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mysticheathenn · 3 months

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What Deity Is Calling You?

Hi, Hexlings!

This pick-a-card reading is about what deity/deities are calling for you as a patron. Please be respectful of other's beliefs and even if you do not believe in Greek Gods etc, remember tarot is also used for entertainment purposes. That being said do your research on these gods if you feel this resonates. These gods or goddesses are not limited to the ones in this reading. Roman gods, Egyptian gods, etc all have their versions of Greek gods. Just switch or take what resonates for you if you aren't into Greek gods.

Remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

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Pile l:

What Deity is calling you? Tarot: The Lovers, 2 of Cups, 2 of Wands, The Chariot

Deities: Athena and Aphrodite. The goddess of Love and Beauty as well as the Goddess of War and Wisdom are both calling for you pile 1. Some of you are probably trying to manifest a soulmate or want to promote more self-love and care in your daily routine. Others of you may be trying to get through school, thinking/wanting to go back to school, needing guidance, or trying to control the high emotions that are circulating you like rage, depression, manipulation, or wanting to give back karma. These things are not limited to the many different specialties that these goddesses are known for. Athena is also known for craft as well so maybe you are thinking of picking up new hobbies or being more creative. Aphrodite is also known for fertility, the fountain of youth, and pleasure (sexual love/masturbation/etc). Maybe you want to switch up your skincare routine or even begin one or some of you are probably manifesting through your sexual energy (sex magic). Either way, these two goddesses want to help you reach the goals that you have set for yourself that are within the realms of what they are known for.

Here are some links that can help with ways to worship/honor them: Aphrodite: http://tinyurl.com/mrxj58ts / http://tinyurl.com/bdhk93t5 Athena: http://tinyurl.com/3tu73wz8 / (Video) http://tinyurl.com/3fus4hbd

Why are they calling you? Athena Tarot: 3 of Pentacles, The lovers, Queen of Pentacles, and 2 of Cups. Aphrodite: 10 of Pentacles, Knight of Swords, 3 of Swords, King of Swords

Aphrodite may be calling for you pile one because of two reasons you are going through heartbreak, unrequited love, or just feeling lonely. The second reason could be as mentioned before you are manifesting a soulmate. For those who are trying to get over heartbreak, unrequited love, or feelings of loneliness Aprhtodite wants to help soothe and heal your heart through self-love. She wants you to know that the love that you need right now more than ever is from yourself. Love yourself. Treat yourself and hold yourself to a higher standard than what you have been holding yourself as of lately. Maybe you are a people pleaser in relationships, too forgiving, not holding yourselves on a pedestal and putting yourselves down. She wants to show you that you are amazing, beautiful, and worthy of all the love in the world but you need to start with yourself first. Remember if you want someone to get you flowers you need to start by giving yourself those things first. Embody what you want to receive through self-love. This also goes for those who are calling in a soul mate. She wants to help you and prepare you for this love coming in for you that you are manifesting. For some of you, she wants to help you with this manifestation through self-love, and for others, she wants to help speed up this process through other means.

Athena may be calling you to help you stand further into your power. Some of you probably have been wronged by a romantic lover or even by friends recently or within the past two years. Either way, some sort of emotion that you are harboring she wants to help you release some of the feelings that you have been holding onto. Whether it's rage or other powerful emotions that are causing you anxiety and feelings of not being worthy of anything. Similar to Aphrodite she wants to help you release these emotions and baggage. How..I'm not sure as everyone who resonates with this pile is going through different things and not everyone will be given the same help. You will need to seek Athena for this information. Again you may also be dabbling or deciding about school, but for reading the tarot and only seeing what is being shown, I'm not picking up on anything school-related but that doesn't mean she doesn't want to guide you in that direction. I am just picking up on a collective energy and not individually.

What blessings will happen when working/honoring them?

Aphrodite: Woman Holding A Heart: Self Love / Broken Heart: Healing and Self-love Financial Constraints: Bringing in Abundance / Cornucopia: Bringing in Abundance of Everything You Need. Think about Catching Fire Cornucopia where the tribute received everything they needed to survive and thrive. / Fertility: Creativity, Furbabies, or Actual Kids / Good Luck, Blessings, Freedom, Lightening your Load Athena: Family, Dreams, Wellbeing, Compassion, Animals Goddess of the Moon, Envy, Blossoming Abundance, Community (Bringing in a better support system)

Pile ll:

What Deity is calling you? Tarot: The Page of Pentacles, 5 of Swords (reversed), 10 of Swords, 6 of Swords, The Tower

Deity: Ares (Any other gods similar to Ares). Ares is all about justice, courage, bloodshed, comfort, and strength. This pile is broken up into two different situations of what you could be going through just know this is not limited as again I am picking up on a collective energy and not individual. You could be losing faith in whatever it is that you are manifesting, a project you are working on, or whatever the case is you are working on something and you are ready to give up. For others, you need courage or strength to fight a situation in which you have been too scared, timid, or wanting to keep the peace. Ares (or any similar deity) could help you harness the courage, strength, and comfort you need in knowing that it is okay to stand up for yourself no matter the situation (a boss, a friend, a family member). It's okay to go after the things you want as well as don't give up on what you want in your life. Things are happening behind the scenes that you are unaware of.

Why are they calling you? Tarot: 9 of Cups, The World, Knight of Cups, 2 of Cups, Justice, The hierophant (upright)

You may have been feeling unfulfilled with what you are doing in your life right now. Some of you are probably in school going after a major you don't want anymore, in a career field with promising rewards but you feel dead inside, or even in a relationship you feel the need to cut off. Some of you may also wonder if this is all that life is cracked up to be? Going home, work, school, sleep, eat, and repeat. Others of you may just need comfort and a push to see that the world is your oyster. Whichever is your circumstance Ares would like to help you bring the tower into your life and shake things up. He wants to help guide you to feeling more fulfilled in your life and not feeling this sense of duty because of family, societal pressures, or because you are looking for something that seems "promising." He wants to show you that there is more to life than duty and you can have it all whatever it is that you want, but you need to be sure this is the shake-up that you want. You can't ask for a change and get mad when you get fired, or your relationship breaks, etc etc.. you need to be willing to go through the fire pile ll....are you ready for that?

What blessings will happen when working/honoring them?

Good Luck, Willpower, and Spirit Guide, Peace, Reconciliation Clear Your Mind, Reflect on your priorities, and Go Wild.

