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saintsenara · 13 days

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honestly is there a single competent teacher at Hogwarts? Any teacher I can think of with more than 10 lines of dialogue is a pedagogical disaster. Very shippable disasters though, for which I am grateful because your page has made me giggle all week.

maybe Sprout.

honestly, anon? no.

that school is a basket case and the older i get the more my sympathy for cornelius fudge increases. imagine getting the call where dumbledore says "heyyyyy... so, i hired what i thought was an ex-auror who was retired from the service because of serious ptsd, gave him no teacher training, let him perform illegal curses on children for fun, and then it turns out he was an escaped convict trying to resurrect the dark lord all along. lmao."

i'd have devoted myself to trying to discredit him too.

and so, for fun and profit, i think it's only fair for us to establish an official competency ranking of the teaching staff at hogwarts during the period 1991-1998... points on for having a basic grasp of the material, points off for anyone who nearly dies in your class.

1. wilhelmina grubbly-plank, care of magical creatures

genuinely, professor grubbly-plank is the only person we meet in all seven books who seems to be an uncomplicatedly good teacher. she's got a series of well-defined lesson plans which feature a mixture of guided and independent study and which work in a tangible way towards exams, she has clear authority in the classroom but is never unreasonable or cruel, she's demonstrably able to lead a practical class which involves wild animals which might behave dangerously or unpredictably without there ever being any concerns about student safety, she takes an active pastoral role [such as when she helps heal hedwig's injured wing, reassuring harry enormously], she's collegial [she shares her lessons plans with hagrid in goblet of fire, and she refuses to criticise his teaching to umbridge], and she's admired by all of her pupils except harry [who is nonetheless begrudgingly forced to admit that she's incredibly good at her job].

plus, her aesthetic is iconic.

=2. filius flitwick, charms; pomona sprout, herbology

in joint second place, we have these two.

both sprout and flitwick spend canon seeming to be pretty good at their jobs - they have interesting lesson plans which seem to balance theoretical and practical work well and which prepare their pupils properly for exams, their pupils like them and enjoy their lessons, they're both excellent at the pastoral side of their jobs [sprout's gentle encouragement of neville is really lovely], and they're adored by their colleagues.

they lose marks for lax classroom discipline. harry, ron, and hermione are constantly yapping away in both charms and herbology - with harry and ron frequently failing to understand what they're supposed to be learning because they were too busy have a chat.

=4. remus lupin, defence against the dark arts; septima vector, arithmancy

two teachers here who earn their placement on the list by having one pupil who considers them life-alteringly inspiring.

for lupin, this is dean thomas - whose constant state of readiness to throw hands to defend his honour is one of his greatest character traits. for vector, it's hermione.

obviously, they're both well-qualified, well-prepared, engaging, and [at least in lupin's case, but i can't see why it wouldn't also be the case for vector] well-regarded by their colleagues.

they don't rank higher because lupin loses marks for endangering his students by not disclosing his knowledge that the presumed-to-be-a-death-eater sirius has a means of entering hogwarts without detection [i understand why he does this from a characterisation point of view, but it's inexcusable from a safeguarding one] and because vector teaches an elective subject which is implied to only attract bright, engaged pupils - and therefore has an easier time in the classroom than someone trying to get a student like crabbe through their exams.

5. minerva mcgonagall, transfiguration

in comes minnie mac at number five.

unsurprisingly, her solid curriculum, excellent classroom discipline, high-regard among her colleagues and pupils, support of student extracurricular activities, and investment in helping her pupils pursue the careers they want all give her points.

she loses marks, however, for the fact that she is so casually disdainful of pupils who aren't instinctively good at her subject - which suggests that she doesn't know how to adapt her material so it can be understood by every student she teaches. like dumbledore, she seems to have an identifiable favouritism for brilliant students - who she seems to permit to get away with much more than students she considers average or dull - which probably doesn't endear her to anyone who doesn't get that treatment.

on her pastoral approach, though, i don't think that it matters too much that she's not particularly nurturing - even though she's a head of house. she seems to be good at responding to genuine distress and managing genuine crises with empathy, and the "pull yourself together" vibes she takes in response to more trivial dramas is because she's a presbyterian scotswoman.

6. severus snape, potions & defence against the dark arts

the one on this list that i imagine will be controversial...

because snape is a dick in the classroom - not denying that - but he's also, in terms of his pupils' exam performance, clearly the most successful teacher in the entire school. he can fill his newt-level classes despite only admitting those with outstanding grades, and he expects every pupil he teaches to pass owl-level potions and seems not to be disappointed. hermione reveals that he does teach the theory of potions and the discipline's wider application - harry and ron just don't listen - and that she thinks his lessons are interesting.

snape loses marks - obviously - for his general vibe, although i think he should be allowed some leeway for his dickhead behaviour since potions is clearly a subject in which not paying attention and not being able to follow instructions properly is dangerous [hence why i've been a trevor hater since day one].

i suppose he should also be allowed some leeway because it's a genre requirement for a school story to have a theatrically evil teacher. but he's not getting it - since he clearly enjoys the role so much.

7. horace slughorn, potions

marks on for encouraging independent thinking and for clearly being able to hold a classroom's attention. marks off for not learning the names of pupils he's indifferent to, getting his favourite pupils drunk, and for having no follow-up questions to "hello, sir. i'd like to commit some murders."

8. charity burbage, muggle studies

entirely because i think it's genuinely admirable - and, indeed, far more admirable than the fact that the order of the phoenix all happily keep working for the state following voldemort's takeover - that she publishes an article in the daily prophet, to which her real name is attached, explicitly refuting blood-supremacist rhetoric when she must know that a blood-supremacist government is about to come into power.

marks off because the fact that even wizards who've taken her class appear to know fuck all about muggle society means that she can't be particularly good at her job.

9. firenze, divination

marks on because his pupils love him, marks off because that's a tremendously low bar to clear given... trelawney.

him telling his classes that divination is a bullshit, made-up subject is iconic, though.

10. "alastor moody", defence against the dark arts

i think it's genuinely impressive that he manages to go from being imprisoned under the imperius curse for a decade straight into planning a full year's lesson plans [which his pupils love] and doesn't have a breakdown.

marks off because of literally everything else.

=11. all the miscellaneous teachers: aurora sinistra, astronomy; silvanus kettleburn, care of magical creatures; bathsheba babbling, ancient runes

they seem fine.

14. rolanda hooch, flying

full respect to her for managing to wangle a full-time salary out of an annual workload made up of teaching one lesson [badly] and refereeing six quidditch matches.

15. quirinus quirrell, defence against the dark arts

all the proof those of us who hate professor riddle stories need that voldemort would have been a dogshit teacher, if he can't even get his meat-puppet to inspire a room full of eager eleven-year-olds in a subject which is about the coolest ways possible to kill people.

=16. cuthbert binns, history of magic; sybill trelawney, divination

they're terrible, obviously, but the fact that they remain in their jobs despite being so clearly incompetent is entirely dumbledore's fault. are you not giving the staff performance reviews, albus? come on now.

18. dolores umbridge, defence against the dark arts

umbridge deserves to be in prison, but she did at least bother to plan out a curriculum.

=19. gilderoy lockhart, defence against the dark arts; rubeus hagrid, care of magical creatures

both victims of dumbledore's "lol this will be so funny" era of hiring practices. both deservedly regarded as completely fucking incompetent by all but one defiant brownnoser. both possessing jazzy taste in textbooks.

21. amycus carrow, defence against the dark arts

he beats his sister simply because his pupils do appear to know how to perform the unforgivable curses correctly.

22. alecto carrow, muggle studies

literally nothing positive can be said.

#asks answered #where is ofsted?#albus... get the performance improvement plans out babe...#educational decrees they could never make me hate you #safeguarding tonite? safeguarding tonite queen?

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prince-kallisto · 3 months

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Anfjdjbd I borrow these screenshots from @moonlightequin1 on Twitter because my guest room rank isn’t high enough yet, but this new update unlocked another Guest Room story!!

It’s interesting how many magical items are lying around Ramshackle, like the magic hammer and now this magical gramophone. I think it’s quite telling of both of Crowley’s and Ramshackle’s age lmao, because he also knows what it’s supposed to look like when it was “as good as new.”

