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#and it works for maggie and nina too

lightweaver-with-cats · 6 months

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Good Omens Season 2 Spoilers, summary, thoughts, and general obsession.

I love it, absolutely all of it. I love the space we have to see more of 😇😈❤️, I love seeing their relationship enduring through time and space. I wasn’t surprised at the ending though. Aziraphale’s character though having his rebellious side, still believes the ultimate good of Heaven, because it is the closest institution to God, therefore it must be right. He acknowledges that there are flaws, that’s why when given the chance to fix it from within(That’s what they are saying, but I don’t trust the Metatron), he will take that opportunity. Crowley on the other hand, prioritizes Aziraphale over ANYTHING. He does not want to be in a toxic environment that has forsaken him, and he does not believe that it can be changed. Nor does he care, because to him just having Aziraphale is enough.

I believe the Metatron played a classic war time move, absorb the enemy, control them, so they won’t be able to harm your own plans. Keeping Aziraphale as Archangel will be the best way to limit his moves, so he won’t cause trouble. Let the enemy be loyal to you, so you can accomplish your own plans to destroy much more.

I like Nina and Maggie haha, I like the storyline and how it’s positioned to be a simile of A & C’s relationship. I also like how they decided to confront Crowley and Aziraphale, because they see that while the Angel and demon are trying to push M & N ‘s relationship to flourish into love, A & C are actually trying to admit their own feelings for each other. Something about parallel storytelling man…SO FUN.

Btw! Can someone in the comments please tell me why Aziraphale couldn’t hypnotize(miracle, mind control, you know what I mean) Maggie? Also I knew that they are played by the same people who played the nuns! I love the way they brought these two back! Such different roles too! Could it be that they are sort of like doppelgängers of the other two characters so that they can resist magic? Or because they are using the actual actors’ names, it’s almost like breaking the fourth wall, so they are more from our universe than Good Omen’s universe? Those are my only guesses.

I feel like there are lots more to say, but I’m too sleepy…I can’t wait to rewatch the show tomorrow!

#good omens #good omens 2 #aziraphale needs to work on himself #aziraphale #aziraphale and crowley #crowly x aziraphale #crowly #good omens 2 spoilers #maggie and nina #neil gaiman #sir terry pratchett #amazon prime #i can’t stop watching this #I love this show too much #I love their relationship so much

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imagopersonal · 10 months

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Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;

Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,

which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)

Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.

That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.

It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other

and the way he looks at Crowley while they’re talking about them.

I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.

So, my point is:

Fuck Metatron.

That’s my point.

Imago

#good omens #good omens 2 #good omens spoilers #ineffable husbands #aziraphale #crowley #media analysis

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feathered-serpents · 10 months

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Here’s the most heartbreaking part

Crowley and Aziraphale love each other more than I think the other is able to comprehend. It is 6000 years worth of love and it’s not going anywhere. You can see it on their faces in that last shot they are still so in love

But, Nina and Maggie are right, they don’t talk to each other. Did you notice something in that last scene? Through all the tears did you catch it?

At no point does Aziraphale nor Crowley ask the other what they want. They only state what they themselves want, and when the other (obviously) doesn’t want it too, they don’t sit and go “Well what do you want then? Because I want you, more than anything, and I want us. So what do you want and how can we make it work?” They just try to convince the other that their idea of “together” is the best together, but it isn’t, because they haven’t decided on it TOGETHER

At no point do they talk to each other in that scene. And maybe if they had things would’ve been different, but they didn’t, so this happened instead

#good omens #good omens 2 #good omens 2 spoilers #good omens spoilers

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las-lus · 10 months

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Aziraphale lied Theory

First of all, this theory is not mine, its from @/doubleskk on Twitter and can be found HERE. Go show them some love! It's in Portuguese, so I'll do my best to translate it - blue texts are my personal additions!

This season, we have something very clear in Aziraphale's development arc: is his relationship with LIE. He lied to protect Job's children, and he lied he had performed a miracle to make Nina and Maggie fall in love. That's not counting other little lies, sprinkled throughout the season here and there.

We keep seeing Crowley say "I'm a demon, I lie", but in the big finale, we have Crowley saying the truth - the big truth, the one he has been avoiding for 6 thousand years.

