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cecilysass · 2 days

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The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was.

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.)

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully.

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two.

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either.

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six.

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period.

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real.

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important.

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8.

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes.

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

#the x files #x files meta #penultimate partner episodes #wetwired #x files #demons #season 3 x files #season 4 x files #folie à deux #season 5 X files #field trip #season 6 x files #je souhaite #season 7 x files #mulder and scully #fox mulder #dana scully #MSR

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pasta-in-the-pudding · 3 days

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Thank youuu, maayybbee a comforting headcanons about your choice of Creepypasta with a reader who is like uh like really really tired in all sort of ways that they won’t cooperate in anything, mind being so nice to give them a whole slideshow of their messed up childhood and

Y’know just a really fucked out reader

Sorry if it’s y’know too much or anything, you can do it whenever you want!

-🐰

I love writing comfort scenarios <33

Credits to divider goes to saradika-graphics! Go follow them and support their works

Thank you so much for requesting!!

Ticci Toby

He understands that sometimes, everything is too much and your brain just kind of shuts down

But he is also a very anxious person

So when he sees you laying in bed, the exact same position you were in when he left in the morning, he gets a little concerned

Have you moved at all? Have you eaten? Drank anything? Taken a shower?

But he respects your privacy and doesn't ask you about it, assuming maybe you just wanted a lazy day to yourself

So he brings his dinner up to you that night, sharing just in case this is in fact the first you've eaten all day

And when you continue this behavior the next day, he begins to panic

The other creeps know something's up too, or at least, E.J does, because once Toby gets home E.J approaches him about it

"Hey, I asked y/n to clean the equipment they used in the gym last time and they just said no. They also seemed pretty lethargic, barely moving or breathing at all. Nothing to worry about right now, but it is concerning."

And with that, he walks off, seemingly not even wanting an answer, just wanting to give Toby a heads up

So once again, Toby goes to your room once again, seeing that you still haven't moved

"You haven't moved." He says

"Mhm" you respond absently, scrolling on your phone

"Have you eaten today?" He asks, beginning to get nervous

"Mhm" you respond once more, though it's not a real response it's just one to make him happy

"Um. EJ said you didn't want to clean the gym equipment you used?" He fidgets with his fingers now, picking at the dry skin

"Mhm" Is the only thing you say, and the only thing you're going to say he realizes

So he comes to sit on the bed next to you, moving some of your hair out of your face (if you have any, if you don't he rubs your back) "Are you ok? You can talk to me, you know? I love you"

This seems to trigger something in you, because instantly a flood of tears happens

This startles him, but he continues to comfort you nonetheless

He pulls you up and drapes your arms over his shoulders, while his go around your body, rubbing your back and head

He doesn't talk because he doesn't want to overwhelm you, so he silently rubs you and kisses you until your sobs turn into sniffles

"Let me take care of you tomorrow?" He asks, pulling away to look into your eyes

You pull him back into the hug and nod "please"

Jeff The Killer

Jeff doesn't really know how to deal with his own emotions, let alone someone else's

So when he sees you in a funk, he decides to just leave you alone and let you deal with it yourself, because he doesn't trust himself enough to actually help instead of hurt

But this of course, it seen as him leaving you in your time of need from your perspective

So this only makes matters worse, causing you to snap at others for small things, like when Toby accidentally bumps into you while you are on the way to get another snack

He of course, apologizes profusely, but it just isn't your day so you yell at him and tell him to be more careful next time

When Jeff gets home, Toby is talking about the incident with another creep

Not in a malicious way, but in a concerned way

This peaks Jeff's interest "What are you saying about my partner over there??"

"I'm just worried is all. They totally blew up after I accidentally bumped into them" Toby says, putting his hands up defensively

Jeff scoffs and rolls his eyes, already tired of the mood you're in

So he goes up to your room and walks in angrily saying "Why are you being such a dick? What'd Toby ever do to you?"

You don't feel like arguing, so you snuggle further into your bed

He laughs at this "Seriously? You're gonna ignore me? Listen dude, I don't know who you think you are but I really don't like this fucking color on you. Fix your attitude before I fix it for you" And with that he slams your door

Next day, you bump into each other in one of the hallways, and he tries to talk to you obviously seeing you still upset, but you push past him

Or at least try to

He quickly catches you and pins you against a wall "Just listen to me, won't you?!" he yells

This is all too much for you, so you begin to cry, bowing your head so maybe he won't see it

He softens at this, loosening his grip and looking at you confusedly "Why....why are you crying?"

