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#answering things about her
yuzuna123 · 1 month
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despite the series having it's set of flaws ( every series does! and that's okay! ) can we appriciate the fact that Danganronpa answering the questions the main story had before Danganronpa 3 finished?.
i give kudos to Kodaka and the team for that.
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quantumshade · 10 days
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can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel
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blackbatcass · 7 days
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donna’s inherent honesty vs dick’s tendency to be manipulative.. speak to me
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firestorm09890 · 1 month
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Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats
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lazylittledragon · 9 months
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what do you get when you have a very uncoordinated child, a glass door and a single dad who sometimes forgets both of these things
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musicalchaos07 · 1 month
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howlonomy · 13 days
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Can we see more of the characters in Swap Monster!Clover au?
Like Starlo and Marlet?
Marlet has be called 'New Moon' or something like that as acowboy frfr
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i actually really really like how these came out AGJDS
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jicklet · 7 months
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Elemental (2023)
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blueskittlesart · 6 days
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
#people ask me sometimes why ill occasionally talk about something i like and then go 'but it's bad' and the answer is usually because it is#i love teen wolf. i love genshin impact. i love detective conan. and i fucking LOVE taylor swift. that doesnt mean theyre good#it just means i like them. and recognizing their flaws actually helps me better identify what i like about them!#it's like. in my mind bad > good is the x axis and i like it > i dont like it is the y axis yk. they're not mutually exclusive#tldr it's not that serious. we can all relax a little#irt taylor swift i do also think she has done some real harm to her fans in enabling them to deflect all criticism of her as misogyny#and i don't think it's fully the fault of these people who are parroting that response bc so much of her marketing has deliberately#reinforced this idea that to be a swiftie is to be a part of a sisterhood and that any attack on taylor is an attack on all of those women#who are in that in-group. when that's obviously not the case. but she's marketed herself as. for lack of a better term. 'girl music'#to the point where it makes her fans feel as though any criticism of the music or the woman responsible for it is an attack on their#personal experience of womanhood/girlhood/sisterhood/etc. and that's how you get all of thess bad-faith accusations of misogyny#i don't necessarily think this was her deliberate goal with her marketing tho because like. on first glance such a strong sense of communit#among fans sounds like a great thing. the friendship bracelets i got at the eras tour movie are really genuinely special to me.#but it does present a problem when your fans are unable to separate how they feel about the community and experience your music has fostere#from how they feel about you as a person. especially when you are a billionaire who absolutely CANNOT be above criticism in this economy#anyway. tldr i love taylor's music and i don't think swiftie hivemind is as deliberately malicious as it may seem#but it's obviously necessary to be able to take a step back and look objectively at what you're participating in.#anyway stream ttpd or don't idc <3#taylor swift
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shanastoryteller · 9 months
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Happy Pride!!!! Living Blood or Lady Mo please!
a continuation of 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43
Xuanyu disrobes unashamedly, hesitating only at the last second with the sleeve covering her left arm.
Jiang Yanli laughs. “Bit late to be modest, I think.”
“Modesty is overrated,” she returns, which is something that Zixuan would say and A-Yao would think. She slips the rest of the robes off and steps into the steaming bath, letting out a deep sigh of satisfaction.
The changes her body has undergone are even more obvious without the thick layers of the robes obscuring her form. The extra weight seems to have settled in ideal places, not only thickening her waist and limbs but settling heavily along her hips and breasts, which hadn’t exactly been small to begin with.
She sits behind Xuanyu, filling a bowl with water and then pouring it over her hair to rinse it of blood and dirt that had been hidden by her dark hair. Acting as a bathing assistant is far below her station, but Xuanyu had sent all the servants away and she doesn’t mind, really. Xuanyu is her sister, likely the only one she’ll ever have considering A-Cheng’s track record with matchmakers, and she’s been worried about her. This gives them time to speak alone. “How has your marriage with Lan Wangji been? Has he been kind?”
Xuanyu pulls a face, which isn’t encouraging. “I guess. He mostly left me alone, and then we had a couple fights and he was a jerk, and now I think he’s trying to make up for being a jerk, but it’s a little – well, it’s nice that he’s making an effort. I suppose.”
