American Television after 5 years of pushing for queer representation: I hope you wanted unnecessary drama, angst with a maybe resolution, and three unfulfilling seasons of questionably written flirtation. And that all comes before anything is half-confirmed with a singular lukewarm kissing scene between two conventionally attractive, white bisexual women!
Thai Television .3 seconds after they figured out queer content is marketable: Did you want something kinky, soft, or stupid? Did you want cat ears? We’ve got cat ears! We’ve got safe/sane/consensual OR off-the-charts bad etiquette BDSM. We’ve got college students out the ass! As long as they’re an engineer or architect, choose your flavor. Do you want an age gap or classmates? Something for adults? Teens? Everyone was childhood besties, how about that??? This is a short order restaurant and I will flip you some gays like they’re hotcakes, just tell me what you want.
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this women's day i'm thinking about all the women and girls who were tortured and killed for the crime of being jewish within reach of hamas, those that survived but were taken hostage to continue being tortured, every single woman who will never get true justice for what was done to them. the infants that will never see adulthood.
and i'm thinking about all the western women who cheered.
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SO. i was able to figure out the general structure of the script JLH leaked.
[explanation under the cut]
in order for all this to make sense, the first thing you need to know is that in north america all screenplays (scripts) are written in the same format
knowing this, we can deduce the general structure of the scene and even the length of some of the words
first we need to address the big question everyone's been asking:
are they talking about Bobby or Eddie?
screenplays are always typed in courier font, and in courier the capital letters B and E are identical at their left sides.
so while i enjoy people trying to figure out if the blurry letter in line 24 is a B or an E, the answer is it could honestly be either
where we really need to look is line one. the screengrab is blurry so i've outlined the word "going" and circled the area we should pay attention to
at first, the last letter of the prior word looks like an undistinguishable blob, but there is actually one key thing we can discern from it: the letter can't be y, it doesn't hang low enough
there is a chance that the word is not a name and is "he" which would not rule out Bobby or Eddie. however, that would mean the conversation goes on for at least 14 lines without mentioning "him" by name which is (heavily) frowned against in screenwriting. so chances are they're talking about Eddie
also, with what we know about the characters it's most likely Eddie. can you really see Bobby not talking to Buck because of... well, anything? and we already know that Eddie has a difficult time communicating. so i've decided to go with him for this script but haven't 100 per cent ruled Bobby out
moving on to the actual script itself, anything not highlighted in red is something i'm confident is either the exact wording or something similar. the red sections are the parts that i'm less confident in or know are incorrect somehow
Maddie's first dialogue block is the part i had the most trouble with. with context from the following conversation i figured that she probably asked something along the lines of when [Eddie] will be back at work. the main issue with this section is that the top line is actually six letters shorter than what i have written. this also means that the word that follows "going" has to be at least eight letters long. i tried messing around with the dialogue a bit but couldn't come up with something that would fit the appropriate letter count so for now i just wrote a line similar to what i think the actual line probably is
line six has to be either 12 or 13 spaces long and the first word has to be at least four letters long so i used "really soon" as a place holder, but i'm not completely confident in it
for line eight i initially had "Oh, that's good." but the line was one space short so i changed the "Oh" to "Hey" instead. i don't feel too poorly about this one but it still doesn't feel right to me. if the actual script says "Hey" i wouldn't be surprised if JLH changes it to something else or forgoes the exclamation completely
the final line is just a rough guess of what it could be. i'm not sure how formal the 911 writers are with action lines so i just took a random guess. some writers are extremely formal with action lines while others are more comedic with it (Neil Gaiman is a great example of this). i'm guessing the 911 writers are more the former but i honestly have no clue
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actually no i'm not leaving it in the tags.
there is a thread on twt (a small one at the time i'm writing this) talking about russian being the language of oppressors. don't support it.
first of all - newsflash but that's xenophobic as hell.
second of all - maybe we shouldn't actually judge people for their government's actions? maybe our fellow russian dream fans shouldn't feel excluded? i know, wild idea!
third of all - discriminating anyone based on the language they speak should not exist in the year 2023 and yet!
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I feel like anyone who's about to embark on attempting to type out a character's accent phoentically (at least as well as one can with English) should probably stop for a moment before they get going and ask themselves, "How would I, myself, feel about a fic where the one character who sounds like me had their speech written out like this and every other character just got their dialogue left in standard spelling?" I feel like a lot of people would tone it down a bit, at least, if they'd done that thought experiment first.
(Anyone who answered "but I don't have an accent!" isn't allowed to write out anyone else's accent, ever. This rule may seem harsh but you need it. Really, you do. Because you've never had anyone treat your accent as abnormal or comical or wrong, so you really don't know what you're inflicting on others here.)
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