"Why are you being so mean to me??" You ask as you sob

He sighs and brings you into a tight hug "Ok.....Ok tell me how long you've been upset"

"A long time!" You say truthfully "It's not even about Toby!"

"Why didn't you say anything??" He asks, cradling your head against his shoulder

You grip onto his chest and try to catch your breath before talking "Because you left and I thought you didn't want to see me!" You whine in a fast, high pitched voice

Despite this, he seems to catch every word "No, baby, baby....I always wanna see you I just didn't wanna hurt you...." He whispers into your head

"But you did!" You say into his shoulder

"I know....I'm sorry" He rubs your back a bit before kissing your head

"....really?" you sniffle

"Yeah" He pulls away and lifts your head to kiss your forehead, before pulling you back into the hug

You are quiet for a while, standing in the hallway and holding each other before you finally break the silence "it did feel good to cry"

He snorts and pulls away "Well I'm glad you liked it, because now I have snot and spit all over my hoodie"

You smile and kiss his nose "You love it"

Ben Drowned

Barely moving himself, he probably won't notice for a little bit

But when he does, he just assumes you're in a lazy mood, So he tries to snuggle up with you in bed

You flip over, avoiding his touch which makes him raise an eyebrow "Hey, you ok? It's cool if you just wanna be alone but this isn't like you"

"I'm fine" you say quickly

"....oookay.....do you want me to leave you alone?" He asks, his face changing from confused to concerned

You don't answer for a long while, but when you finally do you say "no"

"ok" he says simply, staying to his own side of the bed while he plays video games

Eventually, you begin to cry softly, and you flip back over to snuggle into his chest, wrapping your arms and legs around him like a koala

He looks at you for a moment before putting the game aside for a second and petting your head "I thought you said you were ok?"

You shake your head and cling harder

"Alright, c'mere" he says, pulling you up into his lap and putting your head in the crook of his neck

You try to hide your face away in his shoulder, but he grabs your chin before you get the chance "Hold still, I wanna kiss you" he says

With this, he kisses anywhere he can reach, eventually letting you drop your head back onto his shoulder while he grabs onto your arm and kisses from your shoulder all the way down to the tips of your fingers

Once he is done, he looks down at you, seeing that you are now only sniffling he uses a knuckle to wipe away any remaining tears "now are you ok?"

You nod and wrap your arms around his neck, kissing his cheek "Good. I like seeing you happy"

He then pecks your lips and hands you another controller, so that you can play the previously discarded game together

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lostbetweenvampiresandmusic · 1 day

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Can you do a hc of the lost boys finding out that their mate is VERY rich?

Yes omg absolutely!!!

I am fully convinced that the boys just have no concept of the value of money whatsoever. They don't have an exact need for it, and the money they do have has been - let's sya its been locally sourced, right? So they don't earn money, they don't pay rent, and the only thing they ever really buy is things they want - not need per se.

Just to kind of establish what we're dealing with here

They do realise immediately that their mate is well off, you know, living in a big house and not ever having to worry about money

And they do notice that their mate has some designer brands that they've heard of

But it still doesn't quite click how rich their mate actually is until, one day, they get invited over to their place

It's bigger than the boys thought, and they are taken aback when they realise you have an actual butler? Like - that's something you never really mentioned to them.

It's only then that they really realise that their mate is not just well of, but that they're absolutely rich. Capital letters RICH.

The reason their mate invited them over was to show them what they were working on.

They lead the boys down into the basement, and there they find a large area, with sunproof rooms made especially for them if they ever need a place to stay that's not the cave.

They love it - but they're still not quite sure how to react to their mate being that rich

It does explain why their mate never wanted them to pay when out on a date.

Paul is the first to fully come around, jokingly calling their mate "majesty" and other fitting royal titles. He loves that their mate doesn't have to worry about any financial problems. Also, he might - not so subtly - hint towards several things he's been wanting. A new motorcycle, a new and improved soundsystem for the cave, you know - little things.😉

David's more curious about how they accumulated all that money. It's a lot, and to be that rich? So their mate tells him, showing him all the company's their family own or have shares in. His mate also shows him what they do with all the money - obviously, a lot is kept for the family themselves, but a lot goes towards climate causes or children's welfare. David still doesn't know what to think about it, but he appreciates being the one in the know.

