized with marlina’s journey trying to get society to help her and realizing she had to just go it alone with her female friends. bc like. she’s attacked by men, but she’s also revictimized by shitty ordinary men all the time she’s trying to get to town, report the attack, etc. and so are the other female cahracters. so they just. have to be vigilantes. (tw: GRAPHIC rape, violence, mild gore, spousal abuse)

newton Indian film about a guy going out to the jungle to get votes in the main election. but like. none of the people out there even know who the candidates are, there’s a lot of anti-government violene, the villagers are caught between anarchists and the police, it’s just a mess. and I do think the movie was good at showing the futility of it all and showing how the people who really end up getting fucked over are the poor people in rural areas, but at the same time like. pacing was uneven, tone was ???, and I found the protagonist irritating. and there was what appeared to be some pasted on het which made no sense. (like honestly I cannot figure out why she ever wanted to talk to his dumb ass again.)

blade of the immortal it’s takashi miike making blade of the immortal. I mean. I feel like if you are familiar with those names, you already know if you want to see it or not. if you aren’t, idk how much you’d like it anyway. after already having watched miike’s ace attorney adaptation, I sense a pattern. the guy just looks at a HUGE corpus (like a VG with 5 cases, or a manga with 40 volumes) and is like “welll....then I guess we better make things fast.” so you have Big Bads being introduced in the same breath that they get killed, 30-second backstories, just a frenetic pace and a huge amount of information, and it’s confusing and overwhelming if you don’t already know it. and honestly, I haven’t read BotI so I can’t say how faithful this was. but if you already love the characters and just want miike’s trademark bloody action flick style, then I mean. fair enough. this here’s a bloodbath. I had a hard time getting emotionally invested as a fresh viewer, tho. highlight of the evening: an old man walking out grumbling about how he only likes classy martial arts movies, and apparently this did not qualify. having seen a lot of classics of the martial arts genre, still unsure what a “classy” martial arts film looks like. (tw: offscreen rape, death, blood, gore, just an unreasonable amount of killing honestly like it was funny by the end, attempted CSA)

gemini this is a “neo-noir” thriller. so essentially a murder mystery. unfortunately, the title of the movie basically gives away the entire story lmao. so while the build-up wasn’t bad, the entire last 15-20 minutes of the movie are a total letdown. it was nice to see canon f/f, I guess, but I feel like the movie never went in hard enough on that. like were they trying to make a point about how hard it is for celebrities to have same-sex relationships? I’m not sure!! I can think of a lot of things that would make this plot more interesting, but they just didn’t do them. acting was fine, I guess. John Cho was in it, even if his character was pointless. Zoe Kravitz is always fun. (tw: I mean it’s a murder mystery. so...murder.)

DID NOT ENJOY

scaffolding (israeli film, boring af)

the workshop (french film, kind of boring, makes questionable points about neo-nazis)

#haha I'm dying squirtle #if anyone wants a full review on any of these I'd be happy to #these are just some hot takes #i tonya #thelma #custody #the villainess #love means zero #brimstone and glory #radiance #marlina the murderer in four acts #newton #blade of the immortal #gemini #scaffolding #the workshop

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thatsjustsupergirl · 7 years

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ur post about fic & racism in the supergirl fandom really got me thinking (especially about my own biases so thank you) but also like, how there’s this incredibly pervasive but subtle new form of racism I haven’t seen b4 in other fandoms? Like on one hand u have this loud condemnation of how racist monel is & how he was a slave owner blabh blah but no corresponding attention given to the existing Black characters. 1/4

I get wlw not wanting to write m/f fic but a lot of the fandom doesn’t reblog (or make) any of the gifsets, they don’t meta for him they don’t call for more screen time for Mehcad. Same for M’gann. SO many posts talking about how awful monel is compare him to Lena and strangely don’t mention the Black female character who also came from an oppressive society to become a hero? And there are like, idk, 4 people? Who write or post wlw fic with M’gann in it? 2/4

