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#and thank you Neil for asking this
yoinkschief · 8 months
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Hello Jay, I would like to hear your headcanons about Tom and his mom 👀👀👀 Go on, speak into the mic 🎤
AAA HI NEIL I'M SO GLAD YOU ASKED
Taps mic 🎤 ahem
Buckle in cause this got absurdly long I did not expect to get this long omll
So I guess I'll begin when he was younger,, when his mother and father first got married they were just going into their 30s, and while weren't actually trying for a kid they did end up having one: Tom
Barbara (Tom's mom) was ecstatic at having a kid whereas Peter (Tom's dad) was terrified, he knows he has anger issues and is very aware of how he's gotten easily frustrated with children in the past and doesn't want to get angry towards his soon to be son (though Barbs has been a dear with helping him and his anger, truly he'd be in jail by now if not for her)
Fast forward a bit, Tom's born and while Peter isn't magically cured of any anger issues, Tom is just the sweetest little guy and he, genuinely throughout his fatherhood, has not once gotten angry at his son. Gotten angry a good few things, but his son and wife weren't in that list
Tom is also born completely nonverbal (this is a little reference to how 2004 he's drawn without a mouth,,, I know that all the characters are at this time because mmm animation but in most fanart of 2004 only Tom is the one kept without a mouth because that and his one eye gives him creechur vibes I love it so I incorporated it like this) due to his autism, and he did get formally diagnosed early on due to this
It's a bit of a struggle trying to figure out what he's saying but he's a quick learner for how to read and write so if he can't get what he's trying to say through hand motions or actions he'll go and write it down (at least when he gets around 5yo, the years before were hard and they had to learn a weird, Tom version of sign language,, to clarify not actual sign language just learning what motions of his mean what)
One interaction I think about a lot with Tom and his mother is in Tom's youth when he's, maybe, 4? And he sees his mom shave her hair for the first time. Tom didn't like the sudden change as she looked like a different person and was having trouble understanding why it was gone
It took Barb a while to fully understand what he meant, why he was crying and whatnot, but finally able to sit him down in her lap he started making a lot of motions towards his own hair and then Barb's, and the interaction goes something like this:
"Are you talking about my hair?" Barbara quietly concerns, gesturing to her now bald head.
Tom made small grunts with wide eyes, rocking in his mother's lap incessantly.
"Okay, okay," She nodded holding her son's hand gently in her own- less so holding and more resting them in her own. "It's gone, baby."
Tom didn't seem to like that answer, shaking his head no with his hand reaching up to grab and tug at his his in distress. His eyes were screwed shut, why would his mom do that? But Barbara was quick to respond with carefully holding her son's hands again, their fingers interlaced as he squeezed on her hands instead in his temper.
"You don't like that it's gone?" She tilted her head to the side, bringing Tom's hands away from his face and towards her chest.
He shook his head no with an upset grunt, swinging his hands (and by proxy his mother's) side to side to drive the point further.
"Ohh,, pumpkin," Barbara gave Tom a sad smile, resting their hands in her lap as she gave him a small, reassuring squeeze.
"It’ll be alright-”
Tom hated that answer more, giving a frustrated noise as his eyes started welling with tears.
“Honey,” Barbara frowned at the tears coming out of her child’s eyes, it hurt to see him so upset, gently running her thumb along his cheeks to swipe them away. “I’m still mama, I’m still you mom.”
She led Tom’s hand over her heart, letting him feel the steady beating of it. The constant and steady pattern of thumping seemed to entrance him for a moment until his mild rocking and distressed noises slowly came to a halt.
“See? It’s still me, baby.” She cooed, running her thumb along the back of her son’s hand. “My hair is gone, but I’m here.”
“Sometimes, in life,” Barbara began, setting Tom’s hands down in his lap again now that he was calmer. “things change, and we can’t control it. Like my hair, you couldn’t control that, could you?”
Tom looked up from watching his hand feel the steady movement of her heart pumping, looking up at his mother’s face. He still looked displeased and upset, but less so, even going as far as to reach for where her hair used to be, trying to grab at the air around her head like it was still there. Fruitless.
She held his hand again, pressing it against her cheek with a broad smile, one she gave him often. He couldn’t keep his resentment for long, giving his own goofy smile back with a giggle. The way her gap tooth showed when she smiled that big was forever burned into his memory, only disappearing from her face so that she could kiss the palm of her son’s hand.
Tom shook his head, frowning at the thought but keeping a wide eyed expression to his mother as she continued her lesson. She smiled to him once again.
“Well, that happens a lot in life.” She sighed, cupping Tom’s cheek in her hand. “And no one likes it, you’re not alone for thinking that. But what you can control is how you deal with the change. Like how you showed me how upset you were, so now we’re talking about it. Do you feel better about it now?”
Tom took a moment, eyes casted down as he thought on it. He gave a small nod as he looked back up at her.
“Good.” She beamed. “And from now on, I’ll do my best to let you know beforehand when I make a change like that, alright?” She kissed Tom’s forehead, causing the child to give a small giggle. That was her favorite noise.