I’m sorry but I immediately thought of Crowley playing Meleanor’s lullaby in his office with the use of the magical gramophone haha…time to write yet another angsty fic of Crowley and Meleanor again. Really interesting how this gramophone works specifically with memories, no? The Ghost Camera also relates to memories in a way, with reliving the scene of the memory due to the soul bond. Magical items seem to require a boost from the user, whether through the use of imagination and materials, or memories and soul bonds.

I’m also really surprised at yet another subtle display of Crowley’s magic with the mending spell!!! Since Guest Room stories aren’t often shared around, I had no idea about this scene. Adding it to my mental list of all the times Crowley uses magic…interesting how this is the only time he’s DIRECTLY used magic in-game if I’m remembering correctly? All the other times were in the manga or the novel, but never directly in game. His magic has always been subtle, simpler spells though, or at least not attack magic.

Anyway I’m being fed with Crowley dialogue and I love it JAJFJXNSBDBDJSJEND THIS UPDATE WAS FOR THE CROWLEY STANS 💖🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛

#twisted wonderland #twst #dire crowley #twst dire crowley #kallistopost #twst guest room #crowley is levan theory

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cosmos-dot-semicolon · 1 month

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Act 1, and Leshy's relationships with the other Scrybes

There was a post on here a while ago about Leshy outright hating Magnificus more than P03, and one interesting observation was that he cuts the Wolf's stats, but boosts the Stoat's. I think there's more you can gather from Leshy designing around the other Scrybes, though:

GRIMORA:

Leshy seems to be the most amiable with Grimora. Yes, I think this probably comes a bit from the dev finding their aesthetics and gameplay styles easier to pair up, but I think's its also a little bit because she values fun quite strongly, which meshes well with his focus on lore: both things that aren't purely gameplay based unlike the weirder mechanics of the west-side Scrybes.

Similar to Leshy in act 2, none of her puzzles really cause any harm to her subordinates. It's meant to be some fun flavour plot for the player to engage their brains with before the battles. Honestly, the amount of times she says 'Marvelous!' alone should convince you of her priorities (outside of destroying the world!)

Leshy goes out of his way to design a totally new card for Grimora, which doesn't appear anywhere in act 2 or Kaycee's mod.

It's the only one with a sigil on it - it's a fragile card, but it requires more actual strategy than playing the non-sigil Wolf and Stoat.

One line of dialogue remarks that he wishes he had kept Grimora around, as she was at least a worthy challenger.

He says that the Stinkbug is weak, but other than that accepts you having it in your deck. Compare that to him absolutely hating the Stunted Wolf on sight.

If you look closely in the finale, Grimora has an insect crawling across the table in her campaign. I don't know if it's really a stinkbug, persay, but it's an interesting parallel to his choice of her species.

Someone has said before that there are notably more insect cards than any other species in act 1, which also plays into him being closer to her than the others.

Bones are literally the secondary currency in his campaign, whereas energy doesn't appear at all, and sigils are limited to a single map event.

stinkyyyy

MAGNIFICUS:

Between Leshy actively saying he hates Mag's card once you first get it (versus one line about the Stinkbug being weak), and him literally stabbing the guy's eye out, it's safe to say Leshy fucking hates this guy. I've seen different theories on this, between the clashing gameplay and Leshy being kinder to his subordinates, but the one I've thought was the most interesting was that Magnificus is arguably, the most powerful Scrybe.

He's the only one who does have a plan to get Leshy's takeover back to normal, and the other two Scrybes are desperate for you to find him in act 1 because of it. He has future vision, he writes letters to the others warning about potential takeovers, and you never see him scrounge for the OLD_DATA. correction in reblogs: i think it is mentioned that he has

I've always read Leshy's feelings towards Mag as jealousy, mixed with clashing ideologies. I don't think there's a single moment where the two agree on anything outside of act 3.

I don't have much to say on his card, gameplay-wise, as you get it very late. Honestly most of the Stunted Wolf's design is just foreshadowing that Leshy beat this guy up and stabbed out his eye, lmao, but it's still interesting to note that:

The Stunted Wolf is one of those cards that's a variant of another one (i.e. Wolf Cub/Wolf, Mantis God/Mantis), but it's notably the only one whose stats are worse than its predecessor.

At the same time, it only costs one blood, and it's the only 2-attack card to have that. Gameplay wise, this is to balance things out, but it hints towards Magnificus having been much more powerful in the past. Like it makes you ponder how fucking good it would be to start off with a one-blood 3-2 card.

Magnificus's only other gameplay feature in act 1 is the sacrificial alters (given his association with magic and sigils). These are fucking busted. God I wish I could have four sigils on a card in Kaycee's mod.

P03:

Leshy seems to not think very much of P03 (both in the sense of not acknowledging it and thinking it's not a good designer), but doesn't seem completely unwilling to work with him. I'd argue he's not really hostile towards P03, just very aggressively trying to push it into his own ideal of the world.

In Kaycee's mod, Leshy refers to him as a rival and not an enemy, which I think gives a good basis for interpreting how he views it. P03's breakup speech snapping at Leshy in act 2 is ultimately what gets him to question his intentions at all.

The mention that the stoat's suffering was real during the tutorial isn't really ever brought up again by Leshy. It's interesting to think about in hindsight, given that P03 being a robot means its the least likely to have experienced pain out of the four.

Combined with P03's remark that Leshy keeps him around just to suffer, and the later remark in act 2 that he thinks that it is noble to be a beast card, "even one as lowly as a stoat," this implies that Leshy's at the very least trying to get P03 used to his world, and almost hopes that he'll come to like it.

The unbuffed stoat is a really terrible card. All the 1-2 cards have some sort of gimmick to them to make them playable, but the normal stoat just doesn't at all. The buff to 1-3 is a gift from Leshy to P03, despite everything. It implies he at least thinks there's something that can be salvaged between them, in his own view.

And like. The buffed stoat is so so useful in act 1. The extra HP means it can take a hit from so many more cards and it's a solid foundation for basically any run.

The stoat's the only one of the talking cards without an animal family. Of course it is! Nature and technology are usually thematic opposites, especially compared to magic and death. P03 doesn't fit in here, but Leshy is still clearly trying to make it a foundational card in his campaign.

#inscryption spoilers #inscryption #inscryption analysis #inscryption leshy #dots dots dots #i may have needed to rewatch the finale bc i was unsure if the stinkbug was canon or only a grimora mod thing #anyways idk if anyone will read this but these guys are so fascinating and I need an actually decent take of them out on tumblr #so i guess i will have to do it myself.

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crimswnred · 1 month

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LITG TEMPTING FATE: thoughts and concerns

not that you care but i was working and only now I have the time <3

as always i wish the narrator would just shut up

"me and jack are so honest with each other except for, you know, the times we weren't" isn't she embarrassed?

you and theo are OVER claudia, bffr

Emel is always praising me, like. "mc is so right, mc is always on the right, if mc said so then i guess it's fine". i guess I'm MOTHERING

why's sophie going through my wardrobe, we are enemies

Theo is so damn cocky I can't with him

Claudia... babe... JACK? REALLY? JACK?

not Claudia slutshaming Theo

MC CALLING JIN MY MAN I DON'T EVEN CARE IF I'M RIGHT

but ofc I was

these secrets are boring

OHHHHH FINALLY A JUICY ONE. like, breaking up with a fling through voice noteto be on love island oh boy

lmao Claudia saying "oh, it's Theo" at least she knows the boy's trash

oh noooo sophie's a cheater? who would've thought??

Uh, Homeland mentioned 🇧🇷

boring secret for us again

"Stop being so enamoured with her baggage" looool

OAKLEY IS SO UNSERIOUS.

sorry Jin this is for science, look away

JIN??????? YOU DON'T EVEN EXERCISE HOW WOULD YOU RUN A MARATHON?

Oh, that's how. Ok, then, next!

and you're telling me Oakley is supposed to be the serious guy when he keeps CRACKING ME UP

THE BOYS ARE FIGHT AYOOOOOO

Jack why don't you just fucking k- [REDACTED]

Jin is so so so sweet I love every little interaction I love every joke I love every single word I read with his name on top of it. I just love how he always say the right things I might be in love yall

ANOTHER CHALLENGE? SOMEONE PLEASE END THIS NIGHTMARE

We get it sophie you and jack had sex jesus fucking christ

oh my god, they keep coming up with drama that happened before us being there and it's always something i really couldn't care less about

"NOT CHEESE... MY NEMESIS"

Sophie has done every single mistake possible, in another life she'd be my best friend

Theo I won't drop Jin for you sorry

this challenge has been more enjoyable than the last one, I'll give them that

Jin makes me a better person because why am I now helping Jack and Sophie when I hate both of them

I can't blame them for voting me and Jin for the cringiest couple, I cringe at the dialogue all the time too

WHAT THE FUCK

EVERYTHING WAS GOING FINE THE EVIL (JACK AND SOPHIE) WAS DEFEATED AND THEN YOU DUMP MY MAN????