Marko has an intense dislike for such elaborate riches, stating it's a waste of money and that if the money was shared with others, more would benefit from it. He's surprised when his mate agrees. It's a difficult conversation between the two of them, but they come to a compromise. Obviously, his mate can't just get rid of the money, still having a family to deal with that's in charge, but they can make suggestions to the family. So, they try to make sure that their family donates as much as they can because the amount of money they have is a tad bit ridiculous.

Their mate starts a fund in Marko's name, especially aimed at artistically gifted children from low income families, to give them a chance to thrive as artists.

Dwayne is the last to come around, not quite understanding why their mate wouldn't have mentioned their background before. He has to come around to the idea of his mate not only being rich, but being filthy rich. He doesn't mind that they are. He minds that they weren't upfront about it once they started dating. Once he does come around, he will ask his mate to help give Laddie what he needs and wants - which obviously isn't a big deal.

They don't mind that their mate is rich. They only ever see the benefit of it once they come around to the idea

And if their mate decides to turn, they probably take their riches along with them, which will once again only help their mate and them in the long run

So they don't mind, in the end, it will only make their undead live together easier.

#the lost boys #marko #david #paul #dwayne #the lost boys 1987 #tlb 1987 #tlb #star #the lost boys x reader

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eldaryasharbinger · 3 days

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Making this post again, this time as it's own post and not a reblog (for context, the original post that inspired me to actually share what Is going on my head was about a theory on Jason's possible dynamic with Candy so I'm writing my own thoughts about it! I'm brainrotting about it so you've been warned!)

OP was talking about "imagine if Jason is actually just going to manipulate you for his own power and success" and something along the lines, not 100% accurate I just can't remember it right now so I might reblog it later just in case anyone wants to give it a read!

So now I'm like, ok HEAR ME OUT and consider my candy Petronilla the example candy here because that's the way I thought about all these (she's got the sweet personality, is all pink and pretty so keep that in mind ok??!)

Okay now we can really get into it and I'll start by saying, what if Jason did not only just fall FIRST but also HARDER and is either in denial or too arrogant to admit it or something like that yk, like he's been actively trying to seduce the enemie's new girl just to end up falling in love "accidentally"(???) and he feels like it's not possible that he's just imagining things so he pretends it's not true (kinda something similar to what actually happens in Baldur's Gate 3 and Astarion, he tried to get into your sheets for his own protection and ends up catching feelings for Tav)

But once he's like "oh shit! I really do love her!" he suddenly feels bad about himself because he genuinely cares about candy but he's not right for her since he's this annoying b- I mean, since everyone else low-key despises him too, so maybe he's kinda worried that he can't be good or that candy could NEVER feel the same way after everything she knows about him and everything Roy Devon etc could've told her about him (this is the angst part in the enemies to lovers...)

I got inspiration from this pic, I don't even know the context but IMAGINE he's looking at candy like that because he doesn't really know what to do about it but he loves her dearly or sum and he's kind of frustrated??

Like I don't know if that's just me but I don't only see "love" in his look I kinda see sadness as well?? something like that?? YEARNING even???

While she's just there, with her doe eyes... not knowing how much this man cares... Like tell me my version wouldn't go great with Hozier's song "Too Sweet" (currently going viral I think on Instagram and idk about TikTok since I'm not on there, I only know about it because of the Harvey Stardew Valley edits lol)

take a look at the lyrics please and pretend with me, let's be crazy about this together...

(realistically I don't really know if this could be possible like in the canon so I'm not even going to say that it's a theory. I only thought about it when I saw Jason's expression in that exact picture a little bit before launch, got inspiration for my new MCL Oc Petronilla, had no context and still RAN with it)

#my candy love #my candy love new gen #mcl #mcl new gen #mcl jason #my candy love jason #mcl oc #my candy love oc #beemoov #beemoov games

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angelisgonnastartchangingurls · 2 days

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kevin

kevin was a familiar sort of man for annie, as a therapist. he was a well-off businessman, powerful in his own kingdom, good at navigating life with a hot and crazy wife, and who had a hard time making sense of his teenage daughter.

she liked talking to him. he was a good talker, funny, and more than willing to share lots of explicit details. he told her about realizing early in his marriage he had to make time to really pound the shit out of his wife in bed every morning to keep her in a good mood all day. he told her he'd learned that his wife would always ask for him to cum inside her, but in reality she preferred it when he came all over her, making a mess of her that she had to take some time to clean up. annie could tell that kevin clocked the way annie was shifting in her seat as he told her this -- she was wet and he knew it. but he didn't comment on it. he told her he and his wife rarely had sex at night when their daughter was young, but how he'd learned to notice when she'd trimmed her pubic hair down to almost nothing it was a signal she wanted to make time to have an evening fuck, too.