Not as good as she’d hoped, but not as bad as she’d feared. “Sect Leader Lan seems fond of you.”
“Oh, Lan Xichen is great,” she says easily. Better than reaction to Lan Wangji, but still not what Jiang Yanli had been hoping for. Then her eyes light up. “Sizhui is wonderful! I’ll give Wangji one thing, he’s raised a good kid. He’s so sweet, and a great cultivator, and he’s always trying to help out everyone around him. I’m glad Jingyi’s always hanging around – without him, I think everyone would just take advantage of Sizhui’s good nature.”
Well, that’s something. Surely Lan Wangji can’t resist Xuanyu’s charms for long, not when she dotes on his son and gets along with his brother.
“What trouble did you get into on the road?” she asks, running her hand over the wound on Xuanyu’s shoulder. It looks nearly fully healed already and there’s another mostly healed wound on her hip, a thin slice on her left arm, and the shadow of various bruises that were likely much worse a couple hours ago. It’s of course a good thing that Xuanyu has a strong golden core, but Jiang Yanli can’t help a moment of wistfulness.
Her own core never lived up to her mother’s expectations, or her own. If she’d had a stronger core, she could have given A-Ling siblings. A child should have siblings. She would have had a calmer childhood without two little brothers underfoot, but a lonelier one too.
Xuanyu shrugs, lazily scrubbing herself down. “Looks like Xiao Xingchen picked up the girl, A-Qing, while he and Song Lan were separated and was trapped in this place that was basically a ghost town.” How could he be trapped by a place that had no people? “And I’d heard some rumors so when we ran into Song Lan I helped him find Xiao Xingchen, but there was a bit of a fight with someone who didn’t want him to leave. I just happened to get caught in the crossfire, so to speak.”
She’s stretching the truth to outright lying. Before Jiang Yanli can call her on it, her stomach growls.
“Didn’t get a chance to eat on the road?” she teases.
Xuanyu flushes, ducking briefly beneath the water to hide her flaming cheeks before resurfacing. “Things were a little hectic. It may have slipped my mind.”
How has she managed to put on weight while also forgetting to eat? Perhaps Lan Wangji deserves more credit.
“I think I have some candies in my room, if you want something before the banquet,” she offers. “I know the speeches take forever.”
Her eyes light up before dimming and she slumps in the bath. “Thanks, Yanli-jie, but I better not. Sizhui gave me some on the road and I usually love them but just putting it in my mouth almost made me sick. It was awful. And weird! They’re my favorite.”
Jiang Yanli blinks then gives Xuanyu’s significantly larger chest a considering look. It could be nothing. It’s probably nothing. She hasn’t even been married a year and it doesn’t sound as if she and Lan Wangji have been seeing eye to eye.
Then again, the same could have been said about her and Zixuan.
“Can I ask you something personal, Meimei?”
Xuanyu nods. “You can ask me anything, Yanli-jie.”
“Are you and Lan Wangji having sex?”
She turns bright red and ducks beneath the water for so long that Jiang Yanli is starting to get concerned before she resurfaces, still red faced. “Um. We did once. Well – I guess, technically, it was three times, but it was only one night.”
Well. Apparently Lan Wangji has stamina on and off the battlefield.
“One moment,” she says, briefly squeezing Xuanyu’s shoulder. “I’ll be right back.”
It takes one whispered conversation with the servant outside the hall and approximately ninety seconds before her personal healer is standing in front of her. Jiang Yanli ducks back inside to see Xuanyu out of the bath, in a thin bathing robe that’s clinging to her as she wrings her hair out. “I’d like my healer to take a look at you, Meimei.”
Xuanyu freezes, slowly standing straight with a wary look on her face. “That’s really not necessary. The wounds were just superficial and they’re basically healed already.”
“It’ll be quick,” she says, because if she’s right then she can’t let Xuanyu go down to the banquet without letting her know. “She’s very discreet – she’s been my personal healer since I was a child.”
“Jiang Xingyi?” Xuanyu asks, some of her tension draining away.