All of this was to set the stage for the biggest lie of all: the lie he had to tell Crowley to fend him off and protect him.

When Metatron goes to buy the coffee, he asks Nina if people ask for death, as the name of her shop is "Give me a coffee, or give me death". What if that name is an allegory for the actual conversation between Metatron and Aziraphale?

Aziraphale may have been threatened. Either Azira goes back to heaven (coffee), or he and Crowley would have their existence erased from the Book of Life (death). So, to protect Crowley, Aziraphale had to invent a lie to make sure he got away. The Book of Life was namedropped a couple of times in the show, a Chekhov's gun that never went off - Neil is too good of a writer for that.

And Aziraphale knew that Crowley would be pissed if he agreed to go back to Heaven after everything that happened, and he knew that Crowley would never accept being an angel again. "But rescuing me makes him so happy" - Aziraphale had to make sure Crowley wouldn't realize he needed saving.

That's why he knew exactly what to say to mess with Crowley.

At 41:14 of episode 6, when Azira starts telling the (alleged) lie to Crowley, he becomes all flustered, moving his hands from side to side and stammering, SAME PATTERN as when he lies to the angels about having done the Nina and Maggie fall in love, in episode 2.

[This part really works better with 2 videos side by side, which you cannot do on tumblr, so if you want you can check them out here]

The sequence of him talking to Metatron at the table is nothing more than an enactment of his lie. The conversation didn't go like that, Aziraphale made everything up.

And when Crowley declares himself, Aziraphale starts shaking his head in despair: not now, don't tell me that now.

He also looks out the window as soon as the confession starts, as if he knows Metraton was watching him outside.

Then there's the kiss, Aziraphale falters for a moment, but he has to keep up with the lie and he knows he has to hurt Crowley on purpose. And after Crowley leaves, Aziraphale is MUST recover in seconds, because Metatron is coming back. Also notice that when Metatron comes back, he doesn't ask if Crowley agreed to go back to heaven or not. He just sends a "How did he take it?"

That is, there was never any choice, and for Metatron Aziraphale was only going to break the news that he was leaving. And Aziraphale had to invent a lie to the inmates to make sure Crowley stayed away from him.

#good omens #good omens spoilers #good omens season 2 spoilers #good omens theory #LISTEN I AM FULL ON THIS THEORY. ITS LIVING IN MY HEAD RENT FREE

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ineffablyruined · 8 months

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I want to talk about THAT smile. The one from the elevator. The one that scares us (or maybe just me).

This one:

It's stayed with me since the first time I saw it. Michael Sheen is an absolute master of his face, so this sinister smile means something. I don't believe that it's a forced smile that he's pasting on before he enters Heaven. It looks absolutely malevolent.

And I just couldn't figure out WHY.

Aziraphale just left everything he loves behind: humans, food, bookshop, and Crowley. Crowley most of all. He was devastated after that kiss, devastated that Crowley wouldn't just come with him so they could be together. He was hurt, shattered, unsure of himself and his decision. So why the practically evil face?

I don't subscribe to the Coffee Theory. I think it takes too much away from the emotional and character development and everything the fandom went through in those last 10 minutes for Neil to pull the rug out from under us like that.

So if he's not drugged, then what's the face?

The Metatron just dropped a bomb on him. The Second Coming. Heaven's going to restart the apocalypse. End the Earth. The place where he'd just left the love of his life and everything he holds dear. Make everything they'd fought for absolutely meaningless.

And then I remembered this face:

See how similar they are?

I've seen a lot of people put this down to a repeat body swap theory, but I don't buy that either. I think that would be less inspired than what we've come to expect from the brilliance of Neil's and Terry's minds.

I'm going on a bit of a tangent here for a second, but I promise it will make sense in a minute. When the demons were coming for them, Nina told Aziraphale that he shouldn't wait to be saved by Crowley, that he should come up with his own plans and save himself. And he did, but it wasn't a total plan. It was the beginnings of one. He held them off, but when his plan ran out of time, it put him and the two humans (except maybe not -> looking at you, Maggie) he's come to care about at risk. Then he had to do something reckless and probably stupid, and it worked, but it was too close.

Back to the matter at hand:

These two perfectly wonderful, complete f*cking morons have spent the last 4 years together. Probably daily. And do you know what happens when you spend so much time together?