"is your wife a naked around the house kind of woman?"

"yes," he said, smiling. "i wouldn't have it any other way. of course, now my daughter is that way too."

"really?" annie said. "she doesn't cover herself up around you?"

"no," he said. "i see everything."

"that's a sign of trust," annie said. "trust and confidence."

"it's funny though," he said. "you know, when my wife is all trimmed up that's a good sign. but i like it when the opposite is true with sienna."

"you like when she's not shaved because that means she's not having sex with anyone?"

he laughed. "yeah. is that awful? patriarchal and awful?"

"no," annie said. "i mean, most girls sort of like a sense of possessiveness."

"even from their fathers?"

"especially," annie said. "but also, it doesn't mean she's having sex for sure."

"what else would it be for?" he asked.

"just being horny," she said. "you know, we tend to focus on that part of ourselves when we're using it a lot. even just by ourselves."

"do women do that a lot?" he asked. "i mean, seriously. i know my wife does it but she never admits to it."

"that's funny," annie said. "i always thought that was a stereotype."

"women who don't admit to masturbating?"

"yeah," annie said. "i have always been upfront with my partners about it."

"i'm sure men like that," he said.

"especially when you tell them you jerked off before a date so you wouldn't immediately jump their bones," she said.

kevin grinned. "you're way more fun than the average therapist," he said. "and prettier." he coughed nervously. "sorry."

"it's fine," annie said. "i mean, i don't mind being told i'm pretty."

"how often do women jerk off then?" he asked.

"i do it every day," annie said. "sometimes a few times. i did it this morning in bed, and i have an hour before my next session, and i will probably do it again."

"in here?" he said.

"on that couch," annie grinned.

"you have touched yourself on this couch?"

"i've had sex on that couch," she said.

he patted the couch appreciatively. "nice."

annie laughed.

"people talk about sex in here a lot," he observed.

"yes," she said.

"how often do you get turned on during sessions?"

annie laughed. "pretty often."

"that's not only exciting but just kind of... it feels like proof that you're listening."

"i'm glad you see it that way," annie said.

as they wound down their session, kevin said, "i guess you want to get me out of here so you can... you know."

"do a little DJing?" annie joked.

he laughed. "yes," he said. "i mean, i'd gladly stick around..."

"you can," she said.

"really?" he said, surprised that his joking-but-not-joking cover had actually worked.

"sure," annie said. "we're off the clock. you want to watch me touch myself?"

"very much," he said.

annie decided to be fairly reserved -- she took off her skirt but left on her panties, which were here fairly standard white cotton bikini briefs, and sat in her chair and reached in and started touching herself. kevin stared.

"do you like to be watched?" he asked.

"yes," she moaned.

"will you take off your panties for me?" he asked.

"okay," she said. she slipped them off and tossed them toward her desk. he looked at her bald pussy and grinned. "perfect," he said.

annie was working herself up pretty rapidly. "i'm gonna cum," she told him.

"good girl," he said.

annie yelped as she climaxed. she convulsed a little in her chair and then collapsed and licked her fingers.

"will you think of me differently now?" she asked him.

he thought about it. "no," he said. "as soon as i met you, i pictured you doing that kind of thing. and worse."

"like what?" she asked, smiling.

"like taking my cock up your ass."

annie grinned. "straight up my ass huh? not even gonna lick a girl's pussy first?"

"nope," he said, "right up your ass whether you like it or not."

annie held her tongue. she was going to ask for it, but thought she might better enjoy the road where she didn't give permission.

"you should get out of my office before you do something you regret," she said.

she got up and walked toward her desk to get her underwear. he followed her, and bent her over the desk. annie gasped as she hit the wood.

"shut the fuck up," he told her, pulling out his cock and pushing it into her.

she wasn't ready of course. she liked that she wasn't ready. it fucking hurt. he pounded her ass for 30 exquisitely brutal seconds, cumming somewhere in the middle of it. then he pulled out and pulled his cock away. annie never even saw it. she fell to the floor. he left her office immediately.