Jiang Yanli nods, trying to think of some reason that Xuanyu would know her healer’s name, or her reputation, but all the servants are terrible gossips and her health is a frequent topic of derision. “Just your wrist, okay? Your golden core has changed a lot. I just want her to take a look.”
She feels bad about lying, but Xuanyu had lied to her first.
Xuanyu relaxes even further. “Okay, Yanli-jie. If it’ll make you feel better.”
“Thank you,” she smiles, then opens the door to usher Jiang Xingyi in.
The old woman doesn’t smile, but Xuanyu grins back undeterred, and says, “Hi, Granny,” before paling and adding, “uh, um. Sorry.”
Jiang Yanli feels a familiar pang of grief go through her. A-Xian had referred to Jiang Xingyi as Granny, the only disciple both bold and beloved enough to get away with it.
Jiang Xingyi ignores her, instead reaching for her wrist and pressing her fingers against it. Xuanyu fidgets, shifting from one foot to the other, but says nothing as the moments stack on top of one another.
Finally, Jiang Xingyi drops her wrist and steps back. Her stern visage breaks, a smile stretching her mouth across her face. “Congratulations, Madame Lan.”
She knew it!
“Thanks,” Xuanyu answers before wrinkling her nose. “Um. For what?”
“You are expecting,” she answers. “At least a couple months along, I believe, although I’d have to do a more thorough examination to be sure.”
Jiang Yanli moves to embrace her, but Xuanyu’s face drops and she turns dangerously pale. “What? No. That’s not possible. I can’t be.”
“Three times,” Jiang Yanli reminds her, trying to goad Xuanyu into laughter.
But instead she just shakes her head. “No, no I can’t, I – this can’t be happening,” she whispers to herself, grabbing her own arms in a white knuckled grip. “It’s not. It’s impossible. I can’t be.”
She’s young, and this wasn’t a marriage of her own choosing, and it’s so new. Of course she’s surprised and nervous. Jiang Yanli touches her elbow, intending to say something soothing, but Xuanyu collapses into her arms, gripping her waist and hiding her tears in her shoulder.
“Xuanyu!” she says, hugging her back just as fiercely, her heart breaking for the younger girl’s anguish. “Meimei, it’s okay, I know this is scary, but it’s going to be fine.”
“It’s not,” she says, voice thick with tears, “A-jie, this is awful, this is – it can’t happen! It can’t, Wangji is going to be so mad, he’s going to hate me, and everything is ruined and awful, I can’t be – I can’t! I’m going to die!”
Jiang Yanli’s whole body goes cold and she grips Xuanyu even tighter against her. “You’re going to be fine,” she says, pushing her conviction into every syllable.
No matter what Jiang Yanli has to do, Xuanyu is going to be fine.
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aroaceleovaldez · 1 year
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HoO is so funny to me when you actually think about the ages of all the characters. Octavian is 18. Percy and Annabeth are 16, almost 17. Reyna is presumably 16. Frank just turned 16, Jason’s about to turn 16. Leo and Piper are like 15. Hazel’s like 14 and a half, and Nico is 13.
The Death Sibs are both the youngest and oldest on the Argo II. Octavian is a college freshman getting into petty drama with a bunch of high schoolers. He gets told to shut up at one point by a random 8th grader. Everyone is scared of the 8th grader. We Sent A 13 Year Old To Superhell and he came back weirder, Just Like Middle School. TLH was just three high school sophomores being sent to do a task and it going Exactly Like You’d Expect. Percy’s the only demigod on the ship who can legally drive (though Reyna gets her drivers license at some point before TOA). What Is Happening.