You start picking up the other person's mannerisms, mirroring speech patterns and body language.

My theory:

Aziraphale spent that elevator ride coming up with a plan. He's come up with something that he thinks will be so clever, so unexpected of him (an angel), so Crowley-esque, that the Metatron will never see it coming. And he's not about to cock it up like he did in the bookshop, show up with only a half-baked plan.

No. He's got something positively diabolical. Something inspired by Crowley. So he makes the face that he's learned from spending four years in the daily company of the original owner of that expression. The only face he could possibly make when figuring out how to save the world and get back to his demon. And thinking about how much he can't wait to tell a Crowley how clever he's been.

That face is 6000 years of togetherness in the making.

#good omens meta #good omens spoilers #good omens s2 spoilers #gos2 spoilers #gos2 meta #elevator smile #aziraphale elevator #crowley x aziraphale #aziraphale x crowley #good omens season 2 spoilers #go2 #aziraphale #ineffable husbands #ineffable idiots #good omens

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gotholdladywithadhd · 2 months

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Unpopular opinion, probably.

So I've read many metas, and thought a lot about it and have come to my own personal conclusion about the final 15.

I'm taking it at face value.

Because it was the most human Crowley and Aziraphale have probably ever been and I think that is at least part of the point. Love makes people stupid and they are navigating a very human thing in very unhuman circumstances, and it's hard enough to do as a human in human circumstances!

I think Aziraphale believed the Metatron about Crowley bc he was expecting the worst when TM mentioned Crowley but instead got the one thing he wanted most (him and Crowley together and safe, not Crowley being an angel. ) Crowley was absolutely the carrot here. (and no I do not think Crowley would have been safe or happy, but that's besides the point.) I can't tell you how many times I've believed patently ridiculous things because I wanted to believe them so badly even though if I was looking at the same situation objectively from an outside POV I would see how ridiculous it was, so I totally get it. This isn't to say I think Azi had a real choice to go to Heaven or not and I think he did understand that as well, but I get the temptation the Metatron threw out to him, I really do.

As for Aziraphale literally saying all the wrong things to try and get Crowley to come with him? Um yeah been there done that too, the nerves take over, the brain shuts off, the mouth goes into autopilot pulling stuff out its ass, and "WITAF did I just say?" happens.

Crowley not taking any of it well and only hearing what he expected to hear (I'm not good enough for you bc I'm a demon and you only really want me if I can be an angel) *and* also being more able to see through heavens bullshit bc he has lived it, and can see it from the outside, *and* all whilst being the most honest and vulnerable he has ever been with Aziraphale in 6,000 plus years (or in fact possibly to anyone, ever. the closest before this admitting he was lonely to Azi during the Job minisode,) *then* hearing what he took to be the same Heaven will save us line from Azi was enough to trigger a massive bout of RSD and a broken heart. Everything was supposed to "vavoom and sorted! " and instead the stupid awning broke and everything went wrong. I think I've said it before that at this point Crowley can't hear anything over the sound of his heart breaking into a million pieces.

That's a whole lot to pack into the brief moments before Azi has to leave with the Metatron (who let's be honest was rushing him before he could change his mind) esp when neither of them are used to discussing their relationship openly. They didn't have time to think, to ask questions, to share information, (like hey guess what really happened to Gabriel?) Crowley tried to communicate as much as he could about his feelings with the kiss but Azi didn't have the time to properly process all that and said the wrong thing again and Crowley was rejected (he thought) again and it all just went so very wrong. You can't fix a 6,000 year relationship in 15 minutes, you just can't no matter what the story books say.

It's about two people wanting the same thing but not being able to get it (yet) because of circumstances and personalities. All of S2 was about them seeming to be closer than ever (and in many ways they were) but really they were opposed at almost every turn. (in RL not the minisodes, those actually showed them working together and coming out okay mostly, if you don't count wee Morag or Crowley getting dragged to hell) The way they both handled the Gabriel situation, how they both worked to solve the mystery, even how they tried to make Nina and Maggie fall in love were all either done alone, or in opposite ways. I've said it before and I'll say it again, as it was pointed out right in ep1, their exactlies aren't the same and until they are, they aren't going to be able to be together. The one time they did work together in the season, they produced a 25 lazuri miracle. That is the point of the final 15, and the whole season 2 in my opinion.

