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dogsliampaynedoesntinstagram · 2 years

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I thought I'd start with my thoughts about My Policeman as a movie and an adaptation of Beth Roberts book, before I move into the many, many meta questions that are rolling around my head. I'm very bad at tagging spoilers - but I'll put in a read more.

I really enjoyed the movie. Lots was really well done. Like in the book Patrick's viewpoint sections were most compelling, and the 1950s were more interesting than 1999.

The decision to structure it to mimic the book so we saw Marion's view first was incredibly effective. (Except maybe it didn't help people's views of Harry's acting. He's supposed to be a bit off and awkward in those sections - but I can see how if you don't have a lot of faith in him or know the structure of the book it doesn't look like a choice and then if you already don't believe him its hard to be reeled back in). Cutting back round to specific scenes was incredibly well done (although I'm not going to start on my feelings of the hand touching now, because once I start there there's no escaping the meta).

I thought all the acting was fantastic. The echoes between the characters were incredibly well done. And I do think Harry really works, both as an object of desire - but also as someone who is very in love and open and excited by being in love (again if I say anything more there is no escaping the meta discourse). David was incredible. But when talking about acting it's hard not just to focus on Emma's face during the sex scenes between Tom and Marion. In some ways the whole movie depends on her face telling us exactly what is going on - and they do a completely spectacular job.

I thought the sex scenes were amazing in every way. Beautifully acted, incredibly well directed. The scenes between Tom and Patrick emphasised both intimacy and desire and had space to be able to explore them both. The contrast with the sex scenes with Marion and Tom was pitched perfect in every way.

In general, both Tom and Patrick are much more committed and much less afraid than they are in the book. We lose all of Patrick's fear and part of having Harry play Tom as he does is that you really get a sense of how strong his feelings are for Patrick - not lost behind Patrick's thoughts and feelings. I really liked that, particularly together with how much time they spent on intimacy.

There were areas of the movie that I thought were weaker and decisions I disagreed with. A combination of script choices around the adaptation and aesthetic choices around character.

To me, the way Tom talked about being a police officer was super jarring and very different from the book (as well as not being that in tune with the specificities of the police forces in 1950s Britain). I thought it was real shame that they erased Tom's complicated views of the police for such boring cliches. I think it did damage to the character and is part of a wider missing of class dynamics.

It looked beautiful, but every time there was a choice between aesthetically pleasing and character appropriate they chose aesthetically pleasing. This seemed particularly notable in Marion and Tom's house when they were young, but was also present in the costumes of young Marion and young Tom (in general the movie was both imprecise about class and not very interested in it outside broad brushes and I think that was a shame and surprised me a little bit).

Those decisions felt vaguely connected to one of the big issues for me, which was the way that the movie downplayed Marion's awkward relationship with femininity and the possibility of her queerness. I understand why some of the exact scenes in the book couldn't stay. But I think that element of the character could have.

I thought we lost a lot, by not having more of Julia and Marion's friendship. Both because of that element of queerness, but also because it gives more of a sense of who Marion was and the ways she was engaged with the world (I wanted them to film the Brighton CND scene in the Quakers building, because I've been there).

I was sad that they'd cut out the explicit implication that Tom had had sex with men both before and after Patrick (and I had so hoped to hear Harry say 'I meet men, sometimes I have sex with them, please don't ask me again), but I don't think that what we saw negated that possibility. I was also a little confused by people suggesting that seeing Patrick's caregiver and his partner was the first time Tom had seen a happy gay couple. Nothing in the movie implied that to me.

I think they should have cut the prison violence scene it added nothing to the movie or the story. In the book it has a purpose - it's contrasting Patrick's inability to stop talking and its consequences with Tom's inability to speak and its consequences. It felt gratuitous (and the time could have been better used on Marion's queerness and Julia).

I also felt that there was a little too many lingering shots during the 1999 scenes. I'm not an editor and I don't know that much about film language, so they may have been necessary. But I felt that the lingering shots of people having feelings or thinking slowed things down without adding anything. The scenes in the present were much more interesting when things happened (except that scene with a wheelchair on the beach - lots of questions about that. Like how did they go through the logistics of filming it without realising what a mistake it was). I also thought that making the house feel more 1999 would have made those scenes feel more alive.

But I thought the ending was incredibly effective and in many ways more so than the book. Gina McKee was incredible. But what most stood out to me was her telling Tom that he needed to look after someone. That directly addressed some really important aspects of Tom's character and gave the ending a hope for Tom and Patrick that wasn't there in the book.