Links of worship/honoring with Ares: http://tinyurl.com/knuvhhww http://tinyurl.com/3u3xdudr

Pile lll:

What Deity is calling you? & Why are they calling you? Tarot: The Hanged Man, Strength, Justice (All Reversed), 4 of Pentacles, 2 of Swords (Upright)

Deities: Zeus & Demeter. Even though Demeter is also here alongside Zeus. Zeus is the one mostly speaking for the majority of this reading but I will include a little something about Demeter here. Zeus is all about law & order, fate, destiny, and the weather. These are just a few things about Zeus. Demeter is all about agriculture, food, fertility, and harvest. She is also thought to be about family relations specifically mother and daughter relationships as Demeter and Persephone have a particular not-so-great relationship depending on which stories you decide to believe. For whatever reason I am not getting much as to why they want to work with you. It's as if there is a block as to find out more information. Because this is a collective reading these two gods are more of a personal individual view than reading for the collective. What do I mean, I mean I'd hate to say Demeter is calling you because your relationship with family or your mother specifically is horrible when in reality it may just be you being a generational "curse" breaker but I wouldn't know because this is a general reading not private. This goes for Zeus as well I am getting this may deal with those in academics or career driven but again I am not getting much because the collective energy is everywhere. I can't seem to hone in on even one thing because there are many reasons as to why they decided to come through or call you.

What blessings will happen when working/honoring them?

Friendship, Confidence, Peace, Life Purpose, Beauty, & transformation

Links to worship/honoring these gods: Zeus: http://tinyurl.com/bdfekxva / http://tinyurl.com/4f2sfef7 http://tinyurl.com/3vekc875 / http://tinyurl.com/45fc8b99

Demeter: http://tinyurl.com/2j2u55n6 / http://tinyurl.com/2k8p2jb7 http://tinyurl.com/2mhc2af7

Remember these gods or goddesses are not limited to the ones in this reading. Roman gods, Egyptian gods, etc all have their versions of Greek gods. Just switch or take what resonates for you if you aren't into Greek gods.

I hope you enjoyed this reading. Thanks to everyone who likes, reblogs my posts, and joins my Patreon. I always appreciate you <3.

Until Next time stay blessed and be safe.

Cosmic Stargazers PAC should be up either later today or sometime tomorrow as it's a big one haha.

#spirituality #tarot reading #tarotcommunity #tarotblr #witchblr #pick a card #tarot cards #pac tarot #pick a pile #pac reading #pick an image #pick a photo #paganblr #greek deity #greek gods #greek mythology

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butchhamlet · 1 year

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i said i was going to arrange a list of my favorite articles/criticism about shakespeare, so here’s my first little roundup! obligatory disclaimer that i don’t necessarily agree with or endorse every single point of view in each word of these articles, but they scratch my brain. will add to this list as i continue reading, and feel free to add your own favorites in the reblogs! :]

essays

Is Shakespeare For Everyone? by Austin Tichenor (a basic examination of that question)

Interrogating the Shakespeare System by Madeline Sayet (counterpoint/parallel to the above; on Shakespeare’s place in, and status as, imperialism)

Shakespeare in the Bush by Laura Bohannan (also a good parallel to the above; on whether Shakespeare is really culturally “universal”)

The Unified Theory of Ophelia: On Women, Writing, and Mental Illness ("I was trying to make sense of the different ways men and women related to Ophelia. Women seemed to invoke her like a patron saint; men seemed mostly interested in fetishizing her flowery, waterlogged corpse.”)

Hamlet Is a Suicide Text—It’s Time to Teach It Like One (on teaching shakespeare plays about suicide to high schoolers)

Commuting With Shylock by Dara Horn (on listening to MoV with a ten-year-old son, as modern jewish people, to look at that eternal question of Is This Play Antisemitic?)

All That Glisters is Not Gold (NPR episode, on whether it’s possible to perform othello, taming of the shrew, & merchant to do good instead of harm)

academic articles

the Norton Shakespeare’s intro to the Merchant of Venice (apologies about the highlights here; they are not mine; i scanned this from my rented copy)

the Norton Shakespeare’s intro to Henry the Fourth part 1 (and apologies for the angled page scans on this one; see above)

Richard II: A Modern Perspective by Harry Berger Jr (this is the article that made me understand richard ii)

Hamlet’s Older Brother (“Hamlet and Prince Hal are in the same situation, the distinction resting roughly on the difference between the problem of killing a king and the problem of becoming one. ... Hamlet is literature’s Mona Lisa, and Hal is the preliminary study for it.”)

Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony & Cleopatra Criticism (about more than just reviewers; my favorite deconstruction of shakespeare’s cleopatra in general)

Strange Flesh: Antony and Cleopatra and the Story of the Dissolving Warrior (“If Troilus and Cressida is [Shakespeare’s] vision of a world in which masculinity must be enacted in order to exist, Antony and Cleopatra is his vision of a world in which masculinity not only must be enacted, but simply cannot be enacted, his vision of a world in which this particular performance has broken down.”)

misc

Elegy of Fortinbras by Zbigniew Herbert (poem that makes me fucking insane)

Dirtbag Henry IV (what it sounds like.)

Cleopatra and Antony by Linda Bamber (what if a&c... was good.)

#essays/academic articles is sort of a false dichotomy but i wanted to separate these into More Casual versus More Academic. so.#misc category exists because. i like those two things so much. not at all for the same reasons #max.txt #misc #hamlet #merchant of venice #henry iv #richard ii #antony and cleopatra #there we are.

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bookishfeylin · 1 year

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I know you don't usually do these kinds of posts, but you're probably one of the most implicated in black history month people that I follow so I wanted to ask you, as I already value your opinions in Acotar, what do you think of the documentary where actual historians claim Cleopatra was a black woman? Lately, this has been a pretty active topic on my fyp on TikTok, and I wanted to know a black woman's perspective on this.

Thank you in advance, and if you usually don't answer these questions or don't want to answer this one, I'll totally understand, and there's no problem at all.

I didn’t know there was a new documentary out, but when I saw the name Cleopatra I automatically sighed because I knew what was coming. This is a subject a know a little 🤏🏾 about, actually, because I researched it a bit myself in my last year of high school (and stopped because of the uh. NASTINESS associated with this particular subject) and though it’s been a few years I remembered some main, basic things, and I wanted to check a few things first.

