Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him.
They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down.
His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror.
This is his golden ticket.
The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before.
He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.
Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.
No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now?
He's fucked.
He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.)
Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB.
If he doesn't film now, he loses it all.
Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it.
"Just go full Kevin Smith man. Act and direct." He says, with an easy grin.
Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)
"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters."
Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss.
"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!"
Steve politely hides a laugh with a cough.
"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.
Steve, the handsome bastard, just winks. "Looking forward to it."
Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling.
Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him.
Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face?
The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.
Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth.
("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that."
Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!”
Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!"
"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness."
Eddie flipped him off.)
One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.
No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later.
Today on WIP’s I have no intention of writing, indie horror movie AU!
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It's actually so important to me how flawed Penelope is you don't get it. She's complex and she's kind and sweet and caring and loving and bitter and manipulative and insecure and she's young and hurt and fucking up and making mistakes and hurting people and loving people and handling things in the worst way possible with the resources she has on hand and she's allowed to.
So often for a fat (and I say that within the context of the show, Pen is a fat/pus sized character within the narrative even if Nicola isn't) character to have any storyline outside of mother or joke they have to be the perfect victim. To be fat is to be victimised by society to some degree, it is to be told you are unloved and unwanted and unworthy without anyone saying those exact words, we all know this even if we don't want to except it. It's why almost every fat character is bullied in some way even if it's passed off as a joke, and they are just expected to take it because to actually acknowledge the pain and hurt and damage that causes is to acknowledge their humanity.
There is no space for complexity when you do not recognise the humanity of a character, there is no room for mistakes or grace or forgiveness in a narrative when the character is presented as lucky to simply be there. This goes doubly so for romance, as rare as it is to even see plus sized girls as a romantic lead, when they are there is no room for mistakes, the standards they are held to are so vastly different because they can't fuck it all up, they have no room to make mistakes when people question why they're even there in the first place.
But not Penelope. She fucks up so many times over, she creates half her own problems trying to fix things or make herself feel better. It dose not shy away from the damage and underlining issues and insecurities the life she has lead has left her with, and it's sympathetic to be sure, but what she dose with it isn't. Because fat people do not have to be the perfect victim and honestly most of the time are not. Because when you tell someone how little they are worth and how out of place and undesirable they are at every turn and expect them to internalise that, especially a young girl with very little power at her immediate despoil, it doesn't always come out in a very nice palatable way. It doesn't always create nice sweet uncomplicated people who cry a little when insulted but otherwise brush it off. It creates people like Penelope, it creates anger and resentment and bitterness and a need for control.
Whistledown is so many things, not all of them negative, but it is the cause of so many problems in her life after she made it as an attempt at a solution. It has caused her to hurt people and betray people and lose some of the very few genuine connections she actually has. She manipulates people and misleads them to keep her secret, because keeping a secret like that will always result in that. Her motives are sympathetic, she rarely dose anything to bad without reasoning, she has all the excuses in the world and still at the end of the day she fucked up. Her and Eloise are the second love story of the season for a reason. She adores that girl so much and she is absolutely miserable without her, as Eloise is without her. They love each other so much and there is so much pain between them now, they're practically crying every time they look at each other. And even tho the situation was complicated an messy and not completely her fault, she did in a way cause it. She's hurt people and she's hurt herself. And I love that.
Because she's a main character. We know her and Eloise will make up even if it isn't the way it was before (arguably a good thing but that's a different post.) Because she's a romantic lead, because we know, even if we don't know how they get there yet, that she will get her happy ending with the man she absolutely adores and who loves her just as much. It will not be easy I don't want it to be easy, Colin has every right to be angry and hurt and betrayed and he deserves to have the space to say whatever it is he's feeling and to have a negative reaction, but he will forgive her. Part of that is just because of who he is and the relationship he has to her (mandatory Colin appreciation moment) but it's also because the narrative has given her room and grace to be flawed.
There is so much to love about Penelope. She's so intelligent, and she's funny, she's a good listener, she makes people feel heard and important, she's kind, she's attentive, she's romantic, she's creative, she's beautiful. She is a victim and people and society do hurt her, but that's not all she is. She's given the space to be more and still be forgiven and loved just like anyone else. Because her actions is what she's apologising for not her existence. She dose not need to earn her place in a love story just because she's fat, it's her actually flaws and mistakes that exist in abundance no matter how sympathetic some of them might be, that she has to make up for. And I adore that and her.
