my self-indulgent hc for Brassius is that he commissions and supports other artists wholeheartedly and tips them extras without hesitation. I like to think he grew up sorta lower-middle class and only became rich and famous in his 30s so he completely understands the difficulties of baby artists or just straight up the struggles of starting out in this industry. fr he’s been through the combination of chronic illness + depression + stress in his early career days so he definitely understands???
Literally; Oh, what a lovely sunflora you painted earlier during your tour of the sunflora daycare, how much would you be willing to part it for? $50? Oh dear LORD no here is a $600 cheque plus a $200 tip, take it I will not accept refunds I’ll be hanging this painting up in my studio later.
Or some kid on poketwitter drew him as a sudowodo or sunkern for fun and the next thing you know theres 10k likes bc the offical account of the Artazon Gym has retweeted your doodle and had @ you with: “absolutely lovely work! do you take commissions? please send a dm request over so we may discuss the details!” (And then he commissions two fullbodies of him and hassel as pokemons)
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I'll admit to having a Problem with br1dgy deeming Team Expanding Acronym's suggestion to continue the Mantle evac & hold the line while calling Vacuo a 'terrible plan'. I mean, it seemed feasible enough right up to the point where Salem rolled in with the city-sized siege whale, *still* beats *leaving the laborers,* and Cinder was already up there, so the 'raise Atlas out of theoretical Grimm reach' thing doesn't really guarantee relic security either.
(For others' reference, anon is referring to this post (link) I recently reblogged (warning: that post is *very* long!))
Yeah, I'm ngl, that point was the major reason I said I agreed with *most* of the points made, not all. I just didn't rly wanna point that out that moment bcus
a) it was a post nearing two years in age that I didn't rly wanna stir the pot about
b) I worried it was kinda nitpicky considering the fact that I agreed with the major points in that series of posts, so bringing it up risked detracting from those main points, and
c) at that point in time I had few coherent thoughts to put down in a way that would make sense anyway
But since you brought it up...
The points in that post that I would dub the "main points" that I agree with are as follows:
Ironwood is a tragic character due to being a villain of his own creation
Atlesian society is horrifically damaging to just about everyone who grows up in it; Ironwood was no exception, which is also smth that lent to his spiral
During the confrontation in Ironwood's office, nobody was entirely in a position to negotiate. Ironwood's PTSD (and probably his Semblance) was kicked into high gear, and his decisions were all but made. RWBY were running ragged and exhausted from their efforts during the evacuation, and as a result were unable to reach Ironwood and convince him to at least find a middle ground
Ironwood's true point of no return wasn't when he declared martial law, or he deemed RWBY and co enemies of the state. It was when he attacked Oscar, who was actually in a position of theoretically being able to negotiate with him, that he crossed the line that he couldn't be pulled back from
All of this being said, the way Ironwood's arc was executed was imperfect, and could have greatly benefitted from having a bit more time sunk into it. (Mostly, I personally wish they had an in-show conversation about his Semblance and how it affected his spiral.) Altho, I understand that CRWBY does not have an infinite budget, so the fact that they didn't is smth I can get
But circling back to your original ask, I agree with you. RWBY and co's plan, while it had its kinks that there was only limited time to work out, was imho an overall better plan than Ironwood's. Going off the information they currently had, there was little (rational) reason to believe that raising Atlas at that very moment was the right choice, for the exact reasons you mentioned
I feel like for me the main issue with that point isn't necessarily the argument itself (I respectfully disagree with it but I can still see the train of thought ppl may have approaching it) but the (imo) strong language of referring to RWBY and co's plan as "terrible". (And this is why I felt my comments on it may have been needlessly nitpicky and why I didn't comment until prompted)
Like I said, yeah, their plan may not have been perfect, but tbf? They didn't exactly have a lot of flexibility to adjust to the new threat level accordingly and in a timely manner, which was why they wanted to keep going as they were until they could get to that position
Now, Ironwood's plan? That's worse. To echo and add onto your points, they didn't know exactly how close Salem was or how fast she was approaching at the time, so to assume that it was already too late was presumptuous; raising Atlas immediately would not only leave countless innocents behind that could have been saved, but all it would do was maybe buy some more time... which wouldn't rly matter, either due to Salem just flying up there with Monstra immediately, or due to Salem's immortality allowing her to use Atlas's isolation to her advantage and chip away at the rest of the world until only Atlas was left and *then* go for them, but either way there is no guarantee that it will be enough time to buy considering Atlas's isolation would make it difficult to obtain necessary materials; and someone already had to be up there to place the Black Queen (who we knew were Cinder and Neo), so all it would do is isolate Atlas with the enemy. So yeah, there's rly no way to win with the "raise Atlas *right at this moment*" plan imo
Now, to be clear, Ironwood's side not having much long-term practicality (I don't deny that it may have had *short-term* practicality for Atlas (but not Mantle obviously), but the questions of "How long will this last?" and "How far can we go before the ends no longer justify the means?" are very important, and the answers don't look good for Ironwood) was like. Kind of the point. He's *not* thinking rationally rn. And I think maybe a lot of ppl in the FNDM viewed him as this level-headed general who fought for the greater good, and had a hard time seeing how that deteriorated until it was too late
But point being, the word "terrible" for the protags' plan is a bit harsh imo. Especially when comparing it to the worse plan that Ironwood had
Another little point I disagreed with (also nitpicky due to its relation to word choice) is the statement of another user on that post that Blake and Yang's decision to reach out to Robyn was "dumb". Again it just feels kinda harsh to me, yes, even taking into account the fact that Blake and Yang did not know what to expect from Robyn's reaction at the time. I mean, maybe "naive" (and contrary to what seems to be a common belief [nobody here] dumb =/= naive, there's more nuance than that)? But I don't think I would personally call it that
Actually, I think it indicates smth much different that *Blake and Yang* of all characters chose to tell Robyn the truth bcus of their trauma-induced trust issues...