YOU DUMP JIN??

SHUT UP! SHUT UP! NOO

LET ME WALK OUT I WANNA WALK OUT

fusebox you're the devil but I'll give you some credit this week, you kept this season interesting for me and also put me in a tough spot since I flirted with literally 3/4 of the remaining islanders. it better not go south after this

#litg #litg s8 #litg tempting fate #bia plays season 8 #love island the game #give me jin back thank you

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kafus · 5 months

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okay i just talked to every NPC in veilstone because it's been a long time and man sinnoh's NPCs are peak, at least out of the 2D games i feel like they provide the most humor and the most random lore tidbits and stuff. i love this region. i'm going to talk about it

first off sinnoh is full of little things like this. random dialogue/flavor text that ties back to the mythos of the region. i love how widespread the sinnoh myths are

i'm also obsessed with when there's two NPCs that link together like this. you talk to one and you move on and then you talk to another and you're like oh! lmao. by the way the rage candy bars being here is cool because sinnoh is canonically connected to johto through the sinjoh ruins and the rage candy bars are from johto, which means they're imported and sold here. in general i'm obsessed with the locations in pokemon that have special treats associated with them, like the pewter crunchies of pewter city in kanto, or the lava cookies from lavaridge in hoenn. iconic

btw don't worry lady literally everyone sucks at making poffins. unless you have four players it's pretty much impossible to make poffins that are better than the storebought ones. good luck getting four people with rare berries who are good at the minigame to play with you, ESPECIALLY in 2023 jesus christ. the basement poffins are OPTIMAL

anyway in speaking of linking NPCs, these two - i wonder if the dialogue in the french version of this game is turned into english? they did that for lt. surge's french pikachu trade, the french versions of HGSS make the pikachu english instead lol. but anyway as usual it's very fascinating to me how much pokemon loves to drop foreign language in its titles, and fittingly i know a lot of people with english as their second language got interested in learning english from a young age due to wanting to play pokemon. how many kids do you think got interested in french because of dialogue like this. the girl even implies what the meaning of his words is

veilstone isn't short on game hints either, useless to me now as an adult longterm pokemon player who knows all this stuff already but still really cool to see. if sinnoh is your first time playing pokemon, those hints on trade evos and stuff are always appreciated.

of course, funny dialogue too that got a wheeze out of my nose, not uncommon for pokemon NPC dialogue SDKFSFDK some of this shit takes me so offguard it's like extra funny

like GIRL ISN'T THAT WHAT A PARASOL IS FOR????

edit: my DUMB ASS (lighthearted) has been reminded that parasols are for the sun and are NOT an umbrella equivalent. okay she makes more sense now LOOL

also LOOKER JUSTIFYING HIS GAMBLING :skull emoji: this shit is taking me out. see this is useful because it's like oh galactic is really all over this city huh. not only their massive building but they have their logo in the fucking slot machines, they probably have some amount of ownership over this place like team rocket did over the celadon game corner. but also it's funny because SDFSDFK

OH AND MAYLENE'S DAD IS JUST... HERE? generic NPC. generic sprite. no name. he's just here. maylene's dad. you know, one of the gym leaders. help girl

anyways i'm aware i basically just posted most of the dialogue in veilstone city verbatim but I JUST THINK IT'S INTERESTING! I MISS WHEN POKEMON GAMES WERE FULL OF DIALOGUE LIKE THIS AHHHH i have more to say about the galactic lore but i'm running out of image space and i need to use the bathroom and get some food so i'll post about that a little later

#kiki was here #kiki.txt #kiki plays games #pt playthrough #long post

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ravengards-rogue · 2 months

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dont take any of this too seriously. just spewing my thoughts. some rdr2 / johnigail stuff. mostly talking 2 myself. a lot of spoilers lmao

i really. i really like the relationship that john and abigail share both in rdr2 and later in rdr1. and what i like about it is that it, explicitly, is not a story of true love.

don't misunderstand, i think john and abigail love each other to death and ever after. they share such a deep and solid relationship and both make mutual connections to each other over the course of the game. but what makes them compelling to me is the deep realism rooted in their romance and the way that love is depicted as choice rather than fate.

rdr2 poses this more than once through out the story, with the most obvious example being mary-linton and arthur. when presented the choice to leave the gang or go with mary, arthur chooses the gang due to various internal and external factors. but the implication remains that things might've been different had arthur learned how to choose other things. himself. his future. etc. there's examples of this with hosea and bessie (said by hosea himself "she knew what i was"), with dutch and his varying models of young women. the van der linde gang chooses the outlaw life chronically, habitually, instinctively.

abigail joins the gang as a working girl. she sleeps with most of the camp, and then with john. they're sweet on each other. and she has a boy that she believes to be johns. john is hesitant to believe that (and maybe some of that is warranted) but most of it is him being a complete jackass. the kid is born. john is presented the option of fatherhood. he, like the rest of the gang, comes to a point where he feels he must choose what is going to take priority in his life.

(and this is important - because in my mind, so much of this pressure is so self-imposed. it's inherited in the way most sons inherit from their father or like most younger brothers inherit for their older ones. it's possible no one told john to choose explicitly. not then at least.

but well, john has seen this all play out before. and loyal men choose the gang, almost always. the gang is family, was family before jack and abigail. and if john owes anyone loyalty, it's dutch who raised him as a golden boy)

john, for better or worse, chooses neither. he leaves the gang entirely, for a year which is a huge point of contention. he leaves both things behind. he doesn't choose. he doesn't want to choose. but he comes back, and presumably makes the choice made many times before him. he chooses the gang and completely shafts responsibility of fatherhood and husbandry. but there is obvious uncertainty there.

the choice john makes to leave is interesting when you consider it thematically, and you consider arthurs specific advice to john before his death - that you can't be two men at once. something that is reiterated to john in the epilogue and that he acts on in rdr1. it's also interesting when keeping in mind some hidden dialogue hosea has with john, in which john says he knows that jack is his.

to me, john understands very well whats going on around him. and that his actions are informed explicitly by that choice.

and this to me is what makes his relationship to abigail so interesting. john is no doubt a loser, a deadbeat, and a bum (he is my favorite character) - but all of this information together makes me interpret his actions (coldness towards her and jack) not as genuine resentment but an externalized projection and defensive mechanism.

johns uncertainty is not towards jack being his or even towards abigail, but a baseline questioning of the violence he's been steeped in his entire life. what was once a simple, intuitive choice to be an outlaw is called into question by the legitimate possibility of something else.

arthur has a line to john, where he says that if you don't think jack is yours - why does it bother you so much? and it's a good question indeed, why does any of it bother him so much? why does abigails nagging bother him so much? why is it that john chooses to be actively antagonistic towards her when he could choose to simply be apathetic or choose to reject or stonewall her?

a lot of it is projection. its hypocrisy on johns behalf. he unloads his questioning and beliefs about the gang unto abigail who serves as a semi-constant reminder of his own problems. abigail during the main story game doesn't ask john to choose, but john knows that he has too. that's what that whole thing leads to.

when the gang starts to fall apart and when jack gets kidnapped, john immediately changes his tune. he's in clear disarray. the seeds of doubt planted in his head about dutch during blackwater only get increasingly extreme and as the game goes on into guarma and johns prison arc. he starts more clearly distinguishing where his loyalty will lie as the game closes, john is finally encouraged to make the cemented choice of jack and abi and not gang life (not all at once and something he will continue to struggle with) but he makes it all the same.

and then all of that intersects with abigail. and this to me is where the basis their relationship stems from because it's largely abigails influence, personality, and persistence that allows john not to make the same mistakes. abigail doesn't ask john for love, but she refuses to yield to him when it comes to jack. i know so many people see abigails nagging as nagging, or clinginess - but in my mind, it's simply her not letting john get away with being wishy-washy. abigail makes herself known and doesn't relent even when john continuously acts like a massive dick. she's not a pushover about it though either.

abigail loves john and probably understands him better than people give her credit for. especially with her calling him silly so often (a WHOLE different meta post) it's out of genuine love for john and in many cases, a genuine concern for john as a person that she acts the way she does. she gets on his case because she doesn't really want to give up on him, even though she probably very well could.

and she'd definitely be more at peace if she did lmao.

at a human level, abigails constancy and her both 1. not taking johns shit when he acts like a dick and 2. still wanting more and whats best for him is probably one of the base reasons john has full strength to make it out. and john knows that. abigail chooses john. she wants to choose john. she believes in him and so much of that contributes to the fact john doesn't end up somewhere much worse when the main story ends.

but again its not easy. for either of them. and it's not something that works until john gets his shit together. their relationship doesn't mend overnight, either. in the epilogue of the game, you see them face the same struggles they did through the main story. but like i said, abigail is no pushover. when john keeps choosing outlaw life, abigail leaves because she feels there's no helping him and john has to prove himself to her once more. he has to choose them.