At best, in the most CHARITABLE interpretation as far as I in my limited knowledge can tell, it would be correct to say that’s it’s POSSIBLE that she MAY have been mixed Black because, though she was part of the GREEK Ptolemaic dynasty that ruled Egypt (Ptolemy being one of Alexander the Great’s generals who got the Egyptian portion of his empire after Alexander died), that’s on her fathers side; her mother’s exact ethnicity isn’t known. Not that this won’t stop the hoteps from running off and claiming her and all of ancient Egypt as Black though So some have ***speculated*** that her mother—and thus Cleopatra—may have potentially been part Egyptian (and that goes into the issue of deciding that the “Egyptian” in this instance had to have been Black rather than MENA but that’s again a whole other can of worms). BUT it’s more likely that her mother was Greek due to the uh, PRACTICE™️ of inbreeding and it not being common for the dynasty to marry Egyptians. So it’s more probable that she was fully Greek/Macedonian and not part Egyptian, much less part Black. (Also some historians speculate she may have had Persian blood? I guess? Again it’s a can of worms, not something i’m digging deep into because of the nastiness that you often stumble across) Unless there’s a new study confirming her mother’s identity or something that I missed, it’s simply incorrect to claim that Cleopatra was undeniably Black, because though it is ***possible*** she most likely ***wasn’t.***

But this topic really upsets me, because there are LEGITIMATE Black kingdoms and empires who were mighty and well developed and powerful like the Aksumite empire and kingdoms of Kongo and Loango and the Great Zimbabwe empire and the empires of Ghana and Mali and Songhay and the Ashanti kingdom and the WHOLE SWAHILI COAST THAT WAS INVOLVED IN THE INDIAN OCEAN TRADE ROUTE and they had their own great rulers, their own kings and queens and emperors and empresses, their palaces and castles, their own cities and towns, their own complex civilizations and dynastic royal families that deserve the attention Cleopatra and ancient Egypt get. They were erased—and Egypt was not—by white people to prop themselves up as the only race capable of forming civilizations and advanced societies as a means of justifying colonization and imperialism to “civilize” the rest of the world and as a result many of those other empires have been erased from our education system here in the states and many people cling to ancient Egypt as proof that we’re not inferior and aren’t savages like white people claim due to believing that since Egypt’s in Africa it had to have been mostly Black when Egypt, and the Ptolemaic dynasty and Cleopatra in PARTICULAR, are literally the worst example that could’ve been chosen and were the only African kingdom spared erasure FOR A REASON.

Anyway, I don’t like it, it’s disingenuous and does US wrong because we need to give that energy to other African kingdoms that need and could use the fame Egypt + Cleopatra get, and we deserve a better education system to teach us this stuff. I hope this answers your question? And I don’t mind any kinds of asks 🥰

#I get the desire to claim Egypt because I remember in high school a racist white guy asked why Africans didn’t build their own civilizations #And that’s what sent me researching in the first place so I truly get the frustration but black women we can do BETTER #ask #anon #cleopatra #egypt #africa #racism #Don’t come at me in my inbox yall #antiblackness

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hotvintagepoll · 1 month

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Propaganda

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

Samia Gamal (Afrita Hanem)— Egyptian movie star and belly dancer oh my god she is ELECTRIC and unbelievably charismatic, the way she can move her body matched with that perfect smile will melt you

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

ion words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

Samia Gamal:

#samia gamal #ingrid bergman #hotvintagepoll #fuck that old woman #ladies 3

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daenystheedreamer · 6 months

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Valyrian Pantheon Headcanons

We know the names of 5 of the Valyrian gods and that's it. We don't know anything about the practices or even what those gods were patrons of. Here is my headcanon reconstruction of the pantheon ^_^

I think the Fourteen Flames (the volcanoes) are named for fourteen gods who constitute the main pantheon, similar to the 12 Greek Olympians or the 12 Roman Dei Consentes. There are many minor gods, usually personifications of concepts like seasons/emotions.

I imagine them like Egyptian gods, who are personified sometimes as humans, sometimes as animals, sometimes as animal-headed humanoids. I imagine the main fourteen as dragons, though idk how silly that would look lol.

I think they were also androgynous gods. Why? That's fun. That's so fun. Dragons are theorised to be hermaphroditic/intersex who can change their sex at will, but also are referred to as she-dragons if they are confirmed to lay clutches of eggs. So some of these gods are gods, and some are goddesses, despite being a-gender

Canonical Gods

BALERION: I believe Balerion's name is at least a little inspired by Ba'al, an ancient Semitic god who was very important to the religions of the region (Canaan, Babylon, etc) and features as a false god in the Hebrew bible. I think he's the King of the gods, like Zeus. God of war or fire or conquest or all of the above. Many ancient gods shifted their patronage and powers.

VHAGAR: Consort of Balerion, similar to Hera. Goddess of war/wisdom, similar to Athena. I think this fits a person like Visenya.

MERAXES: Perhaps a concubine of Balerion? Like how Zeus had thousands of lovers. Metis, Leto, Demeter, etcetera. Goddess of love, because Rhaenys seems like a woman who enjoyed love and life. Perhaps also a goddess of marriage?

SYRAX: It's gotta be someone Rhaenyra would think is cool. Perhaps a goddess of the sun/moon? Another war goddess? A queen? Actually, perhaps Syrax is the Hera of the pantheon, while Vhagar is not necessarily virginal like Athena but 'unmarried' so to speak. Goddess of beauty/wealth would also fit Rhaenyra. Goddess of the sun or moon would be fun in opposition to Sunfyre.

BOASH: called 'The Blind God' Mentioned as the god the Lorathi worship, whose religious followers (dissidents of the Valyrian Freehold) founded the city of Lorath. The name doesn't follow the typical Valyrian naming traditions, perhaps he was originally Boax/Boaxes? Would be fun. He's a very esoteric god connected to 'higher truths', the priests are eunuchs and the followers are vegetarian teetotalers and a main tenant is that everyone is equal. They also wear hair shirts which is an old Christian practice. I think he's a version of a Valyrian death god

the BLACK GOAT: Whose followers founded Qohor. I think he's a minor god, perhaps of magic or agriculture even, agricultural deities tend to be very important to common folk. However the goat imagery evokes Satan and Baphomet, so I think a villainous or death deity would be fun.

Non-canonical gods

A lot of the Targ dragons are given names with similar naming style to the canonical god dragons.

VERMITHOR & VERMAX: The naming conventions of Vermax and Vermithor intrigue me... I think one is the name of the God and one is a theophoric name in reference to the god. Perhaps a god of justice, law, order, etc, since they were the dragons of Jaehaerys and Jacaerys and I can see them picking that kind of God.

ARRAX: Lucerys names his dragon this, so I think a coming-of-age god or god of youths would be fun since he, yknow, got eated at 14.

CARAXES: This is Daemon's dragon so I'm saying Caraxes is the Dionysus/Hermes trickster god. Daemon picking the bacchanalian drunk sex god for his dragon is real to me.