They'll get there in the end though!

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queerfables · 7 months

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Why all the crowd scenes look the same, aka: Something is WRONG in Soho

I'm not even gonna tease and draw this out because it's so cool it doesn't need the fanfare. Ready?

Season 2 takes place over the course of 5 days. During that time, most of the passersby in Soho - maybe even all of them - stay exactly the same. It's the same people every day, wearing the exact same clothes, and they wander through the neighbourhood in paths that don't make any sense. You won't be able to unsee it. I can't believe it's taken us this long to realise.

Don't believe me? Rewatch the scene from 2x03, I Know Where I'm Going where Shax confronts Crowley outside the bookshop, appearing in a series of different guises. Pay attention to the people going past.

I've marked out five people you see on screen when Crowley first exits the bookshop at 39:37:

Numbers 1, 2 and 3 are following the path right. Number 4 follows the path left. Number 5 crosses the road.

Here the five people are again, at 40:19, when Crowley goes to return to the bookshop:

Number 5 is still visible in the distance, in the direction she walked in. This makes sense! But numbers 1, 2, 3 and 4 are rounding the same corner they just passed. It's as though 1, 2 and 3 all decided to turn and head back the way they came just 40 seconds ago, and number 4 has circled the block to join them.

This on its own would be super weird, but they're not the only people to do that in this scene. The man in the purple sweater from the first picture crosses the road, then appears back next to the bookshop, then starts walking back the way he came again.

Here's the part that made me absolutely certain, though. At 40:05, a man wearing an orange hoodie with blue sleeves walks past Crowley, who is heading towards the bookshop entrance.

The camera cuts to a view from behind Crowley, and a moment later, at 40:08...

He reappears in front of Crowley and walks past him again.

It's such a distinctive outfit, there's no mistaking it. They are absolutely fucking with the background characters and they are absolutely doing it on purpose.

Your turn. There are at least three other characters in this scene who pass by multiple times. Watch it again and try to spot them.

This scene is really chaotic and obvious, but the phenomena I'm talking about is much bigger than just one scene. Let's go back to the first thing I said: the background characters don't change. All our leads do. Maggie and Nina wear distinctive outfits, clearly demarcating each new day. Even Crowley and Aziraphale, who in season 1 were like cartoon characters with wardrobes full of identical clothing, vary their looks. Crowley changes his (very subtly) each day; Aziraphale is less rigid on timing, but he has a few different coats that he switches between. The background characters, on the other hand, wear the same outfits every single day. They walk by on the street but they never actually seem to have a destination. They sit in the coffee shop or pub and don't eat or drink anything, and nearly everyone leaves together exactly on closing time. It's eerie.

For reference's sake, here's a rough timeline of season 2, with pictures of Maggie and Nina's outfits to show the passing of time. I had to outsource this section because my post was too image heavy, lol. The main point I wanted to make is that five days go by.

Five days, and all the same faces keep showing up in the background, and almost none of them change their clothes. I'm not entirely sure what it means, but there's no way it's an accident. It might, in fact, be a game changer. To me this is proof positive that something is not as it seems. I've been a massive Clue skeptic, adamant that I'd only be convinced by the most unambiguous evidence, and honestly? This is enough to move the dials. It's too big for me to ignore. Whatever grand explanation of Good Omens we come up with has to account for this. I don't have it yet, but my current working theories are that Crowley and Aziraphale are under some seriously heavy surveillance, that time warping is involved, or that reality itself is not what it seems.

It would take a really long time for me to go through all of the background characters who turn up over and over but I do want to show you what I'm talking about. To wrap up, then, I'm going to pick out some memorable characters and walk you through a few of their appearances through the week. I highly recommend looking out for this yourself on your next rewatch and seeing how many other characters you can recognise.

Yellow Skirt

The first person I kept coming back to as being not quite right. You probably remember her from the first episode - she's the one who waves and walks past Maggie and Nina the night they're locked in together. Incidentally, she's also Person Number 3 in the scene with Shax.

