[ID: a digital comic in two panels featuring bungou stray dogs characters. the first shows atsushi banging open a door and shouting, dazai-san! are you oka- the second shows a shot from the anime where chuuya is holding dazai against a wall by his neck. the text reads, homoerotic atmosphere, and four squares with text point out whats happening. they read, casual hand in pocket, chokehold, knife, and lastly um... followed by two sweat drops pointing at chuuya's knee between dazai's legs. a tiny panel in the corner shows atsushi covering his eyes with his tiger paws and blushing as he says, i'm sorry... end ID]
come here. crack open the canon with me for a minute. consider. what if atsushi hadn't listened to everyone telling him dazai would be fine and left to save him only to witness whatever the fuck was going on in that cellar. consider the bit.
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what do you mean youre technically a detransitioner cause of terf bullshit?
it's a v long story but i detransitioned for a couple of years when i was 16/17, for multiple reasons but mostly because i fell into the blaire white/kalvin garrah chamber of "you have to be This way to be trans otherwise you're not real".
i was already Deeply insecure about myself and my 'passing' and i was led to believe that i couldn't want to wear makeup or skirts, and i couldn't choose not to have bottom surgery, and i couldn't do anything but bind for 12+ hours a day to the point that my ribcage is still misshapen. basically i thought that if i wasn't suffering enough doing 'feminine' things, i couldn't really be trans, so i should just go back to being a girl and suck it up.
the terf bullshit is because i'd seen a lot of terfs/detransitioners talking about the 'dangers' of testosterone and how it would turn me into a horrible ugly evil monster and how there was nothing worse than wanting to be a man. which combined with 'you need to fully medically transition to be valid at all' creates some very dangerous and upsetting feelings to cope with.
it also came from trying really hard to put myself in a little box before i realised that my sexuality/gender are very fluid and it's FINE for me not to have a label and just do whatever i want. when i was 19 or so i went back to using they/them (and eventually he/him) and changed my name again because even though i like doing 'feminine' things, i don't want to be seen as a woman.
tldr: i was conditioned by transphobic/terf rhetorics to think that i was being trans the 'wrong' way so i couldn't be trans at all, so i believed i must actually be a girl if i still wanted to do 'feminine' things. nowadays i am a transmasc who does feminine things because i don't give two shits about what any transmed prick thinks of me anymore.
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Thinking about all the campy-tlt-designs that live in my brain ... Letting one out today
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[ID: a digital redraw of the scene where chuuya shoots dazai in the shoulder. on the top of the drawing is chuuya holding a guy to dazai's head in the red and grey hallways of the prison. on the bottom of the drawing is dazai's pained face. the gunshot is shown stylistically as hectic lines behind his bloody shoulder. over the image is half a quote from goncharov that reads 'if we really were in love you wouldn't have missed.' the signature says dandelion-roots. end ID]
This quote from Goncharov (1973) in relation to soukoku has been haunting me from before I even got to that scene in the anime (the full thing is: Katya- Of course we're in love, that's why I tried to shoot you/ Goncharov- If we really were in love you wouldn't have missed). Violence as a tool for communicating emotions, especially love and hatred, especially love and hatred makes me go feral- how could I not think of the iconic quote that says that katya's miss was a sign of a lack of love/a fake love when chuuya didn't miss? Just... losing it over here.
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at first i thought it was kinda funny in a way that crowley's wings got darker when he learned that they would be shutting everything down so soon since they can literally choose their wing colours. like it was a "ok i'm emo now. i hate you mom" sort of situation
and THEN i thought about the juxtaposition between black and the colours of the stars he created. of those colours he put into the dark universe to make it not so dark anymore. there not being even a trace of black on their clothes or the items they use to create. the whiteness of heaven. and i was like oh :)
because. because his wings getting darker is an unconscious separation from everything that he has identified with and been surrounded by in the past few billion years. the colour is an unfamiliarity that he starts to relate to for the first time. when he experiences, for the first time, things being ripped away from him, and that loss of faith is potent enough to physically manifest in his wings
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A companion piece for my first @viktuuri-week piece because we can't have Yuuri without Viktor, now can we?
Credit to J XIV / Jesa Padayachy on Musescore for the transcription of Duetto: Stammi Vicino, Non Te Ne Andare used.
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