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malacandrax · 13 hours

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hi sry this is a lil long but i just felt like giving my own comments about ur post re: feeling left out/regarding more detailed work, and wanted to say that your work singlehandedly has inspired me SO much to the point that because of your more simplistic coloring/shading and focus on movement/body language, i was finally able to find a coloring/rendering style that i actually like aesthecially and enjoy doing! i've struggled w replicating color in a way i like digitally for over 6 years but your work, and especially so your sketchbook scans on patreon have been so useful for inspiration and for my own understanding of anatomy and what not. we're always our own worst critics with comparison and whatnot, but please know that your work and your style are a huge accomplishment and skill in their own right, and your comics inspire me to keep studying so i can one day make my own!!! i'm so thankful you share your work with us and to have come across it and be able to draw inspiration off it! your colors, expressions, and the palpable intimacy and dynamic character interactions are so amazing and specifically unique to your work, never doubt the impact it has just because of other's having a different style or approach or something <3

This is so extremely nice I don't even know what to say!!! I honestly feel so hyped that my style inspired someone else, I feel like it's not something I expected and its SO COOL. I sometimes feel like my style isn't particularly STYLISH you know, I often admire really strong punchy styles, so it's nice to hear my own kind of chiller style is inspiring! And that the things I enjoy come across as strengths, too! Also I am so happy to hear someone enjoys my sketchbooks haha, they're really precious to me but I also try not to be too fussy about my art in them which means it's not 'beautiful'*- they're for studying and/or chilling out, so it's SO nice that it's inspiring nonetheless! Wishing you the best in your art journey and also I think if you want to make comics you should just give it a go! Make teeny tiny comics! [it does not have to be good] [tangent oh my god] I feel very hypocritical because for the longest time comics were something my friends made and I didn't know how to, and I felt like my style didn't work for comics, but honestly when I eventually sat down and started a long comic the style happened out of necessity, I Had to simplify or I wouldn't be able to keep up. And you can see from the links that I just did sketchy comics before and that was fine! I think it was just as valuable as making polished pages. I actually probably ended up making comics For Real because I made a silly fandom ask blog, where I kept wanting to say more than I could do in one image, and that gave me the confidence to try something longer with OC's.

ANYWAY thank you so much!

*I find polished sketchbooks so inspiring, but its so limiting imo to try to make a beautiful sketchbook HAHAHAH

#this is so many backhanded negatives about my own work im sorry i swear I am not fishing #I love my work!#but i always want to get better!#I get really excited about learning new stuff #opening my sketchbook to draw fucking collarbones or some shit lol #mal talks

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oracleofdiscord · 15 hours

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just realized i've never shared my Garmadon Lives AU idea with you guys

it's something i came up with while watching season 5 with @destinysbounty

you know how in season 5, sensei garmadon is trapped in the cursed realm by unbreakable chains? it got me thinking - what if there was a way to break those chains, but it was just beyond what an individual (like lloyd) could do and instead needed to be more of an act of fate?

basically the premise for this au is that morro isnt content with just possessing lloyd, but instead finds a way to actually steal his powers/destiny, becoming the green ninja

but a version of the green ninja who's never actually...fought the Ultimate Battle from the prophecy. and garmadon was kind of a key part of that battle

so destiny itself causes the chains to break in an attempt to set the Ultimate Battle back up for morro to fight, which means that lloyd is able to successfully rescue his father when he goes to the cursed realm

so sensei garmadon comes back! i was picturing him coming back fully because he physically went to the cursed realm, body and all, but i could also seem him coming back as a ghost although in that case i'd need to rename the au

so lloyd and sensei garmadon go to confront morro together (basically the chase-through-the-realms fight from the end of the season), and the fight being 2-against-1 helps balance out the fact that now morro has the green ninja's power

they're able to take lloyd's power back during that fight, and the rest of the season pretty much plays out the same as the original

now, i haven't really decided how this changes season 6 (probably not much) and season 7, but i have absolutely thought about how season 8 exists in this universe.

the sons of garmadon still exist, and harumi is still their leader. but rather than wanting to bring garmadon back from the dead, she wants to bring garmadon back to his old evil self

basically, she thinks this version of garmadon is weak (pretty sure that actually is something said in Garmadon Rulez!) and wants him to go back to what she sees as his stronger self

she still ends up hearing a voice from the mask, but rather than lord garmadon's voice, it's more a general personification of the evil magic in the mask. it promises that it can help her restore the version of garmadon that defeated the devourer

rather than a resurrection spell, harumi gets her hands on a spell that can essentially re-awaken the darkness in an oni's heart

