loo-nuh-tik
loo-nuh-tik
the constant threat of harm with the possibility of pleasure
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the people who get to hang out irl with my mutuals are sooo lucky they don't even know. they don't know how lucky they are.
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‘‘Singapore Sling’‘ (1990)____________ Nikos Nikolaïdis.
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RIP Thomas Zane (fictional Finnish filmmaker) you would've loved Bertrand Mandico (French experimental filmmaker) 😌
#alan wake 2#tom zane#shitpost#bertrand mandico#thomas seine#ilkka villi#remedy entertainment#loonuhtik
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After Blue (2022)
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Vimala Pons - Actresses
#everything after the 2 minute mark 👌#vimala pons#electronic music#experimental#actresses#faves#bandcamp
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The World of Interiors, July/August 2020. Photo - Ricardo Labougle
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"...IT WAS REALLY INCREDIBLE BECAUSE IT WAS THE FIRST TIME I DID A FASHION SHOOT."
PIC(S) INFO: Spotlight on French-Indian actress Vimala Pons in an editorial for "Lampoon" magazine. 📸: Maxime Ballesteros, published November 8, 2023.
DORRELL MERRITT: "Your editorial with Maxime Ballesteros works with humor, uncanny, scale and likeness, and of course, the balancing of objects performatively, which you’ve become known for on social media. The atmosphere of his work catapults the viewer to the border between the dream and the nightmare, placing a lot of emphasis on the thin line that divides the opposites and antagonisms that govern us. What was the experience like, coming from an acting background?"
VIMALA PONS: "Actually, it was really incredible because it was the first time I did a fashion shoot. I was quite lost at some point because all the objects in the shoot were my objects. Intimate objects that I know, and that I have built, but the clothes were not mine, and were so expensive! Acting is really different to moving images. No stories, like in cinema where you have eight different stories; different women, different men and such. There is an astronaut, David Wolf, who when coming back from the moon, said that when you return, your senses are heightened because they’ve been absent for many months. You feel the weight of your watch, you feel the weight of the tears when you cry. So I would say that working with Maxime was an experience like this. My senses were heightened."
Source: https://lampoonmagazine.com/article/2023/11/08/maxime-ballesteros-vimala-pons-uncanny-photography-fashion-shooting-ethics-aesthetics.
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Cameo with Medusa, mid-1800s. Attributed to Luigi Saulini, 1819-1883. Sardonyx, gold mount.
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i think that one of the most obvious things wrong with me is that every time i get a visible injury i get the urge to post it online for people to look at. like a selfie.
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