mom avoids dead anime mom curse because he transitions. he’s always had a complicated relationship with pregnancy because of how woefully little people are told about potential complications and aftercare, and also because of how gendered it is, so after the birth of his second child he’s finally had it and decides to transition
he joins a local community group for mothers and at first it’s played for laughs how often they fall to the dead mom curse, but soon we find out more about how society has failed mothers and people who give birth, from information being withheld, procedures being carried out without consent, lack of accommodations and maternal and paternal leave, racism…
it also turns out that becoming a man doesn’t help with this, not really, because being a pregnant trans man brings its own problems. follow along as he learns more about being a parent and a mother, and maybe even… finding love???
coming to you never because I can’t write!
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There's something that infuriates me so much about people mocking characters that fall into the "not like other girls" trap, because the reasons girls take on that stance is because they exist in a society that tries to put womanhood and femininity in a restrictive box that tells them who and how they should be.
They're generally mocked and derided for not wishing to conform to stereotypical femininity, but when they lash out in entirely predictable but ultimately unhelpful ways (by being dismissive and rude about other women and femininity in general) instead of understanding that it's a product of growing up in a society that's restricting them and punishing them for not conforming (either by choice or inability) so many people who claim to be feminists choose to mock them or make them out to be the cause of the problem rather than a symptom. Whether its being mocked in real life, or watching people deride the fictional characters they relate to, this behaviour just alienates those girls even further into thinking that the issue is other women, and confirms their belief that women who are typically feminine will only ever be derisive toward them and that they're somehow fundamentally different from other women.
If you know someone who thinks along those "I'm not like other girls" lines instead of mocking them try directing them towards resources that can help them understand where that harmful rhetoric comes from, and when you're critiquing characters that fit that mold try to consider why they behave that way, and what girls who see themselves in those characters take from your commentary.
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Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.
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Lately I was thinking about 0108 parallels since they're both so associated with water and I had a thought.
Haruka and Amane are both shown drowning in their MVs
Amane tries to swim back up; she believes she can still get what she reaches out for,
she believes she can still truly be a “good girl” despite how much it is destroying her and how terrified she is of the very people who enforce the cult ideals on her, to the point that their faces never appear in her MVs (in Magic, there weren't even any humans beside her to begin with, only the mascots and animals)
Haruka, on the other hand, just lets himself fall into the water; he does try to reach out for what he wants—his mother’s love—later on in the MV
but she promptly disappears, i.e he already knows it’s no use doing that. He’s accepted that he cannot become what is expected of him, he believes that he’s inherently at fault and has already accepted that (thus the inno verdict in T1 ignited a lot of inner conflict and self loathing, even though he tries to appear confident and happy and Okay)
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Spot Conlon and the rest of Brooklyn all being girls actually means so much to me and not in a "See women can be strong too!!!" kinda way because like. It just makes so much sense???
Like, okay so if you stop thinking about it as "the strongest and most fearsome group of newsies is also all girls" and instead think of it as "the group of newsies that are all girls is also the strongest and most fearsome" it all starts clicking into place.
Because if you were Spot Conlon, if you had a group of young girls who all live and work on the streets to take care of, of course you would want to have this big, intimidating reputation of being the best fighter and strongest leader. If every other borough, most of which are made up of dozens of teenage boys, believes you can and will soak them for so much a stepping foot in Brooklyn, they won't dare think about so much as touching one of your girls.
Of course you would make sure all of your girls know how to beat an opponent much bigger and stronger than them. If someone does mess with them, they have to be able to fight back. Not just to protect themselves, but to make sure that whichever idiot thought it was a good idea to mess with Brooklyn never dares try it again. They have to be able to win that fight and all future fights.
Of course you would be super territorial and make sure you don't give a single inch of leniency towards the other boroughs. You can't show any kind of vulnerability, no matter how capable you are. Being "just as strong" as the other boroughs isn't enough because they will never see you as an equal. So you choose to be seen as a threat.
Brooklyn has to be strong. They have to be scary. They're not any more violent or mean than the other boroughs, but they need the others to think they are because the alternative is being seen as an easy target. That can't happen.
I also feel like Brooklyn wouldn't have this reputation unless they were forced to. Like, if it were up to them they would be kind and welcoming and friendly. But whenever they gave an inch the other neighborhoods took a mile. Whenever they showed even an ounce of kindness there was always someone who took that as a sign of weakness.
It's not fun being isolated. It's not fun being feared. But it keeps them safe and that's the most important thing. I think Brooklyn only has a reputation of being strong fighters because they keep being forced to fight.
I have no idea if this is even remotely comprehensible but do you see my vision? I just. The idea of Brooklyn being the strongest borough out of necessity instead of desire. Spot Conlon being a girl has so many implications about this character's backstory and motivations that we've never had before and it's so much more than just "Hey did you guys know women can be competent leaders too? I know, WILD"
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Wait wait I just scrolled by a mutual that reblogged your Godseeker-Comic. Is that an AU? Is there more of this? This is so interesting! I have never seen Godseeker turning to be a part of Void. Mostly just always getting killed by it.
I hope you're doing more with this concept in one way or another because this is a really interesting idea!
ouuu thank you 🥺❤️ its not really an au, its more like my interpretation of a continuation to the embrace the void ending!! :D I think most people are not aware that she canonically doesnt die, and take the ending at face value.... its kind of hard to explain for me since even i am not 100% sure what exactly happens lol but i like to think that theyre perpetually linked or fused together in some weird way. and i feel that this result is pretty intentional from both sides.
Godseeker mentions that they seek gods to "clutch at their greatness and immortality", which i assume that with 'clutch' she means that these traits would be shared with the Godseekers through the "Godly focus" thing. And the knight, besides the fact that it proved its strenght against the local strongest beings, it posesses (via the Void Heart) the void under its will, which is literally said to be an "eternal" force that "denies time", ie immortal.
and this union of sorts would be beneficial for the knight as well, as it can go into Holy Beast mode at just about anytime it wants, which is a really awesome powerup if u ask me. That and also (in my headcanon) it does like her. very much :-)
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I'll be honest, the WOF fandom should embrace Snowfox and Snowflake as semi-villanous lesbians that are hopelessly devoted to eachother and would kiss while watching their enemies burn. They're scheming, a bit selfish and would wage war on an entire tribe for this one thing one of them did that wasn't even her fault but they're so in love about it. Medeval european royal court-eque love story. Stop being pussies and appreciate some awesome antagonists, don't try to make them good or cry about how it's bad representation to have sappic villans in a story that literally has plenty of good guys who are queer too. Can't you guys have some fun
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