#As I always #I wonder how other people read the book #because in my understanding the book #there is almost no chance that Marion's letter had any impact #there's an entirely different causal chain #that we know about #that lead to his arrest #and in many ways that makes it worse #Anyway #that's my broad response to the movie #but in almost every scene #my response to the movie #was intertwined with my meta response #to the fact that this scene existed at all

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turtleblogatlast · 1 month

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I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt leo #rottmnt headcanons #rise leo #His aptitude with subterfuge sleight of hand stealth and speed really push how being a ninja really comes naturally to him.#it’s arguable that his desperation for the spotlight and validation is an act of subterfuge against himself #note that when he’s offered a job as a mascot he’s fine being unknown #when he and splinter win the battle nexus Leo immediately says ‘they love YOU pops’#idk I think so much about how good a ninja Leo is #and how much his persona is more an actor #Leo as a tot is shown a natural skill at katana too so hear me out-#every Leo is a natural ninja but every Leo’s route in life is directly tied to their splinter so #since rise splinter is an actor Leo too aims for it #and he brings it into his whole life - masking always because a Leo makes what they do who they are #I think that Leo naturally falls more in line with that of a typical ninja #his eccentric performer self is his subterfuge skill just set to an 11 at all times #not that that’s NOT him - like I said it’s still undoubtedly a part of Leo #but? idk I think about little moments like Leo being the only one to choose stealth in bug busters #or Leo being the only one to almost get Gus’s dog tags in The Ninja Art of Hide and Seek (he was so close but luck was against him alas)#like- he’s clearly in his element there and he falls into those skills so easily #it’s like how everyone has skills in so many things but some exceed more in some than others do #like Raph? Raph’s the biggest Hero of the bunch of them let’s be perfectly real here. Raph is THE Hero #All the boys are smart in their own rights but Donnie is THE Genius.#and they all have mystic powers but Mikey is THE Mystic Warrior with immense untapped potential #likewise Leo I feel is THE Ninja #but yeah I love how much Leo goes for the spotlight anyway for better or for worse #he IS a performer again make no mistake! but again the way he does it still lines up with his natural ninja aptitude and I love it #Leo loving magic tricks and magicians so much works doubly well here because like #you’d think he’s focused solely on the performance flair - no it’s ALSO and ESPECIALLY the DECEPTION

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poorly-drawn-mdzs · 5 months

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+3 friendship with Jin Ling: He actively tries to dissuade you from further embroiling yourself in the homosexual allegations.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #lan wangji #jin ling #jiang cheng #nie huaisang #For real though it's so sweet how desperate he sounds when trying to save mxy's face.#Jin Ling genuinely likes this uncle! He's let him into his heart!#Why his uncle is so desperate to make his reputation worse is beyond him!!!#The same uncle who has time and time again proven to be genuine in his intentions and has been there for JL in so many ways!#JL wants to return the favour! Alas it is like holding a dog back from eating the onion chips on the ground.#I sure hope nothing betrays jin ling's trust in this new bond!#(and yes I am keeping NHS and JC's sleep wear in the next scenes. For the whimsy)#In other news - LWJ finally gets a little hand hold. Most likely it was a highfive that lasted a little too long.#But it counts okay? To him it counts.#Speaking of: I went sooooo long in life not realizing the 'hee hee let's compare hand sizes' was a flirt move.#I thought people were just genuinely curious about fingers and hands. But no. It's not that. It's a hand hold move.#I'm here for the science and research. You are here to flirt. We are not the same.

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fluffydice · 22 days

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Saiki hating Takahashi because he reminds him of Akechi’s main bully is so insane to me. What do you mean the silly gag that’s been present since nearly the beginning is trauma-based. What do you mean it wasn’t just a joke. What do you mean Kusuo couldn’t consciously remember what happened with Akechi but still feels it’s effects years later, when he sees some random teenager and just can’t explain why he hates him.

I wonder how he felt when he realized. It’s living with a survival-based coping mechanism for so long that it seems entirely normal—then suddenly remembering something and realizing “This is the moment it happened. This is why I do that. I wasn’t like this before.”

#this feels worse to me than Saiki not making friends since akechi because he’s traumatized because #it’s pointed out directly #he literally says Takahashi reminds him of takashi #Saiki would never tie his lack of friends to the incident because that means it affected him in some way #but him just saying outright that he’s triggered by someone who reminds him of someone from his past?#(in not so many words)#ough #he doesn’t even realize the gravity of that statement #saiki k

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bonefall · 4 months

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Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("

Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(

And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.

And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.

What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.

And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.

But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.

#I just wish people could be more critical of this #And im not entirely anti-retcon. Mind you #But I am here because i think these retcons make them WORSE characters. It's BAD for a character to GET a book with a redemption arc and--#Then they don't change at all and act like totally different people later in the timeline #And Leopardstar is the worse one between her and Blackstar BECAUSE she has sooo many active choices here #Im confident in my choice for BB the more I think about it. Leopardstar's dismantling of the bonehill was good #But it works better as a tragedy imo with the rest of the series in mind #That for a brief moment. A fleeting whim. She could have changed.#But she never did.#And Blackstar who was FAR less repentant at the time DID eventually turn around.#At the end of the day one of them appointed Hawkfrost as codebreaking deputy.#And the other did not.#And I think it's fucking bullshit the way that Leopardstar's retcondemption implies that Hawkfrost was just so tricky he mislead her #The old and experienced leader who had been fooled by a tiger before and was soso sorry for it. Just got tricked.#Like fuck off. She never had a redemption. Stop trying to tell me she did 15 years later #She's a girlboss who empires too close to the sun in pursuit of power and drags everyone down with her #Not a sad weepy smolbean #Bone babble #Warrior cats analysis

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stuckinapril · 5 months

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Think I’m making communication a non-negotiable for 2024. If you don’t know how to properly communicate like an adult we quite literally can’t be friends