(a lot of people critique abigail for being unfair to john and i understand that - but i think its mostly fear. john was in that life for years, and to abigails there's no telling if that siren song will take over and uproot her life again or not. i do think many times john took up the gun in the epilogue were completely fair, but i dont think abigails reaction is unwarranted.)

but again. again. the core of their love story is about choice. both john and abigail make the choice to choose their family and their love is founded on learning to choose each other. abigail straightens john out, and his character in rdr1 is so much more mellow than he is in rdr2. his loyalty to abigail is fierce and consistent, and john knows he owes a lot to her and never loses sight of that in the years they spend peacefully together.

he likes that abigail gives him shit and a hard time because he knows he deserves it and that it was one of the only things stabilizing him during some of the most tumultuous and difficult times of their life together.

they have such deep and genuine love for each other, built entirely in trying to believe and trust in one another and hold onto love in an era where everything was constantly at stake. it's not fairytale romance, but tried and true connection and choice. i love you because i chose you and i'd keep choosing you. they are so awkward with each other for so long because of the nature of their relationship to each other and that truly endears them to me all the more.

they just. they are so in love. but its not a fairy tale. and its not a case of john getting the girl because he's the hero or whatever. john loves her so much and she loves him and it all took a while and none of it was perfect. but it was real. so so so real between them. ack.

#john marston #zero.thoughts #z.rdr2 #z.meta #abigail roberts #johnigail save me.... save me johnigail.....#their love is so human to me it makes me feel so ill inside

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vaguely-concerned · 2 years

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-another layer of 'ow ah ouch' to everything pyrrha says about lyctorhood in nona the ninth is that she and g1deon may very well have been the first necro-cav duo to have done it fully mutually consensually, eyes open. it's heavily implied mercy and augustine had their hands forced by cristabel and alfred and wouldn't have done it otherwise ("I have built a myriad on the idea that I could have talked him out of it, given five minutes"), and they're the first and second saints... g1deon's the third. he and pyrrha presumably saw what it did to mercy and augustine, and they still decided to go through with it.

I WILL REMEMBER THE FIRST TIME YOU KISSED ME—YOU APOLOGISED—YOU SAID, I AM SORRY, DESTROY ME AS I AM, BUT I WANT TO KISS YOU BEFORE I AM KILLED, AND I SAID TO YOU WHY, AND YOU SAID, BECAUSE I HAVE ONLY ONCE MET SOMEONE SO UTTERLY WILLING TO BURN FOR WHAT THEY BELIEVED IN, AND I LOVED HIM ON SIGHT, AND THE FIRST TIME I DIED I ASKED OF HIM WHAT I NOW ASK OF YOU

imagine the extra weight over the years in knowing you chose this. at least augustine can cling to that desperate fantasy world where he did stop alfred in time, but pyrrha and g1deon thought they knew exactly what they were doing. they thought it was love. john let them think that was love.

-...do you think mercymorn and augustine begged john for the same thing harrow did, after? Please, undo what I've done, Lord. I will never ask anything of you ever again. (Also one of my all time favorite Harrow moments where she gets to ask the question they aren't allowed to for ten thousand years: How dare you ask me to live with it?) did he comfort them? tell them he's so incredibly sorry, but he needs them?

at least pyrrha’s understanding of how the process works does corroborate his claim that he can’t extract a cavalier’s soul from their necromancer's after the lyctorhood is complete without destroying both souls, which I guess makes for the one thing he isn’t totally lying about lol. though while referencing their own situation paul tells ianthe there's still hope for her and naberius, a duo where the soul absorption did seem to complete, which suggests another layer here john might not know about (out of lack of interest?) or doesn't want anyone else to find out about.

actually let's reexamine some things from the Gideon the Ninth epilogue now in light of Nona I'm on a roll here:

-[God] said, "I know you became a Lyctor under duress."

"Some may call it duress," said Harrow.

"You aren't the first," said the Emperor.

screaming. howling. clawing at him like a wild animal. the two people who have loved you the most, and you stood by and watched as this happened to them, as you engineered it to happen to them, you've seen up close what it did to them, and now you're repeating the process with new children a myriad later without a blush. you suck so bad john I have no words fhksajfhsa.

-"I have three teachers for you. And a whole universe for you to hold on to, for just a little while longer."

a) oh yeah just wait for those three teachers they're a real barrel of laughs they probably won't even try to repeatedly murder you or anything lmao and b) what's that supposed to mean john. 'for just a little while longer'. why does it only have to be a little while longer. as far as I can tell you're no closer to the fullness of your revenge than ever. does it have anything to do with 'good morning, annabel' and 'it gets dirty, you clean it again'?

So, the universe was ending. Good. At least if she failed here, she would no longer have to be beholden to anybody.

could this also be some kind of foreshadowing? from the dialogue on page here harrow's conclusion that the universe is, for sure, ending is not necessarily a natural conclusion (john only speaks of the empire slowly dying) so like... does pre-lobotomy harrow know something we don't? or is it just that she's the saddest person anyone's ever seen pre-nona seeing gideon? (most heartbreaking shade of drift compatability discovered :') )

-He said presently, "Most of my Lyctors have been destroyed by a war I thought best to fight slowly, through attrition. I have lost my Hands -- not just to death. The loneliness of deep space takes its toll on anyone, and the necrosaints have all put up with it for longer than anybody should ever be asked to bear anything. That's why I wanted only those who had discovered the cost, and were willing to pay it in the full knowledge of what it would entail."

so... in the same way g1deon and pyrrha decided to pay that price willingly, then. I am 100% calling bullshit on him here, though, because if any of that had been his real intentions he would have taken at least a modicum of time and energy to write ANYTHING to that effect in the invitations haha. but I think he does recognize in some way that mercy and augustine are burning out under the ten thousand years he's asked of them, like cytherea just did, and maybe mistakenly thinks g1deon is handling it better, because his and pyrrha's decision seemed more informed/less coerced? loveday always knew it was her life or cytherea's, after all, that wasn't ever a real choice either. huh.

-god, harrow literally states all her (frankly very modest and doable) goals and needs to him -- to return to the ninth at least once, to find her cavalier's body, and to figure out what happened to the other survivors of canaan house -- and once she is incapable of remembering them........ he does fucking NOTHING to remind her or help her follow up on any of them fhsdkajfhasdkj I am losing it! at least there is the delicious irony that he could have saved himself a massive headache if he had helped her with any of these, so his own fecklessness and narcissism is its own punishment in this case I suppose lmao

-another observation: harrow is not as deferential or worshipful towards God in this epilogue as she will be in HtN or beyond. she's angry with him! she's kind of sharp and a bit rude, even! she seems more to feel begrudgingly beholden to him because fair enough he is god I guess than to emotionally buy into it as sacred service. I wonder how she'll think of him after nona the ninth, now that she knows him so much better and has more of herself too -- ironically my sense from their last scene in nona the ninth is that her worship of him seems to have all but disappeared, but she loves him more, despite uh the everything of him, in all his awfulness. not in that she doesn't recognize him for what he is or that she wants his approval anymore, she's grown so far past him already, but I do think there's still love there. 'I still love you' is the real power he has, I guess

#the locked tomb #the locked tomb spoilers #nona the ninth spoilers #nona spoilers #nona the ninth #ntn spoilers #pyrrha dve #gideon the first #john gaius #harrowhark nonagesimus #mercymorn the first #augustine the first #this is just how my life works right now I'll sit around innocently and then just BAM locked tomb thoughts sparking in my brain

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samarecharm · 15 days

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geniunely not trying to put words in ur mouth im geniunely asking: what do you actually like about persona 5? from all ur rants im just wondering why you didnt drop the game bc it seems (again, im not trying to put words in ur mouth) that it simply not for you? i geniunely have not felt any of the issues you bring up outside of the writing ones and i cannot tell if i'm just easily pleased and not good at discerning what a good game is or we simply have dif things we enjoy in a video game. i hate getting tone across text but im asking out of geniune curiosity im not trying to attack your opinion (;-;)

Nah, i dont feel like ur attacking me, and I hope u dont feel the same when u see my complaints! Lmao. In my defense, I am replaying the game for the first time after completing my first file back in 2020, so alot of the faults i kinda shrugged off in my first playthrough are now glaringly in my face now that I no longer have the confusion and interest in learning the main story to keep me occupied. The game is clunky all the way through, and at some times, even frustratingly so.

