woof woof bark bark woof grrrrr

i actually made my friend a WH fan just by infodumping about it. is this the autism superpowers everyone always talks about???

…

okay i lied, i showed her the replies on the guest book and she fell in love with Wally but the point still stands!!! i finally have someone who will understand my anger at all of the mischaracterisation of these characters i constantly see. every time i see the smallest mistake in how someone acts i become exponentially more feral

😬

So Here’s a thing

You ever wanted to go outside to get things or just be outside, you grab your keys and go but then you forget you have them so you check to much sure and then later you check to much sure again. “Do I really have my keys? let me check to make sure” and again “Oh i forgot my keys let me check to make sure the 7th time in a row that I have it” it’s so weird

my opinions are forever null and void because i had to open my stupid gob and say i like akito sohma

It’s that time of the year again

WARNING 18+

19

Because @staff is too cowardly…

!This is a drawing! Not a screenshot!

This is nineteen hours of work. (Not the build I based this off of- it only took me like a few minutes to build it XD)

(This is the next build of mine that I will draw)

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

did you know? if you do your laundry you can get your clothes back

don’t you love when you’re casually reading a random poem and suddenly come across a line that burrows into your bones and becomes the definition of your heart for the next 17 years

happy new year everyone :]

🙃

cleo reacts to joel’s new glow ink store (VOD)

Michael is FNAF Baby's number #1 hater