Early visual development for Wish (2023) by Griselda Sastrawinata-Lemay and Brittney Lee.

An earlier version of the film saw Star take on a human form as a magical, glowing character inspired by Peter Pan. Ultimately, the creative team reconceptualized Star as an ethereal, playful entity resembling Mickey Mouse. "Now Star and Asha have an emotional journey. They are soulmates." -Allison Moore.

The world was so ungrateful to you...

𝟣𝟢𝟣 𝖣𝖺𝗅𝗆𝖺𝗍𝗂𝖺𝗇𝗌, 𝟣𝟫𝟨𝟣

- Floyd is so stitch coded -

Lilo & Stitch (2002)

Crazy how some of the best animated movies of the year didn't even come from Disney or Dreamworks, y'know, the two companies famous for their animated films.

Fellas, if something is truly inspiring, it is:

Hayao Miyazaki made an uncompromisingly personal, artsy movie that no one was supposed to get because it's too personal, too dark, too 'exotic' or whatever. And it actually became immensely successful and popular despite it (because of it???) And Disney made the safest, most backbone-less, most non-combative and soy and politically correct and soft and crowd-pleasing 'Wish' and it failed!!! It fucking failed, my friends! A historical moment! Should we finally throw away all those Hollywood seminars and workshops that try to sell us 'how to make the universally loved stories Disney style'???

There is nothing universal about any movie.

And the world is finally hungry for something different.

this happened 7 years ago, the people were only trying to help a girl who was bleeding from a shot wound.

Watch the video yourself, you can see the people who gathered were not posing as a threat, they were only concerned about the girl. Yet an officer felt it necessary to harass a man in a wheelchair?

There is no neutrality. There is nothing complex about it once you open your eyes and realise the people of palestine have been dealing with an oppressive force for years

𝙳𝚒𝚜𝚗𝚎𝚢 𝚌𝚘𝚗𝚌𝚎𝚙𝚝 𝚊𝚛𝚝Ｉᴛʜᴇ ᴘᴏꜱᴛ-ʀᴇɴᴀɪꜱꜱᴀɴᴄᴇ [ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ] ᴇʀᴀ (2000 - 2008)

Beauty And The Beast (1991) Dir. Gary Trousdale And Kirk Wise

I find it so refreshing that we are in this rare stage in western animation where disney is actually not monopolizing all the attention. If anything, 2022 has been one of their worse years yet in the animation department. Everything they have done has been completely eclipsed by other studios for once. Their Pinocchio "movie" was just obliterated by Guillermo del Toro's version. Strange World was completely forgotten because of poor marketing choices, allowing Dreamworks to come back with the Bad Guys and Puss in Boots, the first being very good and the second absolutely excellent (I'm being serious, this movie is SO MUCH MORE than a simple Shrek spin-off).

TMNT even got its time to shine with probably the best 2D animated film this year (in a technical aspect at least), rekindling an interest for the entire franchise (with another TMNT movie by Seth Rogen in production!!)

The Sea Beast was amazing. Wendell & Wild was a masterclass. 2022 has just been excellent throughout, and it's Disney that happens to be the weakest at the moment. Even the Minions 2 got more attention than most things that came out on Disney + Animation this year (not saying that the movie was great or anything, but it's saying a lot)

And when we look at the next Pixar movie coming out next year, the hype pales in comparison to the Mario movie, and let's not even TALK about Across the Spiderverse......everybody knows it's going to snatch everyone's wig, and all the awards under the sun to match it.

So yeah, western animation gets to breathe a little, and it feels amazing.

THE EMPEROR'S NEW GROOVE (2000) Dir. Mark Dindal

“Boy, your eyes are like sapphires!”

THE ARISTOCATS (1970)

Dir. Wolfgang Reitherman

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?