Meet this chucklefuck

His name is Pascal Short for Giuseppe Pascallis Jaleppino Edvard Stefano Dimitri Jaloro Pepperman-Spaghetti

That's right, you read the surnames correctly. He is a Pepperino fankid

ramble and more drawings under the cut if you managed to survive the first part

If I had a nickel for everytime I made fankids, I would have two. Which isn't a lot but it is weird that it happened twice.

And brother? I'm happy about it jsrgksrb

Pascal is a jaloro pepper and since his parents are so shit at naming him, they straight up put his pepper type as a name. but yes, they're a real thing and they're so cute. Jaloros are just yellow jalapenos

I also tried to make him simultaneously look like a pepper and a mango to complement how Pepperman looks like an apple. but also while drawing the sprite mock ups, I realized that at a certain pose he sorta looks like a pizza slice. I win either way bfsjbgksjr

He does not want to be an artist or a chef but he does have the inherited naturality of both which landed him a job as a barista. and of course, he could only work for one place which is the Noisette Cafe. It kinda gave him a little trouble getting hired cuz 1.) Peppino does not like how his son is about to work for his rival's girlfriend and 2.) Noisette is fucking terrified of Pepperman. You think she's gonna let his son who is one foot taller work for her 😭

But still, Noisette is way too kind that Peppino forgets why he has a problem with her and Pascal is way softer than both his dads surprisingly. It's ironic how Peppino and Pepperman are these barbarians of people and their kid ended up being the forestcore aestethic. He is never beating the allegations lmao, he's gonna be THAT softboy

But don't get me wrong, he can be a combination brutal and berserk when pissed off. He still has the same strength as his dads, mind you. Mostly Pepperman's brute and Peppino's street smarts

And their patience too.

People expect him to be as manly lol but like nahh he just wanna chill and be a nerd dork

And if anyone's wondering, it was obviously Pepperman who spawned him. In the human au tho? I have a perfect answer for that lmao. ahem

My Pepperman has and always been intersex lmao. That is it, that is all you need to know how Pascal can theoretically be made

Plants being plants man, they're really weird. Pepper is simultaneously mom, dad, uncle, and aunt lmao. Tho Pas calls him both mom and dad because it would be so fucking funny and he calls Peppino papi

He's very tender mostly cuz he did not inherit Pepperman's narcissism but he did inherit that kindness that Pepperman tries so hard to hide. And of course, Peppino's anxiety and impulses.

As a kid, Peppino is the brooding hen between him and Phil. He'd be the one who double checks triple checks if it's safe to let baby Pascal do his thing.

Pepperman on the other hand, he holds baby Pas like a rubber ball. Peppino tries not to get his kid killed because of how his wife holds it 😭

Oh also in a few of em, you can see little interactions with @beefy-the-stronk's Jude. They're simultaneously cousins and siblings. Also don't question it. Just imagine there's two Peppermans gbsjbgrksj

Also Gustavo is the godfather. I only had Pascal for three days but I would die for him

Anyway, if you made it this far, I thank you but alas. That is all for now bgjsbgjksr

Hazbin Redesigns pt.2

These characters are mostly ones, whose designs I never had big problems with, I just had different ideas for them sometimes.

Sir Pentious is female in my AU because her backstory requires it. Also I thought she would be cute as Ms Pentious. I made her colours more earthy and gave her a more serious look, since she will probably be an antagonist (she is still very excentric, she mostly pretends to be serious). I gave her design some elements that resemble steam and clouds to fit with her inventor theming. I kept the eye hat thing because I think it's fun.

For Cherry bomb I kept a lot of stuff from her original design. Her colour palette, her tights, her shoe situation and her hair looks pretty similar too. I toned the brightness down and made her look more Punk (because i'm pretty sure that she is supposed to be Punk). I gave her a prosthetic since I can imagine that she would loose a limb in an accident with her bombs. Ms Pentious made her the prosthetic (she and Cherry are officially dating here and are both antagonist from how it is now). I tried to make her look chaotic and spunky so her design was very fun to figure out.

The main issues I have with Velvettes original design is that she doesn't look like a demon really and pretty much just like a human with weird eyes. Also she suffers from the fact that Viv makes all her black characters grey. I made her a Vampire/Bat Demon because Vampires are creatures of the dark and it reminded me of how people on the internet often are. For her outfit I was mainly inspired by fashion dolls like Monster High. She is supposed to look modern and like a fashion influencer. Her redesign is very bright and obnoxious kinda to reflect the overload one can get from the internet and trends.

I wanted to make Vox older and boxier looking. He is an old TV show host who is upset that he has to stay current with the trends to keep being relevant, even though he doesn't view modern television as "real" television. He is jealous that Alastor can afford to keep his older format and style. I gave his outfit a similar colour sceme to that of Alastor. Vox is meant to look slimy and kinda pretentious. Other that that he isn't so neon anymore and has a less modern TV as a head.

I have some ideas for Valentino but I didn't make the effort to actually make a full drawing for him, because I didn't want to (not for him). Also he probably won't really appear in my AU (still figuring out wether the Vees will even be important at all). He is not a moth here because Vaggie is already a moth and I didn't see the need for two (not related) characters with the same gimmick. He is a scorpion, since they're more intimidating. His outfit isn't all too different (from when he opens his coat in the show). Val would be more muscular and in general more menacing and still very manipulative.

Final character lineup.

Feel free to ask questions/give suggestions for my redesigns/rewrite.

hey, yall like t4t lesbian steddie? how about transfem eddie beefing coming out to her girlfriend Real Hard?

also on ao3 here

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Eddie has never been able to control her mouth. Honestly sometimes she wonders if she has some kind of medical condition that makes her incapable of saying normal things at the appropriate time. 

And this is a real problem when trying to figure out how to tell her girlfriend that she might kinda wanna be a girl too maybe. Because instead of sitting the love of her life down and calmly explaining that she’s been doing some thinking and might want to experiment with her gender more, Eddie just holds it all in until she projectile vomits the information at the worst possible time.

They’re snuggled in bed, hazy in post-coital bliss, Stevie burying her face in Eddie’s neck and nuzzling in with her nose like a kitten looking for milk. It’s adorable. Eddie half expects her to start making biscuits on her stomach.

And so when Stevie sighs contentedly, hums a little, “My boy,” with so much love in her voice Eddie kind of wants to cry, she’s not ready for the wave of wrongness that crashes over her, smashing the cozy, contented vibe in the room like it’s an actual tidal wave ripping the trailer to shreds.

So she does what she always does. Fucks it up.

“No I’m not,” she says, voice choked with panic.

Stevie stiffens against her. “What?” she asks.

“I’m not your boy,” Eddie says. “It’s not- I-”

Stevie draws away from her, and Eddie already misses the warmth. She keeps her eyes screwed shut, doesn’t want to see Stevie’s reaction to the information that her boyfriend is actually her girlfriend. And yeah, the logical part of her brain knows that it absolutely is not an issue. Stevie’s a lot of things (beautiful, wonderful, perfect, a teensy bit of a bitch but just enough to keep things interesting-), but she’s not a hypocrite, so the trans thing is obviously fine. And Stevie was well known for making her way through most of the female population of Hawkins High before she came out, so the girl thing is also obviously a non-issue.