Same with Maggie. A huge segment of fandom decided Floriana is white (even tho hollywood clearly won’t cast her in roles for white women) so they use that as an excuse to exclusively stan the very light skinned white wlw. And the way it carries over to the characters, like, okay Flo is white? but Maggie is absolutely treated like a woc in how parts of fandom aggressively ignore her & find ways to demonize her character while overtly supporting lighter skinned characters ¾

And that same part of the fandom doesn’t ever seem to create content for Lucy or Vasquez either. IDK this isn’t something u can probably explore with stats but ur post really got me thinking and it just feels really gross now bc I see all these posts condemning racism but there’s still this extreme perpetuation of privileging white characters at the same time? & I haven’t seen this particular trend in fandom b4 4/4

Oh, anon, this made my day. I have a bunch of notes waiting in a doc to address the whole Mon-El thing with regard to the racist undertones and the rhetoric used by the show to frame his storyline, and I will do my best to write it before the season comes back again, because I genuinely think they tried to aim high and just … missed completely. (But I make no promises because my thesis defense is on Tuesday.)

To your first point re: fandom attitudes – I was surprised in the early half of S2 when so many people came out of the woodwork making posts in the main tag like “wait, why did they get rid of Kara/James??” because, oh right, nobody acted like they cared for almost twelve straight months. If y’all were so okay with this ship, where were you to acknowledge its social significance when it was canon? Where are you now? Why hasn’t there been an outpouring of tweets week after week at the execs and the writers for sidelining an interracial couple in favor of what we’re getting, especially since the storyline literally handwaved away human trafficking and slavery as minor plot points?

Not only that, when there’s unrealized potential for a non-canon ship there is typically an outpouring of fic in response, and while there’s been a statistically significant amount of new Karolsen fic in S2 because it’s pretty easy to top zero percent, the writing there is not keeping pace with any of the other dude-involved pairings.

And you’re right, anon: it is not possible to prove anything with stats. HOWEVER, thanks to the addition of these new characters for S2, I *am* at the point now where it’s possible to see correlation between character race and fan engagement with different pairing choices. And the bias is there, whether it’s in the het pairings, the femslash, or even the m/m pairings. The whole reason I started tracking fic outputs in the first place was that any attempt to have this conversation last year devolved into yelling and finger-pointing because “you have no proof!” that racial bias is a thing. Except, yanno, all the POC who live with it daily saying that it’s a thing. Well, congratulations y’all: your choices leave digital footprints behind that are pretty easy to follow and chart for everyone to see.

This isn’t actually a new problem, by the way – racism and preferencing of white pairing happens a lot, in almost every fandom. The only difference maybe is that I’ve experimented with quantifying it, which is not something that people usually do when they study fandoms or fan behavior.

It pains me to no end that M’gann has been so overlooked, because her story has just as many dark character beats to it as Lena’s, if not more, plus the added bonus of her sharing a sense of “otherness” with Kara in a way that few other people can. And there is no way the disinterest in that pairing isn’t about race, because there are a whole bunch of ships from S1 between white women who’d never even met each other in canon that have more romantic fics than M’gann/anyone.

And the nonsense about Floriana, which I’ll remind everyone again was started by a white girl, had a demonstrable chilling effect on interest in Sanvers as a pairing. Like. I can actually show that on paper. And you’re absolutely right with what you said above, which bears repeating: Maggie is absolutely treated like a woc in how parts of fandom aggressively ignore her & find ways to demonize her character.

There’s also a treatment of Floriana herself that reminds me uncomfortably of how people went out of their way to demonize Naya Rivera’s personal life whenever she reminded the world she was black instead of just “very tan.” And a lot of the rhetoric people are using to talk about Floriana’s racial heritage is almost verbatim the same as what you’ll find on white supremacist discussion boards about Italian people. I’d love to think this is an accident, but I’ve made some people pretty angry for pointing this out in the past, so I suspect it’s at least partially deliberate.