Now, Tom was always a Mama's Boy (not in a derogatory way, he just loved his mom a whole hell of a lot) but even moreso after his father died. They both were grieving and so it caused them to cling closer together because of it, to the point that had it not been for his friend (at the time only Matt, but later Edd too as this was before Tord was introduced to the friend group) he probably would've completely self isolated
They do a ton of things together as Tom gets over and they both eventually heal from Peter's death, baking, sewing, shopping, watch movies, anything they can do when they have the chance to hang out together
They were so close in fact that Barbara was genuinely the first person he came out to for being nonbinary (He/They pronoun user :) ) and of course she loved him unconditionally, but he didn't even tell Matt, Edd or Tord (now in Highschool and having been introduced to delinquent) that yet
However, later in his highschool years, around late Junior year (11th grade) or early Senior year (12th grade) of highschool his mother dies as well. Not from a freak bear with a gun attack though, instead from Pneumonia, which is something she tends to get a lot and always had in her youth, and while it usually isn't fatal and there is treatment and whatnot and she definitely took as much as help as she could, this time just hit different it seemed.
This really fucked with Tom during some of his most important years of his life and caused him to go into a BIG depressive episode for a long long time
Side note that I guess also kinda applies: Had it not been for Tord being just as stubborn of a jackass as Tom, he would've completely self isolated. Edd and Matt helped a lot in his youth but he also had his mom to encourage him, but now with his immediate family all gone he didn't see much of a reason to interact with people. And where Edd and Matt lack in persuasion, Tord more than makes up for in the lack of giving a fuck and would literally drag Tom outside even if he was kicking and screaming. This is mostly because Tord is second only to Tom himself in how durable he is, like a brick shithouse (built like one, too) and not afraid to make Tom hate him if it meant getting him better in the long run (a running theme I have for their relationship :) they're less so "GRR I HATE YOU I HOPE YOU DIE /GEN" and more of like have this weird understanding with eachother where like "I'll literally kill you if you touch me but I'd kill anyone you touched you" type beat, unafraid to get the other to hate them for the greater good because they have the understanding that they wouldn't do something so wildly stupid for no reason. Yes that plays into The End and the future events of WTFuture)
I love them so much oh my god you have zero idea
Anyway, TL;DR
Tom and his mom are extremely close and helped each other get through the worst of times while Tom continues to learn the lesson of "everything changes, it's out of your control, and you can only control how you proceed with it"
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emry-stars-art · 4 months
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Mistlefoe Aaron & Neil - @jtl-fics
Yeah this might as well be one of my last art posts of 2023
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piratewinzer · 8 months
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Neil Gaiman: “Quiet, gentle, romantic.”
David “Fuck it” Jenkins: “FUCKING SWEET, SLUTS. GET YOUR BREAKFAST, WHORES.”
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raggedy-spaceman · 9 months
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Listen, I love that Neil is here and I don’t want him to ever stop answering even the most silliest of questions because I love when there’s an ask that goes like “hey why are Crowley’s glasses round” and he would answer “because why not” and then in the reblogs you can find an earth shattering, life changing, moving to tears tale of someone who met Neil and/or Terry 10 years ago and they spoke for hours about the significance of round glasses in life and you can do nothing but reblog while weeping like a baby.
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sketchyelvenasss · 6 months
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This whole conversation is a masterpiece even as it shoots arrows at my heart. thank you Larian and thank you Neil
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His puppy face I can’t
This is also after completing his personal quest spawn ending and being romantic at his grave.
I DID NOT ACTUALLY DO THIS! I swear. I could never. I just wanted to see the dialogue. Also technically calling him sweet- instead of insisting they need to end things- does continue the relationship.
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littlebidule · 9 months
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FANART WHO SPOILS EPISODE 6 OF GOOD OMENS !!!
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I’m so sorry for this.
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eggst · 5 months
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i think
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jtl-fics · 2 months
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[Walks up with a bowl of Ashes dips fingers into it and places a cross on your forehead for this year's Ash Wednesday.]
"Remember that you are a dust and unto dust you shall return—and you shall return with some pretty boy."
Happy Wip Ash Wednesday Ash <3
WIP Wednesday 2/14/24 (CLOSED) | Pretty Boy
"People say it out loud all the time." Andrew says with a roll of his eyes. If he had a nickel for every time he'd heard someone talk about Neil's attractiveness he'd have enough for a second Maserati.
Neil flinches.
"Does that make you uncomfortable?" he asks.
"I guess I just didn't realize people would talk about it around you." Neil says as Andrew pulls into a spot. Andrew looks at him.
"It is bold of them." Andrew agrees.
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knickknacksandallthat · 6 months
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if you don't mind me asking, what got you into kevin's character?
for me it was actually your fic, but since its so normalized in the fandom to dismiss his trauma and call him a coward and annoying for doing things that other characters are loved for, i didn't really care about him when i first read the books
now hes my favorite
Oh, anon, I love this!! What an honor, I’m so glad to have helped you join the Kev lovefest 😊 (Welcome to the dark side lol!) It makes me so happy that the A Fallen Star series has awakened this in you! 💖
And wow, what a good question. I don't mind at all! I actually had to think about this for a while to try and remember…how the heck did I get here???