But. That mean little voice in the back of Eddie’s head. The one that listened carefully to every bad thing anyone ever said about her- freak, monster, trash- and quietly stored them away just to take them out again when she’s alone at night. That voice is real loud right now. 

It tells her she’s imagining things, that she’s just looking for another way to be different. That Stevie will just think she’s trying to copy her, and worse than that, she’s copying her badly. It whispers that sure, Stevie liked her as a guy, thought she was attractive then, but she’s probably going to be so ugly as a girl that any attraction Stevie’s managed to muster for her weird lanky man-body is gonna just shrivel up and die. And she doesn’t even really like girly things, which she knows because she dressed up as Frank N Furter that one time they all went to see Rocky Horror, and the makeup had felt gross on her skin and the corset had been too tight and the heels had hurt- and if she’s not gonna commit to femininity what’s even the point of trying to tell people she’s a girl?

Eddie is so lost in her own head that it takes her a second to realise that Stevie has gotten out of bed. Eddie sits up, watching in confusion as her girlfriend flits around the room in search of her clothes. 

“Stevie?” Eddie asks, her voice small. “Wh- what are you doing?”

Stevie sighs, shakes her head a little. “What does it look like I’m doing, Eddie?” Her voice sounds watery, and she won’t look Eddie in the eyes, using her voluminous hair as a shield as she pulls up her jeans with shaking hands.

Eddie’s heart breaks. She doesn’t think she ever expected this, that Stevie would just leave, even on her darkest nights alone. “But- why?”

Stevie finally looks at her then, her face incredulous even as it’s streaked with tears. “Why? Why would I stay, Eddie, if this- what, was it just- just bullshit?” she says, getting more heated as she speaks, hands flying in that way Eddie usually loves because it means her girl is really getting riled up. Now it feels terrible to see, like the final nail in Eddie’s coffin. 

“I can’t believe- fuck- this is the second time I thought- I mean it’s gotta be me at this point, right? Like, fool me once-” Stevie cuts herself off with a sob, before scrubbing her face furiously and looking around the room. “Where the fuck is my jacket???”

“I don’t- what do you mean, second time-”

Stevie scoffs. “I mean, sure, you didn’t actually say the word ‘bullshit’ but that’s- you see how it’s the same right? Like, even if you didn’t- if you didn’t want me anymore, how could you-? You knew about Nancy, Eddie, and you still just-” She scrubs her face again and heads to the door. “You know what, fuck my jacket.”

And Eddie is not the smartest. Her three senior years can attest to this. But she can tell she’s missing something here, because what the hell does Nancy have to do with anything? So Eddie goes over the last couple of minutes, everything Stevie said, everything she said, and- oh. Fuck.

“I forgot the second part of that sentence.” 

She literally cannot believe how stupid she is. Stevie’s already out the bedroom door, and Eddie prays to every god who’s never believed in her that she hasn’t left the trailer entirely, because fuck knows if she has Eddie will probably never see her again. At least not for several months, and even then, only with Robin standing off to the side trying to kill her with her mind.

“Stevie!” She calls, running through the trailer at a speed she frankly didn’t think herself capable of. “Stevie, please wait! I didn’t mean to- I forgot the rest of the sentence!”

Stevie stops at the door of the trailer, turns around with an eyebrow raised in the kind of ‘I’m waiting, make it good’ expression she uses whenever the kids try to explain why they were acting like little shits this time. It’s ruined a bit, by the tears still streaming down her face and the tremble in her disapproving frown, but she’s trying. 

“Baby, I’m so sorry, that’s not what I was trying to say- I didn’t even realise how it sounded- I love you so much and I’m sorry I made you doubt that for even a second,” Eddie pleads, her own tears running down her face.

Something in Stevie’s posture seems to soften a little, but her hand stays on the doorknob. “What- what else would you be trying to say there, Eddie?”

“I-” Eddie can’t look at her, so she looks at her own feet. “I’m not your boy, I’m your- I don’t really know. Girl? Something? Uh. If you still want me to be.”

It’s quiet for a moment. Eddie doesn’t look away from her feet.

But then, strong, warm arms wrap around her. A hand gently pushes her head into a neck. A pair of lips press into the top of her head.

“Oh E- baby,” Stevie says, softly. “I love you so much, no matter what. Of course you can be my girl, if you want.”

Eddie nods into Stevie’s neck, holding her so tight she’d be a little worried about hurting her if she wasn’t well aware Stevie was way stronger than she’d ever be. “Yes please,” she says, voice small.

Stevie presses another kiss to the top of Eddie’s head, pulls back to hold her face gently in her hands. “Love you so much, baby. And it’s with love that I have to ask- what the hell is wrong with you.” Eddie snorts, and Stevie smiles like that’s what she was aiming for. “That was the worst coming-out I’ve ever seen. And I’m including the way I came out to Dustin.”

Eddie fully laughs then, and Stevie smiles too. That really had been awful. Dustin had found Stevie’s collection of feminine clothes and underwear and had taken it upon himself to lecture her on how weird it was to keep ‘souvenirs’, until eventually Stevie had been so mortified by the picture he was painting that she had to come out just to get him to shut up. He’d since made up for it by being her staunchest defender (Eddie and Robin notwithstanding), but the whole thing was still painful enough that whenever he was being annoying Stevie could now get him to shut up with just a particularly pointed look.

“I know, it was- I got all up in my head,” Eddie says. She places her hand over Stevie’s, gently turns her head to place an apologetic kiss on her wrist, right against her pulse point. “I really am sorry. I love you.”

“I know. Now, at least. Although I hope you realise I’m gonna be using this against you for like, the rest of our lives. Good luck trying to get me to turn off the ABBA, considering you very briefly broke my heart.”

Eddie groans, just like Stevie wanted her too, but honestly ‘the rest of our lives’ sounds pretty good to her.

I'M BAAAAAAAAAAAAAAAACK!!! Okay so honestly I have been very very inconsistent over the years with just disappearing for periods of time due to various things 😂 So it probably seemed pretty normal to most people.

But it felt different on my side, so I'm excited to be back in business. I took a month long hiatus! 31 days of not drawing digital art. Its not something I talk about on here? But I've been suffering from some serious long term Art Burnout for.... a really really long time. Long enough that I should've taken a break probably years ago. It finally got so bad that I could barely draw. I was scared to do it (cause it always looked "bad" in my eyes [i'll come back to that]) and doing it was exhausting and disheartening.

I talked it over with somebody and realized that the fear and anger and frustration I felt towards my own artwork was uh. Not Normal or Healthy. And I finally committed to taking a real break for once.

I still drew a little bit by hand? Traditional art has always felt like it has lower stakes for me (i don't often share it online, and sometimes I don't even share it with friends) so I did some of that when I felt like it. But Digital art was completely off the table.

I had put such an immense pressure on myself to make my digital art perfect, to make as much of it as quickly as possible to satisfy something. It wasn't fun anymore. I'm proud of what i've made over the years! But for a long time now the stuff I've been making was made while hating every second of making it. With some rare exceptions.

I hated my art! It was a combination of Perfectionism, taking in too many external expectations, and the burnout. If you hate doing something its kinda hard to love it even when you want too lol. It wasn't "Bad" in the sense that the quality was low and it was ugly! It was "Bad" in the sense that it was unhealthy for me to keep doing it at that point in time.