(the reason i say specifically an oni's heart is that i'm picturing the spells being from the same source, and it's all oni-related magic. and also for another reason we'll get to later.)

although having garmadon around and actively trying to stop her once the truth is revealed does make things more difficult, she succeeds in the end, turning sensei garmadon back into lord garmadon

(i'm picturing that playing out in the same order as the resurrection - it's assumed she failed, she gets taken to prison, but then the spell does in fact start working)

from there, everything plays out pretty much the same as in the actual show, with one exception:

surprise! this is also a Mystake Lives AU now!

basically, instead of getting killed when she gets caught by emperor garmadon, she gets the same spell used on her, turning her evil

however, after the oni trilogy, she basically does the same thing as garmadon of going off on her own adventures and vanishing, rather than enacting any grand evil plans

so in season 11, during that part in the ice chapter when sensei wu and p.i.x.a.l. are trying to reach the ninja but don't have enough traveler's tea, they decide to try and track down mystake to see if they can convince her to help

this turns into a little adventure of its own. they do eventually find her, but are unsuccessful in convincing her to help them

however, there are some hints that they might be starting to get through to her and the evilness induced by the spell isn't neccessarily permanent, foreshadowing garmadon's arc during crystalized

and also leaving mystake as a possible future character because it's what she deserves

#ninjago #ninjago au #garmadon lives au

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crimsonhydrangeavn · 15 hours

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I got a question for Garrett, what would happen if MC decided pamper him

Like complimenting him daily

Telling him to rest and spend time

Reminding him he's enough and that perfection isn't always the answer and that MC fell in love because who he truly is and not the one he shows outside of Saint Anne

Instead of going out to dinner, making home cooked meals and etc.

And also help him get the proper help he really needs. That poor baby needs a hug ;-;

Oh my, this is literally the sweetest ask ever! Just the thought of you taking the time to try and heal Garret warms my heart! So much so I'll can't help but share a few little spoilers about his past. I'll make sure to mark them so you don't accidentally spoil yourself if you don't want to!

Honestly, I think Garret's initial reaction would be to happily accept the compliments, home cooked meals, and quality time chalking it up as what a "healthy" relationship should look like. That being said, he would absolutely spoil you and reciprocate all of those sweet and loving gestures.

When it comes to the positive affirmations and being told that he doesn't need to be perfect... well it'll take some time for him to fully believe your words.

At first he'd think your just being kind and saying what expected of wonderful life partner. However, once it sunk in that you were being genuine and you actually meant it... He'd have a really difficult time accepting it.

SPOILER STARTS BELOW

Garret was raised to be his parent's golden only child. That being said, nothing he did was ever enough for his parents. Straight A's? Why not straight A+'s? You won first place in a race? Why aren't you competing in the nationals? What's that? You won a national competition? Why didn't you beat the previous record? Oh you did? Well you need to focus on other extracurriculars if you want to get into the same Ivy league school your father went to. Nothing he did was ever enough for them, however he was far better than his classmates when it came to nearly everything. Grades, athletics, extracurriculars, looks, body, social acumen, etc. All of the girls in his private school wanted to be with him and all of the guys wanted to be him.

However he never saw any of them to be worthy of his time, not until you came along that is...

END SPOILER

The thought of someone like you, the object of ALL of his affections, believing that he's worthy? That he doesn't have to run several miles a day and practically starve himself to maintain his model-esque figure? That he doesn't have to spoil you in riches beyond your wildest dreams?

It'll be a lot for him to understand and accept. However, once he finally believes your sincerity, the poor guy cling onto you and will break down into heart-wrenching sobs.

Finally, finally someone accepts him. Not for the perfect mask he's been trained to wear from a young age, but actually loves and accepts him for who he is on the inside.

And it's not just anyone. It's you. The one he adores, the one he's been completely and hopelessly devoted to since he first saw you, the only one that truly matters.

He would be a completely wreck, but with your patience and kind words he might actually have a shot at healing himself and actual redemption.