#pjo#hoo#heroes of olympus#riordanverse#my second favorite thing related to this is like every time Hazel references someone's age especially in SoN it's just. blatantly incorrect.#she goes into very specific detail about how she's 14. detailing like exactly how many months it had been since her birthday#and when she died and when she was brought back. just like ''okay. im 14 and a half. got that? good.''#''anyways here's Frank. he's 3 years older than me'' like literal next chapter. we are told Frank is not 3 years older than her.#Hazel: Here's my older brother! [Nico is younger than her in literally every way feasible]#ive just decided Hazel is an unreliable narrator who is just really bad at guessing/remembering how old people are#which like. adhd mood. forgetting how old everybody is.#and she has the bonus excuse of saying her sense of time is skewed from being a ghost for so long#but it's just so funny every time she's just. with the upmost confidence. blatantly the wrong answer.#i want a scene of Hazel looking at Percy and just going ''hm. I bet he's like 20.'' and then learns he's 16#and she's just [surprised pikachu]#also we know it isn't an error that she's 14 cause in TOA she's like ''oh yeah im learning to drive!''#so she's 15 by then#it is however an error that *Nico* is said to be 14 in hoo cause he's 12 in TLO and 14 in TOA#but we know in HoO the reason that error was made was cause Rick hadn't figured out Nico's birthday yet#and he was flipping it between January or March#so he just forgot how old Nico is for a series and then we went back to normal
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r0semultiverse · 1 month
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Prince Rhaegar as a character often gets some deserved criticism - and a lot of underserved hate. And one of the things that I think he unfairly gets blamed for is Elia Martell's tragedy. Elia's death is one of the primary objections people have towards Rhaegar and Lyanna being depicted as a romance, with readers believing that if they were just tragic lovers, then that diminishes Elia's own tragedy.
I...disagree. It is understandable (and honestly right) that readers would rally behind Elia. Not only was she horribly brutalized and murdered, but her children suffered absolutely terrible fates as well.
However, in trying to center Rhaegar and Lyanna's doomed dalliance in this, a lot of readers are missing the answer that has been already provided to us within the narrative. Not only that, but this line of thinking also ignores the key context in which Elia's senseless murder is portrayed.
As far as the text goes, Elia’s death is laid squarely at the feet of Tywin Lannister and his men, Ser Gregor Clegane and Ser Amory Lorch. It's House Lannister's burden to bear.
Doran for one, Elia's brother, directly blames Tywin Lannister:
“You mistake patience for forbearance. I have worked at the downfall of Tywin Lannister since the day they told me of Elia and her children.”
The Princess in the Tower, AFFC
Even Oberyn agrees:
“Dwarf,” said the Red Viper, in a tone grown markedly less cordial, “spare me your Lannister lies. Is it sheep you take us for, or fools? My brother is not a bloodthirsty man, but neither has he been asleep for sixteen years. Jon Arryn came to Sunspear the year after Robert took the throne, and you can be sure that he was questioned closely. Him, and a hundred more. I did not come for some mummer’s show of an inquiry. I came for justice for Elia and her children, and I will have it. Starting with this lummox Gregor Clegane … but not, I think, ending there. Before he dies, the Enormity That Rides will tell me whence came his orders, please assure your lord father of that.” He smiled. “An old septon once claimed I was living proof of the goodness of the gods. Do you know why that is, Imp?”
Tyrion IV, ASOS
“Is that the game we are playing?” Tyrion rubbed at his scarred nose. He had nothing to lose by telling Oberyn the truth. “There was a bear at Harrenhal, and it did kill Ser Amory Lorch.” “How sad for him,” said the Red Viper. “And for you. Do all noseless men lie so badly, I wonder?” “I am not lying. Ser Amory dragged Princess Rhaenys out from under her father’s bed and stabbed her to death. He had some men-at-arms with him, but I do not know their names.” He leaned forward. “It was Ser Gregor Clegane who smashed Prince Aegon’s head against a wall and raped your sister Elia with his blood and brains still on his hands.” “What is this, now? Truth, from a Lannister?” Oberyn smiled coldly. “Your father gave the commands, yes?” “No.” He spoke the lie without hesitation, and never stopped to ask himself why he should. The Dornishman raised one thin black eyebrow. “Such a dutiful son. And such a very feeble lie. It was Lord Tywin who presented my sister’s children to King Robert all wrapped up in crimson Lannister cloaks.”
Tyrion IX, ASOS
“Elia Martell, Princess of Dorne,” the Red Viper hissed. “You raped her. You murdered her. You killed her children…“I came to hear you confess.”
Tyrion X, ASOS
Varys and Tyrion both understand that House Martell (but more specifically Doran) hates the Lannisters.