Lucy was another case that drove me insane, for two reasons:

The vast majority of femslash fans flat-out ignored her as a romantic choice even though there were a whole lot of good reasons to ship her with either Kara or Alex, and a whole lot less negative reasons not to. (And it’s not like Supercat was already dominating the scene before Lucy’s character was introduced. That ship only became popular after the movie Carol came out during the winter hiatus of S1.)

People had the same fight last year about whether or not Lucy counted as a WOC and ultimately insisted that the answer was no. But then people kept on ignoring her anyway like somehow dubiously legal boss/employee relationships, potential treason, and incest were more logical bases for attraction.

Also, to the people who have been like “oh yay we could’ve had Dichen as Maggie, a real WOC” like somehow this would have made the fandom love her more – you’re full of shit. If you mean that, why has there been so little fic about Dichen as Roulette? Like, last year there were a whole bunch of shipfics featuring Livewire. There was Kara/Siobhan. And yet … no dark scenarios of Supergirl/Roulette? No Alex ones? There were even a bucketload of those for each Danvers sister + Max Lord, and this fandom isn’t even that into dudes. You’re telling me no one is interested in this kind of hero/villain dynamic with the Asian chick and somehow that’s not also about race?

tl;dr I suspect that a decent chunk of this problem is the result of subconscious bias, but some of it’s not. And what’s really sad about it is that, for all the talk on Tumblr about representation being important, we’re really doing no better as media producers than Hollywood when it comes to race. If anything, we might actually be doing worse.

#supergirl #my meta #fandom stats #fandom racism #Anonymous #asks #long post

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babypunter3000 · 7 years

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The only good things about Netflix’s Death Note Movie

1. Willem DaFoe Green Goblining it up as Ryuk. 2. L for the first half before Watari got Death Noted. 3. The rockin’ soundtrack. 4. The time that-Okay, you know what? No, I can’t even leave just one fully positive post about this you know how much goddamn BULLSHIT it was that Mia/Misa and L were adapted as waaaay more in the wrong than Light was? In the manga and anime, Light was CLEARLY the main bad guy, careening himself farther away from “well-intentioned” and “maybe he has a point” and into “irredeemable soulless fascist dictator” with every chapter and episode. Hell, in the FIRST BOOK AND EPISODE, he clearly states that he will be “the God of this new world,” and his general “I don’t give a general fuck about other people” attitude could already start to be seen. In this adaptation, Light’s all just love and an old soul wise beyond his years who wants to HELP the world out of the goodness of his heart and sense of justice. And at first, it’s not to bad, you think to yourself, “hey, this could be alright. A narrative about how absolute power corrupts absolutely with a kid who only wants to kill the really bad guys, and even then is super freaked out about it. sure, whatever” But no. NO. It NEVER turns that way! Light ALWAYS only kills for “the greater good” and is constantly portrayed throughout this movie as this well-meaning kid who’s just in so much over his head you gu-uys!

