gay trans men: isn’t it fucked up that so many cis gay men proudly talk about how disgusting they think our bodies are, get violent when they realize they were attracted to one of us, push us out of community spaces because they don’t think we belong there, invalidate the orientation of the cis gay men who enter into relationships with us, accuse us of raping the cis gay men we’ve had sex with, aggressively misgender us and make assumptions about our bodies, act like their personal lack of desire to be with us means we must be fundamentally unattractive and morally reprehensible, and generally treat our existence like a personal attack worthy of a violent response when all we’re trying to do is exist?
those cis gay men & their friends: oh my god, you’re literally trying to force your disgusting female pussy onto gay men! this is conversion therapy! you’re a predator and a rapist and you deserve to die!
gay trans men: …we literally do not care if you have sex with us. nobody said anything about that. a lot of us are t4t, asexual, and/or already in a relationship, and the rest of also don’t want to have sex with you that badly because we would much rather be fucking someone who actually likes us; this has never been about who we personally want to sleep with. we’d just really appreciate it if you could treat us like human beings and not actively try to make the gay community hostile toward our existence. you don’t have to be attracted to us, just don’t be awful to us? and maybe, once you have that part down, ask yourself why you were so quick to assume a subset of queer people are all violent predators?
those people: HOMOPHOBES! EVIL GROSS FETISHIZING RAPIST HOMOPHOBES!
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I haven't seen any posts about this yet but l've seen some fan art that makes me feel this needs to be said:
Don't forget Leah Sava Jeffries has darker skin when making Annabeth Chase fan art!
She is much closer to Lupita Nyong'o than Zoe Kravitz when it comes to shading, reflection, and complementary color usage :).
Lighting for dark skin is different on light skin. Light skin gets changed by lighting, and dark skin reflects the lighting. Below is a lovely shot of Nyong'o's character from Wakanda Forever in mourning. The filmmakers emphasize the umber qualities of her skin in contrast to the funereal white and (arguably harsh) light across her shoulder below.
Try to pick spots that aren't directly in or near the light, and try mixing 3 or more! You can put it into a color mixer online, or even color pick, lower the opacity, and lay the shades over each other until you find one that fits. And of course, the more 'realistic' you want to go with shading and lighting, the more shades you're going to want to be able to explore vivaciously :D.
Let's take a look at the same 3 beautiful actresses I mentioned at the beginning, with a bad color picked area and a better-ish color picked area. (Please keep in mind, these are not perfect comparisons, as I was not able to find pictures of all 3 actresses under the same kind of lighting.)
Kravitz's has a clear difference between the two, but they aren't too far apart, in comparison to Nyong’o’s and Jeffries’s. Note the dullness in the poorly picked shades as opposed to the better ones. Also keep in mind that while Kravitz has a rosy undertone (at least in that picture - it’s from The Batman, which has stylized coloring) Nyong’o has a slight cool undertone (I can’t pin down quite what, but the picture is definitely not stylized like Kravitz’s).
Jeffries runs more ochre or russet, but neither of those are pink. They are more red than terracotta or umber, but to call Jeffries’s face rosy would be wrong. Err more towards the golden when drawing her.
^^saved an image from a writing tutorial long ago, but can’t seem to find it. If someone recognizes it, I’ll link it.
EDIT: it’s from this post. Thanks @autumnrowancollector ! <3
And also, the darker skin gets, the less likely warm undertones are going to appear. Don't be afraid to use blue or purple or even green on occasion!
Additionally, cool lighting on dark skin is always a win imo.
(I was going to use that picture of Jeffries as Annabeth by the lightning bolt, but then I realized the lighting on her face doesn’t quite match up with where it should hit from that angle, and I realized they kind of just turned everything bluer, so screenshot time!)
(Also if you want another really great live action example, check out anything Aldis Hodge is in, like Leverage and Black Adam)(and of course there’s Spiderverse <3 but I want to post pictures of Hodge)
Now, to here’s a list of more experienced people’s advice:
Black facial features & hair
Shading digitally for a (somewhat) monotone Black character
Stylistic choices and places to start looking for inspiration (besides a search engine).
Coloring Black people’s lips
A better coloration tutorial
Also a nice tutorial for Indigenous skin tones, just in case yall want to draw Piper or use this information for other dark skinned characters :).
EDIT: Some actresses who are closer in skintone to use for Annabeth, provided by the lovely @blackfemmecharacterdependency ! If you can’t find a reference for Jeffries in a specific lighting, maybe check out these ladies’ pictures! It’s a reblog, so scroll down.
TLDR: Don’t make Annabeth pink and pale, make her dark and golden.