“The Dornishmen thus far have held aloof from these wars. Doran Martell has called his banners, but no more. His hatred for House Lannister is well known, and it is commonly thought he will join Lord Renly. You wish to dissuade him.” “All this is obvious,” said Tyrion. “The only puzzle is what you might have offered for his allegiance. The prince is a sentimental man, and he still mourns his sister Elia and her sweet babe.” “My father once told me that a lord never lets sentiment get in the way of ambition … and it happens we have an empty seat on the small council, now that Lord Janos has taken the black.” “A council seat is not to be despised,” Varys admitted, “yet will it be enough to make a proud man forget his sister’s murder?” “Why forget?” Tyrion smiled. “I’ve promised to deliver his sister’s killers, alive or dead, as he prefers. After the war is done, to be sure.” Varys gave him a shrewd look. “My little birds tell me that Princess Elia cried a … certain name … when they came for her.” “Is a secret still a secret if everyone knows it?” In Casterly Rock, it was common knowledge that Gregor Clegane had killed Elia and her babe. They said he had raped the princess with her son’s blood and brains still on his hands. “This secret is your lord father’s sworn man.” “My father would be the first to tell you that fifty thousand Dornishmen are worth one rabid dog.” Varys stroked a powdered cheek. “And if Prince Doran demands the blood of the lord who gave the command as well as the knight who did the deed …” “Robert Baratheon led the rebellion. All commands came from him, in the end.” “Robert was not at King’s Landing.” “Neither was Doran Martell.”
Tyrion IV, ACOK
Really, all the nobles know where to look at when assigning blame for Elia's murder. Tywin.
“Prince Doran comes at my son’s invitation,” Lord Tywin said calmly, “not only to join in our celebration, but to claim his seat on this council, and the justice Robert denied him for the murder of his sister Elia and her children.” Tyrion watched the faces of the Lords Tyrell, Redwyne, and Rowan, wondering if any of the three would be bold enough to say, “But Lord Tywin, wasn’t it you who presented the bodies to Robert, all wrapped up in Lannister cloaks?” None of them did, but it was there on their faces all the same. Redwyne does not give a fig, he thought, but Rowan looks fit to gag.
Tywin, for the most part, quite shamelessly tries to disassociate himself from his own moral failings; this is nothing new, because he follows this same MO with squarely blaming the Freys for the Red Wedding even though he played an integral part in planning for it.
“Then why did the Mountain kill her?” “Because I did not tell him to spare her. I doubt I mentioned her at all. I had more pressing concerns. Ned Stark’s van was rushing south from the Trident, and I feared it might come to swords between us. And it was in Aerys to murder Jaime, with no more cause than spite. That was the thing I feared most. That, and what Jaime himself might do.” He closed a fist. “Nor did I yet grasp what I had in Gregor Clegane, only that he was huge and terrible in battle. The rape … even you will not accuse me of giving that command, I would hope. Ser Amory was almost as bestial with Rhaenys. I asked him afterward why it had required half a hundred thrusts to kill a girl of … two? Three? He said she’d kicked him and would not stop screaming. If Lorch had half the wits the gods gave a turnip, he would have calmed her with a few sweet words and used a soft silk pillow.” His mouth twisted in distaste. “The blood was in him.”
Tyrion VI, ASOS
“And when Oberyn demands the justice he’s come for?” “I will tell him that Ser Amory Lorch killed Elia and her children,” Lord Tywin said calmly. “So will you, if he asks.” “Ser Amory Lorch is dead,” Tyrion said flatly. “Precisely. Vargo Hoat had Ser Amory torn apart by a bear after the fall of Harrenhal. That ought to be sufficiently grisly to appease even Oberyn Martell.” “You may call that justice …” “It is justice. It was Ser Amory who brought me the girl’s body, if you must know. He found her hiding under her father’s bed, as if she believed Rhaegar could still protect her. Princess Elia and the babe were in the nursery a floor below.”
Tyrion VI, ASOS
Tywin tries to alleviate himself of any responsibility by blaming his men, but the narrative actively calls bullshit on this (through Tywin's own son no less).