Meanwhile, Misa has been taken from her canon form as a devout Kira worshiper who was used and abused by Light to his own ends without a shred of emotion for her and has been turned into the love of Light’s life and THE REAL VILLAIN OF THE STORY! You see, Light didn’t really want to kill all those people and usher in a new era of Kira rule! It was all MIA’S influence and hen-pecking that drove Light to kill all willy-nilly! I mean, there’s this scene in the movie where Mia is showing Light a pro-Kira website where people are suggesting new people for Kira to kill, and Light brings up a point where some of the criminals could just be regular innocent people that have a beef with the poster. Mia basically tells him “Who cares? Any kind of petty crime or personal slight is good enough of a reason to kill for me! Let’s make out!” and they both go on their merry ways writing in the book. Like, fuck the writers for tossing out Light’s original characterization and motives to turn it all into a sexist, lazy, “It was all the EVIL WOMAN’S fault for tempting that poor boy!” narrative. And then Mia is killed off by Light on screen right after they have a fight where she is portrayed in the most clingy, shrewish way possible. She even says that she only killed all those people to get closer to Light. She had no justice-dog in this fight like the original Misa had. She was just in it so that Light would date her, and she somehow turned out to be the most murder-happy one after Light introduced her to the whole thing. And I’m sure that the neanderthal who wrote this drivel is patting himself on the back for writing such a great fucking script. And you’re supposed to feel bad because of course she dies by falling into a giant flower display and of course she has to be pretty when she dies. Fuck you. And while we’re on the subject of this movie going out of it’s way to justify and excuse A MASS MURDERER, let’s talk about how the movie treats L. For the first few minutes of his screen time, I honestly thought they did a good job. True, all he was doing was copying L’s mannerisms from the show and being deductive, but it was nice to see something from the books being portrayed accurately in this tire fire of a movie. But you know how everyone loved the original manga and anime for Light and L’s high stakes game of cat and mouse and how they would constantly one-up the other using their wits and intelligence and plenty of insanely thought out plans? Yeah, that’s also tossed right out the goddamn window in this one. Instead, we get an hour of L and Light basically shouting “Come at me, bro!” and emotionally lashing out at one another until one of them finally does something stupid enough to lose. It’s a race to the goddamn bottom, like the mental version of watching a drunken fistfight in a back alley. There’s no finesse, there’s no skill, just watching two guys shouting, “I KNOW YOU’RE KIRA!” and, “YEAH, WELL, FUCK YOU, KIRA’S THE GOOD GUY AND WHAT DO YOU KNOW ANYWAY?!” at each other for an hour. And L gets such a raw deal in this movie. I think he technically lives at the stupid non-ending (you don’t see Light die in the film, btw. You see Mia die, of course, because she’s an EVIL WOMAN!1! who DESERVED IT!!1, but of course not fucking Light), but even then he has even less dignity than in the manga and anime where he dies halfway through. L, in the manga, anime, and this trainwreck of a film, is the eccentric big-time elusive detective who picks up the task of finding out the identity of Kira to stop him. The only difference is that the manga and anime didn’t go out of their way to fucking destroy him. And I’m not just talking about the plot point in this failure of a motion picture that has Light easily put Watari’s name in the Death Note (yes, Watari is his real name in this and they just parade his name and face around without a worry in the world, I mean, what did you expect to happen?) that puts L into a tailspin. I’m talking about how the narrative treats L, the guy who’s trying to stop A MASS MURDERER from killing, as another bad guy, clearly in the wrong, because Light’s just trying to make the world a better place, yannow? First, he falls apart because Watari is missing and is in the hands of Kira, which okay, I don’t blame him, but he never gets past that. For the rest of the movie, he’s on the verge of tears, he can’t think straight, he’s blinded by emotion. He only manages to figure out a key point at the very end, and this was after Light openly confesses to what it is. Secondly, L is never able to officially out Kira. In light of this, his higher-ups unceremoniously fire him, leaving him an even bigger wreck. This happens around the exact same time Light is explaining to his dad what his master plan in the climax was, which is the only kind of smart thing that ever happens in this movie and is almost reminiscent of it’s source material. Point being, the narrative wants you to believe that Light is competent, L is incompetent. But you know what scene was the ultimate “fuck you” to L’s character as well as containing a