So here is my ridiculously uncalled-for POV on Kevin’s character and slow descent into madness below:
(Disclaimer that these are just my thoughts and anyone in the aftg fandom can hc or think whatever they like about Mr. Day 😊)
Like you, anon, I was easily swayed by Neil’s perspective of Kev on first read. It makes sense and is a credit to Nora how we so fully buy into Neil’s opinion of Kevin that many of us just run with it. And to be fair to the fandom, it’s canon – Andrew, Neil, and all the Foxes tell us he’s a coward and annoying and so we assume it must be true.
So, I created many fics that played into this image and focused on andreil. (Because who isn’t enamored with andreil??? Legit, deranged obsession and couple goals lmao). Using that lens, it was easy to make Kevin the punching bag because he is the quintessential “straight man” in comedy (and yes, I do hear the irony in that) – the foil to other characters to make them seem better, braver, funnier, smarter, etc. It’s an age-old trick/trope in fiction that works very well. And it was an easier transition for Nora to make, I think, once she made the decision to remove Kevin from the main narrative of her story.
This character setup works well enough when you’re doing a fic from Neil or Andrew’s POV, providing an easy source of humor to fall back on. So, for me, I think my thinking shifted once I started working on Flavors of Fall and delved into Andrew and Kevin’s storyline there. That fic forced me to think from Kevin’s perspective, and I found at the time I had a shallow understanding of what made Kevin tick. It totally threw me once I really started considering sequels for that fic and the 12 Day Program for Courtship, both of which have Kevin cast as a main character. I had to dive deep into his makeup, seriously considering his motivations, his likes/dislikes, his personality traits, his relationships, and how he would react in any given situation.
Because I was interested in his character development, I started delving into fics like orionauriga’s just pretend , @likearecordbb's Long Walk in the Woods, @thetrojeans daylights, sunsets, and @dayurno's the age of no regret series. They are all brilliant, fascinating character studies of Kevin Day and his relationships that are extremely well done. There’s many more, of course, but I was searching for fics that specifically delved into Kevin’s thought process and choices and stayed there a while.
That’s what led me to feeling like I needed to tell his story with Dead of Night. Of course, it turned into a larger series with my flavoring of Kerejean added because I’ve never been a huge Kevin/Thea relationship fan. (But that's a discussion for another day which you can start here and here for that adventure.)
Now all that I’ve described above gives you the mechanics of the descent – the when, the where, the how. But it crucially misses the why. What is it about Kevin that got me in the end?
Ironically enough, it was his potential.
I think when Nora stripped away any kind of romantic narrative (RIP Kandreil OR Riko/Kevin/Jean) or a chance for a tragic storyline (Kevin dying in the end) it resulted in removing a lot of Kevin’s emotional vulnerability. We don’t get to hear what he’s feeling or thinking unless it’s related to Riko, the Moriyamas, or Exy. This means his storyline is consumed by the stereotypical sports underdog story, with us following his rise to champion (which is still a powerful enough narrative on its own that shines even in the midst of Neil’s crazy plotline. Switching that racquet to his left hand in the championship game? Iconic.) 
However, it leaves us very much with a shell of a person. Kevin’s character outside of Exy is reduced to a handful of facts – there’s a passing comment on his like of history, and the stark evidence of an alcohol addiction as a coping mechanism. We’re told he used to dance. That he learned French because Jean Moreau taught him. That he has no qualms about taking (mild?) drugs (cracker dust). Despite how much we’ve run with it as a fandom, the only allusion I’ve found in the books to him being strict with diet is this section from The King’s Men:
“No one needs to eat this before a game,” Kevin said. “Eat some granola or protein if you’re that hungry.” “Hello, there’s protein in the peanut butter,” Nicky said. “Let go of me before I tell Andrew you’re outlawing chocolate. I said let go. You’re not the boss of me. Ouch! Did you seriously just hit me?” … “Kevin, just let him go,” Neil said. “It’s not worth fighting over.” “When our defense is sluggish, we all suffer,” Kevin said.
From what I can find in the books, Kevin never once denies Andrew eating ice cream. (Which I’m 100% able to admit I might have missed something so feel free to quote me where that scene is because I was totally searching for it). In fact, every time they go to Sweetie’s, it’s implied Kevin orders ice cream with them. In the infamous kissing scene in The King’s Men, we actually have proof that Kevin got ice cream:
Kevin still hadn’t messaged Nicky by the time they reached the ice cream aisle, so Nicky gave in and called him. Neil half-expected Kevin to ignore Nicky’s call, but Kevin wasn’t so sour with them that he’d turn down a free snack…Nicky grabbed spoons from the kitchen and distributed pints to their hungry owners. Neil checked his expression when Nicky came back from dropping Kevin’s off….