Day 1 (2x01 - 36:20):

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 06:36)

Day 5 (2x06 - 30:00)

Coolest Leather Jacket In The World

It's not so easy to recognise people wearing lots of nondescript dark colours, but I love his hair and his jacket, so he stood out to me. I think there might be a lot more people who are wearing fairly nondescript clothes who I just can't recognise from episode to episode.

Day 2 (2x02 - 16:44)

Day 4 (2x04 - 41:20)

Day 5 (2x06 - 29:20)

Dressed In Mustard

Ms Mustard shows up everywhere. If you want to see what I mean about their paths not making sense, pay attention when she comes on screen, because she'll often show up a few times in succession and walk very purposefully to nowhere in particular. The thing that she is doing, essentially, is behaving like an extra in a tv show. Which of course she is, but you're supposed to make that invisible by not having the same person go back and forth in the same scene, or changing up their outfit each in-universe day to give the sense time is passing. Not doing that is a really deliberate choice.

Day 1 (2x01 - 22:37)

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 01:49)

Day 3 (2x03 - 37:07)

Day 5 (2x06 - 29:59)

Swishy Dress

This character shows up a lot in the first episode. I've struggled to find her in later episodes, though. None of the characters seem to follow the same patterns or show up to equal extents each day, which makes me think this isn't a straightforward time loop. I haven't actually cross referenced character appearances to in world times, though. Possibly this is a project for someone who's more across the time-related shenanigans than me.

Day 1 (2x01 - 22:43)

Day 3 (2x03 - 07:01)

Yellow Vest

I've only seen this guy a handful of times, always around the French restaurant. I wonder if there's significance to that.

Day 2 (2x02 - 41:06)

Day 4 (2x05 - 12:49)

Fuzzy Blue Coat

Another background character who shows up frequently. The blue doesn't stand out quite as much as the yellows and reds some characters wear, but it's very distinctive.

While we're getting a lot of shots of the street, it's worth noting that I'm pretty sure the vehicles we see are also just the same few cars repeating each day. A lot of them are in neutral silvers and monochrome, but there's a couple of blue cars, one red, and one black and white that I'm fairly sure I've seen over and over through the season.

Day 1 (2x01 - 22:45)

Day 2 (2x02 - 42:04)

Day 3 (2x03 - 02:00)

Day 5 (2x06 - 40:10)

Day 5 (2x06 - 48:56)

Day 5 (2x06 - 50:06)

One final note: Whatever this is, Nina's employee who you see in the background at the coffeeshop sometimes isn't affected by it. He's wearing different outfits each day. On the other hand, some of the other shopkeepers do seem affected. I'm fairly sure Mr Brown and Mrs Sandwich wear the same outfits a few different days, only changing because of Aziraphale at the ball.

And that's it! Thanks for reading and I hope your mind is blown as much as mine is.

EDIT:

Hey I don't mind anyone pointing out production reasons that this might be the case or disagreeing with my analysis (over-analysis, some might say 😉). Please be kind about it, though. I'm not ignorant of the practical limitations involved in film making, but some of these costumes were really distinctive in a way I thought might be intended to draw attention.

For those of you who do find this theory convincing, I feel I should mention that I was working under the assumption that this stuff would have taken a few days to film, even filming it all together. That would strongly suggest that the actors were deliberately costumed the exact same way over multiple days of shooting, which made me think it had to be purposeful. @coranax was kind enough to point out, though, that behind the scenes videos said the extras were filmed separately to the main actors because of Covid protocols. In that case, they could have done it in just one day and that weakens my confidence in its intentionality.

Finally, all of my points about the scene with Shax in 2x03 stand. That was not a case of accidental continuity errors, it was really elegantly choreographed to enhance the tension in the scene. I say that with confidence because the extras are doing exactly what Shax is doing: circling Crowley, appearing where he doesn't expect them, creating a whirlwind sense of being off balance and out of control. I think it's really cool and effective, whether there's a deeper meaning to it or not.

#good omens #good omens meta #fable talks good omens

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asexualenjolras · 10 months

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I've finished watching season two, and I have some thoughts I needed to just get out. Neil Gaiman is a very talented writer, and the way he writes the Ineffable Husbands' relationship is so authentic and beautiful.

Aziraphale and Crowley's relationship is so much more complex than having them end up happy so soon after Crowley admitted his feelings for his angel. They've spent 6,000 years, as Nina and Maggie put it, not talking to one another about how they feel. It isn't unimaginable that Aziraphale would struggle with his feelings when Crowley finally admits how he feels.