Of course, that'll all depend on your actions in and outside of game. ; )

#original character #yandere #yandere visual novel #yanderes #male yandere #yandere vn #crimson hydrangea #visual novel #crimson hydrangea vn #ask #garre #garret belmont

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kangals · 1 day

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way back in 2014, probably a few weeks or months after you posted that picture of boone with the stick on his head, i checked your blog out and so dearly enjoyed all the dogposting that i followed. i think you were the first dogblr blog i actually followed at the time, but it's been ages and my memory is bad, so i'm not fully sure. it wasn't long before then--2012 i think?--that i had gotten a new dog of my own, a border collie. iirc he and boone were just about the same age.

in 2018 i lost that blog i'd followed you with, and a lot of connections with it. i didn't return until 2021, and when i did, i didn't refollow most of the old blogs; i don't think i even really went looking for them. it took me a while to get back into the swing of using tumblr.

last september, my border collie had a sharp health decline, and i had to say goodbye. it's not the first time i've had to put a pet down, but i think it was the hardest. i'm still not over it. even just typing this now, i feel raw.

then in march or so, i made a new fandom friend who knows you, and i enthusiastically recalled following you before and how much i enjoyed it. i didn't even know about stellina, and now there's kep too! but... i also didn't know you'd lost boone. i followed because i still really enjoy your blog, and i love your collies too. and butters!!! so glad she's still here!

idk what made me look tonight... maybe because i talked about my old border collie with someone today. i went looking for the posts immediately around when you lost boone, because i guess some part of me wanted to know what happened. i spent the better part of an hour (maybe longer?) reading posts from the weeks before the decline, and then the loss, and then the deluge of old boone pictures after, and i've been crying pretty much the whole time just reading your posts and tags about him.

and this is a long and windy way to get to saying thank you. i'm glad you shared your grief, though that seems like a weird thing to say. there's something cathartic about crying over someone else's dog when you still hurt about your own, and knowing you're not alone in that kind of sorrow. boone was such a beautiful boy. i'll never forget that silly post that made me check your blog out in the first place, or the years of posts i stuck around for after. i wish i'd remembered to follow sooner, but the archive is still there, and it's so fun looking through all those old posts about him and his quirks and antics. he was amazing.

sorry for the length of this, i just... really wanted you to know that he touched yet another life, i guess. and i've been so deeply enjoying your posts about stellina and kep. i know it'll be a year soon... i hope there's some peace in how things have gone since he passed, and i hope the anniversary isn't too hard on you. thank you for sharing him with us.

i've been on tumblr for 14 years and this is, genuinely, the nicest ask i think i've ever been sent.

thank you - sincerely. there's been a lot of times over the course of this blog that i've felt like i was oversharing, or talking about pointless things only i cared about. i still so frequently start typing out a post only to stop mid-sentence and delete it because i can't help but think "no one cares about this." possibly it's why i like to talk about my pets so much - they're not me, but i'm the one who knows them best, so i get to say "hey look at this" and ramble and have people say "i'm looking" back. when boone passed, i lost that filter and i poured my grief out into this blog because it was the closest outlet i had. and to have hundreds of people not only acknowledge this but to commiserate, to reassure, to share their own stories - that helped healed me more than i can put into words. it's exactly as you said: there's a catharsis in grieving together.

i am sorry you also had to say goodbye. i wish i could say it gets easier, but i think that would be defeating the point of grief. your grief is your love and damn it if there isn't any act more loving in the world than choosing to say goodbye to an old, loyal dog. you think of how dogs were domesticated tens of thousands of years ago, of how human society and dogs have developed intertwined, of how we have records of ancient greeks and romans carving loving epitaths on their dog's graves, of how a prehistoric dog's skull was found with a bone placed in it's mouth after death, and you wonder if grieving a dog isn't one of the most consistent experiences in the whole of human history that there is.

i'm glad to know that this could bring you some comfort, in some way. it's incredibly touching to know that you kept me and boone in your thoughts for all this time. i am doing ok - i've been reflecting a lot as we approach the one-year mark. i'm not sure if i'll be able to condense those thoughts down into coherent words, but i'll do my best. i hope that my silly little pets continue to bring you some happiness, and that you've found peace with your own grief.

thank you, again - this is extremely touching and means a hell of a lot to me.

#i know exactly what you mean about reading posts about other peoples loss and grieving in camaraderie with them. i do that too #also mayhaps i am nosy sometimes and want to intrude. i cant help my nature to be a looky-loo #which is to say: you should never feel like you are intruding for doing so back to me.