Now I do think it’s in line with his character and his upbringing to have issues with food, so I’m all for buying into that specific hc. But we have very little evidence of it in the text.
His personality is reduced mainly to anger, arrogance, or cowardice (all traits that don’t make us sympathize with him). The only facts we have about his Tragic Past™️ are two things: his mother’s death, and his hand injury. Everything else we assume is based on Neil’s knowledge of the mafia, Wymack’s hearsay, Andrew’s deductions, and Kevin’s reactions to Riko and Tetsuji. We have literally no idea what happened to Kevin in the Nest. His trauma and his time spent there is a complete mystery. The closest we get is Riko’s comment to Neil in The Raven King:
“I am going to love hurting you,” Riko said, “like I loved hurting Kevin.”
This, I think, is one of the main reasons many of the fandom “dismisses” Kevin’s trauma in comparison to Neil’s because we can’t see it. We don’t know what happened and we don’t get to experience it, so this lack of explanation or motivation leaves us only with very cold personality traits. We’re unable to root for him as a character because we can’t sympathize. We can empathize because we know Very Bad Things™️ must have happened in the Nest, but we don’t see them happen the same way we do Neil or Andrew. Even Kevin’s hand injury is old and “healed” when we’re first introduced to the character.
The only true canon moment where Kevin appears “human” is in The Raven King with Kevin’s “then run” and “you should be court” conversation with Neil. His admittance that Neil’s life is more important than Exy is instantaneous – he doesn’t even pause to throw his Exy dreams down the drain if it means Neil can survive.  In a weirdly parallel way, we see Kevin’s thought process implicit in his conversation: “at least you’d have a chance.” It is strikingly similar to Neil’s internal conversation of: one of us should make it. (And there’s another whole separate discourse I could get into on how Kevin and Neil are two halves of the same coin, but we’ll save that for another day.) But even the revelation of Wymack as his father has more shock value than true emotional weight – we never see what that conversation looked like or how either party actually reacted. (In some ways, I feel like Dan being pissed at Kevin is given more “screentime” than Kevin’s response to telling his father and how Wymack reacted.)
So with Kevin’s emotions and past firmly locked down, we’re left to brush off Kevin’s reactions (or lack thereof) as part of his indifferent personality. It is what it says on the tin. (And that’s not to say Kevin is a perfect character by any means. He has flaws just like every other character.)
Now some people very accurately depict and buy into those limitations as simply being Kevin’s character/personality – I’ve read some awesome fics where Kevin is Ace/Aro and/or on the spectrum. These are completely valid, extremely well done, and I could totally see why others see and write him this way. Canon practically sets them up for it.
For me, though, it circles back to our skewed view of Kevin given to us by some deeply loved but also deeply flawed characters (cough, Andreil). Those same characters that we’re told time and again not to judge them by their cover but to try and understand how they’re affected by (and make choices because of) their trauma.
While Andrew and Neil end up giving each other this grace through a hard-fought battle of truths and exchanges, they do not extend this same courtesy to Kevin, and neither are we given the chance to do so. We literally can’t because, again, we don’t know what the full extent of Kevin’s trauma is.
Kevin doesn’t talk about his time in the Nest to any character, meaning we know nothing about it. Ergo we don’t know what choices Kevin makes because of it. In The Foxhole Court, Wymack specifically tells us Kevin was Riko’s pet. In fact, there is so much specific language that Kevin himself uses around the concept of ownership, and that Nora uses when referring to him that it jarringly sticks out in the text.  He has no sense of personal space or proper boundaries, viewing people only as assets to be used for the good of the team, which at the very least is a sign of mental abuse. But the fact remains that we just don’t know. We don’t know how far this mental abuse was taken, how often or severely he was injured, if he injured or was forced to injure others – we don’t know.
But it’s obvious whatever happened to him started as a child and built from there. Which means he has years of abuse and power dynamics embedded into him. He has every right to be afraid. In fact, we are demonstrably told and shown often in canon that Kevin is afraid…but fear does not equate to cowardice. In fact, we know that bravery often means being scared and doing something anyway. And in many cases, that’s just what Kevin did (with a crutch named Andrew). But even before he entered his deal with Andrew, it's important to remember that even though he was brainwashed and beaten from a young age to understand that he would die if he betrayed the Moriyama family in some way, he left them.
This is always so significant to me because so many abuse victims stay in their situation thinking/hoping/praying it will get better – either because of an idea that their abuser will change (“they’re just having a hard time at work rn”) or that the victim will fix whatever flaw the abuser finds lacking. Or alternatively, they recognize the situation is bad, but they can’t leave because they feel like they have nowhere to go, no one who will help them, trapped by their lack of skills/contacts/money. In Kevin’s case, both situations rang true. And yet he left. He left, and in only a year and a half’s time he recovered from his injury and led his team to the championship.
But he is only at the start of his recovery. I think he’ll need years of therapy to recover from all that happened in the Nest. I think many of his emotional and social shortcomings are a direct consequence of that timeframe and he did not have the freedom to address them until the threat of the Moriyamas was removed. I do not think they are permanent parts of his personality – I think in time, he will be allowed to grow and recover and contribute much more to his relationships than he’s capable of doing at the end of The King’s Men.