But despite that, i do like this game. Alot! Its probably one of my top games ever if im being honest!

This ended up way longer than I intended, so im putting it under a readmore to keep the post short on dashboards

If i had to describe what I liked about the game in the simplest way imaginable…I think I would say, I like how the game makes me feel :) I like the music. I like the vibe. I like the immersion from city to city, and I like the premise! I like the characters and I like the connections you make with these characters! As im replaying this game, i am most excited to see Akira and his comments about the world :) i like hearing everyones voices, I like their little interactions in Mementos, and I like seeing them fight!

P5 is the first game I played in the series; its the game that introduced me to SMT in the first place! And it (smt) is a series that my longtime best friend LOVES and never thought hed be able to share with me! It is a game i keep very near to my heart; it has influenced me in ways i did not think would happen in the short couple of years since i first finished it. It genuinely keeps me awake some nights thinking about the world this game has created, and I think that is a testament to the impact its had, be it good or bad.

The joke about wishing theyd make a persona game that was Good is that despite all of its numerous flaws, the games manage to snatch your attention and pull you in anyway. Imagine if they made a game that had all of those things that i mentioned I loved, but done Right and executed Properly?? Where I got to have a story that made sense and didnt need to be spoonfed to me (in like an HOUR of dialogue and scenes; an HOUR!), and characters that talked and bonded beyond the tiny snippets of interaction theyre allowed to have in mementos? Combat that let me use PERSONAS i liked instead of BUILDS that stop me from getting instakilled throughout the entirety of the endgame, and a Persona building mechanic that didnt feel like I was shooting in the dark looking for possible fusions that end up not even being useful in the endgame.

Ive mentioned it before, but I complain so much bc I have seen what a good p5 game looks like, and its Strikers almost to a T. Combat is still your typical warriors-esque style combat, but it is at least different from the turn based strategy of the main game. Characters talk to each other freely, they hang out and comfort each other in a way that feels more connected that the base game. Strikers implements the ability to see ALL possible fusions with ALL registered personas, not just the ones in your Stock, so you can fuse easily without having yo consult a guide. The story feels like it makes SENSE with antagonists that feel morally grey and sympathetic. Genuinely, alot of the complaints for p5 I had were almost immediately rectified in this game.

But please also know that the praises I sing for this game is only bc of the groundwork laid by p5 and the world it created. Thats what I like about this game, that it had such a captivating premise and cast of characters, that a DIFFERENT company was able to hit the ground running with them. P5 had alot happening in that game, but i think what it had most was potential. The effort put into this game is astronomical, and the possible connections you can outright MISS if u arent paying attention was worth the money and time to implement; even if it meant that it could be considered a waste of resources to higher ups.

Books and games and part time jobs???!! Silly little cutscenes that add nothing to the game PLOTwise, but define and flesh out the personality of your protagonist. There was alot of love put into this game, and its evident by the fact that we have NOT seen a new persona game released; they bank on existing titles bc they are unwilling to make a game like this from scratch again. They dont want to ‘waste’ resources on good voice acting and a complex, overarching story; they dont want to waste money on scenes a player may never see, on routes a player may never get to experience. Making a game that gives u even the slightest bit of freedom means more money in programming and detailing that freedom. This has been an issue for a WHILE, and its a miracle that the gaming landscape had space for a colossal title like p5!

I complain bc I want better, and I do not think that is inherently at odds with my love of this game. In b4 im told to get good; ive played on hard and tested out merciless (its NOT fun, im making godbuilds again and its boring 😞). Its not the most accessible turnbased rpg; theres no colorblind modes, and the affinity system is convoluted and overwhelming. Combo moves are hard to keep track of and it can be incredibly frustrating to see your turns being skipped or seeing characters take extreme technical damage without understanding WHY it happened. The fact that they KNEW the game was desperate for qol improvements by the time royal came out, and instead of updating the base game to have those improvements too, they just pushed the royal edition out for people to play instead. It sucks! Customers and fans deserve better than being forced to shell out money for a game they already played !

As the gaming climate gets more and more hostile and unbearable, I think it is good to look at your games critically, and understand why products come out subpar. Persona 5 is a fun game that has a nice cast and an interesting premise, but it is ultimately tied down by its refusal to build on existing building blocks regarding its combat, and it insists on having insulting and downright out of character dialogue and scenes to appease the audience its designed to be targeted to. It is easy to forget sometimes that queer ppl are infact NOT the prime target of these games, its cishet gamer bros from aged 16 to 40 who will laugh at homophobic comments, who drool over a 16 yr old girl with a 16 yr old mindset and a grown womans body, who need to be placated with constant sexual comments to deal with a convoluted story that will inevitably make zero sense until its laid out for you before the literal end of the game.

Its bad. Its good. Its so shallow and its unbelievable that they thought having the plot twist make ZERO sense until they showed CUTSCENES of YOUR character discussing Goro and his connections to the metaverse for endgame SHOCK VALUE was more important than just having your team be smart and piece it together over time. Its shit. Its literally amazing. It let you FUCK your teacher ??????????????what the FUCK. They also let me shoot a god in the face w the best looking ult persona in the world so i can ignore that shit. And ultimately that is how i got through the game. Lol.

#chattin #answered #i have mentioned it before but i did NOT romance anyone #u know why? bc i literally didnt know it existed #i maxed out ann and the game was like ‘hey. this next decision is important’#and i was like. huh. u know what. i have not looked up a guide until now. thats scary. i dont want to lose a confidant…#and learned that.#so uh. i really DID go through the game bot realizing i could date anyone. even the adults.#anyway. this was alot. and i tried to keep out alot of my other complaints #bc i have so many. but they are like. either nitpicky things or things that are issues in lots of games too #like the models suck in this game but i can look past that. graphics are always bottom on the list of complaints #and i do like the little animations!! i like akiras little tics #and i like seeing personas do their casting animations; shiki ouji and nekomata are my faves #i distinctly remember that being a thing i wished to see more of.#bc i liked thinking of what joker would look like fighting for Real #and then i remembered him being in smash so i was like COOL. ill look at those #and then i got STRIKERS and it was exactly what I wanted #i think #the game is like.#its bad. but in ways that i wouldnt call another game bad #like back 4 blood is BAD bad. its awful. the gameplay is bad. the story was shit. and the servers shut down within a year or two of launch #risk of rain 2 is bad in the way that it continuously obscures and withholds information to the player. its tedious and frustrating #but unlike b4b i LIKE ror2 and will continue to enjoy it.#bc the gameplay loop FEELS satisfying #and ultimately thats how i feel about p5 #for all of its faults; its fun. it has a gameplay loop that is consistent and fun when u get the hang of it #im playing on hard again since merciless is just me making the right instakill builds while i pick up my team over and over again #and theres still a challenge in having the endgame weapons and armor #its satisfying! and i think its satisfying bc I was given the luck of having this be my introduction into the series #maybe i would have a better opinion on the game if i came from p4. or maybe not! who knows !

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aemiron-main · 3 months

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Eleven, Are You Listening? And Two Different Mornings of the Massacre and at Least Two Different Timelines

(this is an OLD draft that i'm finally finishing, it's from back in march LMAO i'm finally going through my drafts)

Anyway, today, I want to talk about the “Eleven, Are You Listening?” trailer. Because we are getting two very different versions of the morning of the massacre.

Version 1: The morning of the massacre, Two is electrocuted and the lab kids get a lesson about rules and that’s the “good morning,” scene.

Version 2: The morning of the massacre, Two is not electrocuted, and the “good morning,” scene happens when all the children are in the rainbow room.

And if Two isn’t electrocuted, then that would explain how he magically got from the infirmary to the rainbow room- he was never in the infirmary at all in the timeline where we see him being killed by 001 in the rainbow room.