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Y’all, I hate how surprised fat women sometimes act when I say I’m attracted to fat women; it’s painful that it’s not a given. I wish they could see how I see them. The way her cheeks bunch when she smiles at something, at me. The way she feels in my arms when we embrace. The way her body moves, the way it jiggles that makes me imagine the way she’d look underneath me or on top of me. The way that rivulets of water flow over her curves in the shower and the way sweat looks beaded up on her skin and dripping down the hills and valleys of her form when it’s hot. The way that my fingers dig into her sides, her hips, her thighs when she lets me be a little rough. The way she looks on my lap, my hands holding her to me. The way she parts her legs and reveals herself to me. The way my arms wrap around her thighs as I hold her open while I taste her. If she could see her the way I see her, she’d realize that the attraction should be a given.
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Ed called himself the devil, and the crew his kids, like he was making them into some absurd legend of the high seas. And he kept up a hell of a theater. Everything the crew had asked Stede for at the start, everything they’d seemed to revere in Ed — he produced it tenfold. He looked just like the myth, the monster, the terror, and he made them the same. He did everything to show the world that caricature Izzy demanded. And Edward watched his step, and cried behind closed doors, and didn’t speak. Edward wasn’t seen on deck once after Izzy told him to put him away.
And then after they “talk it through,” and Ed knows decisively he’s failed even this — even his best performance — then he washes his face, and puts his hair up, and shows up smiling and soft-faced to steer them straight into the storm. I think that was Edward on deck, giving up at last on watching his step. Not the Kraken — Edward in despair, because his best bravura performance of the theater of fear couldn’t save or satisfy anyone. And he knew it never would — if they went on like that they’d all die anyway, on someone’s sword, or on the end of the noose.
When he asked Izzy to enlighten him on where he’d gone wrong I do think he wanted to offer Izzy one last chance to admit he didn’t want what he’d demanded from him. But I don’t think he had any real hope that Izzy did regret that. He believed Izzy was going to continue to believe in brutality, to require his performance of Blackbeard until they all mutinied or died, and that no one would stop him; that no one wanted just Ed.
And Izzy then says again to his face that it’s love that ruined everything, not the monstrous performance overtaking their humanity, and that’s what puts Ed over the edge.
He wants the crew to kill Izzy for saying love has ruined them, since he can’t. And when they don’t, he wants Izzy to kill him. (Izzy seems to love that he wants that from him; he beams, and he seems flustered to find he can’t quite do it. He adores that Ed wouldn’t ask anyone else — one final intimacy of shared despair, the death of both their humanity, and he can’t pull it out of himself. He pretends it’s Ed that’s the coward, still.)
And since Izzy won’t end him, Ed steers into the storm, puts on his brightest, bravest performance of Ed the madman, but for once it’s a performance he believes in. He wants the crew to despair of him, the way he has. He wants them to fear him the way he does. He wants their horror, their hatred, as well as his own, if he can’t have anyone’s heart.
I think he wants Jim to fight him instead of Archie — to prove to him that love means something to someone on this ship. And maybe he thinks Jim and the rest deserve to die with him if they won’t put him down and save their loves and spare the world from him. But his euphoric “Finally” makes me think he trusts they will — that they’ll see he shouldn’t live and spare him the decision. That anyone can see he’s earned his end.
It’s horrible, but it’s all he believes is real any more — that there isn’t a place for him on this earth, that the albatross can never land, and that the only peace he’ll get is to be sent under the waves like his father before him, like Hornigold and Jack and the rest — to go down to where the monsters sink when the world is done with them. And when Izzy decides Ed’s request for death is justified, and returns shot for shot, instead of saying he was wrong — Ed is glad. When the rest of the crew finishes what Izzy can’t, Ed welcomes their despair of him. He can’t keep tallying the days on his wall. He can’t bear any more hope.
Which is why I love that we saw in the end, in the in-between, he wasn’t really ready to go. In the quiet of his own soul, without any eyes on him, he was still trying to kill the Hornigold in him who said this is all he was, that he would never be good for anything else, that dying was all he could hope for.
And it’s why I love that Stede didn’t meet him at the surface, in the open air— he dove down into the depths with him. He brought the light with him; he changed the waters from a nightmare into a dream. Ed went from sinking to weightless, just because he realized that there in the depths one person still wanted Edward — one person believed in his love.
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I cant imagine the type of asks youre getting rn from swifties but I just gotta say youre so strong and so right and you should keep going
Lol I haven’t gotten any aggressive asks actually. Aside from that anon (whom I think was genuinely hurt???), most ppl were just sending me their think pieces. And while I don’t really like ts as a person/don’t think I’ll ever be into her music like that, I think liking or not liking her doesn’t change much and we can all have opinions on her without taking it too seriously. It’s all chill
(also guys im lowkey over it so we can stop w the ts asks now <3333)
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