#I’m not trying to be a bitch like I get that this is hard for lots of people for various reasons #i think I’m just at a point where I want people to come correct instead of waiting for them to potentially get better #only for me to learn in the harshest way that they’re only getting worse #I’m not gonna be ur practice run this year. come when ur ready #the moment I sense someone isn’t saying what they mean it’s so over. like I’m flexible on so many flaws but NOT this one. communicate !!!#the people pleasing is literally kicking in rn but I’m just trying to be honest w myself about what my capacity can handle at the moment #and I’m genuinely at my wits’ end when it comes to communication. so I don’t think I’d be the best person for people like that #is this mean?? this feels like a fair boundary to make #p

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sunburstsandmoonshadows · 1 year

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With a second read of Jonathan's journey to Dracula's castle, more and more I find myself admiring the locals he meets along the way.

They've clearly been under the oppressive threat of Dracula for a long time--all of them show true fear in the face of him. He's paramount to the Devil itself to them, going off the words Jonathan translates. And that's totally understandable, considering he steals their children for his "brides" to eat, never mind what other things he may be subjecting them to.

With that context, it would be very easy for them to leave Jonathan to his fate. They could tell themselves there's nothing to be done for him already. They could be glad that he's Dracula's choice, even, if that chances a reprieve for them.

But many of them chose compassion over fear.

Every step of Jonathan's last leg to Dracula's castle has someone reaching out to prevent the tragedy in front of them.

The woman in the hotel begs him to leave, please leave, for your safety, and when he refuses she freely gives up what might be a precious belonging in the hope it will save him.

The people at the bench of the hotel try to bless him from evil.

A man in the coach points out a beautiful view of the mountain during the ride, perhaps wishing to give Jonathan one last moment of wonder before he vanishes into the horrors of the castle.

The coachman drives his horses to their limit in the desperate hope that he can make Jonathan miss the awaiting coach, and the other passengers do not begrudge him this risky move but instead urge him to go faster, faster!

Very little of helps, in the end. They cannot prevent the start of this tragedy. There's a very good chance they knew that themselves.

But by god were they willing to try.

#dracula daily #theres plenty of issues with stoker's writing of the locals #but i do like how compassionate he made them #their belief that keeping jonathan away from drac until the end of the 5th will save him seems misguided #but frankly considering how many other beliefs about vampires clearly apply to drac i dont blame them at all for believing this one #and its kind of them to try #tho it does make his portrayal of the romani uhhhh way worse

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kaiiscottage · 4 months

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Arajin appreciation post bc I genuinely like him <3

#i get why people dislike him or find him annoying #but he feels like an average teen anime protagonist to me #it’s just the start of the anime so i do have faith that he will change his attitude in the next episodes #and he will maybe give up on Mahoro that would be great for both of them :3👍#maybe I’m not too annoyed by him since I’ve seen way worse protagonists……#i have watched many new isekais and romcoms intended for a male audience….I’ve seen all kinds of main characters…..#okay he may be annoying and a coward and a loser and #but at least he’s trapped in a Hiroko Utsumi anime and not a generic high school romcom anime ;3 #bucchigiri?!#bucchigiri #arajin tomoshibi #anime #live kaii reaction #kaiicore #also sorry if any of this doesnt make sense i'm writting this half asleepwbefckjvcf

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carnivalcarriondiscarded · 4 months

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oh yea um

Sundown "Sunny" Summer (lazy) ref!

#IM FINALLY HAPPY WITH HER COLORS!!!!#SORRY ABOUT THE STARS. I WAS IN SALLY MODE AND FORGOT WHAT NORMAL STAR SHAPES ARE #AND IM TOO LAZY TO GO BACK AND FIX IT <3 #also shoutout to akemi for inspiring the lil chains connecting the stars. pure Genius if i may!#but yes! she finally looks like a sunset!#and she'll mesh with ryan better <3 #her legs wont disappear when she rides him!!!#scribble salad #forced idiots <3 #oc #original character #puppet oc #my beloved little showman <3 #there are so many things wrong with her <3 #i cant believe the worst people ever are going to simultaneously fix her and make her Worse in new fun festive ways....

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wacksnax · 6 months

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#crappy doodles #bugsnax #why did i make this #the way i drew beffica progressively gets worse #what is happening #theres so many mistakes you can see it

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strangersteddierthings · 1 year

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Porcelain Steve - Part 7

Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine

((TW for this part; period typical slurs and internalized homophobia. Read the tags before clicking readmore if you want the details))

Steve has been a porcelain doll for seven weeks when disaster strikes.

"What is that," Jeff says, because even though the words are in an order which would suggest that it's a question, the tone of voice Jeff uses decidedly is not questioning.

"What is whaaa-AH! Nothing! It's nothing!" Eddie, who was torso deep into his closet throwing things around to find his backup amp cord, turns to look at what Jeff was talking about, and is now launching himself across his room to stand between Jeff and Porcelain Steve. Porcelain Steve, who Eddie had lain on his bed, propped slightly on a pillow, headphones carefully perched on his little head, hooked to a cassette player currently playing the first hour of last week's Top 40 countdown that Eddie had taped for him (all three hours of it, leaving out the chatter of the radio show host. He'd had to use two tapes to get it all).