horrible implication and clearly demonstrating a crucial flaw in the movie? Near the end of the movie, L has a gun pointed to Light’s head in a back alley. He’s desperate, and Light is shouting about the page of the death note stuck in Mia’s textbook that’s the key to saving Watari (because he’s such a GOOD GUY, you guys!) Since L has no goddamn idea what Light is talking about, and just knows that he’s the guy who killed 400 people and possibly his only friend, he ignores him, and turns to a man who just walked out of his shop, begging him to help and shouts, “He’s Kira!” The man stops and gets clarification that yes, Light is Kira, and then proceeds to knock L unconscious with a wooden plank to the head because he’s a fan of Kira as Light runs off to safety. Did I mention yet that L is black in this movie while Light is white? A black detective who’s implied to be the best of the best and is completely in the right is struck down because the bystander was a fan of the white mass murderer he was trying to stop. It doesn’t matter that “Oh, but Kira was only killing bad guys!” because fuck you, the movie itself established that Light and Mia were killing people on a whim and not bothering to check sources for libel. I will repeat, THE MOVIE POINT BLANK HAD A BLACK PROFESSIONAL STRUCK DOWN TO PROTECT THE WHITE MASS MURDERER THAT THE NARRATIVE TRIES TO PLAY OFF AS INNOCENT. Seriously, this whole movie exists around the premise that a greasy white boy who murders people needs to be cared about and protected from a woman and a black man who somehow convince him to commit more murder against his will because boobies or want him to stop committing murder at all costs. Ryuk, the death god that patiently walks Light through how to kill someone, doesn’t even get as many “DANGER! THREAT TO LIGHT’S SAFETY!” vibes as Mia and L do. The narrative is like, “Yeah, he’s a death god, what do you expect? BUT THIS WOMAN AND BLACK GUY ARE GONNA BE THE DEATH OF THAT POOR NAIVE BOY!” This kind of shit belongs in a trump rally, not in my movie based on a story where the main, privileged, young man was portrayed as an honest to God mass-murdering dictator who yes, must be fucking stopped. And you wanna know the dumbest thing about this movie? There are no stakes. None. The narrative wants you to care about the lives of a couple of murderers because they make a cute couple and are a pair of “good kids” who have glitter on their tongues (yeah) and are white (or at least, that’s what I’m guessing, since the only black character in the movie is treated as a hindrance and a joke even though he was in the right the entire time). Everyone in the movie’s world that isn’t a cop LOVES Kira. The movie is forever showing you pictures of people at Kira shrines, or holding, “I Love You, Kira!” or spraypaint on the walls that says “Kira Lives!” We never see the dystopian hellscape that ultimately was Kira’s world, where everyone was scared fucking shitless because Light was killing anyone who so much as looked at another guy funny. And don’t tell me that there was no crime ever in that world, there was just unreported crime. And we never see any followup to the scene where they just decide to kill people because anonymous sources online told them to. We never see any distraught partners breaking down on the news because their husband died of a heart attack for a crime he didn’t commit. We never see any innocent people die, or at least innocent people who are quickly brushed off as “cannon fodder” and are never mentioned again after they are killed (ie, the twelve FBI agents). Kira is just worshiped by EVERYONE to the point where if he just came out as Kira, nobody would be able to touch him because they’d be coming out of the woodwork to protect him (as demonstrated in the paragraph above). The only reason he DID possibly die in the end is because Light gave L the means to. If he never mentioned the Death Note, he would basically be unstoppable, because everyone in this movie is either SO DUMB or SO IN LOVE WITH KIRA. And while this movie is so bad it’s hilarious to watch and deserves a good MST3K-ing, it’s also so fucking infuriating with it’s fucking worship and embracing of this fucking white boy mass murderer to the point where they had to make characters from the original work into worse versions of themselves to prop him up while decrying anyone who opposes him as “the real bad guys.” These writers are the kind of people who pass a gang of white kids vandalizing a car to call the cops on a black kid sleeping in one. These writers are the kind of people who would say, “Well, of course she got raped, she constantly teased boys with her short skirts!” The writers are the kind of writers who would describe a white male shooter as, “teen genius suddenly snaps! Unfortunate incident for former varsity football player. His friends talk about what a great guy he was on page six.” Seriously, the next time someone scoffs at you for suggesting that white male privilege exists, show them this goddamn movie a bunch of grown ass adults made and went, “Yep, this’ll do!”