So the narrative shows through multiple POVs that Elia's murder is contextualized exclusively as a failing on Tywin Lannister and his men; not only was it a moral failing, but Tyrion also questions if it was politically necessary in the first place. It's also important to note that ASOS is when we really dive into the matter of Elia and her children (mostly through Oberyn), but we also have to remember that this is the same book as the Red Wedding. The Red Wedding, another one of Tywin's senseless massacres that he tries to postulate as politically necessary.
So, we have agreed that the blame and context for Elia's (and her children's) murder is presented through the lens of Tywin as an immoral politician who often makes politically unnecessary moves. But then we ask ourselves, can the responsibility of this tragedy be extended? Well, yes it can. And it has been in the text.
Ser Barristan extends this tragedy beyond Tywin and his men
...to King Robert.
“Prince Rhaegar had two children,” Ser Barristan told him. “Rhaenys was a little girl, Aegon a babe in arms. When Tywin Lannister took King’s Landing, his men killed both of them. He served the bloody bodies up in crimson cloaks, a gift for the new king.” And what did Robert say when he saw them? Did he smile? Barristan Selmy had been badly wounded on the Trident, so he had been spared the sight of Lord Tywin’s gift, but oft he wondered. If I had seen him smile over the red ruins of Rhaegar’s children, no army on this earth could have stopped me from killing him. “I will not suffer the murder of children. Accept that, or I’ll have no part of this.”
The Kingbreaker, ADWD
Ned Stark does as well.
Ned did not feign surprise; Robert’s hatred of the Targaryens was a madness in him. He remembered the angry words they had exchanged when Tywin Lannister had presented Robert with the corpses of Rhaegar’s wife and children as a token of fealty. Ned had named that murder; Robert called it war. When he had protested that the young prince and princess were no more than babes, his new-made king had replied, “I see no babes. Only dragonspawn.” Not even Jon Arryn had been able to calm that storm. Eddard Stark had ridden out that very day in a cold rage, to fight the last battles of the war alone in the south. It had taken another death to reconcile them; Lyanna’s death, and the grief they had shared over her passing.
Eddard II, AGOT
And so does Tywin, who uses Robert's tacit approval as justification for this senseless act.
Lord Tywin stared at him as if he had lost his wits. “You deserve that motley, then. We had come late to Robert’s cause. It was necessary to demonstrate our loyalty. When I laid those bodies before the throne, no man could doubt that we had forsaken House Targaryen forever. And Robert’s relief was palpable. As stupid as he was, even he knew that Rhaegar’s children had to die if his throne was ever to be secure. Yet he saw himself as a hero, and heroes do not kill children.” His father shrugged. “I grant you, it was done too brutally. Elia need not have been harmed at all, that was sheer folly. By herself she was nothing.”
Tyrion VI, ASOS
So if we can't extend the blame to Rhaegar, because the narrative doesn't do so either, what can we hold him responsible for? Let's take a step back and look at Rhaegar's culpability in this whole thing.
Was Rhaegar (and Lyanna) responsible for starting the war that would eventually lead to Elia's murder?
No. GRRM doesn't think so. The war actually started when King Aerys murdered the Lord of Winterfell and his heir, a bunch of other northern nobles, and then called for the heads of Robert Baratheon (Lord of Storm's End) and Ned Stark (the new Lord of Winterfell). Aerys broke the feudal contract, and so Jon Arryn declared war.
I don't think I would have stayed loyal to the Mad King. Do I think they were justified? Yes, and no. [...] There was no doubt that the Mad King was mad. He was paranoid and he was abusing his power. And Westeros has no Magna Carta or anything like that. There was no way to handle this within the rule of law. But was what they do justified? Especially when you consider that it was triggered by a personal grievance. The execution of Ned's father and brother was really a thing that radicalized Ned and put him in opposition to it. Robert was just rolling for a fight and didn't like the fact that he'd lost his girlfriend. So you know, the personal informs the political.
source
Rhaegar and Lyanna's disappearance was merely the spark - it led to a misunderstanding that caused Brandon Stark to ride to Kingslanding. What really caused the war was Aerys' Targaryens subsequent actions as the king. So if we want to blame someone for causing the chain of events that led to Elia's death as well as her children's, the author himself says to blame Aerys; even though I don't think this is right either because we once again stray from the necessary (and sole) context of Elia's murder - Tywin's bloody hands.