But ykw? I've been going on about this for a while and I think the post is starting to derail from its intent lol. I can expand upon on the Robyn thing on request if anyone's interested but I think I'm talked out for the night. Thanks for listening to my rambling
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how to ask / motivate your favorite fanfic writers to post new works / update a new chapter WITHOUT rushing them or sounding entitled and rude;
don’t comment “when” or “will there be a next chapter” or “will you continue this?” quite frankly, these type of comments can sound like you’re demanding from your favorite writer, even if it may not be your intention.
if you’d love a sequel or are wondering when or if the fic will be updated, try something like “I love this so much!” *bonus if you explain why you love the fic or what you love about it* and then add something along the line of “if there’s a part 2 of this, I would be so excited / would absolutely love to read it!”
the trick is to avoid a blunt question like “will there be a part 2?” or “it’s been so long. when will you update?” etc.
honestly, DON’T ever comment something like “it’s been ___ months, ___ years” or “I don’t think the author will continue this lol” that’s one of the most effective ways to make sure your favorite author doesn’t come back to your favorite fic, and it’s just so… dishearteningly rude.
it doesn’t matter if it’s been months or years since the author’s last update, demanding and rushing them will most likely NOT give you the result you want.
reminder that fanfic authors are humans with lives and jobs outside of writing fanfiction, especially when fanfic is something they do in their free time out of love and passion, and you — the reader — get to read their works for free.
rushing and demanding will only make it sound like ‘a task that needs to get done’ for your favorite author, and it sucks out the joy of writing out of love and passion. it can be so discouraging for the authors.
fanfic authors don’t owe you anything.
even if they completely abandon the fic, it still doesn’t give you the right to be rude to them or to ask why they stopped writing or to coerce them into giving you what you want.
I can never say this enough; fanfic authors write in their free time, FOR FREE, out of love and passion. and you get to read their works FOR FREE because they’re kind enough to share their love for their comfort characters with you.
they don’t owe you anything.
it’s okay if you’re wondering when or if they’ll post something new, but it’s not okay to rush or demand from them.
comments are mostly what motivate authors into writing faster, so if you want your favorite authors to post more, comment about what you love about their works, express your gratitude to them for giving you these amazing fics for free, but don’t be an entitled reader by rushing or directly asking when they’ll update.
let’s keep fandom space safe and comforting for both writers and readers.
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Outsider POV on Somewhere Else Jonathan Sims must be just. so much.
Like imagine. You're part of a support group, and a new guy decides to join. You ask him his name and he says, "Jonathan," and then after a long pause, "Blackwood. Jonathan Blackwood. But call me Jon."
He doesn't like tape recorders. You only know this because the person who hosts the support group is into retro things, and tries to keep a couple around. She turned one on once when someone asked about it, and you noticed Jon clutching his nails into his hands so tight he's nearly breaking the skin. You lean over and whisper, "Do you want me to ask her to stop?" He says, "It's fine," and you nod, but you still try and change the subject whenever people bring up tape recorders from that point on.
He full-body flinches one day when someone says Hello, Jon. Nearly slams into a wall and everything. He tries to play it off, but after that people say Hi Jon, or Nice to see you, or things like that. Anything but Hello.
He says he used to work at a 'non-profit for studying the supernatural'. Someone asks where it was and he says London. You tell your wife about it, and two days later she emails you an article. Magnus Institute Burns Down In 1999. It was in Manchester. You tell her not to bring it up again.
The guy is snarky and blunt and downright rude at times, but when a woman comes in and tells them about being trapped in a empty warehouse for a week, he comforts her in a way none of the rest of them know how. "I believe you," he says, repeats it like a mantra, like a prayer. "I believe you." He says 'I'm sorry' less like he's sorry this happened to her, and more like he's taking the blame onto himself.
He talks about Martin, sometimes. His reason, he calls him. Normally you'd point out that while it's of course good to love your partner, you should have other reasons to live, but you stay quiet. This guy needs all the happiness he can get.
You leave a little late that day, and when you do you hear him on the phone talking to someone. "She'd been touched by the Lonely, Martin!" he says. "Which is bad, of course, but--" he seems to choke up, "Martin, I didn't feel any compulsion for a Statement. A-at all. I think it's really gone."
You just walk by.
You don't know what's going on with Jon, but it really isn't any of your business. You're an anxious queer lesbian and he's a traumatized ace guy, and you aren't going to make his life any harder than you have to.
Just. Jonathan Sims in a support group.
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