I'm glad to report though, that with my hiatus officially over as of Wednesday last week: I am once again. In Love. With doing art, and being an artist :)

I put off taking a break for years cause I was scared that taking a break would mean that I would never achieve all the things I wanted to do with art. I was scared it was a stupid and lazy thing to do that would mean I'd never achieve my dreams. And Also even though I kinda hated drawing, I also loved making art. Its a weird duality that I can't even really explain??? I hated it but I also loved it. I wanted it but I also wanted to run from it. It wasn't until I was more mature and had more clarity and insight (and unfortunately also until the problems got worse) that I was finally able to let go of those fears and just do it.

And I'm really really glad I did. It was everything I needed. And I hope to strike a better balance in the future with art. Taking more breaks when I need them, or just when other things have my attention like reading or Video games (Some star rail got played during this time xD)

From the outside things probably aren't going to be that different?? At this point I don't really have any sure plans to post anything I've been drawing since my Hiatus ended. I might or I might not xD I'm still a hobbyist artist taking things at her own pace, but I hope that it shows how much happier I am :)

Whumptober 2023 is being officially put to rest by this post btw! I was in major burnout when that event started, and I'm ready to just, move on from all the past expectations I'd shoved on my shoulders. If I feel like filling any of the prompts or going back to any of the ideas I'd come up for it I will! But I'm not going to worry about doing it unless the desire sets in. Thanks to everybody who's been so kind to me throughout my time on here as an artist! Ya'lls tags and screaming and kind words, the fanfic, the asks and the responses? Its been fantastic :) You guys have made me laugh, smile, and cry tears of joy. I hope from here that things only get better and sweeter! And if I have bad days again, that's okay too.

Here's to 2024 and whatever it may bring ya'll :D 🎉🎉✨✨🧡💜

Old Man Yaoi May Not Be So Old

So there’s a segment in the DSaF fandom that beleive Dave and Jack are visibly old men. I’m fine with it, I used to, and in fact love the designs especially because there’s seems to be an almost taboo of drawing old people to a point and it’s homely really great that people here are doing it, but I don’t think that’s actually true canonically like I used to. I must stress though DRAW THEM HOW YOU LIKE. They can be old or not it doesn’t concern me.

Both of them are corpses. In terms of age, yes, they are quite old, but corpses don’t tend to age. And we see this in DSAF with the Phones not aging visibly, perhaps it’s just that it’s stock photos but Harry, despite being Gen 1, is physically not old. Why? Because Harry isn’t alive. None of the phones are. The phones are just well preserved and act like living creatures.

You know what else isn’t alive but acts like it? Dave and Jack. While they’d be in terms of numbers, old, in DSAF 3, given their ages at which they died it’s unlikely they’d physically get any older. And don’t say some kinda magic thing because we know for a fact that both behave like corpses, especially Jack. Jack paints himself orange to look alive (a weird colour choice but I digress), he does this because his body is rotting, likely turning black or purple (this also means any cursed colour swap between the two, the Jack side may just not have put on his makeup yet lol). Jack is rotting, definitely not alive body behaviours. Dave also does not behave like a living person. How many of those do you know that can do what he does. There seems to be a consensus that Davetrap is rotting but Dave is too nothing happened to Davetrap to kickstart the process that would mean Dave could not have before, it’s likely the pests just got in because he was stationary and likely far slower.

Let’s also talk about their behaviour. It’s not great to go off of but Jack doesn’t act like a mature adult and neither does Dave, they act like they’re rather young adults still figuring themselves out. Jack especially is quite childish, as if he never got a chance to mature. You could bring up Dee, but Dee’s situation is far different. It doesn’t seem like Dee has actually mentally matured so much as she has been put in a position in which she has no choice but to take on a more mature role and tries to fit that, she has no reason to mentally age, and none of the other children have meaning if she actually got older there would have to be more to it. Dee is as old as she always was, any maturity added is not due to age but due to her situation. Dave and Jack are immature people, and with this in mind it paints a somewhat grim picture of the fact that they never got to mature.

One could mention the ending in which Jack dies of old age… but the phones also have beards here and Jack is actually established to be semi immortal so dying of old age just doesn’t make sense, he can die, but it seems like he gets back up. So let’s be real the beards are fake, and Jack probably ate something weird, and will be fine in like 12 minutes. The game probably ends when you die because it would be weird if it didn’t even if you do get back up.

The only time I’d say Jack permanently dies is when he’s burned. Which leaves no body behind, which by the same principle as the others, means there’s nothing left to come back which sucks for him because oops no soul either.

Jack can also get rabies but… this also doesn’t feel like a sign he is alive.

Dave actively does rot in the game as Davetrap, Jack rots constantly, it’s safe to say their bodies do not work like human ones especially considering not having organs is not something that kills Dave. At least not that we know.

With all of this in mind, yeah. They are corpses. And as I’ve said before, corpses do not age in DSAF physically or mentally, even Blackjack is incredibly immature if you actually look at his behaviour. He’s also an asshole who never gets character development but that’s a story for another time.

It actually makes more sense if they don’t age given the very little change in their behaviour or character between games even after a massive Timeskip nothing seems to have changed at all which makes sense logically too, because why would Fredbear give Jack the ability to age? Let’s be real here if Jack can age eventually that will become a problem given that he is immortal seemingly as long as he has a body to return to. There’s no reason to give him the ability to age and plenty of reasons not to.

Now that’s not to say their bodies don’t change, they do. And if you realistically want to draw DSAF 3 Jack in his most canon possible form… which I doubt many do… Jack doesn’t age he rots he’s probably just a lot worse for wear if he hasn’t found a way to stop rotting yet. Him being an old man is unlikely, but a very decomposed zombie? More likely than you’d think.

And before anyone brings up the tapes, Dave may just look like that, pretty much every piece of art in that game is by a different person who is not Doggo, while Dave seems to be a bit older Jack does not. The tapes are in the past if we are saying that is Dave’s age in DSAF 3, sorry no.

DSAF 3 has incredibly inconsistent art to a point I’d say fans can largely disregard it but that’s an essay for another time just know art in that game isn’t as canon as people seem to think it is. At least not by my observation.

Dave and Jack are old men in age, but not in body. No in body they are most likely the age they died at which seems to have been pretty young for both of them like we know Jack was in his early 20s and Dave is a few years older but also died at the very least a few months before Jack. They aren’t old men, at least not canonically.