#death note #death note 2017 #netflix #netflix death note #death #murder #racism #sexism #I thought this script died in 2007 #rape

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themomentofdavyprentiss · 7 years

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Not Your Average Zutara Fic Rec

So I’ve gone through a LOT of Zutara fanfiction, probably too much if I’m being honest, and finding good fics can be really hard. When looking up fic rec lists I’ve noticed that a lot of the lists are just the same select fanfictions recommended over and over (We get it, everyone and their mother loves ‘His Majesty Prefers Blue’ and ‘Stormbenders’ [I never finished HMPB, sue me]).

So this list is for all of you who are in my shoes and can’t seem to find anything besides the same ten or fifteen stories recommended and are desperate for something new. Everything listed is complete! (If I listed the incompletes/abandoned stories I’d have a lot more chaptered stories listed… RIP ‘The Confrontational Approach’…)

I have a lot of bookmarked stories that I have yet to read and am in the middle of (Almost caught up on @firelordandlady ‘s ‘Say Anything’!), so I’ll try to update this when I finish something I think deserves a recommendation.

Chaptered

In the Same Candlelight by Like a Dove

In a world where there is no war, Zuko and Katara spend their summers together. Growing up is messy, embarrassing, and at times sad, but they think it might be okay because they have each other. Edited summary.

I know. I KNOW. I LITERALLY JUST SAID I WASN’T GOING TO RECOMMEND FANFICS THAT ARE ON EVERYONE’S LIST. But I NEED to mention this one. I spent so long not interested in this fic. I don’t like drastic AU’s, or modern AU’s. My taste is strictly canon divergence, so I didn’t think I would like this. I WAS SO WRONG. Trust me, if you are like me and don’t like big AU’s, read this anyway. I promise, you won’t be disappointed. Characterization is still so spot on, even with such a different take. Aang is precious. There is nothing but fluff, fluff, and fluff. It will melt you. You will probably die and your spirit will rise up smiling and beaming out rainbows and sunshine. That’s what happened to me.

Lilacs and Lily Pads by sadladybug

A tale of clumsy courtship and calamitous court weddings, featuring awkward family encounters, floral mishaps, cultural complications, and good old fashioned fluff and conflict. Takes place in the five years following war’s end. For Zutara Week 2016. A prequel to Bones.

Clothe Me in Seasons, Dress Me in Snow is a very commonly recommended Zutara fic (And for good reason, I shed many tears reading it). But this two-shot (A companion to Bones, a smut one shot) by the same author is really underrated and beautifully written. It follows Zuko and Katara as they try to plan their wedding, as well as shows two scenes from before they got engaged that solidified the relationship to be one they knew would last. Just really well done overall and very very sweet.

EDIT: I talked with the author and apparently it isn’t finished?? But they are apparently working on the next chapters so yay!! And each chapter is independent so it doesn’t feel unfinished.

The Slow Path by Tazainian Devil

Eight years after the fall of Ozai, Aang returns to the friends he left behind - Taang, Zutara, Sukka

This is technically a Taang fic, and if I’m being honest I kind of just skimmed through the non-zutara chapters, but the Zutara storyline was good enough that I think it’s definitely worth the read. And the overall plot has a great premise. Be warned, it has a sequel that was never finished.

Another Word For Alchemy by FanPanda13

Five years have passed since the Avatar defeated Fire Lord Ozai, and the members of the Gaang have all gone in their own direction. But when Aang invites them all to a Peace Summit at the North Pole and tells them of his new project, for which he will need their support, the group comes together again for adventure, fun and romance. AU. Zutara. COMPLETE.

So this fic is crazy for me. At first, it started as just really good natured fluff. The writing wasn’t anything fantastic (Although I loved how it broke the 4th wall and didn’t take itself seriously), and there were some definite OOC moments. But I had so much FUN with it. The plot (while definitely not the focus as everyone is more concerned about when Zuko and Katara will get together) was interesting, and there were some really sweet moments. It was also HILARIOUS and I had multiple moments where I genuinely laughed out loud. But then about five chapters before the end, the quality SKY ROCKETED. As the plot and mystery come together, the characters all come together in a moment that truly feels like it came from the show. Even the writing quality increases by a lot and I was genuinely shocked and impressed. Definitely recommend.

Kyoshi Hold ‘Em by cupid-painted-blind

When a blizzard shuts down the fourth annual Peace Summit, the group has to find some way to pass the time. /Zutara, Taang, Jet/Mai, Jet/Everyone, Sukka

If you’re looking for a good crack fic, look no further. It’s post war and utter nonsense. Jet is alive for some reason??? No one questions it and he’s shipped with pretty much everyone. It’s funny, it’s decently written, there are drinking and sexy time shenanigans, and overall just lighthearted. Also, it does a great job of being a crack fic without crossing the line and becoming unfunny and just a trash fic. A lot struggle to find the balance and resort to going over the top and ridiculous, but this one does a really good job.