"Nothing sure looks a lot like a doll in headphones, Munson," Jeff has an amazing poker face but Eddie's certain he can see a bit of judgement underneath the carefully blank expression Jeff is wearing.

"I don't know what you're talking abo- hey! Hey, no, no, don't!" Eddie tries to bodily block Jeff when he moves forward and the two end up wrestling, a match that Eddie almost wins, if not for the hazard that is his messy room. He gets Jeff walked almost to the door before he steps wrong on something, ankle rolling and sending him down sideways. He clutches at Jeff but can't make purchase and Jeff, the bastard, does fuck-all to try and catch him. Instead, Jeff leaps out of arm's length, then lunges onto the bed as Eddie collapses to his floor.

Eddie frantically tries to stand and, in his haste, ends up with his feet tangled in a pile of dirty laundry and that sends him crashing down again, this time forward onto his hands and knees, so he gives up on standing and crawls the few short feet to the bed, finally looking up to see that the damage has been done.

Jeff has picked up Steve, holding him inches from his own face, eyes squinted in suspicion. Eddie is frozen, horrified and afraid, and can't bring himself to do anything as Jeff examines Steve closely, turning him around, poking his torso, flipping him upside down to examine his shoes more thoroughly. It's only when Jeff reached for the shirt, pinching the hem of it between two fingers that Eddie kicks back into action.

He lunges up, one knee on the bed, leaning over to grab Steve and yank him from Jeff's grip. His first instinct is to throw Steve over his shoulder, out of sight out of mind mentality, but as soon as he does, he realizes his mistake and twists, lunging to catch Steve in midair. He does manage to catch Steve, but it sends him bouncing off his dresser and almost back to the floor before he manager to regain his balance, where he proceeds to cradle Steve to his chest, which is heaving from the adrenaline, wrestling match, and subsequent dive after Steve.

Jeff is giving him a concerned look but something else piques his interest; Jeff reaches over and picks up the headphones, holding them up to one ear. His face goes through every emotion a human could possibly experience in less than fifteen seconds as he listens to whatever track was at the forty-ish minute mark on the Top 40 countdown.

Slowly, Jeff lowers the headphones, letting them drop to the bed before he gives Eddie a new, more judgmental, yet infinitely more concerned, look. "Eddie. What. The fuck."

Honestly, he's not sure there's anything he can say in response.

"Why- I don't... are you okay, man?" Jeff sounds both scared for Eddie, and scared of him, at the same time.

"I'm fine," Eddie manages to squeak out.

"Eddie," Jeff says seriously, "this is not fine. This is- this is insane behavior. You know that, right?"

"I've no idea what you mean," Eddie doesn't even know what he's defending himself from but his default response to anything is to defend himself. He grips Steve tightly around the torso with one hand and then moves both his hands to be behind his back so Jeff will stop staring at Steve.

"I mean this fuckin' insane shrine you have dedicated to Steve fucking Harrington. How did you even get a doll that looks like him. Did you- did you make that?"

Fuck. Holy fuck. What can he say to defend himself here? Is there a single way for him to come out of this not sounding deranged? If he agrees, let's Jeff's drawn conclusion be the truth, then that's all but confirmation to Steve about his big fat crush, so when Steve's back to being Steve he'll never look at Eddie again. Jeff might think he needs mental help, but he'll be here for Eddie. If he tries to deny the accusation, then he'll need an explanation. He'll have to tell Jeff something that make him seem less like a creepy stalker, but what? He can't tell the truth, not without letting everyone know he's going to tell Jeff. There's a whole other secret he'd have to let out to even have a chance of Jeff believing him.

Jeff must take his silence for acceptance or guilt, because he's speaking again. "I.... man, this is not healthy. Please tell me you aren't, like, hoarding a lock of his hair or his clothes or something."

Involuntarily, damningly, his eyes dart to the closet, where several of Steve's sweaters hang from when he'd borrowed them and never returned them. And it's not like Steve doesn't have several of Eddie's own articles of clothing, like his battle vest and a few shirts. But Jeff doesn't know they easily, willingly, swap clothes, so his eyes go wide and dart towards the closet, as if he can pick out which pieces belong to Steve on sight.

Actually, he probably can.

"This really isn't what it looks like," Eddie says because he has to say something. Being silent is too incriminating.

"I don't think you're aware of what this looks like," Jeff says, wiggling himself off of Eddie's bed to stand at the foot of it. "Of all the boys in Hawkins.... I knew you liked Steve but this is.... creepy. That doll looks so much like him that I recognized it. Does Steve know you're in love with him, or is this like a way to process your crush without having to-"

"Jeff!" Eddie yells, mortified. He can feel his whole face heat up, knows he must be bright red. Because Jeff just said, out loud and for Steve to hear, the thing that Eddie very much hasn't even said out loud to himself, even if he knows how he feels deep down.

Jeff must know he's overstepped some invisible boundary he wasn't even aware of because his face immediately shows regret. He takes a step forward and Eddie takes a step back.

Immediately, Jeff stops his forward momentum. "Shit, I'm sorry, Eddie. I'm sorry."

When Eddie answers, his voice sounds like he's been eating gravel, "Just, can you go wait in the living room? I'll be right out, and we can talk, or whatever, but can you just..."