Let’s get into it.

So, the “Eleven, Are You Listening?” trailer has a scene that ISN’T in the show. Specifically, it has a scene of Brenner going into the rainbow room, seemingly on the morning of the massacre (as we get the same shot of the twins playing with toys on the rainbow on the floor in this trailer that we also get on the morning of the massacre), and we get this dialogue exchange:

Brenner: "Good morning, children,

Children: “Good morning, Papa.”

Brenner: “How are you today?”

Children: “Good, Papa.”

Brenner: “Good. I’m glad to hear. Because today, I have something very special planned for you."

Brenner’s voice even wavers creepily when he says the last part about “something special” (something like a massacre, perhaps)- something isn’t right here. And we don’t get this scene in the show itself. Instead, in the show, on the morning of the massacre, Two is electrocuted in one of the training rooms.

However, what’s extra weird about all this is that even though we get no such scene on the day of the massacre, we do get a SIMILAR but still DEFINITELY NOT THE SAME lines of dialogue on different days.

In the trailer, Brenner says “Good. I’m glad to hear. Because today, I have something very special planned for you."

In the show, however, he says “I’ve got something very special planned for you today,” and “today,” is at the end of the sentence, rather than the beginning (in the trailer it’s at the beginning), and the whole exchange of Brenner asking the children how theyre doing is gone- and this scene is also definitely not from the same day as the trailer, as Brenner has a jacket in the trailer and lacks one durng the in-show scene, in addition to the dialogue being slightly different:

Let’s do a full comparison of all these scenes.

The Good Morning Scenes

So, I want to go through all of the "good morning," scenes that we get during NINA to demonstrate that none of them are the scene from the trailer. Here are the “good morning” scenes in the order that they appear in the show:

1.)

Brenner: “Good morning, children.”

Children: “Good morning, Papa.”

Brenner: “How are we feeling today?”

Children: “Good, Papa.”

Brenner: “Good.”

Brenner: “Number Twelve- would you be so kind and open the door?”

I'm also staring at Brenner's “be so kind” vs Erica’s “be kind,rewind” vs the vhs tape/rewinding imagery with NINA (and also staring at this post about NINA and time travel and rewinding/going back in time)

2.)

Brenner: “Good morning, children.”

Children: “Good morning, Papa.”

Brenner: “I’ve got something very special planned for you today.”

Brenner: “Are you ready?”

Children: “Yes, Papa.”

Brenner: “Good. Seventeen, would you open the door?”

Brenner asking Seventeen to open the door (and all of the other instances where he asks a kid to open the door) is interesting to me considering this NINA bunker dialogue from Brenner to El regarding the door being "always open":

3.) THIS ONE IS ON THE DAY ON THE MASSACRE!

This is the morning of the massacre in the show, and Brenner says good morning here- so then what's up with the Eleven Are You Listening trailer, which also seems to be from the morning of the masscre? And what's extra interesting about this is the fact that 002 says that the cameras were shut off when he attacked El- even though NINA supposedly operates on a combination of El's repressed memories and video footage.

So, if there's no video footage of El's attack, how is she supposedly re-experiencing it during NINA?

Unless, of course, there's something else going on here re: NINA as a combination of a time machine and a simulation machine. But anyway.

And then, on another note, we also have this scene from Brenner's S4 EP1 massacre sequence, and even though it's not a good morning scene (as it happens in the afternoon), it DOES have dialogue that ties into this:

And here’s the same scene as part of El’s NINA sequence:

The “good.” From Brenner is missing in Brenner’s version. These two versions of events are not the same.

I would be willing to bet that Brenner's version of this scene and El's version of this scene are from two different timelines- one timeline where the "good morning" scene on the day of the massacre was Two getting electrocuted, and one timeline where the "good morning," scene on the day of the massacre is the scene from the "Eleven, Are You Listening?" trailer, where Two doesn't get electrocuted.

Now, looking at all of these scenes, we can see some common phrases:

“How are you feeling today?”

We see this line Here's the "how are you feeling today" line from screenshot number 1.)

And here's the "how are you/we feeling today" line from screenshot number 2.)

And here's the "how are you/we feeling today" line from screenshot number 3.)

And here's the "how are you/we feeling today" line from the trailer- except in the trailer, the word "feeling" is removed, and it's just "how are you today?"

And then there's also “I have something very special for you planned today” vs “today, i have something very special planned for you.”

In the scene from screenshot number 2.) from earlier, we get “I have something very special for you planned today” vs in the teaser trailer, we get “today, i have something very special planned for you.”

Now, setting that aside, I want to talk about the actual namesake of the trailer, the scene where El is asked if she's listening. This scene happens in the rainbow room, and yet we don't see it in the show.

El seems to be in the rainbow room during this scene (even though it's a closeup on her eyes, you can see a glimpse of the room behind her when you watch the scene in motion)- it is NOT the same scene of her waking up for the first time during NINA:

(And also, just as an interesting sidenote, Brenner also says "Eleven, are you listening?" back in S1:)

And if El was in the rainbow room that morning (see: that "Eleven are you listening?" waking up/opening her eyes shot I just talked about), that would align with the idea of a timeline where 002 didn't get electrocuted- because El is supposed to be in the infirmary with her concussion, and 002 got electrocuted as punishment for giving El a concussion, but if he never gave El a concussion, then he wouldn't have gotten electrocuted, and if he never gave El a concussion, then she has no reason to be in the infirmary and is able to be present in the rainbow room, like she is in the trailer.

I'm also staring at the fact that 002 and his gang supposedly shut off the cameras in the rainbow room, and yet somehow, there was supposedly NINA footage of El being bullied by them- however, we never actually see said footage on any sort of tape or tv screen, and so, I'm wondering if that scene is tied to timeline weirdness that El is actually experiencing, and therefore isn't on the tapes, because it's not part of the timeline that got taped/it's the result of some sort of time travel weirdness that resulted in a changed timeline. But if the scene where El gets bullied isn't part of the timline that got taped, then that means that the timeline that got taped is the same timeline as the "Eleven, Are You Listening?" trailer because if 002 never bullied El, then she never would've gotten her concussion, and 002 wouldn't have been electrocuted the morning of the massacre.

And again, even setting these differences aside, the trailer scene is set on the day of the massacre, whereas the scene in the show with that similar dialogue is not. So, they’re similar, but that scene in the trailer is 100% not a scene that’s in the show.

Anyway! Lots to think about. Point is, there's something really weird going on here re: the chronology of the NINA events, and we have two different versions of the morning of the massacre- the version from the trailer, and the version where 002 is electrocuted in the morning.

#stranger things #martin brenner #st nina project #st 1979 massacre

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noddytheornithopod · 7 months

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PnF Season 5 Title Speculation

Okay first thing's first, found out through this (click on "relationships"), which I found out through the PnF Wiki twitter.

As for the episode titles themselves, I will list what's been confirmed here.

501: Summer Block Buster/Cloudy with a Chance of Mom

502: Appetite for Adventure/License to Bust

503: Dry Another Day/Deconstructing Doof

504: Tropey McTropeface/Biblio-Blast!

505: A Chip to the Vet/More Than an Intern

506: The Aurora Perry-Alis/Lord of the Firesides

507: Agent T (for Teen)/The Haberdasher

508: [Title TBD]/Out of Character

Alright, now that's out of the way, time to get crazy and speculate nonsense based on titles alone

Summer Block Buster: I don't really have much to say besides the fact the title is very fitting. Yeah Summer Block Busters are a thing, but I won't be surprised if this episode is just one big grand re-entrance for everyone. I expect it to be very meta about it too, some of the dialogue Dan recorded for Doof even suggests this.

License to Bust: IDK what to say here but the whole pun on "licence to kill" (which is also the title of a Bond movie). I don't think puns are emblematic of much, but it's most explicit confirmation Candace is still trying to bust her brothers, which people understandable debated after Candace Against the Universe. Wonder if the licence thing is going to be relevant.

Dry Another Day: Second Bond title pun, lol.

Deconstructing Doof: Not sure what's being gotten at here, but it's an intriguing title to say the least. Very uh interesting. I could make a joke about how it's about how they don't know what to do with him post Summer but I'm not here for snarky commentary.

Tropey McTropeface: Uh... very interesting. Named after Boaty McBoatface, apparently. IDK what tropey nonsense they're getting up to though.

Biblio-Blast: I feel like SOMETHING is being said here but I don't know what. Was pointed out to me it could be something about weaponised books but IDK what that even looks like.