Though the series finished, I think Kevin’s story is just beginning.
That’s why I think he’s fascinating to explore as a character. That’s why I love writing him right now because in many ways, his possibilities are endless. There’s so many opportunities to explore different facets of his story that we never get a chance to in canon. Kevin’s character and narrative is a tantalizing tease which many of us have fell hook, line, and sinker for. (Including yours truly.) We want to rabidly sink our teeth into it and shake it, like a dog with a bone.
So we do. 😉
Phew. Okay, that’s enough. None of what I’ve written above is new I’m sure to those of the fandom who have been here since the beginning or have become diehard Kevin fans. But thank you for letting me ramble in this ask, anon. Writing about Kevin has been a very fun and therapeutic adventure for me. So I’m so glad that there are others out there who are enjoying it too 😊
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emry-stars-art · 10 months
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My contribution for the foxhole fund💕
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desire-mona · 28 days
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Could I ask for a mini ramble on why Keating is your favourite character? Poised with a notebook and pen to take down notes haha
YES!!!!!!!
BECAUSE NOBODY EVER TALKS ABOUT HIM AND THATS HONESTLY SO RUDE!!!!!!!
so like. keating; let's talk about that
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we desperately need to acknowledge that keating is an amazing man right down to his core. he is so passionate about living life in a way that makes him feel fulfilled that he makes it his main goal to teach others how to do the same.
he experienced the same exact thing as the poets, remember, the movie makes a big deal of how nothing at welton changes. he had the same exact oppressive environment growing up as they did, so he knew exactly how to connect to these boys.
HIS INTENTIONS AND ACTIONS WERE NOTHING BUT PURE, AND THATS WHAT MAKES HIS ENDING ALL THE MORE DEVASTATING.
every single one of his peers and superiors fully believed that neil's death was keatings fault, and actively shunned him for it. not a singular person that wasnt a Teenager in his community understood what he was trying to do. welton painted the narrative that keating taught these insane useless lessons about breaking the rules BUT NEED! I! REMIND! YOU! HE MADE A PRETTY BIG EMPHASIS ON THE FACT THAT U GOTTA BE SMART ABT IT! he called out charlie for the call from god thing for a reason!!
another crazy devastating thing abt keating + neils death is the fact that neil was understanding exactly what carpe diem mean's IMMEDIATELY. AND WAS ACTING ON IT!! he pursued things that he knew would make him happy and fulfilled in the long run, he knew what he wanted to do with his life and he took the first opportunity to get it. the exact fucking definition of seizing the day. keating was REACHING THIS KID SO WELL!! HE WAS UNDERSTANDING EXACTLY WHAT HE WAS SAYING!!! AND THEN!!! AND THEN!!!!!!!!!!
so imagine this. you grow up in the most rigid, boring, unchanging environment and decide fuck it, im gonna Do Something for Myself for Once. you start to think oh, this is actually kinda sick, doing things that make me happy. you escape the environment that aims to essentially make these Children into what their idea of successful is. (quick reminder that there are actual children also attending welton. like kids. like 9 year olds n shit.) you actually chase after every opportunity to be what your idea of successful is, and were so passionate about that way of living that you learned how to teach others how to do it. and also poetry and stuff.
so youre doing exactly that, you finally got to a point where youre doing exactly what you wanna do, and teaching these kids in a situation just like yours. and its going SO WELL! there's this one kid who just GETS IT and is doing it flawlessly and then - oh !
and now everyone around you is like um wtf this is your fault actually. SO YOU HAVE TO PROCESS THE FACT THAT YOUR STUDENT IS DEAD ON TOP OF HAVING TO RELIVE THE ENVIRONMENT YOU HATED AND ACTIVELY WORKED AGAINST YOUR ENTIRE LIFE. AND NOW YOU HAVE NO INCOME OR COMMUNITY OR HOME OR FRIENDS. AND THE ONLY PEOPLE THAT KNOW YOU ARENT A MURDERER ARE UNDER THE AGE OF 18. AND YOUR WIFE LIVES IN ANOTHER COUNTRY. OH AND ALSO YOUR RESUME IS RUINED AND ITLL PROBABLY BE PRETTY HARD TO FIND ANOTHER JOB IF YOU CAN AT ALL.
AND YOU HAVE CANCER. HE HAS CANCER IN THE OG SCRIPT.
keating is my personal description of raw devastation. all of who you are and what you wanted to be is in shambles because of something that isnt your fault. but almost everyone around you thinks it is your fault. and we're just gonna move on from that? thats it? thats the end of the story? no more keating after that?????? downright evil. more people gotta talk about this wonderful man!!!!!
also very sorry if this makes no sense, im quite high. but also shameless self promo pls interact with my ask blog @ask-captain-keating bc i lob running it. pleags. ily for asking this btw!!!!