I must stress I mean they probably are not canonically old because honestly the DSaF fandom needs to take a chill pill and stop being angry at people for making their own designs, literally do what you want as long as it’s not illegal or like super fucked up. Don’t make Jack 12 and Dave 60 and ship that, but if you want to draw them old be my guest. This essay was just my observation of the idea that the fandom calls them old men and people seem to think they are canonically but it just seems unlikely.

rules of loki's conjuration magic

what can and can't he conjure up?

we know he can conjure fireworks, we see kid loki conjure up a sword, and loki summons that blanket him and sylvie cuddle under. but when it comes to conjuring the tickets for the train on lamentis, he couldn't do it.

my interpretation has always been "he can conjure stuff that he can picture" which SOUNDS pretty solid in theory- after all, a blanket and fireworks are pretty easy to imagine, and he never saw the tickets, so there's no way for him to know what they look like

but also that opens the door to the same problem that people encounter when trying to draw a duck from memory, which is that it turns out ducks are kinda hard to remember all the details of, and he would end up with a weird sort of duck creature but not quite an actual one

(although i used duck for this example just because it is the first thing that came to mind, conjuring up living things seems like it would be its own kind of power akin to wanda's children- we never see loki conjure anything living beyond duplication casting, which is its own separate thing, so i don't THINK he could conjure a duck, but just walk with my example here. you think you know what a Thing looks like until you realize you don't.)

does the ability to conjure something come from visualizing it? or using it beforehand? had he known that blanket and therefore it was easy to summon up? where is it coming from? are the fireworks actually an illusion but the blanket and sword were Very Real?

is there a consensus or is this another topic of highly academic debate in the loki world?

What’s your thoughts on the moral okayness for or don’ts on referencing real life photos or photo stock as reference in our art? There’s some that just reference and others just rough trace the poses and draw over that. Is there any code on what’s totally okay or not okay??? I’m still learning what’s okay to do and what’s not okay in situations of referencing. Is it a law or more like personal preference and opinion for each?? Sorry if this is a weird question🧚✨

of course it's okay! people have ALWAYS used photos as reference for drawing, there's nothing wrong with it. a ton of drawings I've made were done by referencing photos. almost every drawing I've posted in the past week was made by referencing photos. the drawing I've used as a header image for years is actually a paintover of a photo I like! I'll also regularly take photos of myself and then use them to draw poses that I'm having trouble with.

there is nuance to this discussion, of course; you could make an argument that it's wrong to paint over a photo of something you found online so you can like, sell it. cuz I'm sure there's ethics to essentially recreating another person's photo (which is a form of art as well, of course), especially if it's like a beautiful landscape and not just a simple pose, and then passing it off as your own completely original thing, especially for money. like idk for example, I would never use the paintover I'm using as my header in like, my business cards. cuz it's not my composition or colours or anything. but just using it as my header image feels fine cuz it's not really doing anything there, it just looks pretty and I like it (tho that being said it has been years at this point and I have been thinking it's time to change it out so perhaps this point will become irrelevant soon lol)

basically I don't really know where my personal line is, you just kinda gotta use your best judgment, cuz while I do believe it's possible to take it too far and overstep, people have been using photos as reference since the dawn of time and it's usually completely fine. unless the photographer in question specifically says please don't, of course

The charisk rant

Yes it is hard to explicitly describe it as romantic, though I do ship them… interesting how that works. Maybe it’s because they’re just kids. Maybe its because of the logistics. There is a feeling there so intimate that it can’t be described as anything but love, but is maybe a love outside of the archetypal bounds.

They occupy the same SOUL, essentially. Chara has no physical presence. There is no way frisk can actually hug or kiss them, or introduce them to Toriel, or go on dates that mean anything, even as they grow older, which is the reason why I describe it as “two people who really are in love with each other, but aren’t in a relationship in any solid way”

At the same time Chara is always there. They can move Frisk’s body around. They can move one of Frisk’s hands, to lovingly pet their hair and both of them feel that, at the same time, in the same hand. They can read every thought and feeling frisk has, and whatever happened in the underground and after (counting resets if you so desire) has left both with a trust so deep (as they are completely exposed to each other—Frisk can read Chara’s every thought and feeling, too) that both can comment on each other’s thoughts and feelings without shame or remorse.

Two beings, one body, with the complexities that entails? You can think of it like a fucked up Steven universe fusion if it helps

Frisk can sometimes see Chara in mirrors or glass or other reflections, but no one else can. They can also converse telepathically, Frisk hears Chara’s voice (though no one else can, either). Frisk can relinquish control of parts of themself to Chara entirely, and trusts them enough to do it sometimes, like lending them a hand so Chara can draw. They can pick a hand each, and to an outsider it looks like Frisk is making two drawings at the same time, each with a hand. Which understandably looks weird as hell, and it is something they have to be careful with around others. Frisk has also kept their mastery of a poker face because often, at the same time they are physically conversing with someone, Chara has opinions about the happenings lol

Bear in mind that despite the fact they are kids, I see them both as very parentalised/adultified children. It is implied Chara went to Ebbott to jump to their death, and Frisk just kinda fucked off to Ebbott and no one went after them which,.. oof.. so they speak to each other on more complicated terms than initially expected from a pair of kids… both aspects of this soul compliment and oppose each other like Frisk’s staunch pacifism and general positive outlook on people, and they soothe Chara’s trauma and confusion like a cold compress on a burn… at the same time Frisk never really feels truly alone. Be it because of their monster family but even outside of that. Even outside of the “good ending”. What will stay with them through every reset (though I like to think of the one linear true pacifist timeline mostly) and the rest of their life is Chara. Remembering too. Always being there open and honest and sad and vulnerable and even funny too

Is this very unrealistic? Yeah! It’s meant to be like a love story with a ghost… Frisk would never admit to anyone that their crush is something real that has a name and history and evidence of their existence and is in them, they would just show persistent indifferent to romance with anyone else. Toriel could NEVER know because it would destroy her. Chara is just, there. And Chara is Okay with being there, too tired of life and its complications, content with this arrangement where they have a best friend and companion and experience the world at a distance where it can’t break them.

Though since Chara is a separate individual I can imagine them teasing and joking with each other and Frisk just kinda laughs on their own someones when alone because Chara said something funny or can be annoying or Chara can be determined enough to grab one of their hands and give their head a light smack (the trust is there for Chara to just take over anything at any time…)

Sorry if this is a bit rambly, the core concepts here are Two People One Body, and “what if you really loved someone and they are real, but no one else can see them because they exist within you as a spiritual force? What if they also loved you back?” It’s hard to explain without it sounding strange but well. Thank you for the ask by the way- im really happy people find this interesting :’)

hi hunnnnn. I have 3 things, maybe 4

1. what in the everloving fuck is chubes. I've been wreckling my mind for days because I for the love of the ch words cannot understand what it means.

2. do you have the list of the pro-anti omega drivers that another anon did? just wondering. I wanna read it out of curiosity.

3. anon (s?) with the top Charles fright. I feel you. and before you, my dear Mads (I didn't even know that was your name, so, hi Mads), try to convert me, I myself already tried. it work out like shit because now I have PTSD. I kinda tried to look it up but my knowlegde of how to use ao3 is nonexistent at worst and laughable at best so I kinda ended up in a Voltron with Charles Dickens as the name fic. just kinda. it was something. and then when I deciphered the tags I started reading Yours. and don't get me wrong. it's great, my love to the author. but in my mind fic Charles is just the biggest twink ever and it must remain as such. regardless of where. but y'all do yourselves

4. I was just wondering if in the future you would be open to make some Max POV's from past moments. what I want to say is that I really wanna know what went throw Max’s mind when he hear Fred speak about the bruises. but I mean it like. when you've finished WYGIG obviously.