MELEYS: Rhaenys TQWNW's dragon. Rhaenys gives off SUCH demeter vibes idk so agricultural god would be fun but idk i don't think she'd pick something like that. Perhaps its based off of Meraxes since Rhaenys is her namesake. Perhaps an oceanic or weather-based god.

MORGHUL: Morghul is simply the word for death in High Valyrian e.g. 'Valar Morghulis', but I like it as a euphemistic name for a God of death. Like his name is so tabboo that you just refer to him as death, or he's just named death in relation to afterlife, like how Hades refers to both the god and the underworld. I think perhaps Boash and the Black Goat are actually interpretations/aspects of the same deity, perhaps a death - morghul - god.

SHRYKOS: Sick name sorry just had to say that. He's Jaehaerys (son of Helaegon)'s dragon. got no clue what he could be a god of cos jaehaerys is a plot device character. I think he's just a cool Valyrian word, like Morghul, since Jaehaerys and Jaehaera are twins. Be fun if they picked life/death dichotomy for their dragons :p

TERRAX: ridden by the pre-doom character Jaenara Belaerys, who flew further south in Sothoryos than anyone else. God(dess) of travel/wisdom/conquest/oceans would be fun since she's a traveller who flew across oceans and sort of exemplifies the Valyrian conquest/adventurer spirit.

TESSARION: Okay the blue queen has to be a goddess of the ocean or the sky<3

TYRAXES: Joffrey's dragon :) I think a god of animals would be cute also cos he sounds like T-rex. I would name my dragon T-rex. Possibly a bastardisation of Terrax though...

URRAX: This is the name of a legendary/fairytale dragon from the story of Serwyn and Daeryssa from the Age of Heroes. By Daeryssa's naming convention and the fact she is mentioned only in AGOT, I think she was perhaps supposed to be a Targaryen before GRRM had established a full history. I think he's just a bastardisation of perhaps a Valyrian god like Arrax.

So my vision of the Valyrian pantheon includes Balerion, Vhagar, Meraxes, Syrax, Vermithor, Arrax, Caraxes, Terrax, Tessarion, which is 9 gods

plus Meleys and Tyraxes who I'm not sure if I want to be referring to above gods or just the name of a god entirely, which makes 11

Adding a death god (Boash, Black Goat, Moghul) makes 12,

which leaves another two unnamed for my personal idea of a Valyrian pantheon :)

#old valyria #valyrianscrolls #asoiaf

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thepromiscuousfinger · 1 year

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An Egyptian lawyer has filed a case with the Public Prosecutor to close the Netflix platform after the trailer of “Queen Cleopatra" was released, which depicts the Greek historical figure as a black-skinned woman.

According to Egypt Independent, Mahmoud al-Semary demanded that all legal measures be taken against those responsible for the documentary and the management of the streaming platform for its participation in “this crime.” He also called for an investigation and for Netflix to be blocked in Egypt.

The case said that the documentary promotes Afrocentrism that is widely spread on social media, which have slogans and writings aimed at distorting and obliterating the Egyptian identity.

The complaint continued addressing Public Prosecution: "In order to preserve the Egyptian national and cultural identity among Egyptians all over the world and take pride in it, and to consolidate the spirit of belonging to the homeland, and accordingly we ask and seek you to take the necessary legal measures against this platform."

It demanded stopping broadcasts showing all works aimed at obliterating and distorting the Egyptian identity, through films aimed at falsifying and distorting history in Egypt.

The complaint accused makers of the documentary and platform management of forgery.

A Netflix docudrama series that depicts Queen Cleopatra VII as a black African has sparked controversy in Egypt. A lawyer has filed a complaint that accuses African Queens: Queen Cleopatra of violating media laws and aiming to "erase the Egyptian identity". A top archaeologist insisted Cleopatra was "light-skinned, not black". But the producer said "her heritage is highly debated" and the actress playing her told critics: "If you don't like the casting, don't watch the show." Jada Pinkett Smith, the American actress who was executive producer and narrator, was meanwhile quoted as saying: "We don't often get to see or hear stories about black queens, and that was really important for me, as well as for my daughter, and just for my community to be able to know those stories because there are tons of them!" But when the trailer was released last week many Egyptians condemned the depiction of Cleopatra. (x)

#discourse #cleopatra #netflix #jada pinkett smith

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teawitch · 1 year

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Classical Correspondences

"Correspondences are just things people made up." various tumblr blogs

Working with a local witch community, one thing I've noticed is that a lot of witches coming from very (sometimes very very) Christian background haven't really been exposed to "Classical" education in the sense of Greek, Roman and Medieval history and thought, except for a sort of biblical overview.

This is the Bible belt and often the question isn't - "Well, you've read Greek mythology, right?" but "were you permitted to read Greek mythology?" Which has left a big gap in the foundational understanding of where some of our witchcraft and broader magical work comes from, including those correspondence lists you see everywhere.

In broad terms, the Egyptians influenced the Greeks who influenced the Romans who influenced the early Christian church and most of medieval Europe. This gives a sort of historical and geographical foundation for our Classical Correspondences. And a lot of other things but right now, let's just look at correspondences.

The periods above give us a long history of men (and sometimes women, but honestly, this was mostly an old boys club) looking at the universe and saying "how does all this fit together?"

In an attempt to answer that question, they started looking at connections between things to try to understand them. Why does valerian smell that way? Why does camomile also make you feel relaxed? Are these two related somehow? Can we find a way to organize them?

Isn't that what botany does? At least for plants?

Yes. And we can see that because both these plants fall under the influence of Jupiter they are kingly, helpful, and aromatic, imparting a feeling of relaxation and expansion.

Umm, Tea, it doesn't say that in my botany textbook.

You have the wrong textbook. You need Culpepers Complete Herbal which is the culmination of all the plant knowledge you'll every need. Says so in the title - Complete. And it was published during the reign of Queen Elizabeth, so you know it's up to date. Queen Elizabeth the First. A time of great scientific progress. (its free on Project Gutenberg) Though of course Culpeper worked from reliable sources like Aristotle. And Pliny the Elder, who wanted to categorize everything. (Pliny is probably best known on Tumblr for that elephant religion post that makes it's way around now and then. Pliny is not a reliable source for elephant religion or, well, other topics. But I digress.)

Let's break things down a bit. By Jupiter we mean the planet Jupiter, not the god. (Though Jupiter does fall under Jupiter). The Romans categorized according to the seven ruling planets - Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn - with additional influence from the four Greek elements - earth, air , fire, water as well as the astrological signs. They assigned properties to each of these that fit with their view of that planet/element/sign. Jupiter is kingly, along with other properties.