A nod, and then Jeff is gone, closing the door behind him.

With shaking hands, Eddie brings Steve back to the front of him. Looks down at him. He's not even aware he's crying until he watches his tears mark Steve's tiny polo. He can't keep holding Steve. Can't keep looking at him. Not when- not when his best friend just outed him in the worst way possible. And Eddie can't even be upset or hurt about it because Jeff didn't know. He's teased Eddie about his crushes before, and in the safety of his own room, there was no reason for Jeff to have to watch what he was saying.

Even knowing that Steve is okay with Robin, loves her anyway, without the ability to confirm that Steve doesn't hate him right now, Eddie's going to freak out. But he can't. Jeff is waiting in the living room, and the band is waiting back at Gareth's. This was just- they were supposed to just grab the amp cable and get back, a fifteen-minute job at most, and now.

Now Eddie is staring down at Steve, willing himself to not have a panic attack.

"I'm sorry, Steve. I'm so sorry. You shouldn't have heard it like that, it s-should have come from me. It should- you-I'm sorry," Eddie gently underhand throws Steve onto the center of the bed. He lands face up and Eddie sinks to the floor because he can't stand anymore, and he can't really breath.

Steve knows Eddie's a fucking faggot now, and that he wants Steve, and there's no way he'll get to keep the friendship they had before this. There's no universe in which Steve isn't creeped out by this information. There has never been an instance where a straight boy found out about his crush on them and didn't abandon him. Not always cruelly, he'll admit. He's had friends that learned and just... slid from his life with no words and no fuss. Eddie just never spoke to them again because they never came back around, but they also never outed him.

That's what will happen with him and Steve. He'll quit inviting Eddie around, or calling when he's bored, and eventually it will get to the point that Eddie only sees him at BBQ's that Joyce drags him to.

Fuck. FUCK!

He's not sure how long he's on the floor but eventually, he finds the will to get back up and resume digging through his closet to find the amp cord. It doesn't take long, he was ridiculously close to finding it earlier, it seems.

Before leaving his room, he picks back up the cassette player and headphones. Silence comes from them, so he pops the tape out before flipping it to the B side and popping it back in. He puts the headphones around Steve's head again and presses play, doing his best to not actually look at Steve. He'll just have another breakdown if he does.

He trudges out of his room, closing the door behind himself before taking the short walk to the living room, where Jeff waiting on the couch, elbows on his knees, fingers steepled under his chin, eyes faraway as he stares towards the wall in front of him.

"Hey," Eddie says, to get his attention.

"Hey," Jeff says, sitting up straight and turning towards Eddie. "I'm sorry. Whatever I did, I'm sorry."

"Why are you apologizing? I'm the fucking psycho here," he sighs, leaning sideways against the kitchen counter, arms folded across his chest, hand clutching at the amp cord just for something to ground him.

"Forget that, whatever I did, or said, or whatever, you were- when you yelled my name. You looked terrified. Of me," Jeff almost whispers the last sentence, and if not for the stark silence in the trailer, Eddie wouldn't have heard.

"Not of you, Jeff," Eddie whispers back, but his voice doesn't stay quiet because 'quiet' isn't a thing Eddie does easily or often. "Of... of myself, and these- of how I feel- I'm a goddamned faggot and now that Ste- when Steve finds out I'll lose him! Like I've lost every fucking person who ever even suspected I was a fuckin' queer!"

Silence stretches between them, enough to make Eddie fidget, dropping his crossed arms to twist the amp cord about anxiously with both his hands.

"Look, man, I don't know what's, like, the appropriate thing to say so I'm just going for the honest thing. You got me. You'll never lose me. And all those other assholes that you think you lost? You're wrong. They lost you. And if Steve Harrington is gonna be another one of those, then you aren't losing him. 'Cause he was never really in your corner to begin with."

If this were anyone else, with the exception of his uncle, he would be able to hold it together better. But it's Jeff. His best friend. Who never believed Eddie committed unspeakable horrors over Spring Break last year. Who didn't question the strange, new friends he suddenly had afterwards; who accepted as the only explanation a softly spoken 'they saved me' and that was enough. Who had said 'ok, cool' in response to Eddie telling him he was gay, years ago now, and continued trying to find out if Eddie had a secret relationship, switching girlfriend for boyfriend like it wasn't a big deal (Eddie did not have a secret relationship; his good mood that week was the result of snooping for his birthday present and finding the guitar hidden under his uncle bed).

It's Jeff. So, Eddie does the most metal, manly thing he can and bursts into tears, blindly reaching for Jeff and pulling him off the couch so he can bear hug him and sob into his shirt.

"There, there, you big baby," Jeff rubs his back soothingly, "let it out. Then pull your sorry ass together, because Gareth and Brian are going to think we died in a car crash on the way here if we take much longer."

"Ah, fuck," Eddie manager to say around the sniffling he's trying to get control of, "you're right."

"You good, though?"

"Uh, I will be."

Jeff nods and steps back. "How about this. We go to practice, and then you can come to my place tonight and we can like, hangout and talk. If that's what you want."

He's already nodding as he says, "yeah. That would be good. I- uh, I have something to do after practice, but yeah, after that I'll come over."