+1. I have storted things out about myself with this fic. have you seen that funny ao3 wrapped post? the one that's like spotify wrapped but ao3 and goes something like you get a fav author, and then you stalk them, see they are into some weird shit and now you're into that too? that's me with breeding kink. I'm a different person now than I was before starting this fic. (thanks)

+2 anon that wanted to draw them, please I beg you do it. I wanna see some fanarts 😽

so obviously I did 6 things. wow

ok I'll go one by one!!!!

lmao I forget that people aren't like. seeing everything like I'm seeing everything hahaha. but basically the other day the forum was discussing what Charles would do if he got pregnant accidentally, and then somebody suggested Max get a vasectomy, and somebody else said "You can never trust a man, Charles should get his chubes tied." so chubes = Charles tubes. NOT pubes, in case that was an option you came up with hahah

I don't have it on hand, I'm sorry! but I THINK what I told people was Lewis is outwardly pro omega, we'd already discussed Daniel would be pro omega (I think???), Lando was in the publicly staying out of category (but has now been revealed to have nefarious intentions), and George would be completely anti-omega just for funsies.

look I'll ignore what is obviously a very underdeveloped palette from you to address the REAL issue here: how did you end up at a fic with Charles Dickens?????????? pls message me and I can give you a crash course on how to use ao3, because a beautiful world awaits you my friend.

hm well, I probably won't go over it COMPLETELY, but there are some insights into previous Charles chapters when we finally get back to a Max POV.

+ 1. I'll be honest, that was my reaction the first time I read a fic with breeding kink. I was like "oh. this is really something I've learnt about myself huh."

+ 2. SAME!!!! Many big loves to anybody willing to draw Max fucking Charles into oblivion while telling him he wants to get him pregnant. (jk ... but also ... 👀👀)

Ok I wanna talk more about my OC Mio from my fic Pretty Little Pet where I ship him with Raphael. So under the cut I'll put:

Art!! (mostly picrews and one drawing by me)

Mio's life before Raphael bought him

Raphael buying Mio

How Raphael treats Mio and his motivations

About Mio being Raphael's pet

Art

First of, I intentionally never described Mio's appearance in the fic, because I kinda wanted the reader to imagine their own version of Mio. So if you read my fic and are now going "Wow I thought Mio looked really different!" That's totally valid! He can look however you want! (Also please tell me how you imagined him, I'd love to hear about it!)

The first picture I drew myself, but it's heavily referenced off of the picrew in the second picture.

The second and third pic are basically a timeline of how Mio changes throughout the story (and the different outfits he wears). The other picrews are random outfits and based on vibes haha

Picrew for the second pic

Picrew for the third pic

Picrew for the fourth pic

Picrew for the fifth pic

Picrew for the sixth pic (lost the link, will add later)

Picrew for the seventh pic (lost the link, will add later)

And the 8th pic is my attempt at making him in BG3, he's a half-elf here because I didn't like any of the male elf faces ^^'

Before Raphael

Mio is a male high elf in his 30s, living with his parents. Mio is his child name, as his parents have not yet given him an adult name.

His parents are criminals, although Mio isn’t aware of that, thinking they also work regular jobs. They mostly commit petty crimes but still dream of one day running a criminal empire. Every time something goes wrong they just skip town. The few times one of them gets caught and released for [money] they blame it on their lack of finances, making Mio feel guilty for not working enough.

Mio was definitely not planned and he often feels unwanted. His parents treat him like a child and while they aren’t physically abusive, they will berate him for the slightest mistakes, send him to bed or work without letting him eat and are just generally pretty shitty.

His parents make him work regular jobs like waiting tables, cleaning and other work that requires little education. He’s their only reliant source of income. Despite this, he has no control over their finances, all money going directly to his parents.

He has little contact with other people, working most of the time and leaving town before he could make meaningful relationships with his coworkers.

Mio is generally shy but polite, pretty much in customer service mode at all times. He has learned to just do whatever his parents tell him to, to avoid getting yelled at or going hungry yet again. Since his parents often tell him that he’s still a child by elf standards, his only real aspiration is to reach elven adulthood (generally around 100 years) and receive his adult name, so that he may leave his parent’s household and become independent. (Most elves in his position, living in mixed society and working,  would have already left their parent’s household. Mio’s parents intentionally keep this false worldview around him so that he’ll stay and keep working for them.)

Raphael buys Mio

Mio’s parents have the brilliant idea to get the money they need to start their criminal empire by selling their son. They seek out various options until Raphael answers. They sell their son for just a few hundred gold coins (Mio is unaware of this). We know from the game that Raphael has bought people before, so it’s not OOC for him. Mio is still considered a child by elf standards so that’s why his parents are able to legally sell him. (Also Gortash could sell Karlach to Zariel no problem and she just worked for him, so the rules on who can sell people are a bit weird anyways.)

 Raphael doesn’t really need Mio, he mostly accepts the offer to see how his parents will fail spectacularly at trying to make a criminal empire and have a bit of fun with that, maybe even profit from the chaos they cause doing this or make another deal for their souls down the line.

Raphael still wants to put his new purchase to work and tries to determine how Mio could be useful for him. While they talk in his office Raphael shows Mio his cambion form. Mio is enamored by his form, and Raphael is not immune to flattery. Raphael also notices that Mio is easily flustered, blushes a lot and is very touch starved.

Raphael enjoys all of these reactions Mio has for him and decides to have some fun with that. He makes Mio the offer to become his pet, with the caveat that only Raphael is allowed to touch him.

Mio is aware he’s dealing with a devil here, who literally owns him and could just decide to torture him instead, so of course he accepts. Generally Mio knows that he has to do what Raphael tells him to and keep him happy, or risk making Raphael angry and getting killed or tortured. While their relationship gets more relaxed later on, Mio is always aware that Raphael is the one in control and he often has anxiety over accidentally doing something that might upset Raphael.

At this point, Raphael doesn’t have any concrete plans for what he’s going to do with Mio, he just thinks he’s cute and wants to see if he can turn him into a loyal and obedient pet by just showing him a bit of kindness. And if that doesn’t work out, it’d probably be still fun to just torture him.

Raphael’s treatment of Mio

Raphael treats Mio generally pretty well, because I believe Raphael can be a reasonable person. Korilla says she likes working for Raphael and the archivist and Nubaldin seem to be at least content working for him. Devils are also lawful evil, so I think they appreciate it when their rules are being followed. Of course, rules can also be intentionally set up to be impossible to follow, so they have an excuse to punish those who break them. 

When Mio breaks the “Only Raphael can touch him” rule, it’s mostly because someone else touched him without his consent. He still gets punished for it and Raphael enjoys making Mio suffer, although he only hurts Mio to an extent he knows he can handle, not wanting to actually break him. Raphael praises Mio for accepting his punishment willingly, which gives Mio conflicting feelings about these punishments. He doesn’t enjoy being tortured, but he likes the praise and attention he receives afterwards and he knows that Raphael enjoys hurting him and wants Raphael to be happy.

By Mio’s standards, Raphael treats him pretty well. He gets his own room and new clothes, much better quality and style than his old clothes. He gets access to the servant’s baths and kitchen (I’m making the HoH way bigger than it is in the game btw) and he can eat as much as he wants. Raphael even tells him to eat at least three meals per day (Mio is used to less so he only eats two when he first arrives).