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truly truly Neil Charlie Todd triumvirate is king please share any thoughts you have on them
OH BOY ANON YOU HAVE OPENED A CAN OF WORMS.
I. OPENING THESIS?
Basically, here’s my abstract for this whole thing:
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(Les Misérables, trans. Isabel F. Hapgood)
And having put this down, I’ll ask you to overlook it, lol. Or treat it as a very loose guide! (If you haven’t any idea what the context of this refers to, here’s a quick rundown: a chief is a leader and someone who people rally behind. A guide is an enthusiast about all things and an advocate for progress, someone who checks the rampant idealism of the chief. The centre is warm, loyal, and acts almost as a mini-Sun for the chief and guide to orbit around, to stop them shooting off on their own wild trajectories.) In the interest of complete transparency, reading Les Mis at a young age had this irreparable effect on me where I now have to think of every triumvirate as a chief/guide/centre dynamic, but I don’t think this model applies 1:1 towards Neil/Charlie/Todd. Instead, I think of them a little as composites, interplaying with each other – Charlie as a guide who would much rather be a chief, Neil as a chief who works better as a guide, and Todd as a centre who’s never given the grace to grow into that role. Let’s go!
II. CHARLIE AS THE CHIEF-GUIDE
Charlie is like if rowdiness was a Guy. He’s big, he’s brash, he’s the instigator and he’s the captain and he’s the shameless one and he’s a side character! I have always found this very interesting whenever I watch DPS; despite Charlie’s main character-ness he is secondary, and doesn’t even get his own sideplot in the same way that Knox (for example) does. He’s a born leader who by virtue of the trappings of his story is relegated to supporting others, although you can so, so clearly see him fighting for space in the story. He gets pushed into being a guide almost by default; only the trait of enthusiasm really applies here. If Neil wasn’t there he’d be the leader of their group, no question. And the thing about Charlie is that he gets things done. He’s the one pushing the most for the re-creation of the Dead Poets Society after Neil, he’s caustic about things that are in his way (“Well, why don’t you stay home?”), people follow him! See Knox running after him, asking to be taught:
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Charlie is the man of action – the telephone stunt is the biggest incident of that. And the way the boys gather around him afterwards as he regales them is chief-like; here he is acting as the chief, because this is around the same time that Neil’s chief role starts to slip away from him. But more of that later. 
The big thing is that Charlie never gets to really assume that role of chief, because Neil is always there. I talked earlier about how he pushes for the re-creation of the Society; well, Neil is the one who finds Keating’s old annual and reads it aloud to them. Charlie is the one cutting down the guys’ concerns about sneaking out after school: Neil is the one who suggests it – more than suggests it! Almost commands it, in a way that leaves little room for debate:
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(Note that in this section, it’s Charlie who does the arguing for Neil, who doesn’t speak except to lay down the law and then ask who’s coming. Real king and knight energy.) 
Charlie never quite manages to edge into centre stage. You can sort of see how there might be resentment there – perhaps there would have been if they had gone on uninterrupted. But then of course Neil dies, and Charlie assumes the chief role by default, but it’s no longer glorious or something he can covet. But he does it anyway; he wakes up Todd, he breaks the news to him, very, very gently, he wipes Todd’s mouth with snow when he vomits and tells the others to leave him alone. But by this point, Charlie going into the chief role he’s so good at isn’t enough to stop the splintering of their group or his own expulsion.  
III. NEIL AS THE GUIDE-CHIEF
Part of Neil’s tragedy is that he would be good at the things his father wants him to do! He’s a wonderful all-rounder, he's the perfect all-American specimen, there’s no doubt in my mind he would have been a great doctor – except he wouldn’t, because the enthusiasm and the motivation would have been lacking entirely. (As someone who just did a shit ton of medical school interviews, yeah, they would have sniffed this guy out really fast. Or maybe they wouldn't… not sure how stringent they were in the ‘50s.) He would have been technically great. But being able to do something doesn’t mean you should; these are the things that Mr. Perry conflates and which Neil is never able to verbalise to him, except in a way in which he thinks he’ll understand:
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In this scene, when he talks to him post-performance it’s not “I enjoyed it”, but a very simple, “I was really good”. And despite this concession of terms he says it when his father can't hear, because he knows he would never relent, oh God.
Actually, a lot of what I wanted to say about Neil has already been said in Charlie’s section. (The summary is basically that you must imagine me offstage with a megaphone as the movie plays, yelling, “YOU TWO NEED TO SWITCH PLACES, FUCKOS”.) Neil is a good leader, but that doesn’t mean he likes being one, or that he should be one! He has a few characteristics of a guide – he’s enthusiastic about everything, he has this boundless kind of delight in the things he loves (not idealism; that’s slightly different). But this is honestly where the model falls apart. I don’t think that Neil would make a great guide either, logic not being his forte; the irony is that the role of the triumvirate he most fits IS the chief, it’s just that that’s what kills him. The responsibility that comes with being someone who “speaks and people listen” isn’t good for him – this dichotomy of having “control” over the friendship group/no control over his personal life is terrible. He does get to lose the chief role, but it’s not in a way that is good for him; instead this manifests in a loss of control that happens very very quickly, which just makes him reach for ways in which he can control his own life. And besides, stepping outside of a leadership role with a great deal of responsibility and losing control over the course of your own life are two very different things. I just think that he should get to go offstage for a little bit and rest, with zero expectations on him ever. (Also there’s something here about how he gets to play Puck – a side character who has major effects on the story but doesn’t have to actually put his skin in the game. This is what I think Neil should get to do In Real Life.)  