Of the two of them, Crowley is more settled in his freedom. He has no ties to Hell, or Heaven, or Earth. He knows that he would be happy living away from all of that with Aziraphale. It's what he's wanted for a while, and he's content with the idea. We've now seen him ask Aziraphale to run away with him twice (once in season one, and once in season two). He's perfectly happy with that idea. And him telling Aziraphale that at the end of season two was such character development compared to him just screaming at his angel in the first season.

Overall, Crowley knows he loves Aziraphale more than Earth, or Hell, or Heaven and Maggie and Nina help him reach that conclusion by the end of the season. Nothing matters more to Crowley than Aziraphale. And we have seen him threaten to throw everything away for him twice now. He wants Aziraphale and Crowley is contented with the idea of it being the two of them for the rest of time.

However, Aziraphale has never wanted solitude. He's never once said that that's something he wants. Aziraphale's wants and needs are in constant battle with one another, and what he wants is ... to be good. His morals are objective, and he is burdened by his constant need to be good and to be fair - even if it means being unfair to himself. He's prone to self-sabotage. And he will forever put other people and beings before himself.

Aziraphale, like Crowley, knows that he is bound to Crowley for eternity. They are soulmates. 6,000 years of finding one another is evidence of that. But Aziraphale's trauma is so deep-rooted. It is engrained in him that he needs to be good. He believes it's integral to his being. He's spent 6,000 years doing his absolute best to impress Heaven and God, and his morals aren't going to change just because Crowley admits his feelings for him. He is, at the heart and soul, good. And he can't move past his morals and put himself first because that would be ... out of character. He's conflicted. But the one thing he is is ... good.

Aziraphale wanted Crowley with him just as much as Crowley wanted him. But he just wanted to try and balance Heaven and Crowley. He wanted Crowley to be an angel with him, and be happy and work together as they always had. He didn't want anything to change (he's so autistic). When Crowley told him that he didn't want to stay in Heaven, Aziraphale was confused and hurt. You could see it in his face.

And, integrally, he could have demanded that Crowley come with him, he could have been selfish for the first time in his life, but he wasn't ... and he couldn't ever be. He let Crowley go. Because he thought that was what was best for him. He put Crowley first and pushed his own wants and needs aside. Crowley told him he didn't want to go, so he let him walk out.

Importantly, we see him doubt. He stops for a split second and considers going with Crowley when he sees that Crowley has waited for him on the other side of the road (Crowley didn't go ... too fast this time, he stayed put and didn't run away - he waited for Aziraphale - but don't get me started because I will cry).

Overall, just as we've seen Crowley's want to run away with Aziraphale before, we've seen Aziraphale turn down that offer in place of doing the right thing (or, what Aziraphale feels is the right thing). This isn't new. And they will get through it. They just have a bad time communicating with one another.

One thing is certain, though: they are soulmates. And they will find their way to one another again. They have done for the past 6,000 years. It's ineffable. They are ineffable.

Neil's a genius. And the mirroring between their relationship in the two seasons is so well-written, and complex and I have so much admiration for it.

Anyways, that's all I can muster in thought. I'm off to cry because angst makes me sob. And I'm heartbroken. I'm so hopeful for a season three. I need to see this angel and ... Crowley again.

#good omens #good omens spoilers #good omens season two #aziraphale #crowley #ineffable husbands #aziracrow #neil gaiman #michael sheen #david tennant #amazon prime #good omens 2 #spoilers #analysis #long post #thoughts #autistic aziraphale

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ayenah-ayenah · 9 months

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U ever just sit down and think— oh what a great love story Good Omens is.

Adam, the antichrist himself, loved his parents, his *real* parents, the ones that loved and raised him. He denied his destiny bc he knew what love is, and it isn't whatever the fck Satan is to him. He loved his friends, his family, and the world— love altered reality.

Beelzebub and Gabriel found each other. An angel and a demon who has known nothing but to obey what they thought they were made for. Choosing sides was their thing, but now, they found something worth more than that. They fell in love and suddenly, nothing else but them made sense.