Come With Me by Steamboat Ghost

Coauthored by fuzzytomato. Troubled over his newly restored honor, Zuko finds solace in the familiar guise of the Blue Spirit. In a chance meeting with the Painted Lady, a friendship is forged as the two heroes seek to help the Fire Nation’s neglected.

I’ll admit it: I’ve never gotten into Blutara fanfictions. I only read the first couple chapters of HMPB and dropped it after the tree scene. I don’t know, it felt really OOC for me and I may go back and read it again just because EVERYONE raves about it, but IDK. I’ve never been a huge Blutara fan because while I love the concept, I’d much rather see the Painted Lady and the Blue Spirit come together as equals. Most fics present Zuko behind his mask to Katara, and it feels imbalanced. There aren’t a lot of stories where we see their alter persona’s come together even though that’s the entire point of the parallel between the two. Insert this fic. I only wish there was a sequel dealing with Zuko in the Gaang after these events. Hey, a girl can dream.

A Zutara Story Anastasia by LastSunset

Katara, the only suviving waterbender of the Southern Water Tribe, joins two con men, Zuko and Iroh, while a fearful admiral chases for her death. A Zutara Story. Based on the movie Anastasia.

So this isn’t so much a retelling of Anastasia but with Katara and Zuko as it is a fanfic version of the movie but with the characters names and world changed. It takes a lot of lines from the movie. But WHO CARES? It’s Anastasia and Zutara!!! What more do you need???

Oneshot

this burden you bear by cowlicklesschick

Word travels, and war stories will be told round campfires and on freighter ships until every person in the world knows what Master Katara did for the new Fire Lord. She fights the burning in her throat at the thought of people knowing why she had to heal him in the first place. Post-war Zutara.

This is an angst-with-a-happy-ending, which I say is the absolute BEST type of angst. Katara deals with the guilt of what Zuko did for her as the Fire Nation celebrates what she did to save his life during the Agni Kai. The two come together beautifully while struggling to see the feelings they both share. Really well written and like I said, it has a happy ending, which we all need.

The Best of Me by Laririn-Shadow

The night before his eighteenth birthday Zuko wraps a bandage around his left wrist. He has a country to run and no time for frivolous things. It will make everything easier if he waits. Zutara Soulmates AU

Soulmate AU’s usually aren’t my thing (With the glaring exception of one Until Dawn Soulmate AU, but that’s besides the point), but I really enjoyed this oneshot. It isn’t sweeping or insanely romantic and the reveal isn’t “OMG I’VE LOVED YOU THIS WHOLE TIME” But it’s a subtle love that grows, which I really like.

my salvation, he’s not anything by sarsaparillia

Let’s run away and start another war. — Zuko/Katara.

¯\_(ツ)_/¯ What can I say? I love the ‘Let’s run away together, consequences be damned’ trope. ¯\_(ツ)_/¯

The Time is Ripe by Casa Circe

ZUTARA WEEK 2012 Day Seven: Seasons. There are many stages that a heart goes through before it can finally be ready for the love it was meant to have. The road is often a rocky one but eventually, it leads you home.

A oneshot for the Zutara Week 2012 prompt ‘Seasons’. Not too much to say about it. Short, sweet, and well written. What more do you need?

Serendipity by Boriqua-chan

Iroh goes hunting for tea leaves and finds something…interesting. /Zutara week, day 1/

Secret relationships! Fluff! Happiness! And all from Uncle Iroh’s perspective!! Everything I love in one great oneshot!

Too Close for Comfort also by Casa Circe

ZUTARA WEEK 2010 Day Three: Pain. After watching “The Ember Island Players”, no one is in the mood for teasing. But a little slip of the tongue leads to the painful realization that the play was more accurate than they were willing to admit.