Eddie tosses the amp cable to Jeff after they climb into the van and head off.

Halfway there, Jeff says, "you know Gareth and Brian are in your corner, too. If you ever feel like telling them one day."

"One day," Eddie agrees, "but today has already been... a lot."

Practice goes well, with some ribbing for their tardiness allowed. If Gareth and Brian notice Eddie's been crying recently, they keep it to themselves. Which is good, because Eddie cannot handle one more thing today.

A promise to meet up with Jeff later and Eddie's back home.

Back to where he left Steve, who will be laying in silence on his bed because it's been well over two hours since he and Jeff left, and the tape only held an hours' worth of music on each side. Back to the nightmare of not knowing if Steve hates him now, or if Eddie's, and this is the most likely scenario, being a bit overdramatic.

His uncle is home, so he greets him, asks after his day, gets told dinner is Fend For Yourself Night (which just means leftovers or a TV dinner), and gets asked about Steve. Because of course he does.

"You sure he went on a vacation willingly with those parents of his, and he ain't actually kidnapped and trapped somewhere?"

That's a little bit too true. If only Wayne knew. "Well, no. I'm not sure. All I know is what he said when he left."

Wayne gives him a look. One Eddie is used to seeing, that says 'I know more than you think but I'm waiting for you to tell me' and Eddie's a little afraid of what Wayne thinks he knows. So, instead of prying that box open, Eddie just says he's tired and goes to his room.

Steve is exactly where Eddie left him.

Suddenly, without reason or logic, Eddie is angry. He's so pissed at Steve for being gone for this long. For having transformed in the first place. For not being able to assure him they'll still be friends, regardless of Eddie's stupid crush.

He snatches Steve off the bed, hand clamping around one of Steve's arms and his torso so he can hold him up with one hand. Steve's face, permanently stuck into a blank expression, looks back. Even knowing that Steve sees and hears through this thing, Eddie's so angry at the doll. If Steve hadn't been turned into this stupid thing, if Eddie wasn't so helplessly in love with him, this wouldn't have happened. Eddie could have taken his own time telling Steve, instead of hearing his deepest secret spilled easily from Jeff's lips. Instead of this not knowing what Steve is thinking, or how he feels. Is he recoiling in disgust at the fact Eddie's making him look at his face? Or is Eddie being awarded the same kindness as Robin, a quiet acceptance that won't change their friendship?

Eddie doesn't know that answer and he hates it.

He's so angry with himself because he should know better. He's forcing his own insecurities onto Steve, about acceptance and caring, when nothing Steve's done since they've become friends is prove that he'll always be Eddie's friend and not even the apocalypse could change that.

"I'm going to hang out with Jeff, so you're gonna be alone a bit longer. Or maybe I should drop you off at Robin's when I go," Eddie goes to toss Steve back on the bed when something pinches his palm. It's a startling sharp pain, quick to fade, but it's surprising enough for Eddie to let go.

Eddie watches, horrified, as he falls to the floor. He twists in the air, landing with a dull thump and cracking sound on his left arm before falling onto his back.

"Shit. Shit! Fuck, Steve, I'm so sorry, I didn't mean to," Eddie is crouched, already in the process of reaching for Steve when he freezes.

There is a crack on Steve's left arm, a line that starts above his elbow on the inside of his arm and runs down and across his arm to his hand, where Steve's pinky finger is gone. Looking slightly to the side, Eddie can see the small porcelain piece that Steve is missing laying on the ground next to him. Eddie's own hand is hovering in the air above Steve, shaking.

This can't be- how did- Eddie wracks his brain. Was the crack there already? Did Eddie cause the crack when he bounced off his dresser earlier? When did it happen? Does that fucking matter when it's Eddie who broke a piece off him? If Steve didn't hate him before, he's got to now. Eddie doesn't have time to panic about this, he's got to- El. El can talk to Steve. Find out if he's okay. What if breaking him-

Eddie launches himself up and to his dresser, grabbing at the Walkie up there. He pulls the antenna up, clicks it on and tries not to actually shout as he says, "Code Red! Code fucking Red!" He lets off the talk button, counts to seven in his head, enough time, he reasons, for someone to respond before he repeats the process. "Code Red!! Code Red!"

He repeats this process for three minutes with no response. Where the fuck is everyone!? How is he supposed to- Oh! The phone!

He tears down the hall and to the phone. He must look a right state, because Wayne looks very concerned and is halfway to standing up when Eddie gets to the phone beside him. He yanks the phone up and dials the number for the Byers-Hopper household, holding up a shaking finger to Wayne, a silent plea to give him a moment.

It rings and rings and rings before the answering machine kicks in. Eddie presses down on the disconnect button before dialing the Wheelers' number next.

"Hello?"

"Mike! Code Red! Where the fuck is everyone and why aren't they answering!?"

"What?"

"Code Red! Where's Nancy. Put Nancy on."

"Dude, slow down, what's-"

"I broke St-it. I broke it and someone needs to get El here now. Code Red does not mean ask questions, Mike! It means Code. Fucking. Red."

"Shit, shit, right! I'll get Nancy and we'll get everyone- just- we'll be there soon."

Eddie slams the phone down and has to meet his uncle's eye now.