Raphael makes him work at first, telling him to clean the archive. He does this in part because he wants Mio to keep busy but also because he wants to know if Mio is the kind of person who would try to take a look at his things without permission. The archivist has secret instructions to keep an eye on Mio and report to Raphael on his behavior. Mio isn’t really aware of this test and just cleans the archive as instructed. Later, Raphael has him clean the halls and eventually Mio doesn’t have to do any work anymore, as he has other stuff to keep him busy.

Mio being a pet

Raphael is a devil (technically a half devil but whatever) and I think devils generally see mortals as beneath them. So it’s not uncommon for devils to treat mortals similar to how we would treat cats or dogs (though devils tend to be a lot less nice to their pets).

As his pet, Raphael has Mio sit by his side while he reads or works and strokes his hair or touches his skin. Mio enjoys being pet because he received very little affection before. He also can just relax during these petting sessions, he’s technically not doing anything but he’s still being useful, so he doesn’t have to feel guilty about doing nothing.

Raphael enjoys these petting sessions because he likes how receptive Mio is to him, Mio makes a lot of little noises and leans into Raphael’s touch. Also he has something to occupy himself that isn’t too distracting from his reading/work. Mio essentially functions as a fidget toy for Raphael. Also, petting your pet is just nice!!

Occasionally, Raphael will take Mio to parties or meetings. He likes to dress him up for these events, which Mio also enjoys. It’s a way for Raphael to show off his wealth and style, Mio is essentially an accessory in these moments. Raphael will also sometimes ask Mio to do things just to amuse himself or others, to show how obedient his pet is.

___

Ok I ended up writing a lot more than I intended and I didn't even get to talk about Haarlep and Mio's relationship with sex yet!! Guess that'll have to wait for another post. If anyone has questions or wants to talk about Mio or Raphael, my ask is always open :)

Sooo I watched all four days of Crufts this past weekend and was possessed by the urge to draw various dog breeds. Child me would be so proud. (I still have the book of dog breeds I was obsessed with as a kid, and I still have an old little paper inside it with a list of dog breeds I wanted to draw... and pretty much all of these were there) Info about all of these people under the cut thingy:

Brelyn: A Grand Augur of necromagic. Probably will replace Morrok as Sellatrix's master and head of their team because I like her. Gentle and easygoing, likes to see innovative projects, hence her being okay with taking Verloren into her team. A powerful mage, much more deadly than she looks. Might be a witch as well or at least respect witchcraft. (Rip Morrok the owl, didn't even get a chance to exist and was already replaced, I might reuse the concept for another char or smth) Silverstrand: Was supposed to be a Grand Augur of necromagic but he has SUCH a geomage vibe that I'm not sure anymore. Either way, he's very serious and strict, and prefers things done "the right way" rather than experimental weird stuff. Basically the opposite of Brelyn a bit. If I make him a Grand Augur of geomagic, then he might be head of Lazuli's team. One of the king's most trusted Grand Augurs, warned him that exiling Verloren was a terrible idea (but got ignored anyway). King Harlin Devandell III of Houndsdagger: Proud and stubborn, likes to show off his power and skills. Grew up hearing that his mother the Queen never did enough, so he tries to do too much. Doesn't know much about magic and severely underestimates it. Ended up killed when Verloren didn't take being exiled very well. Wasn't too old, probably just a bit older than Verloren, so not even 50 yet when he died. Pommie: Finella's personal maid since she was a teenager. Very kind and caring, often felt more like a mom to Finella than her real mother. She's a household-wizard (someone who helps with trivial magic tasks, such as preparing baths with warming crystals and fancy fur potions or lighting up light orbs around the house) and taught Finella some basic magic when she asked her. The only one of this batch that I actually already had a full concept of for a while, even the breed, I just hadn't drawn her yet. Nivenyr: One of Sellatrix's witch friends. He's from the village and not related to the castle or any noble business. He works as a mage, making spells and stuff that he sells in his little shop. Somewhat cryptic. Possibly younger than he looks, I have no idea what's his age yet really. Might be more fit for my other setting that's about edgy emo witches (I mean he has emo hair even on his hands) but I'll try to keep him in this setting because Sella can't be the only witch around. Lazuli: A geomagic augur, friends with Finella. Calm and collected, she doesn't say much but judges everyone silently. Kinda tired of everyone's crap but tries to be non-violent, despite sometimes wishing she could kill some people. Her parents were jewelers and when she learned she could do magic with crystals and gemstones, she became a geomage and also learned to make art with magic crystals. Cyrus: A phytomagic augur. Extremely average guy. Obnoxious with his hate of necromagic. Was married to Finella at one point and he constantly tried to prove her how phyto is so much better than necro (Finella is a necromage, she just tried to ignore him when he went on a rant). When Verloren took over, Cyrus was among the phytomagic augurs who tried to ambush him and take him down, and was defeated and killed like all the others. Finella had mixed feelings about the incident. There were more people I wanted to make, like a pumi guy that I couldn't settle on a design for, and a girl that'll be either a papillon or a spaniel of some kind. But yeah I love dogs.

Simple question.

Why people often do think that you must ship your favorite character with somebody just because it's your favorite character?...

Why do people think that you ship two characters by just the fact you love the relationship between them?... That you draw or just simply want them to hug, cuddle, laugh or spending time together? I mean... it kinda triggers me a lot. There are many more types of love than romantic or brotherly.

It always makes me so uncomfortable also because I am a woman and I have a straight male friend who I truly love and sometimes cuddle with. But we are not a couple. We will never be. And he feels exactly the same. We don't want our relationship to be diffrent and it annoys us when people ( usually the fučkin same ones ) asks us over and over again that maybe we should try be lovers or do we actually secretly fell in love with each other. It is uncomfortable. Why do so many of you think so negatively?

Now that I've started this topic, I'll tell you what prompted me to write this post.

Recently I noticed that some people are asking or even stating facts on their own that I ship Daryl Dixon and Beth from the TV series "The Walking Dead". Probably because I share illustrations of them hugging or looking at each other in the comfortable way. ♡

So yeah. Daryl is my comfort character and I love him the most in the entire series. But godamn that doesn't mean I have to ship him with anyone. I do not. I don't ship Daryl Dixon with anyone ... at least for now. Yes I love his relationship with Beth. The fact how pure, honest, beautiful, delicate and innocent it was. I love what Beth opened in Daryl's heart. How did he feel after so many traumas. He saw that there really are still good people in this fučked up World. I love his relationships with many other characters too. Especialy with Maggie, Rick, Judith and Lydia. But still Beth and Daryl is one of the bonds that influences me the most.

You know... I'd probably like to have a similar one with Daryl. Maybe that's why. It doesn't mean that I would like him to be my boyfriend. I just simply love this kind of relationships when you can open your real self and be close without any weird thoughs. I have this kind of relationship in real life. I'm greatfull for that.

I don't know how else to sum it up. People and their looking for shit in something really beautiful is disgusting. I've experienced this many times on the internet, in many fandoms. Probably because I'm quite well-known and recognizable in the fandom where I'm most active (on the ig). A bunch of people really want others to think that i am a "proshipper", toxic, obsessed in the unhealthy way of things or generally a bad person. I'm not usually up to date with their ideas, but sometimes they come to the surface and other fans ask me about various things while watching these people's sweats and aggression. I don't care how old the fans are. On the Internet, everyone takes responsibility for what they say to others.