You take everything - plants, metals, gem stones, colors, parts of the body, emotions - and you figure out which ruling planet they fall under and you have a system of correspondences based on the planetary properties. (Venus for love, Mars for courage and strength, Mercury for speed and communication, etc.)

Tea - you're missing a couple of planets and the sun and moon aren't planets.

These are the 7 classical planets or the 7 wandering stars. These were the seven things that could be seen with the naked eye and didn't follow the fixed pattern of the stars. From the Greek word meaning "to wander". We are standing on earth so obviously it's not wandering around the sky. (We have correspondences for Uranus, Neptune and Pluto that were added later)

Got it. So they developed a system of correspondences using the classical planets and used it for witchcraft?

Of course not. From the Romans onward, witchcraft was generally illegal. (Greece disapproved but the laws were a bit different.) So no one would have developed an expansive system of correspondences for witchcraft and made it public.

These were scientific. And for medicine. And, well, for occult practices that were definitely not witchcraft! (Look up high magic vs low magic but basically, it was an economic difference and being poor was bad.)

The important part was - this was science. It had rules. It had structure. They didn't just randomly assign meanings to plants. They developed an entire system of classification and examined each plant to decide where it fit under that system. Sometimes plants could fall under multiple planets. Sometimes different parts of a plant fell under a different influence. And when used in medicine, what ruling influences the patient fell under could affect the treatment.

I don't want to use them.

It's hard to avoid them. They come into witchcraft through Western Ceremonial Magic but also through pure practicality. See, some of them work remarkably well, possibly because of the medical aspect of things. In medicine there had to a be a probability of success because if everyone died, no one would use them.

And from a witchcraft perspective - a lot of them make sense to the way we work. Plants with hallucinatory properties are often classified as Lunar and fall under the Moon. Spicy and hot plants fall under Mars. Pretty, sweet smelling flowers fall under Venus. These are already connections most of us have. It's also culturally an open system. Remember, it was considered science and medicine in its day. Anyone can reference and use planetary correspondences in their work.

I think personal correspondences would be stronger.

Possibly, over time and for the person involved. Personal and cultural correspondences build up a resonance in the cultural or with the person, but that resonance may not transfer well to others. Planetary correspondences have had a long time to develop that resonance and are broadly used, so that resonance is considered to transfer well to the working of others. They are simply a good base for publicly shared work.

#witchcraft #witchblr #beginner witch #baby witch #teawitch #foundational witchcraft #babywitch

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raayllum · 2 months

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Key to His Heart Theory: Shot Through the Heart, and You're (S5) to Blame

Intro

So a little over a year ago (since usually I think about things meta wise for at least a good month before writing them down), I wrote a meta about why I thought the Key of Aaravos might hold a quasar diamond, specifically Aaravos' missing chest piece. His heart, if you will.

At the time, I thought it was a very strong contender for what the cube might be, even if it didn't necessarily give us a clear depiction on what it might be used for, and was again operating under the assumption the cube itself is something Aaravos even wants back or needs (which is assumption still, at this point).

It made sense loosely with some of the new information we'd gleaned about the cube from S4 (mostly the Callum pawn intro with its bright flashing light, the emphasis on hearts in the narrative with Ezran's speech, the 4x04 flashbacks) and was likewise built upon a previous meta regarding the series' use of Egyptian mythology (Thoth and Ibis being present somewhat in Callum's arc, the main trio's parallels to another Egyptian myth trio, Aaravos' mirror and mirrors as objects of divination, and potential matching symbolism with the ankh).

The Key to His Heart theory was also built on previous seasons — largely the Magma Titan plot line, and Avizandum being stabbed in the heart — in addition to Aaravos' chest piece, seemingly, being notably absent, which seemed indicative of certain lines from the short stories, particularly Rayla (S4's Dear Callum), but we'll talk more about these later:

Please don’t let this hurt too much. But, if it does—if you feel that soft aching—know that that piece of your heart isn’t missing. It’s not missing at all, Callum: I’m carrying it with me! Always.

If you're interested in this theory and want to know about it, I recommend reading the two metas I've linked above, as the rest of this won't really be delving too much into what I've already written about, and talking about how season five has given more potential evidence.

With that out of the way, let's get into it in rough order of "most to least" likely:

Season Five

TDP Reflections

Whereas hearts weren't mentioned too much in the short stories leading up to S4, they became a reoccurring motif every TDP reflection story going into S5.

Fools. They might as well have held their own hearts, beating and bloody, in the palms of their hands. Kim’dael knew that if she showed them her heart—or something convincingly like it—the Sunfire elves would do exactly what she wanted them to do.

“Rayla,” she said, meeting Redfeather’s gaze. “My name is Rayla. And I’m going home.” Redfeather sighed. “Oh, you bleeding heart.”

“They balk at shadows, then.” Aditi pulled a slip of white-hot metal from the forge and turned to place it upon a gilded anvil. “I see your heart—and I am not afraid.”

It stared up at him. Ezran felt a coldness twist its way around his heart. It took his lungs, too, and for a long moment he could not breathe, could not feel anything but an unfamiliar anger so potent it seized the whole of him, inside and out.

Viren staggers backwards, his last breath shuddering through the blade. His white robes turn red at his heart. Something in Soren’s own chest shatters along old cracks, but he cannot look away.

“You are stronger than this. All storms end!” Rex rumbled a snort through flared nostrils. “What lies at its heart?”

He wept for his city, his people, and the darkness struck deep into their hearts.

While one may say it ends with a sunrise, another will insist it ends at nightfall. Yet at the heart of the story is a single, simple truth…A star fell from the sky.

From where Kim’dael stood, she could only see the brilliant aura of its magic. For a moment, it was as though the queen’s heart overflowed with light.

Now, some of this is undeniably because a heart is a short hand for emotion and one of our most useful metaphors for communicating a variety of emotion. However, I did think it was particularly interesting / eye catching that these lines tended to overlap with the series' growing light and darkness motif and emphasis on wounds/scars (to the point we have a 5x02 episode titled "Old Wounds" that refers to both Viren's past and Callum and Rayla's healing relationship).

But by far the one that struck me the most, and seemed the most reminiscent of how Aaravos's (literal?) wound manifests is this paragraph from Claudia's short story:

Lissa had left her years ago, but the space she had owned in Claudia’s heart remained. It was a dark place now, hard and hateful, its edges raw as a wound that had forgotten to heal.