Then, there's Nina and Maggie, defining a love that is new, and exciting, and difficult— makes you wonder if it would be worth it. In the end, Nina needs to heal and Maggie swears to wait. And I just wonder if it would work. I wonder if they'll be able to fall in love with each other, without outside forces pushing them together. Will they find their way to each other? But I think of Good Omens and I remember, it's a love story, so, maybe, they will.

Finally, there's Aziraphale and Crowley— the old love. Azi & Crow stopped Armageddon bc they love the world, and each other.

I keep thinking about their love, the way they reciprocate it so well.

S1, "Even if this all ends up in a pile of burning goo, we can go off together," that line made proof of Crowley's love, and it was directed to Aziraphale. He didn't need Heaven nor Hell, and he loves Earth, but when he said that line, that was him declaring that if they can't save Earth, then it doesn't matter— as long as Aziraphale is with him. That's his love, his truth, and it's them, Aziraphale and Crowley together.

Then, s2 (one of many reasons I love s2), Aziraphale proved to reciprocate Crowley's sentiment. "Nothing lasts forever," he said. He loved Earth, the bookshop was proof of this, he made a life for himself on Earth out of love. But, all that, meant little compared to Crowley. Aziraphale has been disobeying Heaven for as long as we have all witnessed, and he wouldn't have stopped Armageddon if he didn't know any better. And yet, here he is, willing to leave the life he's built on Earth with humanity, to be in Heaven with Crowley.

Aziraphale has been loyal, to the best of his ability, towards Heaven. He believed in the ineffable plan, but look at him now, going back to Heaven fully determined to change it because he knows that it will never be safe for them to be together unless they fix this. Heaven and Hell will always want their war, and unless they do something about it, it's not going to be a happily ever after for Aziraphale and Crowley.

And Crowley was hurt, has felt abandoned, and rejected. Because he just wants to grab Aziraphale and escape, but Aziraphale walked away.

And Aziraphale, too, was hurt, has felt abandoned, and rejected. He wanted to work on their happily ever after together, but Crowley walked away.

And after watching to the end, I wondered if they would work, if they would find each other again. But this is Good Omens, it's a love story, and in this love story, Aziraphale and Crowley have always been able to find each other.

And it's amazing. I have been thinking of love everytime I watch Good Omens. It just radiates so much love.

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ineffable-suffering · 6 months

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The Jane Austen Ball and why it was never about Nina and Maggie

Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley

Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.

So, here we go! Snuggle up, get cozy, settle in and, most importantly:

(Word count: 3.177 | Reading time: ~13 minutes)

As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.

When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.

Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.

Ergo:

✨This✨

Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!

Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.

Fhwack! Way to burst the rosy bubble.

Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.

Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...

... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:

Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."

At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)

Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!

And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).

But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.

Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)

This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.

So, riddle me this:

Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?

To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–

No.

He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.

During one car ride.

Where's the party planner Aziraphale AU? I'm waiting!

Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.

Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?

Talk about over the top ...

Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?

These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.

Oh, right, speaking of books:

Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:

Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...

... he has to take some more drastic measurements. And those are?

That's right: Giving away his books.

I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.

Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?

Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.

And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.

Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):

Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."

Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!

And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.

You know for whom Aziraphale would give away his books in the blink of an eye, though?

Mhm, that's right.

This pretty old serpent.

I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:

You ... you need a minute there, angel? You're sure looking a little ... affected.

And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.

I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.

As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.

... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?

"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.

Marvellous!

You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and

However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:

"Have you thought of just talking to him?"

Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?

'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?

Bish, bash, bosh, problem solved!

Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)

On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.

Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?

Well. Well.

The answer's in the title, babes.

Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!

Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.

And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?

Oh, bless it, angel.

He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"

Ah yes, there he is.

Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.

Oh, yes, right. The dancing.

Parallel much?

But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).

And once again, fhwack:

... the rosy bubble bursts.

Let's take one more deep breath so I can make my final point:

In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.

During his car journey back from Edinburgh, Aziraphale:

doesn't know Crowley's Mission Lovebirds had failed

remembers 1941 and just how badly he's in love with Crowley

and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)

So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:

“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”

The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.

And oh, if only it were as easy as in the books.

*whispers* I'm sorry, I had to.

***

Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!