Thanks for reading ♡

Thoughts on wendsday i just finished it im so glad i took some time away from being busy to watch it ! I inflicted my thoughts on my discord friends even thou no one asked so here i am inflicting you with my thoughts even thou no one asked lmao (Spoilers ahead!)

In general:

I absloutely loved the show even if it wasn't exactly accurate or true to the original characters. Its still very complex and has amazing story telling, thou im not sure diminishing the addams "kookienss" was good or not. I suppose sincei always saw the " from inside of the family to outside world" pov it seemed like the addams were the most " absurd and different" thing in thier world but now we have a " the outside world looking at the addams" pov its very different how the world sees them than how they think the world sees them which i geuss is very realistic for anyone thats "different" in any sort of way.

On Wednesday:

Anyway im conflicted alittle about Wednesday halfway she sorta became a veronica mars type of character and it wasn't really on brand of her to just stop enjoying the murder and evil and just become angry vengeful instead. I like that in the end she understood that her kookiness wasn't the problem its that the people around her were different and didn't consent/ sign up to that as she never asked just assumed they would be okay like her family is okay with her.

The rest of the characters:

The rest of the characters are all amazing i love how fleshed out everyone is even minor characters like yoko or the ones who dont get lines at all still alot of backstory and character.

My absloute faves are bianca and Xavier i was team Xavier from the start lmao i genuinely shipped them together cause like the first person to make her smile was him like come on now lmao also i hope they explore more how connected he and Wednesday are i loved that his art and dreams totally backed up her visions also the whole raven thing he keeps drawing is 👀👀👀

Im absloutely interested in Bianca's story i hope that we get more of it soon and not just a few scenes here and there.

Pugsly is such a cute weird lil kid lmao i usually dont like him but here i liked him alot. Gomez was perfect and i could see alot of him in Wednesday. Morticia at the start was just off even if her dialog was great by the second vist i could see they made her more deathly paler and her mannerisms was adjusted a lil and she became Allright. Im not sure about the lil backstory the addams had because source material wise i thought they met at her sister arranged marriage to gomez but alright i guess they went to school together 🤷🏻‍♀️

I hated Tyler from the start cause of the way he spoke without moving his mouth it was wierd like he was constipated lmao kinda thought halfway he was the monster because he just looked like him alot lmao

I still have no idea why Enid's name backwards is Dine or if its even relevant at all but i love her character she is kooky in her own way reminds me of the sub genre of Alternative fashion like pastel goth or pink lolita still very Alternative but colorful i love it

On the set, coloring and costumes:

Genuinely always my favorite thing about burton movies ( f him thou glad i pirated this) but im so happy to see some directors still use real sets and not shy away from the clutter and details i had to pause several times in one scene to take it all in and notice all the little details its amazing.

The most fascinating thing about this this the use of color ( not just lighting) but the different sets rooms having specific color themes like the window in Wednesday's room alone is the most beautiful piece of story telling ever in every scene but also somthing like the therapists office being completely biege is an amazing touch.

The costumes are okay there were moments that stood out but nothing crazy Wednesday's raven dress was ofc incredible but i like her last dress in the last scene too love the lace collar! But also the rest of the costumes were beautiful too. Im still trying to figure out the materials of Morticia's dress and how its constructed lol

And i think thats all ! I hope they really do make season 2 and stick to it (pointing a gun at netflix rn)

<casual questions PART TWO!!!!>

(5) what’s your art style?

(6) what’s a specific thing you can draw and never get tired of?

(7) do you o you have a favorite book/movie/show?

(8) yet not having any idols, are you a fan of many diffrent creators and take inspo of them? (You don’t have to awnser this one, you actually don’t have to awnser any of these btw.)

((THERE YA GO. >:3))

Oooo~ yay more questions :)) (sorry if my typing is a bit wonky I just woke up LMAO)

5) uhh honestly I dunno, people have said it's realistic with cartoony features other people call it a weird more cartoony form of anime, ig just my own style?? Cause I see where they're coming from I have taken inspo from all those things and shaped it into something of my own style:)).

6) Zip. She's pretttyyyy much the one thing I've been drawing since day one of digital. Now I did have this other OC I did draw non stop their name was like XZIRLIC?? (All caps cuz I'm sure that how I wrote it on paper 💀) I've been thinking of re-drawing them but they are a WILD OC I have. I also have this horse pony thingy I don't think I ever gave it a name 💀.

7) For books uhhh I haven't really read anything too new to me. But there was a book a few years back around the time covid stuck up that I got from target 💀 it was called' a wolf called wander/wonder (can't remember) ' it was about this wolf that left their home after their clan died from this other wolf clan past the mountains seeking haven. It don't think I ever finished it 😭 I was thinking about re-reading it but I do have another new book I got. Movie? Mhmm I have a lot of those ig mostly John wick movies, a little free guy is good to, another good one I recently watched was bullet train. (I'm sure you can see where this is going 💀💀) so mostly comedic violence (No this doesn't go for like SAW or some bs that shit is nasty AF man.) My favorite show of all time is the good place. Shocker ikr /sar I got into it about mid way last year and has watched it over and over again it's become a comfort show of mine. I also like the concept of it with all the plot twists but also teaching people about philosophy!? That's fuckin awesome.

8) pfft I am a fan of a lot of creators- I really like @/whoectypes stuff I really like their OC designs and how they're building a world, they are also a super cool person in general. I'm not close to them I wouldn't even call each other friends or anything, more of moots, we both support each other and treat each other with respect. For another person?? @/cupsie most definitely, they were actually one of my first followers. And then we became like besties cuz yk we simp for ray- I mean ram- I mean cause of a common interest. I really like how they use pastels and they doo rubber hose soooo gooooooddddd arugh I just start jumping up and down and flapping my lil silly hands when I see their art /pos. Now I don't take inspo from any creators that I remember seeing on this app (or at least not intentional) alot of my inspiration comes from dali. **Insert dramatic duh duh DUHHH here** yeah dali. I grew up with dali, now the real question is, "how can a cartoonist be inspired to start drawing from a surrealist?!" Actually surrealism and cartoonism is actually VERY similar, look at the colors look at how proportions aren't correct, don't look directly at the picture look at what something has to be deemed surrealism and cartoonism in a modern day conversation (omg me actually being kinda stupid and smart 🤯). Anyways before we get off track is the question ' how? ' the answer to the question is **drum roll please** colors :p. And the flowy-ness of his art, you can see a lot of different ways I use like smoke or water, that's from looking at dalis work, same with all his vibrant colors ugh I love it. I didn't study off of him, oh no. I just live a bike ride away to a museum that features his work so granted I would go there like every other month or something stupid cause of school or families in town, so I'm quite familiar with his art. So as DR. Seuss there's a mini art gallery again a bike ride away and they change out the paintings and sculptures like every other month or something. So you get more familiar with his work. Same reasons as dali too color and flow.

2003 Gio✨✨

Recently started watching 2003, but the website I was using only had up to season 3, and then the other seasons are wonky and missing episodes.. Let's say I know mostly up until Leo returns from training with the Ancient One and that whole fight with Karai. Besides all that I've adapted my Rise OC Caravaggio into 2003.

I don't mean simply drawing him in the 2003 style, no, I worked with my friend to adapt mostly his personality into 2003 (as the teetlez often have different personalities in each iteration).