Mountains had crumbled and left in their wake a vast new sea. It was as though the land had been dealt a great wound and bled a hundred years. Terror washed across the remnants of humanity like a wave: What power could fell mountains? Turn all the world dark, and bleed a sea from stones?

—Ripples (pre-S5)

As well as Aaravos' clear desire to have revenge over the Startouch elves for something that seems to go beyond the resentment over just being banished:

I have not seen the stars in centuries. But when I see them again—when the stars are forced to look upon me, their dark brother—they will know how I have waited. And when everything they have built lies shattered, I will savor their fall from the sky. For I have been patient.

—Patience (pre-S4)

We don't know yet if we are going to get more TDP reflections going into S6 or S7, but given the way the previous stories emphasize the heart as both a symbolic idea (a darkened, hollowed out heart) and a literal entity you can hold in your hands... It's clear there's something going on symbolism else, otherwise why be so consistent? But enough of the reflections, for now.

Time to talk about S5 itself.

Laurelion

Previously, I thought the cube in the intro (a literal glow toy, as Rayla identified back in 1x05) already had similar properties to the star-glow effect in the title intro back at S4.

At the time, this was more of a guess. Most of the Star magic we'd seen at that point we weren't able to fully identify as such, it seemed a bit more magenta in colour, and while there was a parallel in the bright flash of light upon releasing Sir Sparklepuff, there's also a bright flash when the prison is actually made. It's just a good short hand for a crescendo of magical power, you know? We didn't know if quasar diamonds were even going to be white, besides the one presumably in Aaravos' chest concept art wise.

And yet — it still felt like something to me. Then S5 with Laurelion came along.

The Death of the Immortal

K: "And though undying, took last breath, immortal Laurelion was no more." C: That's good, right? I mean when someone "was no more," that's — that's dead, yeah? K: It's a bit confusing, but that is the clearest implication. Though it is somewhat odd they call them undying and immortal. C: Well, that doesn't sound so immortal? Laurelion "was no more". K: Right. C: But how? How did they...? K: Right here. "White as the star's heart it pierced, ivory draconic brought death's bite known ever forth as Novablade." C: It's a sword.

There's a few noteworthy things about this whole exchange:

The poem has to be relevant eventually, otherwise why include it at all when you easily could've just had Kazi and Callum stumble across the sword period?

It confirms that the heart of a star is something that can be pierced, presumably removed, and white, which I think is the biggest "hell yeah" to the 4x04 intro

There is no reason to point out the contradictions in the poem itself unless A) the sword doesn't work the way we think it does and/or B) we are going to find out why the "undying and immortal" thing matters — and they make sure to emphasize the contradictions quite a bit as well, so they definitely want us to notice

If Laurelion died, and Aaravos took his place, that would explain how Laurelion — identity wise — could die while the same person under a new name could also remain alive / immortal

We learn in Rayla's pre-S5 short story that Ghosts don't often keep their real names, and take a new one as the final severance of their bond with their old community. For all extents and purposes, Aaravos was Ghosted (banished) from his community as well. Taking a new name would make sense

"That must've been when [Harrow] fell." "Fell? Fell! He didn't fall, Rayla, he didn't trip and fall on the ground — he got killed!" (2x08)

There's more speculation here regarding the actual sword and draconic ivory, but that is another post for another day that other smart people have made if you are interested. For now let's just focus on the heart.

We know Laurelion had a heart; we know it got stabbed with the Novablade, leaving Laurelion both no more (i.e. dead) and yet immortal / undying. We know that Arc 2 in particular has had an emphasis on losing your sense of self and identity ("I was his puppet" / "We can't save everyone, Soren" / "But I'm not evil. It's me" / all of Viren's dream visions). We know that a Star's heart is white. We know that Aaravos seemingly used to have one, and now it's either missing or impermanent, only visible sometimes.

(Putting a pin in the second image cause we'll roll back around to it in the counter evidence section.)

We know his chest centrepiece glowed when he was imprisoned, and we know it was seemingly gone when he got banished. We know something about the Key of Aaravos was able to reveal his treachery.

I'm not saying any of this is for sure connected, but it does make you think, at least a little?

That, and it'd play into another bit of potential interesting foreshadowing / symbolism we got in s5 with

Viren Heart Theory

This is another theory I've discussed in more detail elsewhere, so I'm going to link to it here, but it wouldn't feel right to not talk about it at least a little here. Basically the theory is that Viren used his own blood / a piece of his heart, or possibly the whole thing, and the relic staff in order to save Soren when he was a young child.

This is largely due to Viren's spotlight turning red after he begs to be able to save Soren, and cinched by Kpp'Ar pointing specifically at Viren's heart only for Viren to deflect and start talking about Soren's case specifically. Whatever he did seemed to make him more 'powerful,' but at a great personal cost ("In the name of love you may perform acts that are so unforgivable, you will never forgive yourself") and something he finds the need to justify ("I had to do something! I had to save him! I had no choice!").

If Viren did this, it also adds another layer to Viren's sentiment of "Harrow's death breaks my heart" being well, half-hearted, in addition to Soren literally stabbing illusion Viren in the heart in 3x09. Viren mutilated his heart for his son's life, stopped being able to properly express love to said son, and then Soren stabbed his father right in the place that presumably saved him as a child. Ouch.

It seems likely that one of the reasons Aaravos was able to prey so aptly on Viren's desire for importance and attention — to Matter — was because Aaravos might've tried and failed earlier on to get the Startouch elves to listen to him pre-banishment. Being ignored, exiled, and disempowered is something he can relate to, and something he doesn't mind taking advantage of when it suits him.

However, if this combination could save someone Viren loved, it makes me wonder if Aaravos did something similar to likewise try (and fail?) to save someone he loved, too. It's either that or the Startouch elves just completely ripped it out, so... I guess we'll have to see?

But yeah — if Viren did it, then I'm expecting it's more likely that Aaravos did it, too. That is all.

The Pawn Intros

But Dragons, you say, didn't we already talk about the Callum pawn intro?

And to that I say yes, but — thanks to a promo S6 picture of Aaravos crying, we know something else very important about said intros that we didn't know before: they take place at the Sea of the Cast Out.

The sky, the mountains... the fact we know, thanks to the statues in 5x09, that this is likely where Aaravos' grief — his wound, if you will — began to bleed and take root, leading to his thousands of years of seeking vengeance and using just about anything or anyone he could. This is, presumably, where his chess game started... and where it is, symbolically at least, going to end.

Okay, so it's the Sea of the Cast Out — why does that matter?