IV. TODD AS THE PROTO-CENTRE 
One thing about Todd is that in my mind, I always imagine him as much redder than he actually is in the movie. I don’t mean I imagine him to blush more often – I mean ruddier, more flushed. Going back to the Les Mis quote – in my mind he does “possess all the qualities of a centre, roundness and radiance”! Todd is a catalyst like Keating in a way that Keating isn’t; this is never explicit at all but he has always felt to me like someone who inspires others by their presence. He’s such a wonderful, calming, grounding influence. Even when he talks to Neil and they have that non-argument he tempers Neil and reminds him what’s at stake without looking down on him. And when he realises how serious he is, he goes with it and supports him to the best of his ability – he says “Oh, Neil, Neil, you’re crazy” but it’s fond, he’s overjoyed for him. And you can see similar behaviour perhaps to a lesser extent with Charlie in the way particularly he calls him Nuwanda after his request, which is taken as ridiculous by other characters: 
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And even after Neil’s death he does so, refusing to go back to normal:
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But the reason I’ve put “proto-” for a prefix is because these are all singular occasions. The thing is that I think Todd could be that brilliant, grounding, assured man, a lighthouse of a man, almost. But he isn’t – he clearly isn’t – at the beginning of the movie he is shy and diffident and the non-argument I mentioned early does go a little sour, because while he speaks from a place of concern and love, his anxiety manifests in the conversation and makes him a little less tactful than he might have been otherwise. If things had gone on better than they went, and if Todd had been allowed to grow and develop more and without worry, he really, really would have blossomed into this kind of centre, this very steady man who would have reminded Neil of the consequences of his actions and made Charlie care about the consequences of his. But he doesn’t get to do that – by the time he grows and becomes more confident it’s too late, the worst has already happened. 
V. SUMMARY
I’m so sorry, anon, this is a prodigious answer to what was a very simple ask, but you hit on the subject I have Very Strong Feelings About. Not to toot my own fanfic horn, but there’s an excerpt from the fair folk AU which I think sums this up pretty well:
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TL;DR: Charlie gets pushed into a secondary position which doesn’t suit him; Neil gets pushed into a leadership position which suits him, but he hates; Todd is willing to step into that secondary position as a behind-the-scenes supporter, but never actually gets that opportunity. Hence the tragedy. Hence the taking of lives. Hence how many fucking tears I have shed over this movie, Jesus. 
(I had a lot of fun writing this – thank you for giving me a reason to!)
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sunriseabram · 4 months
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More bodyguard Neil please :))
Nathaniel Bodyguard AU | Part 11 | 10/01
Kevin felt a little guilty for doubting Nathaniel, but he couldn’t help it. It was true that he never would have been able to escape the nest in the first place without Nate sacrificing his freedom. He owed everything to both him and Jean. Nothing he did could ever repay that.
“I’m sorry,” Kevin apologised.
He fiddled with the bottle of vodka stashed in his bag, debating whether taking a swig was worth it. On the one hand, it would be terrible to face the Lord inebriated. On the other hand, Kevin wasn’t sure he had the guts to do it sober either.
“It’s not bad,” Nathaniel said, as if reading his mind.
Pulling up to a fancy hotel just outside of Palmetto, Nathaniel slid the car into its underground parking garage. It was practically empty, only a few cars dotted around by the elevator. Kevin didn’t even want to know who they belonged to.
Turning off the engine, Nathaniel turned to face Kevin head-on. 
“Kevin.”
“Nate,” Kevin replied, throat dry. He couldn’t hold back his full body flinch.
>
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weirdowithaquill · 15 days
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Hear me out:
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Tweak it a bit so an engine can work on this, then plop Neil on the skr with this, now he and Skarloey can go on a woodland date (double heading a train).
I would say yes, were there not a few technical difficulties with this set up - ones that have much more to do with the loading gauge of the SKR than the actual bogie wheel idea.
Obstacle one:
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This is just outside the Thin Controller's house - this bridge is quite literally at the exit to Crovan's Gate yards! Neil would not fit under that - I mean, potentially he could if you chopped off his funnel - but that's a bit cruel to the poor engine.
Still, even if you made it past obstacle one - there's obstacle two:
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This is at Cros-ny-Cuirn: the first station on the line. And it's another low bridge - one that's potentially (though it may be the angle) got an even narrower clearance than the first bridge! Were Neil to try and get through this spot, his funnel and possibly any other fittings atop his boxy boiler would have to be removed.