It was a draw between "Paranoid Survivialist" and "Emo" and Emo won the draw, I'll explain more as I go along.

I did research and here's the "Emo" parts overall: Gio feels sectioned from society as a mutant turtle (obviously), and instead of allowing any personal connections and positive emotions he's decided it's better to expect the worst and try not to build too close a bond with anyone in his family. He loves his brothers and Splinter but he pushes away from them to remain in misery of the fact only bad things can happen (it gets weird to explain but I hope people get the jist), and the rest of his time when not fighting is spent lamenting pretty much everything. It's never that he's always moping, he's always ready to help fight the Shredder or whatever is threatening New York. And even if he thinks always expecting the worse prepares him for the worse, when really bad things happen to his brothers.. the emotions hit him harder than he thought they could.

2003 Gio is passionate about a few things, he loves coffee.. and waffles. He doesn't really do video-games or watch television since they are, "mere empty distractions for the miserable reality of existence" as he puts it. On the other hand, despite him trying to push away he has his relations with his brothers✨ Leo is the one who tries to reach out to him the most, he wants Gio to know somebody is there and everything's okay and all that. It does get rough when Leo gets all moody and angy. They begin to fight because Gio tells Leo, "You're being an idiot with your emotions." and Leo just.. that's an infodump for another time. Bottom line Gio doesn't like Leo trying so hard and is repelled by his positive persistence. Donnie likes to spend time with Gio and doesn't mind their three-word conversations. When Gio is bored he watches Donnie work and lets Donnie explain how everything works in whatever he makes. Gio is curious and likes to know information. Raph hangs around the most because Gio doesn't mind Raph's energy and I will say Raph is kinda the sweetest brother. Raph hangs around Gio mostly because he also doesn't mind Gio being more pessimistic but will still try to bring a silver lining. And with Mikey.. Mikey has no idea what to think of Gio based on Gio's attitude and interests. Gio feels indifferent about Mikey. While he would be repelled by Mikey's energy Gio almost feels pity that Mikey seems mostly oblivious to "the inevitable" and Gio maybe grows protective of that. Gio will always go on about never being accepted by anyone or anything and he can't relate to anyone or anything. His brothers have tried but in the end Gio's still right because he's the only one who feels this way about their situation.

Other things I guess: It's not uncommon for Gio to get lost somewhere new. He's curious and will wander off to look at stuff. The Gio constant has Gio also being able to somehow sense when someone is leaving their rooms at night so he wakes up and either finds them or waits until they return (it gets REAL bad when Leo leaves for 2 months. It's a way he's worried for his family, he stays until they return because he doesn't know if they're safe while they're gone and if they return then it's okay to sleep). Some Gio-in-an-episode details: In the first Shredder attack, that's how Gio got the scar on his face. The Shredder swiped and Gio moved but got that scar. And in "Tales of Leo" Gio tells a story about how when he was younger he was VERY reactive to emotions (insane tantrums, throwing stuff, etc.) and for the most part Splinter would just leave Gio until he was done, but Leo sat there and said he's wait and then Gio would actually talk through his emotions with Leo. Gio closes with, "I'll wait for you too Leo. Until you're ready." And ye✨ In the episodes where the brothers are all in different dimensions, I've planned that Gio ends up in the genderbent dimension (but a drawing will be shown of that only later). In the season 3 finale Shredder fight Gio gets both his wrists either fractured or broken, and (it's a Gio canon event) his shell is cracked. Fixed up with some Utrom Plaster. He just doesn't have sensation in his legs until his turtle power fix up the nerves (because turtles can regenerate nerve tissue apparently).

This is just to show 2003 Gio lamenting and the difference of Rise Donnie and Gio, and then 2003 Donnie and Gio✨

And this drawing shows Gio being "Emo" I guess. Some more expressions and twitchy fingers when unhappy stimulation.

A big 'ol infodump in between many doodles of 2003 Gio.

And yes I HAVE drawn all the 2003 boys. So ye

I like 2003✨

heyy <3

can i get some writing tips??

like how to describe something without seeming too much?

oh and how tf do i write smut 😭 i always cringe and end up deleting it

thank you 💙🤍

p.s. have a lovely dayyy

Okay look i usually never answer these asks with any real advice because i just don't think i am qualified to teach anybody how to write. I'm so sleepy and tired rn so obviously I'm going to give you advice. I will tell you what i try to bear in mind while i write which is never haha. Please don't read this more than once:

When describing:

People:

Don't describe clothes/outfits in intricate detail unless the details matter/contribute to the story/plot. Or if the clothes themselves help describe something else (eg. Her blue shirt made hear eyes appear bluer than ever.)

While we're on a person's appearance, try to describe a character in a way that tells us more than just about what you're describing (eg. His sweet smile was directly at odds with the malevolence his eyes always gleamed with.) Two birds, one stone.

Please refrain from having character stand before a mirror and describe themselves in painful detail to the reader. Just please no. (Case in point: nicely separated breasts. iykyk)

Describe a person's nature/character using their actions. Actions similar in style/motive etc will go on to form the character's tendencies. This is how the reader can then go "ah shit, he's about to fuck around and find out isn't he thE IDIOT NOOO I KNEW IT!!!". Additionally, this can also be a way to surprise the reader "great she's gonna work late AGAIN and miss the— SHE JUST BROKE HER BOSS' FACE?!?!!?AHSHSJSJHSHS"

Setting:

Describe what is pertinent to the scene you're writing. If you describe one particular thing in rich detail, it's gotta play an important role at some point.

The curtains don't have to be blue if the character is sad. They can be any colour you want them to be. Use instant instinct to draw details; if you overthink you might end up pouring a whole lot of meaning into stuff that you never intended to and this might distract from the actual story.

The more details you provide, the clearer the picture in the reader's mind (also the more you need to remember if you're revisiting the room). It's a fucking gamble.

When providing descriptions in general, less is more. I struggle a lot with this because i want to tell the readers about every flower in the upholstery and every lamp post on the street. When you read the old classics you'll find all these detailed descriptions and they're just so charming. Something about the way literature has evolved since then has prompted professors to teach us not to bore the reader with too much or something. Like, honestly, i don't think any two writers can describe something in the same way. It all comes down to style i think??

On writing smut:

I am the opposite of an expert just please don't listen to me.

Please just say cock.

PLEASE DON'T SAY CUM.

Please let them sweat and smell like it; let them make dying whale noises instead of musical moans; sometimes people have kinda funny or weird sex faces and that's fine i think.

Body parts dangle and sag and bulge and jiggle.

Bodies have hair.

Write what you think would feel good. Chances are that others might think so too.

No he cannot last that long, make him come.

No she did not squirt like a fountain.

No he does not taste like fucking mango sorbet or some gourmet shit; his cock tasted like a dick because it is a penis.

No her vagina did not look like a rose spreading its petals and did not taste like a strawberry; it smelled and tasted like a vagina.

Sometimes sex is awkward.

Not everyone is an expert.

I think it's safe to say that one does not usually have fourteen consecutive orgasms.

Look i can go on and on. Keep smut real and stay in character and things will sound hot because the people having sex in scene think it's hot.

Everything i have just written is complete bullshit. Kisses!