"Eddie. What is goin' on?"

Eddie inhales a breath and can feel his lower lip quivering. "It's- can we talk about it later? I promise I'm not the one hurt, or in trouble, or- it's not me, ok. I just-"

"Yer shakin' like a leaf boy. What's got you so spooked?"

Eddie just shakes his head and flees back to his room, slamming the door shut between him and his uncle. He can't bring himself to cross the room to Steve. He slides himself down the door to sit on the floor, pulling his knees up to hug.

"I'm so sorry, Steve. I'm sorry."

#steddie #my fic #porcelain steve #TW: Eddie calls himself a faggot and he means it in a bad way #did I make a playlist on spotify w/ Top 40 songs for June 21-27 1987 so id know how many tapes eddie had to use to record it?#yes. its 2 tapes fyi‚ using side A and B of one. a total of 2h54m. in my defense it was a writers block activity.#couldnt figure out what to have jeff say to comfort eddie that was in character and era-appropriate so... playlist it was!#if i were titling these parts this would be Eddie's No Good‚ Very Bad‚ Terrible‚ Horrible Day #I mean... he's had worse days (Spring Break '86) but this is up there for him #also back to back updates!? who am i??? but don't expect another one too soon #i started this one as part 6 originally but decided i wanted a more lighthearted piece first #so i wrote like 2/3 of this before writing what i posted for part 6 so finishing this was quick

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turtleblogatlast · 2 months

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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt splinter #rise splinter #he’s not perfect as I’ve said #and he’s got a whole slew of flaws and faults #but he’s a person - we are all flawed #he loves his sons dearly dearly dearly even if he struggles along the way to show that #parenting is not easy! especially as a traumatized mutant who is forced to do it alone #side note but I think this is one of the reasons why it kiiiiiinda ruffles my feathers to see so many people assign parentification to Raph #and in turn make Splinter out to be way worse and way more distant than he is in canon?#like idk I just don’t see what so many others see ig but maybe that’s just me #i guess my thoughts are like- let parents have flaws without villainizing them?#they’re still parents even if they mess up?#we can discuss the repercussions of a parents actions on a child while not casting that parent as an awful person #parents are peopleeee #I could go on but yeahhh #idk it bothers me seeing splinter’s efforts undermined when he’s been through so much #idk if ppl realized this by now but I love me some flawed characters #tho I do think in this fandom the ones whose faults are discussed the most are like #Splinter mostly then Draxum then Leo #of the main cast #and in Splinters case in particular his faults are made to cover his good qualities which makes me sad #because he is SO INTERESTING #they’re all flawed characters and tbh so interesting because their flaws are ALSO their strengths in many aspects

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57sfinest · 1 year

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calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.

in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.

but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open.

and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.

#disco elysium #harry du bois #and it works on us the audience as well!#look at how many different versions of harry there are out there. each tailored to our individual preferences #we exaggerate and minimize his traits according to what we want to see. he's can-opening us too!#it's just like. of course his job will frame the can opening as a positive thing #but it's honestly one of his worst traits. or at least it is when he doesn't keep it in check #there's nothing wrong with wanting to understand people but the way he goes about it is harmful to everyone including himself #he's doing it because he has ulterior motives like 99.999998% of the time #this is mostly about pre-martinaise harry but i have no doubts that post-martinaise harry can go right back to this btw #a lot of us prefer to think of harry as drastically improving after martinaise which is great and i'd like to hope he does but.#it's also good to consider the overwhelming possibility that he will go right back to being a total shithead #and that may be completely unintentionally! which almost makes it worse!#ALSO. this is part of why kim makes a very good foil #for the most part kim will stonewall anything he doesn't feel like sharing #harry needs to respect boundaries and by god does kim have a lot of those (affectionate)#HOWEVER kim is definitely susceptible to the can opening as well #wait okay i have another post idea.#anyway thanks for reading. as always feel free to add and share thoughts!#kiwipost #hdb meta

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ganondoodle · 21 days

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sorry i keep coming back to totk rants, but something that utterly baffles me from a game design perspective especially is

who, in their right mind, would think to put similar objectives with the same characters in the EXACT same place as its previous game when already reusing the same exact map (no, single rocks springkled around isnt a meaningful change, fight me)

like from a purely logical point of view its just ... not logical?? and TWICE so when most players will have played the previous game, so now that the exploration, which was the main driving point of it, isnt as satisfying simply bc you know most locations and what is what, the thing you need to do is subvert it as in you go to that location and theres something else now or something that leads to a new reveal, but not NOTHING either, bc you likely cared about what youd find- the satori mountain was such a cool mysterious place, so now you head to it to see what is now and its nothing but maybe an obvious treasure chest? thats both lazy (i realy use that since its way overused by people missusing it) and just ... it might be meant as a lil nod so that there isnt nothing at all but to me it feels even more condescending as if there were literally nothing instead

satori isnt here anymore? thats weird if its always been there, so you go find a cause, maybe theres a fissure somewhere you can enter a large cave system, an hidden entrance to the underground that reveals there is something corrupting the place somwhere nearby but not exactly in the same spot- make it into a bossfight at which end satori gets cleansed- maybe it got captured and taken somewhere else, to a place that was kinda neat but didint serve a big fucntion in botw like maybe it was dragged somwhere into the big tabantha canyon, or to the forgotten temple