A Chip to the Vet: Okay this is very interesting. Firstly, it's probably Perry going to the vet. Secondly... one thing done for pets at vets is to get chipped. Whether it's just something the vet does or it's a deliberate request so they can get an idea of where Perry wanders off to... it's gonna be a big problem for Perry. Hopefully OWCA has a way to get around that lol.

More than an Intern: Carl episode. Nuff said. More trying to prove himself to Monogram probably even as Monogram treats him like shit, lmao.

The Aurora Perry-Alis: Aurora Borealis? At this time of year, at this time of- yeah we all know Steamed Hams probably. No idea what this will add up to honestly, maybe some kind of astronomical phenomenon that looks like a platypus, or the gang make one? If there's anything I have to say though, there's a chance it might run parallel to the next episode in a Bubble Boys or Bee Day type fashion, because...

Lord of the Firesides: Yeah you know I'm gonna be talking about what is obviously a Fireside Girls episode as that guy with the Isabella brainrot. So if it works like Temple of Sap or Bee Story, it COULD run parallel to the last episode, but that's not guaranteed. Either way... some friction between the Fireside Girls is going to come up. The title obviously references Lord of the Flies, aka the story where kids turn brutal and try to dominate each other or whatever. Maybe there's a split Isabella is caught in the middle of. Or perhaps... Isabella is removed as troop leader. She could make some serious blunder (could even be unrelated to Phineas even if that bias does affect her activities a lot), but maybe the other girls just end up being sick of Isabella's Phineas nonsense after something went too far. :P If Isabella is kicked out, I feel like she'd really struggle with that, because being a Fireside Girl is really important to her. Also, IDK who would replace Isabella as leader (honestly this ep would be good to just flesh out the other girls more in general), but I did see a hilarious suggestion that maybe it could be Candace. Would be similar to We Call it Maize (a very underrated episode IMO) but with more serious consequences. Not something I'm riding on, but it's a fun idea, especially if she proves she's more egotistical or just outright doesn't know what she's doing. Also saw a hilarious yet touching idea that somehow PHINEAS helps Isabella regain her leadership, he'd reassure her of why she's a good Fireside Girl and all that (cuz he believes in her to the ends of the Universe guys, shit my Phinabella is showing), or just somehow help her prove herself again. Also, the solution coming from what the girls thought was the problem would just be ironic and funny in a very PnF way. Either way... amazing at what a mere title can make me wonder.

Agent T (for Teen): Perry the teenage girl??? Okay so I've already seen this catch on from many people, but if there's one thing everyone in the Phineas and Ferb fandom wants, it's more Stacy and Perry interaction. Sure, maybe it could be someone else (Monty's a teenager, where's he been? maybe something leading to or following up Vanessa's internship based on when the revival takes place, or even some weird Candace shenanigans)... but come on. Even if it isn't, we all are gonna see this and hope it's Stacy related as she gets roped back into Perry's world again.

The Haberdasher: So something to do with selling men's clothing? Definitely a scheme PnF could enact. Also there's the meaning of stuff for things like sewing but that's supposedly British and the men's clothing thing is American soooo we know what's more likely. I wonder who's gonna get the glow up though? Baljeet? Jeremy? Maybe the guys just wanna slay? Shit, Phinabella brainrot is back, what happens when she sees whatever Phineas puts on? :v Of course, this could somehow tie to the B-plot too, maybe Doof needs to dress nicely for something.

TBD: Truly a profound title. So much is said with mere letters... okay yeah I can't do this lol

Out of Character: So much is said with so little. The first thing that came to mind was once someone asked Dan and Swampy at I believe SDCC if they'd ever do a personality swap episode, and their response was to look at each other and be like "maybe we will now" (it was likely too late before the show ended then but yeah). Point is... maybe we're finally seeing this idea. It can be very easy to have characters act out of character through whatever means ie an inator or invention, but if you're going to name an episode that, I think you're going to have something that really commits to that premise. There is ENDLESS potential of weird dynamic shifts you could do with this, it could be truly hilarious. Maybe it's also body swap shenanigans, but well I think I made my case for personality swap. Just imagine Perry trying to take over the Tri-State Area, or Baljeet bullying Buford, or Ferb talking while Phineas is silent, or *could go on for hours*.

Soooo yeah that's way more speculation than I expected, let's see if any of this leads to anything lol

#phineas and ferb #pnf leaks #pnf spoilers

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orionlancasterr · 13 days

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15 lines of dialogue

I was tagged by @adelaidedrubman and @8bitpizzacoupons I am also suuuper late so i'm not gonna tag anyone myself lmao

Rules: Share 15 or fewer lines of dialogue from an OC, ideally lines that capture their character/personality/vibe. Bonus points for just using the dialogue without other details about the scene, but you’re free to include those as well.

Noose

“Gob were you ghoulified by a direct nuclear blast or by gradual exposure? I was talking to Moira and she said that those were the two ways to become a ghoul but I found a government study in the national archives about how they were trying to make ghouls before the war because they thought that they would survive the bombs better but since ghouls are sterile it wasn’t much of a good option so they only made a few of them and- Gob are you a pre-war ghoul? I mean it’s unlikely but I’m taking notes because I heard that there was a doctor in necropolis who studies ghouls and- oh sorry.”

“Oh my god Rust is gonna love you guys, she’s a total nerd, I think she’s read the user manuals for the T-45’s like a million times.”

“Vault 87 is actually kind of interesting because from what I read it wasn’t even originally supposed to be a research site but I couldn’t find any records on what the original experiment was supposed to be despite the fact that it was changed last minute…and of course it’s awful that its right behind your town of course and the super mutants have been killing your people for years, right. Sorry.”

“I’ll come find you in Bigtown in few years, promise.”

“Jesus, RJ is running a whole town by himself and you wont let me leave Megaton without what, an armed body guard? I’ve been shot, stabbed and blown up just this month alone and I’m still standing. I can handle myself.” (They are 13)

“Feel like a big man, killing a kid for a poker chip?”

“Just my fucking luck.”

“You’re a smart guy Arcade what do you think happened- OW Shit!”

“We’re gonna walk right on in together and see just how much your legionnaires care about you.”

“The NCR, the Legion, House they’re all the same and you’re too stubborn to even see it! All these people want is control, they don’t care about any one person, hell at least the legion is transparent about it. I mean do you think if you kill enough kids and old women that Kimball will come all the way from Shady Sands to personally suck your dick, Boone? What did you think would happen? I’m fucking talking to you, asshole!”

“Kill yourself.” 12 “I read about this place once, in the DC Library. It was supposed to be a top tier resort for a bunch of rich people. I don’t think it ever opened before the bombs fell.”

“I wanted to be an archivist when I was a kid. I loved collecting information like you love collecting spare parts…I wonder if we’d have met when we were little, if we’d grown up together if we’d have worked out.”

“Who did you say you were waiting on? MacCready? Like, RJ? From Little Lamplight?”

“I’m tired.”

#I’m not very good at dialogue

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thewildeast · 4 months

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just completed neutral route! big huge spoilery ramble below summary: definitely recommend playing neutral route because holy shit wow. plus you get some new dialogue and stuff from other characters which is cool

I thought Martlet picking up the determination syringe was an aborted genocide only thing but she had it and i was only level 7...she throws it away of course but it still kinda shocked me. She was already ready to kill Clover if they did anymore violence, even if she changed her mind in the end. And then Flowey just kills her-

Really interesting to me that when Flowey doesn't intervene clover just stays with Toriel. I feel like Clover had a hard life on the surface (based off of Star's couch bringing "unpleasant memories", mainly) I feel like deep down, they wanted comfort. They came down the mountain to find the 5 missing humans but they forgot about that in exchange for Toriel's comfort. A home. They're just a kid. man..

The boss..fuck. I knew it got scary because I accidentally spoiled myself on a few things but wow I was not ready. it really emphasizes the fact that Flowey has complete (not counting the player) control over what happens to clover. Speaking of that, that one scene at the end where Flowey looks directly at the screen..wonder if he realized that him and clover aren't the only ones here. T- DON'T DO THAT CREEPY LAUGH sorry was typing this while watching the credits anyway..