You take away so much of her character and her agency and her complexity when you say she did nothing wrong or that she's the absolute devil. Let her be flawed, let her be someone trying their best and failing at it, let her make mistakes. But give her some grace, for once the narrative is. Her happy ending will come Bridgerton is a romance show, but she'll have to work for it. Colin and her will work for and earn their happy ending together, because they love each other and because of who they are and what they mean to each other they will find a way to make it work, but also because the writers let them and her find it.
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after buck and eddie get together, eddie starts giving buck absentminded kisses all the time.
kiss on the forehead after he passes him his morning coffee. kiss on the cheek while buck is cooking dinner. kiss on the back of his hand as buck drives them to bobby’s house for a family bbq. kiss on top of his head while they cuddle watching a documentary. kiss on his shoulder while they sit on the station couch reading in between calls.
but buck’s favorite kisses? the ones edde blows him from a distance. when no one is looking during a call and they have to separate, buck doing evac and eddie treating some minor burns. when buck is pulling out of the their driveway to go meet maddie and jee for lunch and eddie sees him off from the front porch. during their family night out at the movies with chris in between them before the action film their son chose and they’re both probably going to hate begins.
every single blown kiss is always followed by eddie mouthing “i love you” at him, and every single time buck feels himself start to blush, the butterflies in his stomach staging a very chaotic and uncoordinated flash mob.
there’s something so exhilarating about knowing that no matter how close or far away they physically are eddie always wants to be kissing him. like eddie knows just as well as buck does that his lips were always meant to graze buck’s skin and leave behind goosebumps for hours to come.
even when they can’t see each other at all, buck knows eddie is thinking about it too because eddie does not go more than 3 hours without sending him little 😘 emojis. he doesn’t say anything else, doesn’t contextualize them because he doesn’t need to. it's just random 😘 throughout the day, scattered in between the rest of their texts.
buck [3:33pm]: got caught in traffic, chris and i will be there soon!
eddie [3:33pm]: ok, hen and denny just arrived
eddie [6:03pm]: 😘
&
eddie [11:27am]: can you write “chris dentist appointment” on the kitchen calendar for 10/17?
buck [11:31am]: done!
eddie [11:32am]: thanks, baby
eddie [2:16pm]: 😘
&
buck [10:08am]: we also need eggs!
buck [11:43am]: remind me to replace the lightbulb in chris’s bedside lamp
eddie [1:14pm]: 😘
eddie [3:09pm]: your amazon package just arrived
buck [3:09pm]: yaaaaaaay
eddie [7:24pm]: 😘
&
eddie [6:02am]: 😘
eddie [8:56am]: 😘
eddie [9:07am]: 😘
eddie [12:31pm]: 😘
buck [3:17pm]: 😘😘😘
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Okay!!! Finally (Finally, this has been months in the making and redone several times) I made a lineup of my Iterator designs!!! They're done and I'm really happy with them.
Misc headcanons under the cut
All: Asexual, Trans
Looks To The Moon: She/Her, Demiromantic Lesbian
Five Pebbles: He/Him, Greyromantic MLM
No Significant Harassment: They/Sometimes He, Aromantic
Seven Red Suns: They/Them, Demiromantic Bi
Moon and NSH are both Gen 1. NSH was Moon’s first junior and friend, and they are extremely close because of it.
Suns is early Gen 2 and was created by a particularly aesthetically inclined group, resulting in their slightly more ornate clothing.
Pebbles is put off by NSH’s humor, thinking that if they’re a Gen 1, then shouldn’t they act like it?
NSH’s humor is actually sourced from their life experience. They’re relatively comfortable with themself and know how to see the bright side in most situations. (Moon’s collapse not being one of them. They were completely devastated; even moreso once assigned Senior in her stead.)
Moon loves Pebbles and wants him to be happy and healthy. He thinks she’s too overbearing, but loves her too deep down.
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For those who are unfamiliar with Deltarune
This is Kris, they're the main character of nutdealer 2
(their skin's not usually blue. it just does that sometimes)
we know almost nothing about them. However, we do know this:
They are nonbinary
They like (most of) their friends
They do NOT like us
They enjoy eating moss
They are going to touch the cheese
that's it that's all we know
Other additions:
They play piano (probably) courteousy or @/mystykmarigold
They are "normal" courteousy of many people
They like to flush bath bombs down the toilet. Their mom doesn't like that courteousy of @/sacrificialcat
They are a knife enjoyer, as well as a chocolate enjoyer
They like(d) to mess with their childhood friend both courteousy of @/the-beasts-have-arrived
They use apple shampoo, and apparently smell enough like apples that a friend associates it with them courteousy of @/spyret-the-shitposter
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