Au revoir! 💗

#good omens season 2 #good omens #gos2 #go2 #good omens 2 #good omens meta #good omens s2 #crowley #aziraphale #ineffable husbands #my own meta #the bloody vol-au-vents made me do it #aziraphale has balls #truly #jaune austen ball #it is a truth universally acknowledged that this show is going to drive me out of my mind #azi just wanted his silly little love confession #but then he had to surrender the angle #bummer

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likeabxrdinflight · 8 months

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I keep seeing the "aziraphale thought he was in a romcom and wasn't at all worried the whole season" take and honestly? bullshit

from episode one aziraphale has been fretting about keeping gabriel out of sight and safe from heaven. I know it is cute to go on about how the entire ball thing was a fun ruse to hold crowley's hand, but that is patently not true. the entire point of it was to get nina and maggie to fall in love, and the entire point of that was to prevent heaven from finding out about the 25 dead guy miracle that aziraphale and crowley performed together. aziraphale downplays the safety risks of what he is doing because 1, crowley never tells him precisely how dire the consequences of gabriel being found are, and 2, becaues he needs to keep the whole charade together so that nina and maggie fall in love. and he needs that to happen to keep him and crowley safe from heaven's suspicions.

aziraphale does get a little caught up in the moment in episode 5, yes, and he does a very bad job reading crowley's anxiety. but I think he's arguably keeping himself together by a very thin thread too- remember, aziraphale also knows that shax has made threats to crowley. maintaining the romantic fantasy is critical to him because he needs to keep up the illusion of safety for both himself and crowley, because he needs the plan for maggie and nina to fall in love to work, because if it doesn't, everything falls apart very fast. and aziraphale knows that.

#tired of people acting like aziraphale's just a big goofy idiot all the time #real tired of it actually #good omens

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thesherrinfordfacility · 5 months

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oh my god but crowley didn't fully believe that whatever he was idly toying with confessing at the ritz was gonna work, did he? he impatiently looked at his watch, flumped into the chair after stress-tidying the shop - not because the metatron had dragged aziraphale away, but because when aziraphale eventually comes back, and crowley manages to ferry him off to the ritz, crowley wasn't yet sure whether he should say the unspoken thing. he was still weighing up the idea, was debating whether or not he should. because here's the thing - crowley hadn't cottoned on.

he hadn't worked out what the dance meant. the lingering touches. the longing glances that he thought he might have caught in the corner of his eye, but couldnt be sure. maggie and nina came to talk to him, and he was nonchalant and dismissive and brushed off what they were saying because crowley doesn't want his vulnerability seen. he wasn't even sure that a confession would actually work - so don't encourage him, because what if aziraphale doesn't feel the same way? what if giving voice to it is still too fast?

but they seem to think that aziraphale feels some kind of way about him... so maybe, actually, he should? he should say something, he should tell aziraphale how he feels, oh god he should take this spark of bravery and fan it into an inferno... because that glimmer of hope, buried within, that aziraphale won't reject him is burning a little brighter.

so he decided to take the leap, to confess then and there, because that little flicker of courage is so delicate, and it has to be coaxed into a flame, and if he doesnt do it now, he won't ever feel he can. "if i don't start talking now, i won't ever start talking". he wasn't set on confessing at the ritz, only considering that if anything was going to be said it should happen there. he went out to the bentley, after handing maggie and nina back to their reality, to put Their Song on the deck - it might help! - and then came back nervous and excited and impatient and terrified. but the girls said that they never say what they're really thinking, and what crowley's thinking is that he ought to say something, but doesn't know if he should.

but crowley took the leap, decided to just do it whilst he's still got a grasp on that conviction and bravery. and is smacked back with the shock and repulsion of being offered restoration, the heartbreak that aziraphale does reciprocate what he does, but only if he's an angel again. only if he goes back. only if only if only if. he doesn't hear what aziraphale actually means, doesnt think about what aziraphale is actually trying to say to him - that aziraphale does want him, does love him, does want to be with him, just as he is, but it can only happen if they're safe, working from the inside to change things so they can be safe - because all he can think is that maybe he shouldn't have said anything at all. took the leap, and found out all over again what it is to fall.

#good omens #idk is this anything #idk why the full scope of crowley's behaviour in the lead up to the feral domestic suddenly just hit me but it did #crowley meta #feral domestic/final fifteen meta

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