The fight itself was AWESOME. Super creative, the sections where you have to avoid Flowey's vines like Undyne's spears was amazing. The attacks were...creepy as hell Flowey with Humanoid Eyes will stay in my mind for a while. And that's a compliment, the horror factor was nailed here. The battle box lines too. "Clover wants to cry but they don't have eyes" wow! fun! jesus christ. The intermission(?) between the phases. All the other final bosses showed memories of the characters, so it makes sense Flowey would also get those! I'm...not entirely sure what most of it was about besides the part where Asriel first awakens as Flowey ("mom..? dad..?") but holy shit the mountain of dead Floweys was horrifying. Every single reset...damn. Its more likely that Flowey was created a bit before frisk fell, not clover, at least in undertale canon. But still, it really puts into perspective just how many times he died, over and over and over. Plus I'm inserting UTY into my headcanon anyway at this point lmao. oh yeah and then we're in Snowdin! yay it's Martlet! she's speaking slightly weird but I'm sure nothing bad will happen Uh Oh

The second phase is just, really, really good. I didn't expect anything to match Photoshop Flowey but this? Pretty much does it perfectly. i love the different artstyles for every different phase rather than theming around the different souls too. The clay one got me very close to becoming the joker fuck that one

I'm wondering what would've happened if i exited the game at some point, maybe ill redo it later. But yeah, awesome boss, awesome route, definitely go play it yourself. You can just kill like 1 monster and you'll get it i think. ignore the fact that i killed way more than one monster i needed the health ok

#big huge rambles #uty spoilers #undertale yellow spoilers #ut yellow spoilers #undertale yellow #uty #what would you like to do? great! what would you like to do? great! what would you like to do? great! what would you like to do? great! wha #now i can watch shayy do the route yay

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underdark-dreams · 12 days

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Facts About Fellow Writers Tag Game

Thank you @darkurgetrash and @lostinforestbound for the tags! Tagging @rolansrighthorn (zero pressure, only if you feel like participating 🖤)

Last book I read:

I'm reading through the Fourth Wing series by Rebecca Yarros right now (thanks for the rec Cal!) Last book I finished was a re-read of Jennette McCurdy's I'm Glad My Mom Died. Obsessed with her raw honesty

Greatest literary inspiration:

Jane Austen for her characterization and use of the Loud Silence, and Dickens for his world building and details! (sidenote A Tale of Two Cities: The Musical was one of the 2008 recession's most tragic victims, go look it up if you're a Les Mis fan)

Things in my current fandom I want to read but I don't want to write:

I very much want to but am so bad at writing M/M pairings 🫣 At the same time, M!Paladin Tav x any of the Tiefling men is literally catnip to me. I love it sm 😩

Things in my current fandoms I want to write but I think nobody would be interested in them but me:

Ikaron 💗 Anything Ikaron, including a rewrite of the Tieflings in Act 2 with him as a protag. I'll probably write it anyway! We Ikaron lovers are few but feral. There are dozens of us!

You can recognize my writing by:

Pared-down prose, comma splices, gerunds, too many adverbs, use & abuse of pining tropes. Generally all the things I was taught not to do in my creative writing program but said fuck it

My most controversial take (current fandom):

Zevlor as a paladin companion ("good" route alternative to Minthara) makes more sense than Halsin or Minsc as a companion. Halsin at least should've been party-recruitable going into Act 2 and the Shadow-Cursed Lands. Right? He would have so much idle dialogue while exploring that map. And though I truly adore Minsc and do use him in my party (re-specced to Gloomstalker to give Astarion a break now and then), he's just recruited so late in Act 3. Recruiting Zevlor in the Mindflayer Colony and bringing him into Act 3 (plus the Ketheric fight) would've just been so interesting for the Tief community as a whole. They are such a big part of Acts 1 & 2, it just feels like they need more closure in the final act.

Current writing mood (10 – super motivated and churning out words like crazy, 0 – in a complete rut):

I'd say a 7! I am noodling on little blurbs every night, including for my Rolan WIPs, and for any other NPCs that strike my fancy. I don't have as much free time as I did in January (fuck work) or I'd be writing a lot more. And Rimworld Anomaly DLC + Stardew 1.6 are seriously testing my free time lmao! But the thirst to write can never be snuffed out~

Top 3 favorite tropes?

MUTUAL PINING 😩

Forced Proximity ( awakened by @catsharky who handed me the plot for Pent Up)

Hurt/Comfort

Share a random frustration:

It takes me a lot of time and effort to get into a writing flow. The littlest distraction can completely derail a good session (ADHD gang wya)

Also, I can never turn off my editor mode, am constantly editing as I draft, and am slow as fuck at writing as a result 😭

#tag game #bg3 fanfiction #rebgrrl writes

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angevinyaoiz · 2 months

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saw Dune 2 (2une?), and since I don't have my dune blog anymore I'll post here, since blah blah this is my place for posting about Dynastic Weirdos. This is long but NO MAJOR SPOILERS, except about like, small detail things that aren't plot things but whatever

Tbh it was disappointing. It had all the correct elements to be liked but one thing grated on me the whole time...the Bad Dialogue and lack of Elevated Speech! Why the hell were all these characters saying stuff like "these guys" "we're ok" and "literally" it took me out of the fantastical world sOOO bad. Super bummer because what I loved about Dune 1 (D-uno?) As someone who went into it before reading or knowing anything was how much it didn't explain, how it let the visuals and the world unfold before you, and how serious and somber it was in a way that gave it a sense of scale and time.

I can only wonder if WB saw all the complaints and tweets about people being like "we didn't understand the first movie!!! It wasn't funny and quippy!!!" And decided to simplify it down so characters just SAY things really obviously and inelegantly. The writing has some competence in moving the story forward but there's no poetry or rhythm to the way characters say things, it's serving "Rings of Power" scriptwriting to me lmao. And it's not like any of the actors are bad? I've seen them do well in the previous movie and in other things, so wtf was going on with the direction. I know people complained Abt Villeneuve saying that whole thing about being more into visuals than dialogue but maybe he was right...there needed to be LESS WORDS. bc much of the words we had were NOT GOOD.

Positivity: the middle and latter part was where the movie picked up for me. The Harkonnen Freak Villain behavior was everything I could have wanted! Finally instead of EXPLAINING everything obviously we got to see a LOT of character building, for Feyd specifically in a very short amount of time. I know a lot of us complained about Bald Feyd-Rautha but Mr Elvis did a very good job. And we got Madame Fenring and weird scifi femdomming finally, which is Essential for the Duniverse! Wonderful fantastic no notes.

Of course, getting back to our heroes, I anticipated this 2 years ago sadly and it was true...the Fremen were badass but SWAGLESS. More Learned ppl have already written about the frustration with the erasure of the Arabic/North African cultural presence so I won't reiterate that here since I'm not super knowledgeable about the specifics of that but even as a casual watcher there was a weird emptiness to the way I feel the society was portrayed. There were individual good character moments, such as fun bantering among the Fedaykin etc, but for Pacing or Whatever they cut out the community aspects that served to make them feel more like well, a People rather than just either Grizzled Soldiers/ Religious Fundamentalists aka Marks/Panicked refugees. I have to guess this was ppl were like "we can't show a culture too cool and colorful and the part with Harrah (Jamis' widow) would feel too ORIENTALIST!!! But the result is something sadly very dry. At least in more older orientalist works, the interest comes from when the ~exotic~ stereotypes figures are able to have charming personalities and personalities and be known as people despite the cliches sometimes but this sadly wasn't even like that....

Jamis' funeral is a good example of this; in the Book, it's a moment where you first get a good look of what rituals are like in this world, and how people relate to each other and to the dead. In the movie, the funeral is looks more foreign and even a little creepy as the water is extracted from the body. There's not really a Personal or community connection aspect to it at all.

The ending was pretty good as it satisfied all the Cool Dune Moments I think we all wanted to see, and also did literally the end of The Godfather Part 1 Framing which was hee hee heh. Anyways, Messiah is MY favorite book of the series personally so curious how they get to that.

Maybe I've been too spoiled by Cool Historical Fiction lately? I've been watching too much of The Devil's Crown where action happens mostly off screen but the dynastic drama is written and acted so compellingly, the historical mindset and setting so alien and yet so human and relatable, it's frustrating to see when works try to do the opposite? Idk??? Dune books themselves is fun in how action is mostly an "offscreen, offstage"' thing.

*if ANYONE in the Universe is a quippy Bastard, it should be Leto II esp in God Emperor where he literally has nothing to do all day but quip all day to terrified acolytes

#Dune 2 #dune part 2 #dune 2024 #2une #Long post #My writing #Not really spoilers in this?

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