you try to visit rito village but the snow and cold there got so bad that you cant even reach it without special gear, and when you do reach it its utterly frozen in thick ice and not a single soul is there, the perch of vah medoh is knocked over building a bridge as a subtle hint as to in what direction perhaps, its intriguing bc clearly they have to be SOMEWHERE, maybe they tried to use vah medoh to evacuate but bc its losing power and doesnt have a skilled pilot they crash land it into the mountains, now trapped there and due to the storm not able to send anyone out to get help, maybe some did but they didnt make it and you can find them on your way and rescue them, and bc of the storm being so bad no one can get out and no one can get in (except for our special boi linky ofc) and even after the storm has weakened they dont immediately go back and act like everythings normal, maybe theres an extra mission afterwards helping them rebuild the village but not exactly the same as it was but fortified, different to account for things like this happening again, establishing the crashsite of vah medoh as a second outpost, or a temple, to thank it for bringing them out of immedaite danger but couldnt go all the way

theres so many places that are so clearly modeled around botw that are entirely unused now bc they had to remove all things shiekah for no reason, the holes they left jsut being holes where somethings clearly missing or some chest with a gem in it while the new shrine thing is within view distance a few meters away, might as well have put them in the exact same place bc it really doesnt make a difference

(like alot of those ideas im using for the rewrite which changes many things but you get the point right??)

and its even worse imo with the building stuff, bc now you dont even have to journey there you can fly glide and literally drive there instantly like a giant skip button so you cant even appreaciate the way to it, you skip to one important part to the next

and then points of interest are REPEATED AGAIN, like with shrines and lightroots and settlements and big mines- that is the opposite of satisfying gameplay, you dont have to explore shit bc its all in the same place which is probably why they only did tiny changes to those few spots and nothing else bc they knew most people would run right to those so it gives the illusion of changes (which are half reversable or barely a change at all) and even those are STILL meaningless

its right up there with having even MORE grind with less substance to it than in botw, the shrines and krogs got a lil old but at least the environment, its subtle storytelling etc were something- and totk just bloated everything with more little meaningless collectables while not changing anything meaningfully (and instead pretends that some things where never there and those new boring things were always there)

more shriens with shorter puzzles or none at all, more krogs with the same reward system, over a hundred tiny caves that all blend together bc they are all so similar and you really only do them for yet another colelctable for old gear and ONE cool new one with a bad effect after which the things collected become uselessreally, souls to collect to buy you a single armor set, rewards being largley reused old stuff from botw (imo you should have a chest in your house, yes YOUR house, that got most of the standard versions of botws armor in it so you dont have to buy it all again??? but you gotta think of going home first and dont have to use it- make new versions of them alternatively so you can choose if you want the old one or new one and also LEAVE ONE AT YOUR HOUSE WITHOUT HAVING TO SELL IT SO YOUT INVENTORY ISNT AS ENDLESSLY SCROLLING AS YOUR STUPID ARROW BAR)

theres new effects from food and armor thats largely useless (like the attack when hot?? why wouldnt you you jsut combine an armor and a potion- put on hot armor and drink an attack potion? its way more efficient no?? idk i found it to be yet another effect thing to bloat my inventory especially when NPCs keep giving you shitty effect food)

the whole sonanium (zonaite?) collecting with multiple ways to convert it into yet another currency??? huh???? AND have it be the thing for you to autobuild with?? when you need it upgrade your battery which takes an insane amount of those stones?? wells, while finally an actual well are NOW ALSO LIKE A COLLECTABLE and im gonna take a wild guess that the reward is utterly disappointing too

the fairies are all blocked by much more annoying means than in botw (like i wouldnt want to carry those NPCs three meters away in their little cart antoehr time please) and the amount of material AND MONEY NOW you need is so much higher for no reason (if its their attempt to make the game harder its the lamest way to do it)-

all while instead of expanding on the foundation of botw they ripped it out to build a new one while pretending they are both there (im so so slaty about this .... a sequel like this should expand upon the stuff of the first game, both in theme, narrative, mechanics and more and not ... replace it with slightly different versions of it while abandoning everything established before and really only using it as a way to skip having to make you care about some characters bc you might still care about them from the other game)

i could go on, as always lol, anyway, i really really dont get why this got into the final game ..

#ganondoodles talks #zelda #ganondoodles rants #totk critical #*cracks knuckles* time to rewrite and design #no but literally #putting the same objectives into the same places with the same characters ........ and then repeating important places AGAIN in the-#-undergound is just so ........... thats the opposite of what you should do wtf #like im only an aspiring gamedev but ............... right????#like theres so many things #make the zora not be able totalk bc they are all poisoned by the goo so you have to understand them via weak fignerpointing #also have the champs be around the actual dungeon already so you can literally find the dugneon yourself AND do it right away #without having to go to the town- ask where is- get told where is- get little fight- get little puzzle- get dungeon that is often worse-#-defeat way to easy boss thats also found in depths- gets SAME CUTSCENE EVERY TIME- all problems go away- town normal again #there is quite literally no permanent change to anyone

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