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thranduel · 2 years

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mike being all cute as he excitedly talks about 20 sided dice 🥰

#mike wheeler #finn wolfhard #stranger things #byler #i just love when he can actually be himself and do what he loves #it's so cute seeing him get so passionate about it #i don't want him to be insecure about who he is and pretend to be someone he's not #that's why he deserves to be in a relationship where he can be his true self without hiding #he would be so much happier and it would be better for everyone #i'm convinced that people who want mike to stay in the current relationship he's in don't actually care about him or understand him at all #because he literally admitted to feeling inferior #and not only does it affect him but it affects others around him when he changes who he is #it's not healthy or fair to anyone #and it's also just sad because mike and el don't share any of the same interests #she doesn't even care about what he likes and she walked away in 1x02 when he was showing her his toys #what kind of relationship is that when both people don't understand each other and can't be themselves with each other?

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rotisseries · 6 months

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it's still wednesday where I'm at if your clock is 30 minutes off so here's my wip wednesday post for my day 1 @bylerween2023 fic!! ghosts my beloved

#“day 1 bylerween fic” <- implies there are other bylerween fics. there are not #RUSHING to get this done cause I started it at the LAST FUCKING MINUTE LMAOOOO #(had to delete tiktok again and I'm not allowing myself to get it back until this is done. I will beat procrastination by force)#me after deciding 2 weeks into the month of october that I want to participate in bylerween:🤡🤡🤡🤡🤡#it's so funny too cause like. I would've thought I would've participated in one of the gorey days #would've written some cannibalism or slashers or blood drinking or smth #but NOPE! listened to halloween by naoh kahan had a breakdown went ooh byler fic where will did actually die when he disappeared #or well. not technically. I have like. thoughts about this but the body in the quarry was still fake cause I'm making this all #unnecessarily convoluted. lmao #also I actually kind of don't like this that much but I wanted to share something. so. reminding myself that's what editing is for #anyway I have like a week to write all of this everyone pray for me #cause I really do want it done to share I made a fun little graphic?? photo edit?? too and I can't share that on its own #cause it's like. not a byler thing its just a will thing and everything about will is inherently byler to me #but it's not actually byler. and this is bylerween #stranger things #byler #my writing #wip wednesday #miwip wednesday #bylerween2023

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wonder-worker · 29 days

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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.

Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].

The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.

[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."

-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"

#historicwomendaily #margaret of anjou #my post #henry vi #yeah I don't necessarily agree with Laynesmith's interpretation (that it was essentially Marian with an emphasis on shared sovereignty)#which she herself says is 'admittedly very speculative'#as this book points out that interpretation tips the balance too far on the other side and has a somewhat selective reading #It's also important to remember that this interpretation was not really reflected across wider Lancastrian propaganda at the time #which isn't really talked about - let alone emphasized - as much by historians but remained focused on the King #For example: look at the pro-Lancastrian poem 'The Ship of State' which hails Henry VI as a 'noble shyp made of good tree'#and emphasizes how he was widely supported and defended by many great Lancastrian lords and the crown prince #but not Margaret who was entirely absent #also look at the book 'Knyghthode and Bataile' (presented to Henry) and Fortescue's various pro-Lancastrian texts in the 1460s #even the recording of that Yorkist trial which was iirc reported in the 1459 attainder #all of these were entirely conventional and highlighted the presence and importance of the King. Margaret was not emphasized.#so either the Lancastrians were impossibly inconsistent about what message they actually wanted to convey about the role of their own queen #or the Coventry pageants were not actually meant to emphasize Margaret in the lieu of Laynesmith's interpretation #and would not have been viewed in such a manner by contemporaries #I think we should also keep in mind that we don't really know what Henry VI's condition was like at the time of MoA's entry to Coventry #we know he had been injured in St. Albans and had only just recovered from his second illness #this is especially important to consider since we know he had also arrived at Coventry before Margaret but much more discreetly #and was not welcomed by any pageants that we know of. This is VERY unusual and can be best explained if we consider the fact that he #may have simply not been in the right state (be it physical or state of mind) for it at the time #in which case the pageants for Margaret should be viewed as more of a improvisation/cover-up/temporary measure to bolster prestige #or Henry may have deliberately taken a more discreet role to emphasize the position of his heir - especially important after the long wait #imo I think Kipling's interpretation (ie: that they addressed Margaret but really referenced the prince & heir) makes a lot more sense:#'Coventry [...] regarded Margaret's entry as a kind of triumph-by-proxy: the Queen entered the city but Coventry received its Prince'#though I think he tends to view Margaret as more of a cipher (and has a very questionable view of Henry VI) which I also don't agree with.#The pageants very much DID focus on and reference her but they most prominently emphasized her 'motherhood and duties as queen'#ie: I think Kipling and Laynesmith tip too far on opposite sides and I think this interpretation takes the most realistic middle ground

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