something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
6K notes
·
View notes
“Can't remember when we walked past the O.R. sign!
(sur-ger-y!)
Can't remember passing out with her hand in mine!
(my-my-mind!!!!)
I remember waking up with my mind repaired.
(A-OK! ^^)
I remember when I realized, she wasn't there...”
Amnesia was her name….. is. so. horrifically. sadly fitting for these two in literally every single line. And I’m gonna NEED ALL OF U GUYS TO GO LISTEN TO IT NOW OK… THIS ISNT A DRILL GO GO GO GO!!!
Anyway… uhh. the fact Betty “blessed” this guy to like. An eternally long lifespan w THIS FUCKED UP OF A MENTAL STATE IS SO SCREWED UP GHGH- Like poor Simon god damn…! u kno he’d rather just keep on not sorting out his baggage and trauma forever too cuz it’d be too complicated… too much… force him to admit things about himself and about BETTY that he really really doesn’t want to… better to just leave it all unexamined.. pack it all into lil boxes so he can just try to ignore it and pretend it doesn’t exist… HE GOTTA LIVE FOREVER W IT THO… *ME BANGING ON SIMONS DOOR AT 3 IN THE MORNING*: “SIMON U GOTTA ACCEPT URSELF!!!! LOVE URSELF!!!! ACKNOWLEDGE N ACCEPT EVEN THE “BAD” PARTS OF URSELF!!!! SIMON PLEASE!!!!! SIMON EVEN PPL WHO LOVE YOU AND WHO YOU LOVE CAN HURT YOU!!!! ACKNOWLEDGE IT!!! ACKNOWLEDGE THE HURT AND ACKNOWLEDGE UR FEELINGS!!!! AND URSELF!!!!! SIMON!!!!” anyway… gGHGH YEA, SRRY. SIMON PETRIKOVS MENTAL ILLNESSES MAKE ME FEEL LIKE IM GONNA EXPLODE. ANYWAY HAVE SOME ART. W a bunch of diff versions cuz I’m indecisive!
216 notes
·
View notes
I don't know anything about Translation State yet and yes I am reblogging every Imperial Radch post I can as preparation for reading it, but I'm very excited because I love Translator Zeiat a lot and a thing I might sort have picked up is that we'll be getting more to do with her whole deal.
I love Translator Zeiat less as I love as character and more as a narrative device, sorry Zeiat, although I do find her hysterical. I love how she underlines themes around identity and categorization by breaking down the way we talk about these things into absurdities.
The most obvious part of the book where she's doing this is when she's explaining about cakes and how if she separates the cakes with fruits from the cake without fruit they're different, but if she mixes them together then they're all the same again. She can add a counter and call it cake and then it's cake too! At this point, it's fairly apparent she's talking about people and how there are different kinds of humans. And in this case, that's what she means to talk about. Or rather, she is talking about how words work in general and it's very apparent this insight is most helpful when talking about categorizing people.
But like, what else has she got going on? She accepts Breq deciding that she's Zeiat and not Dlique. By the end of Ancillary Mercy we don't really know how translators work or how correct Breq may have been, but it works out because Zeiat is so very happy she's Zeiat and not Dlique. This is very Gender to me, the way arbitrarily being called something different causes Zeiat to behave differently and she's so Happy about it. She talks about how if she were to go home everyone would call her Dlique and she wouldn't like it. It's also a fun scifi way to raise the question to the reader, what does it mean to be one thing and not another? By forcing the reader to try to figure out what is going on with the translators' identities, we have to just, think about how identity works. And it's a theme for the series. Sick!
Fish sauce is a condiment, not a drink. That fish is for looking at, not for eating. Have you noticed that these fish cakes are entirely the same on the inside but the other fish have very complicated insides? All I'm saying is, what's the difference between a citizen and a noncitizen? One of them is Civilized and the other isn't.
And my favorite is Zeiat finding Breq in the infirmary and re-introducing herself and saying she'll miss the old fleet captain. This must be a new fleet captain, because the old fleet captain had two legs! All of these scenes are so so funny to me, but this is very interesting to say to Breq imo, the last ancillary of a dead troop carrier. How different is it for Zeiat to call her a new person than for people who know her history to think of her as "Breq," and not "Justice of Toren?" I guess I also love this because I similarly love the way Breq's story in Ancillary Justice plays with mathematical identity in a fun scifi way while the whole series plays with gender identity in a different kind of fun scifi way, and both of these are part of a commentary on identity and empire in the real world. It's good scifi! !!!
234 notes
·
View notes
Happy ho-ho-holidays everybody!! As a celebration, I'm going to be posting fic related treats (new chapters, new fics, one shots, story add ons, snippets, etc) each day, a chaotic advent calendar of sorts full of my (and your so voted) favorite things. I hope y'all have as much fun with this as I do. Some of it I have planned, some I'm taking the inspo as it comes so ;) you never know what I'll run with
Day 1: i find myself running home to your sweet nothings (IWTBY Part 3, chap 1) tumblr post
Day 2: sometimes all it takes is a thursday (javy pov one shot: After the mission, Javy watches Jake and Bradley become Jake and Bradley again, and then become more, OR, Jake and Bradley become friends again, and sometimes love is actually easy.)
Day 3: that little farm where every wish comes true chap 5 (hallmark sugar daddy au) tumblr post
Day 4: i talk a big game that i'm scared of losin' (one shot: Jake's a professor ready to jump back into the dating pool, Bradley's a little rough around the edges, and Nat swears they're perfect for each other. She might be right. OR Jake dumps his loser ex and moves to California to be near Nat and Javy. Nat knows a guy, and sometimes opposites attract.)
Day 5: and i feel like my castle's crumbling down (Bradley POV add on to rival princes au. “I’m sorry. I didn’t know where else to go.” All it took was nine words for Bradley's heart to rebuild and break again.)
Day 6: santa, can't you hear me chap 2 (Jake Seresin didn't want to live the lyrics of Last Christmas, but in the aftermath of a breakup, he finds himself meeting someone different, someone maybe even special, in the form of a reporter sent to do a profile on him. Bradley Bradshaw wasn't what he expected, but maybe that's a good thing. The rest, well, he can honestly say he never saw it coming.)
Day 7: take me home where we met so many years before (one shot: On the day of Jake and Bradley's wedding, three best friends look back on how they got there. OR the Seresin-Bradshaw guide to laying under the stars through all stages of life) (aka the FGCC's fault lmao love you guys)
Day 8: cuz you know i love the players and you love the game (one shot: Jake's the star quarterback, Bradley's the star baseball captain. They both like playing games, turns out they want the same prize. OR. Bradley dresses as a cheerleader for the team and Jake hates him (except that he totally doesn't))
Day 9: the set it up/football/baseball/fall in love with the city idea that almost was (before I went with IWTBY which I'd been dreaming up for so long)
Day 10: santa, can't you hear me chap 3 finale
81 notes
·
View notes