Well, we know the Sea of the Cast Out is a site of literal trauma for Aaravos. We know, thanks to the statues of Aaravos and the Merciful One, that it plays into the same reaching motif we see Viren participate in quite a few times, both in his intro and in other places/relationships (most notably Sarai, Harrow, and Terry).

The Sea of the Cast Out is also, perhaps more importantly for this theory's purposes, near Elarion. What little we do know about the city beyond it being an important place for humans and dark magic ties it repeatedly to nature through The Midnight Star poem:

Elarion, trembling seed, lay down to earth in icy night, and in the cold her roots took hold defying winter’s deathly bite. Elarion, fading bloom, afraid to wilt and dim and die, [...] Elarion, dying husk, did wilt and whimper in the dark [...] Elarion, black-eyed child, her twisted roots spread deep and far,

as well as a tale about the Flowers of Elarion, precious blooms that could soothe the senses and turned to dust come morning—flowers that were left as "a fair exchange of beloved for beloved" (Tales of Xadia). Put a pin that Exchange idea because I swear we're gonna come back to it but not in the usual way you might be expecting, or at least not entirely.

And we have good reason to believe this nature motif is tied to Aaravos' current imprisonment as well, given how present flower imagery is for his mirror.

So the Sea of the Cast Out and Elarion seem to be the two places we know of thus far that are not only the most important to Aaravos, but the most instrumental to his banishment. It would not surprise me if either Aaravos got involved in what would become Elarion either because he was banished, or it was what he was banished over, or if discovering the truth of what happened there is likewise why the Archdragons were partially like "Yeah, we gotta lock this guy up" (now that they knew he posed a serious threat). The fact that Elarion is referred to as a child (everything with "blood of a child,"), black-eyed (which denotes dark magic), and winter's "deathly bite" ("White as the star's heart it pierced, / ivory draconic brought death's bite") just all ties together nicely in being related even if we're not totally sure how.

But Aaravos having his chest piece removed by force / as punishment in addition to being cast out by the Startouch elves, or him taking it out himself and giving it to someone who was lost... There's a lot of roads to get here as to why this stuff all seems connected if the Key is indeed his chest piece, which offers up both a power up, a sad tragic backstory, some baller symbolism, and some nice double meanings as to what it is key wise.

As the Key works in the moment, it doesn't seem like it's something that would be very useful to a primal mage, as other than pretty easily identifiable gemstones they wouldn't be using much the key identifies. However, the function of the Key being able to categorize and sort magical creatures and plants from each other is something that is very useful if you're a dark mage and need to shore up your ingredients list.

If the Key has Aaravos' chest piece in it, there are two main prongs this offers:

It may have been instrumental in helping humans discover dark magic, hence the "Elarion, searing white" and could also be the Gift the poem speaks of. Aaravos removed it himself (love makes you weak?), gave it to his chosen human, chosen human died, and he was locked out of Startouch realm as a combined result. This offers the clearest connection between why Aaravos' mirror has the nature motif and why Aaravos is crying in the beginning of 6x01.

It was removed by the Startouch elves and lost/hidden, forcing Aaravos to be away from his old home until he could find it again. This is the clearest explanation as to why the Key might be relevant on a plot level. It could give him the power up he needs to get out of his prison and barring that, it's what he needs to wreck havoc and gain access to the Startouch elves to get revenge on them

It also allows what we learn of the cube in 2x06 to have multiple meanings:

The Key is revealed in an episode called The Heart of a Titan. We're led to assume that this is just the Magma Titan, and you could perhaps make an argument the dual meaning (just like how Breaking the Seal refers to the letter and the titan's chest) refers to Harrow or Callum's capacity to love. But, given that one of Aaravos' most prominent mythic comparisons is to Prometheus, a literal Titan, well...

"It unlocks something of great power in Xadia" would work equally well if it's a Key literally made from Aaravos, not just to Aaravos. And the past 2 seasons in particular have emphasized over and over again just how powerful and dangerous he is

The salvation and destruction motif that is inherent in the key, ("I just have a feeling this key thing can help me" / "It's the key of Aaravos, no good will come of it") as keys are linked to chains and freedom with the ability to lock and unlock, is rampant in 2x06, as Viren states that Xadia and the Magma Titan "held both the promise of our salvation and threat of our destruction." This goes double for Sarai sacrificing her life to save Viren

And to round back to Viren and his intro, I don't think it's a coincidence that

is one of the first things Aaravos ever says to Viren, particularly when trying to earn Viren's trust. (Nor that Aaravos considers that Zubeia and co. "betrayed" him when "he would lower his guard," just before the imprisonment.) And while Aaravos gains Viren's trust as a political ally here first, it's also clear that he's actually primarily preying upon Viren's deepest emotional desires here as well: to be listened to. To matter.

Viren wasn't listened to by the monarchs around him (Harrow). He wanted to be important (to them). He wanted to matter.

"It is everything to me, to know that I matter. It's all I ever wanted."

Aaravos: Search your heart. There is something you want very badly. (2x09) Zubeia: He was able to give them something they wanted very badly. (4x04)

And that's what Aaravos offered him, with power and knowledge just being the bait. (If you're interested in more detailed thoughts on this aspect of Viren / their dynamic, check out this meta here.)

More to the point, I do lean towards the Key's plot purposes being 1) a power-up that may be needed for him to get out of his mirror and 2) something that likewise allows him to see the other Startouch elves again. After all, the Silvergrove gave each elf a similar kind of key:

But y'know what, let's talk about Rayla now, because

The Missing Piece of Your Heart

As stated earlier, Rayla's letter has a consistent metaphor when it comes to family and loss:

I remember how I felt when my parents left me to join the Dragonguard, like PART OF MY HEART WAS MISSING and I would never feel right again. I thought I hated them when they did that to me. In the beginning, it felt so big and terrible—like raging despair—but, overtime, it became a soft, sweet ache—a reminder of that missing part of my heart. [...] Please don’t let this hurt too much. But, if it does—if you feel that soft aching—know that that piece of your heart isn’t missing. It’s not missing at all, Callum: I’m carrying it with me! Always.

This struck me as interesting when the letter first came out, as it was a departure from most of Rayla's previous heart motif ("My heart for Xadia") and even the one attributed to her one half of her parents ("My heart goes out with this one"). Why have the motif suddenly switch up when it would've worked just as well, or been doubly romantic + a Ruthari parallel, to just have it be the whole heart?

Then season four came out, and I understood, because, well...

Upon her return, Rayla brings back that "missing piece" of "Callum's heart". It's a painful restoration and doesn't run entirely smooth, but in season five in particular we see him be much more like his older, happier self once he's let himself love her again, and how steadfast he is in said love ("To love is simply know this...").