Fine. Rhaegar was not responsible for the war. But surely he is responsible for leaving Elia in King's Landing, right in the clutches of Mad King Aerys. Well, this again, is not true. As far as Rhaegar knew, Elia was in Dragonstone with Aegon and Rhaenys where he left them.
As cold winds hammered the city, King Aerys II turned to his pyromancers, charging them to drive the winter off with their magics. Huge green fires burned along the walls of the Red Keep for a moon’s turn. Prince Rhaegar was not in the city to observe them, however. Nor could he be found in Dragonstone with Princess Elia and their young son, Aegon.
“The Year of the False Spring”, The World of Ice and Fire
At some point, Elia was called to King's Landing. And it was Aerys who kept her hostage there as insurance against possible Dornish betrayal (remember, he was paranoid).
Side Note: Aerys kept another important political hostage in King's Landing along with Elia - Jaime Lannister; this is to deter anyone from trying to blame Jaime for doing nothing. He was a teenager and a hostage himself!
“My Sworn Brothers were all away, you see, but Aerys liked to keep me close. I was my father’s son, so he did not trust me. He wanted me where Varys could watch me, day and night. So I heard it all.” He remembered how Rossart’s eyes would shine when he unrolled his maps to show where the substance must be placed. Garigus and Belis were the same. “Rhaegar met Robert on the Trident, and you know what happened there. When the word reached court, Aerys packed the queen off to Dragonstone with Prince Viserys. Princess Elia would have gone as well, but he forbade it. Somehow he had gotten it in his head that Prince Lewyn must have betrayed Rhaegar on the Trident, but he thought he could keep Dorne loyal so long as he kept Elia and Aegon by his side. The traitors want my city, I heard him tell Rossart, but I’ll give them naught but ashes. Let Robert be king over charred bones and cooked meat. The Targaryens never bury their dead, they burn them. Aerys meant to have the greatest funeral pyre of them all. Though if truth be told, I do not believe he truly expected to die. Like Aerion Brightfire before him, Aerys thought the fire would transform him … that he would rise again, reborn as a dragon, and turn all his enemies to ash.
Jaime V, ASOS
Ok, fine. So Rhaegar did not abandon her with Aerys then run off to Lyanna. But he should have done something when he came back, right? Why didn't he leave more Kings Guard with Elia and the children?
Well....this is a war. The knights of the KG are important assets on the battle field. Kings Landing, at the time, was not the most dangerous location. The KG were better off at the Trident, as a victory there would protect those who were left behind in KL.
And it's not that Rhaegar didn't do anything. Beyond going off to lead the battle himself, he tried to make moves that would help those who were back in KL (Elia and the children included).
He floated in heat, in memory. “After dancing griffins lost the Battle of the Bells, Aerys exiled him.” Why am I telling this absurd ugly child? “He had finally realized that Robert was no mere outlaw lord to be crushed at whim, but the greatest threat House Targaryen had faced since Daemon Blackfyre. The king reminded Lewyn Martell gracelessly that he held Elia and sent him to take command of the ten thousand Dornishmen coming up the kingsroad. Jon Darry and Barristan Selmy rode to Stoney Sept to rally what they could of griffins’ men, and Prince Rhaegar returned from the south and persuaded his father to swallow his pride and summon my father. But no raven returned from Casterly Rock, and that made the king even more afraid. He saw traitors everywhere, and Varys was always there to point out any he might have missed. So His Grace commanded his alchemists to place caches of wildfire all over King’s Landing. Beneath Baelor’s Sept and the hovels of Flea Bottom, under stables and storehouses, at all seven gates, even in the cellars of the Red Keep itself.
Jaime V ASOS
And Jaime's POV once again shows us that Rhaegar banked on victory at the Trident, and was fully expecting to come back to KL and amend the fraught political situation.