There are two Zutara plots/tropes that I am a complete and utter SLUT for. The first is the ‘Let’s talk about that EIP show’ trope. This is one of my favorites.

The Color of Truth is Red by Mrs. Pettyfer

Written for Zutara Week prompt “awkward.” Zuko and Katara discuss the Ember Island Players.

Another post EIP oneshot

Enlightenment by Blade Quill

Choices are made on the day of Zuko’s coronation, and sometimes, enlightenment is just the simple truth at hand. Zutara. AU of the final moments of the Book 3 Finale

The OTHER plot/trope I’m a slut for is finale rewrites. LET ME SEE THEM COME TOGETHER AFTER HE TAKES LIGHTNING FOR HER. Ugh, I love it.

Framework by profoundlycan

What if in “Sozin’s Comet” Katara had come into the room instead of Mai? Zuko/Katara. Prequel to Schema.

Another finale rewrite! Let’s just get Mai out of the picture here…

Lightning Shocks the Heart by drunkzutarafeels

Why do our hearts remain dormant until a climactic moment makes time stand still?

And here’s yet another finale rewrite. There is a really popular Zutara gifset that someone animated of the Agni Kai ‘Thank you’ scene, but Katara kisses Zuko after she hugs him. This is the fanfiction equivalent of that gif set.

Sunrise by lewilder

The days go on and on, and even if she feels more comfort from the moon, Katara learns to cherish the promise of each new sunrise. Zutara AU, largely finale-centric. Oneshot.

LAST FINALE AU I PROMISE. Really sweet, starts right after The Southern Raiders and goes past canon.

all the ghosts we cannot kill (we learn to love) by raisindeatre

Zuko and Katara; the moments we didn’t see. Or: Maybe we are all somebody’s ghost. And maybe sometimes we can be more than that.

“…My quarrel has only ever been with you, Zuko,” she says, his name sharp on her tongue. “This has only ever been about me and you.”

“You’re wrong,” he rasps, his voice rough in the late afternoon sunlight that falls around them, tangles them in golden nets. “This has only ever been about me and the Avatar. Not you and me. What we hold between us has nothing to do with it.”

This is a really beautiful one-shot that follows a battered, war torn and hardened Zuko and Katara through the scenes we DIDN’T see throughout the entire show. A Zutara must-read.

Drabble Collection/Series

And Other Fairly Stupid Tales by Advocaat

A collection of humorous and crack-tastic oneshots corresponding to the days of Zutara Month

Really great Zutara Month themed drabbles, and it contains the only body swapping plot that I’ve read and really enjoyed. Also the chapters ‘Potential’ and ‘Festival’ are some of my all time favorites.

Zuko Was No Coward by hootowl

Zuko was many things, but a coward he was not. A collection of Zutara100 prompts. Title may change.

Definitely some heartbreakers and angsty drabbles in here, but all well written and thoroughly enjoyable. If you read ANYTHING from this list, read chapter two of this drabble collection. I MELTED when I read it. It’s perfection. Aunt Wu’s prediction has always been a plotline I’ve loved in Zutara fanfiction, and this one just does it PERFECTLY.

Zutara Week 2012 by ichilover3

A collection of oneshots inspired by the prompts for Zutara Week

Not much more to say. The first, third, and fourth prompts are my favorite from this series.

Zutara Week 2015 by bianca_anna

It started at a tea shop and ended with forever. My entries for Zutara Week 2015. I hope you enjoy them.

Oh my GOODNESS. So they’re Zutara Week prompts, but all set in the same universe. The Zutara!Family depicted in these drabbles has become my headcanon. I’ve seen many a Zutara family, but this one is by far my FAVORITE. This is now my official family for them. I want the very last chapter fully animated because it’s so good and epic and I want more of this families adventures.

#zutara #zutara fanfiction #zutara fanfic #zutara fanfic rec #zutara fanfiction recommendations #fanfiction masterpost #100 #200 #300 #400 #500 #600 #700 #800 #900 #1k #susannah recs things

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