But, in a moment that could've been exclusively about Rayla, nor did it need for Stella's connection to the Star arcanum to be this prominent in the same moment, they choose to likewise highlight Rayla 'bringing home' the missing piece of Aaravos' heart, too.

This symbolism is also consistent with how the key is introduced in the first place, i.e. first thought of because Rayla's drawing in Callum's sketchbook (another gift from Harrow) reminds Callum of it, and her ultimately being the one to retrieve it even once things at the Banther Lodge take a turn towards the south.

Furthermore, we do have reason to believe that Rayla is indeed the 'Key to Callum' in a sense, particularly after 5x08. Just like how a key can both lock and unlock — give freedom or entrapment — Rayla symbolizes a great deal of duality in Callum's life, including but not limited to:

Leading him to primal magic (1x03, 5x08) and dark magic (2x07, 5x08)

Light ("No one can control you or make your choices for you" / Ray of light) and dark ("But the second you see that elf girl in pain, you completely lost yourself" / "Stay safe, and stay in the light. Don't look for me")

Being routinely emphasized in Callum's arc with Aaravos, especially in S4

"Now you're back. That's kind of good, and it's kind of bad" / "You have to hold pain and love in your heart at the same time" / "And when she came back, I was so happy, and so mad at the same time"

Salvation ("Rayla saves people [...] that's what makes her a hero") and destruction (being willing to die / do dark magic for her)

The Ocean arcanum realization being both positive and negative, just as the poem itself takes on a different shape across the season in regards to how Callum views her and how he views himself while being motivated by his love for her / Ezran

“Wow. So [the berries] look identical, but they might kill you or they might save you,” Callum said. “Exactly. Just like me…” Rayla smiled.

—Book One: Sky novelization

If you're interested in a more specific meta on this dichotomy, I recommend this meta written pre-s4 and this more recent one about 5x08 specifically.

I've written before about Rayla have a weird consistency with the cube as well, particularly in her being the primary carrier of its foreshadowing for most of arc 1, with Callum only really doing so in 1x04 and having Rayla pick up the slack the rest of the time:

"It's a toy, a piece from a children's game" (1x04) as well as "It's a glow toy" (1x05) are now literally true as the cube is 1) involved in Aaravos' game and 2) literally glows a bright flashing light circa the 4x04 intro.

"Are you practicing magic or are you losing to Bait at a game of rolly-cubes?" (2x07 right after Callum calls it a key) came to pass, somewhat if not outright, it seems, in 5x08. Callum practices two different magics, Rayla is literal bait in exchange for the glow-toad, and the episode ends with Callum being worried he's potentially losing Aaravos' 'game' so to speak — that he's made himself more vulnerable to the Startouch elf's control.

Two lines of hers regarding the cube that have not yet come to pass are "This doesn't end well for you" (1x05) and "I hope it was worth it to you, putting everyone's lives in danger" (1x04) but I expect that we'll get them soon enough.

Rayla's 'tether' to a the cube does, of course, loop back into the Flowers of Elarion tale, in which there was a fair exchange of beloved for beloved. If the Key does indeed hold Aaravos' heart (and that is still a very big If), whether it would include an actual exchange is still debatable, but it seems inevitable that she would at least play a part. (If you're interested in more thoughts on Rayla + the cube, check out this meta pre-s4.)

Where the game motif gets the most interesting, I think, is where it intersects with the idea Aaravos mentions in 2x09 regarding, "Those who fail tests of love are simple animals," and one of the TDP short stories in particular having one very interesting tidbit:

“My behavior is—?” “—unusual,” Corvus repeated, nodding. “Very unusual. Ever since you started challenging me to all these little games.” Soren squirmed. His pauldrons clanked as his shoulders slumped. “They aren’t games. They’re tests. Ugh…I’m really messing this up.”

Since Rayla is going to have her "My heart for Xadia" undeniably tested, it would make sense if Callum and Aaravos' hearts came into play too, don't you think?

Other Misc Symbolism / Oddities

Last but not least, we have our odds and ends that didn't fit in the other sections, but I thought may be worthwhile to mention anyway.

For starters, we have screencaps (most notably in 3x06) where you can see a visible dip in Aaravos' tiddies chest that indicates something was removed, and it's not just an artificial darkness.

We have Aaravos touching a fist to his heart twice before he bows and indicates that Callum is going to "play" into his hands (remember that game motif?).

We have this shot, which is the exact kind of thing that "crew makes sure the Ocean and Moon runes are most prominently on display in Callum's dark magic dreams to foreshadow him doing dark magic in S5 Ocean for his Moonshadow gf 3 seasons later" would absolutely do and think they're So Funny about. "No gem for star magic" except the one you're unknowingly holding in your hand, am I right?

Finally, we have precedent that dark magic can 'darken' your heart both in show when Amaya passes the light trial ("A human that is pure of heart") and in the graphic novels with Claudia ("Your heart is not yet darkened") which allows her to see the map to a unicorn (The Puzzle House).

@self-spaghettification also noted that the bright white flash of the star in the 'o' of Aaravos' name in the Arc 2 intro momentarily looks like and makes the shape of the Nova Blade, which is also very cool.

Honourable mention to Rayla going "it's a piece from a children's game" and Ezran going "you said each of the archdragons had a piece of the puzzle" and the Orphan Queen and Jailer presumably working together to trap Aaravos. I think about that shit every day.

Evidence to the Contrary / Alternatives

But like I said at the start, there are plenty of alternatives or feasible pitfalls to consider. This theory resides on a few assumptions after all, that may not be true, such as Aaravos not actually needing the key for anything other than as a lure for Callum, it could purely have something to do with the Nova Blade and nothing to do with the prison, or even have something to do with the nature of magic itself, capable of great good as well as great evil.

His chest piece could've always been more immaterial and dark magic has just darkened it rather than it being removed. Aaravos may have stabbed Laurelion in order to use that heart diamond to partially make the Relic Staff he passed onto Ziard, or Aaravos' chest piece could be in the staff itself, and the cube is something else entirely.

Conclusion

In the end, as we go forward into S6 all the above is more less my personal bet as to where I think we really could go in terms of answering a lot of these questions we've had for a few seasons now. I hope you enjoyed reading the theory and considering (and possibly subscribing to) it, as well as getting your own thoughts stimulated. If any of the above happens I will cry for days and no matter what, I am deeply intrigued to see where S6 takes Aaravos' backstory and, of course, his cube. Luckily:

#tdp #the dragon prince #tdp aaravos #key to his heart theory #tdp meta #analysis series #aaravos

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