Surely - surely - after all this, they have to be in the clear, right? Nope. Cause here comes the real deal breaker - obstacle three:
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It's Rheneas Tunnel. Rheneas Tunnel is the real dealbreaker behind why Neil (or any other NWR engine) could never traverse the SKR. This tunnel is tiny! Duncan caused the roof to partially collapse - and he's a narrow gauge engine!
And before someone mentions the rock and roll: Peter Sam lost his funnel to an icicle in this tunnel cause it's so narrow that an icicle can dangle low enough to do that kind of damage!
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To be even more clear: the TV series does not do justice to just how tiny and narrow this tunnel is - look at it! It's a miracle the SKR engines fit; Neil has no chance.
Sorry to be a bit of a Debbie Downer, but Neil just couldn't traverse the SKR: he's too tall and too wide. Though I may be relatively open to the zanier ideas of the Thomas fandom, I am at heart a bit of a purist. I grew up on the books more than the TV series, and it very much instilled in me a similar outlook to the Reverend himself.
Then again, the Reverend would tell me I've lost my mind for entertaining the idea of engines being in relationships so...
Were it the CGI Skarloey Railway, they'd be fine - but both classic and book series would be a no.
(Then again, nothing after Season 7 actually exists...)
Thank you for the ask!
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dinosquad-central · 2 months
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I don't go here but I'm in another "three people and some string" type fandom for an ancient obscure fighting game called Bloody Roar (it's about shape-shifting furries who beat each other up) and I couldn't help but notice the resemblance between your green lizard (presumed) and our green lizard
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Oh my god oh my god oh my god 100% you’re so right
Literally he looks like an adult Buzz concept design
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codename-adler · 5 months
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my niche take (not for canon tho): i quite dislike the wildly popular hc that andrew has tons of piercings… it just doesn’t seem… right? it would fit his style (?) and personality for sure but i just can’t help feeling like he would never? do that? i think the same of tattoos but that bothers me a little less…
ah, this is gonna get me sent to sleep with da fishes...
i am of the same opinion. (i would like to stress here, opinion)
my opinion stems both from personal experience and canon characterization, and it has nothing to with aesthetics. of course, of course, tiny emo beef boy would rock tattoos and piercings. he canonically wears all-black, smokes, wields knives and listens to soul asylum. of course.
however, so much of Andrew's traumas, trauma responses and PTSD are based in physicality.
first, Andrew did not own his body, it being abused and abused and abused, by people he trusted, and people he didn't. the 'trust' part didn't matter; his body was abused. he learned the lesson and kept guard of his body rigidly, tirelessly, violently (the lesson he thought there was; there is no lesson to get from child SA).
second, Andrew took back his body in ways his psyche could understand and accept. SH and hypersexuality. both instances have him in control of every inch of his body. nobody touches, only him. nobody inflicts, only him. before; during; after. Neil is the exception confirming the pattern, the rule.
third, Andrew defends his body against whoever he must. no matter family, friends, team, Neil. his body and subconscious always remember before his consciousness does. again, even if Neil helps start his journey towards healing, trust doesn't really have a say in his defense mechanism. violence it is. violence it must be.
now. say it is a professional tattoo artist or piercer: how long before Andrew trusts them enough? how long before trust doesn't matter and the itch of the past settles into his skin? what if the eyebrow piercing feels too similar to the bottle Drake broke onto his head? what if the forearm tattoos tickle his self-inflicted scars like Drake's kisses did? what if the person ticks off a no-no box of Andrew's mid-session? there are so many variables Andrew does not control, why put himself in the situation and risk his last pebble of sanity?
i think the only way Andrew would get either piercings or tattoos would be if Neil did them. hello fic writers go fucken wild with this one.
personally i'd say it would only happen quite a few years after TRK, when Andrew has matured, possibly when his pro career is over because ouch Exy brawls and piercings don't get along well, but that's just me. maybe just studs, maybe the tattoos are very minimalists and have nothing to do with Andrew's scars, idk.
i'd like to be clear on one thing though: my believing Andrew does not ever have piercings and/or tattoos has nothing to do with believing he does not heal enough to do that, or that survivors of abuse like him are broken to the point of never getting anything done to their body. to me it's like Andreil never saying 'i love you' and never getting married. Andrew, like Neil, like the Foxes, are unconventional, difficult characters whose healing journeys are not pretty nor normalized. but it doesn't mean they don't get to a healthy place, whatever that looks for them. it does not mean they are not okay, and valid in their choices. to me, it has everything to knowing yourself so thoroughly, forgiving yourself so wholly, accepting yourself so completely, that there is no need to hide your body or prove your limits, to your own self or to others. i think it would be much more significant if Andrew one day could simply remove his armbands, and never wear them again, than to cover his scars with tattoos. to allow himself softness rather than arm his presence with more piercings.
again, it's also not that serious. Andrew can have an ice cream cone tattooed on his ass for all i care. give him a dainty little nose ring he sniffs up one time and has to go to the ER to get in unstuck. it's all shits and giggles if you wanna.
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