The day had been windy when he said farewell to Rhaegar, in the yard of the Red Keep. The prince had donned his night-black armor, with the three-headed dragon picked out in rubies on his breastplate. “Your Grace,” Jaime had pleaded, “let Darry stay to guard the king this once, or Ser Barristan. Their cloaks are as white as mine.” Prince Rhaegar shook his head. “My royal sire fears your father more than he does our cousin Robert. He wants you close, so Lord Tywin cannot harm him. I dare not take that crutch away from him at such an hour.” Jaime’s anger had risen up in his throat. “I am not a crutch. I am a knight of the Kingsguard.” “Then guard the king,” Ser Jon Darry snapped at him. “When you donned that cloak, you promised to obey.” Rhaegar had put his hand on Jaime’s shoulder. “When this battle’s done I mean to call a council. Changes will be made. I meant to do it long ago, but … well, it does no good to speak of roads not taken. We shall talk when I return.”
Jaime I, AFFC
So Rhaegar wasn't leaving with no care about what happened back in King's Landing. We don't know what he wanted to do with Aerys, Elia, Lyanna, and the aftermath of the war because he died at the Trident. But we do know that he, at the very least, was planning to do something.
So we can't blame Rhaegar (and Lyanna) for starting the war and we can't blame him either for abandoning Elia in King's Landing with no care about what happens next. So, again, what can we blame him for?
“It's not entirely correct that the Martells stayed out of the war. Rhaegar had Dornish troops with him on the Trident, under the command of Prince Lewyn of the Kingsguard. However, the Dornishmen did not support him as strongly as they might have, in part because of anger at his treatment of Elia, in part because of Prince Doran's innate caution.”
SSM, 09/11/1999
GRRM states that Dorne was angry about Rhaegar's treatment of Elia. What is this treatment, though?
Ned remembered the moment when all the smiles died, when Prince Rhaegar Targaryen urged his horse past his own wife, the Dornish princess Elia Martell, to lay the queen of beauty’s laurel in Lyanna’s lap.
Eddard XV, AGOT
Specifically, Rhaegar riding past Elia to crown Lyanna the Queen of Love and Beauty. Yes, that is a humiliation. And it's undeniable that no one was happy.
The crowning of the Stark girl, who was by all reports a wild and boyish young thing with none of the Princess Elia’s delicate beauty, could only have been meant to win the allegiance of Winterfell to Prince Rhaegar’s cause…Yet if this were true, why did Lady Lyanna’s brothers seem so distraught at the honor the prince had bestowed upon her? Brandon Stark, the heir to Winterfell, had to be restrained from confronting Rhaegar at what he took as a slight upon his sister’s honor…Eddard Stark, Brandon’s younger brother and a close friend to Lord Robert, was calmer but no more pleased.
“The Year of the False Spring”, The World of Ice and Fire
But, humiliating Elia is not the same thing as being responsible for her death. The narrative never equates these two things in any way. Elia's death is about Tywin's immoral and blood thirsty political actions. It's about Dorne's desire for justice (or is it vengeance?) which they know they will not get from the Lannister regime. House Lannister's downfall in King's Landing will be brought about by Prince Aegon's rise - Aegon who is proclaiming to be the long lost son of Prince Rhaegar, and who is being supported by House Martell as of now.
We can criticize Rhaegar for some things, but Elia's death is surely not one of them.
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demaparbat-hp · 5 months
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crawling up the walls over zuko kyosho makeup concept uGH
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Bit of a sneak peek!!!
In this AU, Zuko is sort of an unofficial warrior. He wears face paint, but the style is mixed with that of a river spirit from home. He has a headband engraved with the character for fire. He fights, sometimes with the fans, sometimes with the niuweidao. Armor? Sure, but does it come in black and red?
There's definitely some Kyoshi influence in his life, but he's still Zuko. And that's something I love about him.
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rotisseries · 1 year
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I will headcanon every fictional woman EVER as a lesbian. every single one. except max mayfield. she is THE most bisexual to ever bisexual. congratulations to the brothers duffer for making me fully, completely, and actively believe in her attraction to men
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lazuliquetzal · 4 months
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I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.
I AM SUMMONED? PLOT BRAIN SUMMONED?
I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.
A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.
Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.
There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:
You set an expectation
There are complications to the expectation
You meet the expectation
And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.
And One Last Important Thing:
In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.
So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.
But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.
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